William Brouillard
www.cia.edu/faculty/listing.php?school_id=15
Artist Statement
The platters I have despatched to this exhibition mix several ceramic traditions. The initial is, The Palace Art Pot. Palace Art Pots were created to demonstrate prosperity and electrical power. They were being created to convey to a story, to commemorate an event or a human being, and to show talent and challenge the abilities of the artisans who created them. The next tradition is the Fish Platter. Fish platters had been a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The 3rd and past tradition is the A single-Line visual and verbal Pun, Platters of the ceramic Funk Movement.
Humor via the use of the visible pun was a mainstay of the California Funk motion. Humor in clay has a custom as old as the use of the product. I have usually felt that humor has been provided small shift as a really serious emotion. Art do the job that uses humor and has been actively excised from collections of really serious art. It may be that we do not fully grasp the perform of humor as very well as we recognize the perform of the other thoughts.
In the work introduced I have attempted to inject some humor into the ornamental / commemorative item. The platters are massive to give them a a little bit overblown sense of their personal worth and to be capable to be seen from a distance . They are intended for the wall and the desk. The substantial dimensions to in shape the relevance of substantial gatherings.
I have attempted to switch historical patterns with objects lessened to sample. Some of the objects are extensions of my surroundings or reflections of private interests. Visuals of transform of the century know-how, (the Device Age), are a private preferred. Subject matter ranges from humorous depiction of day-to-day objects to gender stereotypes. My qualities as A draftsman are confined but look to be satisfactory for the kind and high-quality of image that the topic demands. They have a cartoon appear as opposed to the crisp complexity of great china.
The clay overall body, a purple earthenware, is heavily potted and tends to make no secrete of its versions and flaws. The glaze work is in the Majolica type and is performed pretty considerably like a watercolor on comfortable paper. The pots are fired 2 times. They are bisqued to cone 05 and glazed to cone 04. Some may possibly have an further firing to Cone 018 for very low temperature luster and enamels. They are fired in an oxidizing atmosphere applying an electrical kiln.
William Brouillard June, 22 1993
Resume
William Craig Brouillard
Recent Situation:
Affiliate Professor of Art, Ceramics department, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
Training:
M.F.A., Ceramic Artwork, The New York State School of Ceramics at Alfred University, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Artwork Training, State University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Similar Work Knowledge:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, output of pottery and ceramic fee perform 1980-1993
Resident Craftsman at The Penland Faculty of Crafts, Penland, North Carolina, as a complete time self supporting studio artist in clay, with some associated instructing duties, 1976 -1978
Instructing Experience:
Instructor, Teaching starting intermediate and Graduate level ceramics, East Tennessee State College, Johnson Town, TN. 1978-1979
Teaching Assistantship, teaching Kiln Design and style and Development, to advanced and graduate degree learners at New York State College or university of Ceramics at Alfred College, Alfred, NY. 1974 – 1976
Instructing Assistantship, educating Two and A few Dimensional Design and style to starting and innovative College students, also instruction in materials and procedures of woodworking, at The New York Point out Faculty of
GRANTS AND AWARDS
Nationwide Cup Show, buy award, University of Southern IL. 1992
Ohio Designer Craftsmen, buy award, Finest of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Most effective of 92 Exhibition, 1992
American Craft Museum, Structure Award , for Excellence in Layout, in conduction with the Intended and created for use Exhibition, at The American Craft Museum, NY 1986
Buy Award, The Clay Cup Present, Southern IL. College, 1986
Art Park , Lewiston NY. Summer function and vacation grant 1980
COLLECTIONS REPRESENTED BY
The Detroit Museum of Art [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Assortment, St Louis, MO
The Sinker Collection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Selection, Lancaster, PA
College of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Month-to-month, Columbus, OH
The Cleveland Artwork Affiliation, Cleveland, OH
Alfred College, Museum of Ceramics, Alfred, NY
College Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Journal, Jan. 1994 Studio Potter Magazine, Jan, 1992, “The Language of the Lip” NCCECA Journal “Acquiring a Plastic Alphabet”, quantity 6, 1985 Studio Potter “Ohio Potters”, Oct, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, October 1977 The Alfred Kiln Drawings, New York Point out Higher education of Ceramics, Alfred College, Publication of The Office of Artwork and Structure, 1976
GALLERIES REPRESENTED BY
-The Clay Spot, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, Countrywide Conference For Education and learning in the Ceramic Arts
-Areas, Arts Organization, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Location Represenitive, Columbus, OH
-AAUP, American Affiliation of College Professors, Washington DC
Posted by clayglazepots on 2007-04-27 20:30:49
Tagged: , William , Brouillard , Cleveland , Institute , Artwork , Bowl
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