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  • Sophia Elizabeth Hall Window at Whatton

    [40877] Whatton : Sophia Elizabeth Hall Window

    The memorial window in St John of Beverley Church, Whatton, Nottinghamshire, was created by Charles Eamer Kempe in 1897. Kempe was a painter of ecclesiastical decoration in the 1860s and started his own stained glass company in London in 1868. He was not a trained artist, but was nevertheless artistic, able to suggest ideas which could be developed by his artists and cartoonists.

    Kempe perfected the use of silver stain on clear glass, which leaves a delicate or deep yellow tint depending on the amount of stain. He was greatly influenced by the stained glass of Northern Germany and Flanders from the 16th Century and would frequently travel to Europe with the artists from his firm. After his death in 1907, the firm was run by four of his directors, including his cousin, Walter Tower. The firm’s insignia, from about 1895 until Kempe’s death, was a wheatsheaf, from his family’s coat of arms. After Kempe’s death, the insignia changed to a wheatsheaf with a black tower.

    The memorial window in St John of Beverley Church was created to remember Sophia Elizabeth, eldest daughter of James and Catherine Haffenden, and wife of Thomas Dickinson Hall of Whatton Manor, who passed away on June 21st 1896, aged 81. The window is currently on display in the church, remembering Sophia and commemorating her life.

    Posted by Budby on 2016-04-16 01:22:23

  • [40876] Whatton : Sophia Elizabeth Hall Window

    [40876] Whatton : Sophia Elizabeth Hall Window

    [40876] Whatton : Sophia Elizabeth Hall Window

    St John of Beverley, Whatton, Nottinghamshire.
    To the Glory of God, and in remembrance of Sophia Elizabeth, eldest daughter of James and Catherine Haffenden, and wife of Thomas Dickinson Corridor of Whatton Manor, obiit June 21st 1896 aged 81.
    Memorial Window (detail) by Charles Eamer Kempe (1837-1907), c1897.

    Charles Eamer Kempe was a painter of partitions, ceilings and woodwork of churches in the 1860s. The style then in vogue mirrored a resurgence of fascination to substantial church practices. Kempe’s education served him very well, and he began his own stained glass organization, CE Kempe & Co in London, in 1868. He was not a qualified artist, but was even so creative, and in a position to counsel ideas which could be created by his artists and cartoonists. He insisted that only the firm’s name really should acquire the credit history for the regular of do the job developed, and that individual members of the studio continue being nameless.

    Kempe perfected the use of silver stain on very clear glass, which leaves a yellow tint, which could be sensitive or deep dependent on the sum of stain. His biggest stylistic affect was the stained glass of Northern Germany and Flanders from the 16th Century. He took quite a few outings to Europe, normally having the Kempe Enterprise artists with him. The insignia of Kempe, from about 1895 right up until his dying in 1907 was a wheatsheaf, from his family’s coat of arms. Soon after his demise, the firm was run by 4 of his administrators, including his cousin, Walter Tower. The insignia then altered to a wheatsheaf with a black tower.

    Posted by Budby on 2016-04-16 01:22:22

    Tagged: , whatton , whatton-in-the-vale , church , nottinghamshire , vale of belvoir , window , stained glass

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