All Saints Pavement, York.
North Aisle – East Window, 1893.
By Charles Eamer Kempe.
Charles Eamer Kempe (1837-1907) was a painter of walls, ceilings and woodwork of churches in the 1860s. The fashion then in vogue mirrored a resurgence of interest to high church practices. Kempe’s training served him very well, and he commenced his have stained glass business, CE Kempe a& Co in London, in 1868. He was not a trained artist, but was yet inventive, and able to suggest tips which could be designed by his artists and cartoonists. He insisted that only the firm’s identify really should just take the credit for the standard of get the job done made, and that unique customers of the studio continue to be nameless.
Kempe perfected the use of silver stain on crystal clear glass, which leaves a yellow tint, which could be sensitive or deep relying on the volume of stain. His finest stylistic influence was the stained glass of Northern Germany and Flanders from the 16th Century. He took lots of excursions to Europe, often using the Kempe Firm artists with him. The insignia of Kempe, from about 1895 right until his loss of life in 1907 was a wheatsheaf, from his family’s coat of arms. Immediately after his dying, the organization was operate by four of his administrators, like his cousin, Walter Tower. The insignia then adjusted to a wheatsheaf with a black tower.
Posted by Glass Angel on 2018-03-17 23:23:21
Tagged: , York, All Saints Pavement , Yorkshire , Church , Stained Glass Window , Charles Eamer Kempe
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