Calouste Gulbenkian Museum, Lisbon, Portugal
Substance: White marble stone
Selection: To be defined (Donation)
Inv.: EE39
BIOGRAPHY
Born: 1907, TURDA, ROMANIA
Died: 1996, PARIS
Étienne Hajdú was born István Hajdú on August 12, 1907, in Romanian Transylvania.
Beneath the encouragement of his Hungarian dad and mom, Hajdú pursued his passions in carving and art, and as a teen, he qualified at a Budapest vocational college in planning for perform in the timber marketplace.
In 1926 his enthusiasm and talent for woodwork led to a brief period of time of review in 1926 at Vienna’s Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie followed in 1927 by his relocation to Paris. There he analyzed sculpture at the bastions of classical art: the studio of Emile-Antoine Bourdelle at the Académie de la grande chaumière (1927) École des arts décoratifs (1928) and École Nationale supérieure des beaux-arts (1928).
By 1930, encouraged by an exhibition of Fernand Léger’s modernist abstractions, Hajdú deserted his formal education and as a substitute engaged in the entire world of his avant-garde contemporaries, especially painters Maria Helena Vieira da Silva and Arpad Szenès, with whom he had his gallery debut in 1939 at the Galerie Jeanne Bucher, Paris.
Hajdú acquired French citizenship in 1930 and served in the army from 1931 to 1932, and once again from 1939 to 1940. Between tours, he travelled for review: classical sculpture in Crete and Greece, Piet Mondrian’s paintings in the Netherlands, and the Romanesque sculpture and structures within just the French countryside. Just about every encounter had an indelible result on Hajdú’s art, which even further advanced in the course of his 1940–44 stint as a stonecutter in a Pyrenean marble factory. His exploration of diverse stones—onyx, marble, and slate—had a formative effect, and in 1944 he produced his initially marble sculptures. Normally highly polished to a uniform, undulating sheen, Hajdú’s sculpture was expressionist in concept, derived from the human sort abstracted into volumetric outlines and pseudo-geometric designs that cleave distinctively into their bordering room. Postwar developments in machinery and technology led to experimentation in aluminium, copper, and bronze, along with welding, hammering, and riveting. Modelling metallic with his characteristic sinuous contours, he established freestanding sculptures and significant reliefs that echo the overall body in their abstract, just about sublime, compositions.
Hajdú had his very first solo exhibition at the Galerie Jeanne Bucher, Paris (1946), and his sculptures have been initially exhibited by means of the Salon de Mai, Paris (1947). The salon was an informal group of Parisian artists who celebrated the avant-garde and exhibited Hajdú’s do the job yet again in 1950 in both equally Paris and Tokyo, and throughout the 1950s and 1960s in Paris. Hajdú’s sculpture was released to American audiences by way of The New Ten years: 22 European Painters and Sculptors, Museum of Modern day Art, New York (1955). His sculptures also were exhibited together with line drawings in Sculptures and Drawings from 7 Sculptors, Guggenheim Museum, and he obtained his New York gallery debut at M. Knoedler & Enterprise (both equally 1958).
The Musée des beaux-arts, Dijon, France, mounted a retrospective, which travelled to the Műcsarnok, Budapest (1978), and Muzeul Naţional de Artă al Romniei, Bucharest (1979).
In 1969, the French Ministry of Society awarded Hajdú the Grand Prix National de Sculpture. Hajdú died on March 24, 1996, in Bagneux, France.
Resource: www.guggenheim.org/artwork/artist/etienne-hajdu
Posted by pedrosimoes7 on 2020-02-05 22:21:24
Tagged: , Etiènne Hadju , Calouste Gulbenkian Museum , Lisbon , Portugal , Sculpture , Esculptura , Black and White
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