Blogged in The Woodwork: How (I obtained a package) dSLR [The entry kit dSLR Part 5]
White balancing cap
South of Market place, San Francisco, California
Olympus E-P2, Lumix G Vario Hd 1:4–5.8/14-140 ASPH. MEGA O.I.S.
Adobe Camera Uncooked, nik Sharpener Professional (uncooked presharpen), Topaz DeNoise, Kubota Picture Equipment (hawaiian punch)
1/13sec @ ƒ4.5, ISO2500, 22mm (44mm)
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The lens cap for the rear ingredient of the 18-55 VR kit lens is a lot more cheaply created than standard for Nikon (it is the exact a person equipped with the 50mm f/1.8). But it has a second, solution use. You can use it as a ambient white balancer.
I analyzed this utilizing PRE white balance (you have to use the menus, not details to established) on a Nikon D5000.
Shooting notes: I truly white well balanced the photograph applying the same trick on my E-P2. However, the lighting was so terrible, no detail is recoverable at ISO 2500.
Posted by tychay on 2010-01-26 05:29:19
Tagged: , 18-55mm f/3.5-5.6G VR , Adobe Camera Raw , Nikon D5000 , hawaiian punch , Topaz DeNoise 3 , tools , BorderFX , product photography , image camera , Nikkor , put up-processing , CV Nokton 35mm/1.2 , Lumix G Vario Hd 1:4.-5.8/14-140 ASPH. MEGA O.I.S , Voigtländer NOKTON 50mm F1.1 , lens , Panasonic , digicam porn , item , Topaz DeNoise , Voigtlander , Olympus E-P2 , Cosina-Voigtländer , raw presharpen , Topaz , Leica M8 , Kubota Impression Tools , Voigtlander NOKTON 50mm F1.1 , nik Sharpener Professional
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