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  • marrakech djemaa el fna square

    marrakech djemaa el fna square

    marrakech djemaa el fna square

    two robed females

    Posted by gerboam on 2012-01-04 10:10:00

    Tagged: , morocco , gerboam , getaway , tour , discover , go to , trip , moorish , islam , muslim , mosque , berber , robes , costume , hat , blue , sky , architecture , carved , wood , metalwork , palm , trees , camel , straw , sand , mud , souk , medresa , medina , abdul , tomb , arch , lady , male , pantiles , render , majorelle , yves , st , laurant , french , colonial , ooh , la , geometric , models , djellaba , hajib , gates , plants , cactus , cacti , colour , cobalt , art , tiles , painted , woodwork , rabat , casablanka , fez , marrakech , carpets , rugs , spices , cover , balcony , terrace , royal , palace , chicks , sweet , tony

    #furniture #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, great woodworking, wooden chairs, wood operating applications, popular woodworking, woodworking guides, woodworking workbench ideas

  • Boiserie from the Hôtel de Varengeville. Metropolitan Museum of Art.

    Boiserie from the Hôtel de Varengeville. Metropolitan Museum of Art.

    Boiserie from the Hôtel de Varengeville. Metropolitan Museum of Art.

    Viaje a EEUU – Día 9

    Day:ca. 1736–52, with afterwards additions
    Tradition:French, Paris
    Medium:Carved, painted, and gilded oak
    Dimensions:H. 18 ft. 3-3/4 in. (5.58 m), W. 23 ft. 2-1/2 in. (7.07 m), L. 40 ft. 6-1/2 in. (12.36 m)
    Classification:Woodwork
    Credit score Line:Purchase, Mr. and Mrs. Charles Wrightsman Gift, 1963
    Accession Variety:63.228.1
    On see at The Satisfied Fifth Avenue in Gallery 525
    Exceptional carving, partly in significant reduction, constitutes the main glory of this paneling, which arrives from just one of the non-public residences of eighteenth century Paris, the Hôtel de Varengeville, which nonetheless stands, substantially altered, at 217, boulevard Saint-Germain. It was crafted by the architect Jacques Gabriel (1667–after 1742) for Charlotte-Angélique Courtin, comtesse de Varengeville, whose daughter, Jeanne-Angélique Roque de Varengeville, duchesse de Villars, inherited the residence in 1732. The duchesse de Villars marketed the household 4 years later to Marie-Marguerite d’Allègre, comtesse de Ruppelmonde, who owned the making until her demise in 1752 and who is most likely to have commissioned the Museum’s paneling. Sure facets of the carved ornament, these as the placement of the very long-necked birds perched on the scrolling frames of the wall panels and mirrors, are linked to a drawing that has been attributed to Nicolas Pineau (1684–1754). Pineau is primarily acknowledged for his hugely asymmetrical and deliciously whimsical styles in the higher Rococo design. That full-blown period of the Rococo is not yet attained in the delicate and spirited decoration of the Varengeville paneling, which is even now mainly symmetrical. While the boiserie is richly embellished with C-scrolls, S-scrolls, palmettes, sprigs of flowers, coiling vines, and rocaille motifs, most of the interest is lavished on a collection of trophies (eleven of which are first the remainder are copies produced for installation in the Museum). In addition to representations of the 4 seasons, the other trophies allude to ideas and characteristics ranging from army fame and princely glory, to truthfulness, commerce, gardening, tunes, and poetry. The paneling was transferred to a freshly designed residence at 31, rue du faubourg Saint-Honoré, Paris, in the late nineteenth century by comte Frédéric-Alexis-Louis Pillet-Will, from where by it was offered in 1963

    Section
    European Sculpture and Ornamental Arts (42,455)
    Object Type / Content
    Gilt (9,167)
    Oak (1,176)
    Portray (6,273)
    Wooden (15,082)
    Woodwork (2,296)

    Geographic Site
    Europe (168,004)
    France (55,728)
    Paris (6,770)
    Date / Period
    A.D. 1600–1800 (75,152)

    www.metmuseum.org/art/selection/lookup/202996

    Posted by Luis Pérez Contreras on 2017-11-30 21:18:02

    Tagged: , Viaje , EEUU , United states , journey , 2017 , Olympus , m4/3 , m.Zuiko , OM-D , E-M1 , Manhattan , NYC , New York , Nueva York , Estados Unidos , The Met , Metropolitan Museum of Artwork , Boiserie from the Hôtel de Varengeville

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  • Grand Salon from the Hôtel de Tessé, Paris. Metropolitan Museum of Art.

    Grand Salon from the Hôtel de Tessé, Paris. Metropolitan Museum of Art.

    Grand Salon from the Hôtel de Tessé, Paris. Metropolitan Museum of Art.

    Viaje a EEUU – Día 9

    Panorámica a partir de 15 fotos.

    Maker:Created by Nicolas Huyot (1700–1791)
    Maker: Carved by Pierre Fixon (active 1748–88)
    Maker: and/or his son Louis-Pierre Fixon (born 1748)
    Maker: Chimneypiece by Jean-Baptiste-Antoine Lefranc
    Maker: Contracted by Louis Le Tellier (ca. 1700–1785)
    Date:ca. 1768–72, with afterwards additions
    Culture:French, Paris
    Medium:Carved, painted, and gilded oak marble plaster
    Proportions:H. of room 16 ft. (4.87 m), W. 29 ft. 6-1/2 in. (9 m), L. 33 ft. 7-1/2 in. (10.25 m)
    Classification:Woodwork
    Credit rating Line:Present of Mrs. Herbert N. Straus, 1942
    Accession Selection:42.203.1
    On perspective at The Met Fifth Avenue in Gallery 528

    The salon is the assembly home, applied for festive situations. It is here that the finest formality prevails in this room, magnificence should unfold wealth need to be lavished and the Artist need to deploy his flavor and his genius. Marbles, bronzes, gilding, sculpture, painting, and eyeglasses will appear to his help tapestries, which we have lifted to these a diploma of elegance, may perhaps enrich the outcome. Rock crystal for the lusters, girandoles, and candelabra valuable statues the richest of vases the rarest of porcelains all may possibly incorporate to make improvements to the place. — Nicolas Le Camus de Mézières, Le Génie de l’architecture

    Adhering to a disastrous fireplace, the residence at 1, quai Voltaire, was rebuilt concerning 1765 and 1768 at the behest of the widowed Marie-Charlotte de Béthune-Charost, comtesse de Tessé (1713–1783), and her son René Mans de Froulay (1736–1814), who had obtained the ruined creating on the condition that a new mansion would be constructed. Whilst present-day guidebooks credit score the types to the architect Pierre-Noël Rousset (1715–1793), it seems that the architect-contractor Louis Le Tellier (ca. 1700–1785) was generally liable for the creation of this Paris property with its dignified facade, nonetheless standing today on the still left bank of the Seine, near the Pont du Carrousel. Because the accounts had been not settled until eventually April of 1772, it is very likely that the interior decoration was not completed just before then. The Museum’s paneling with its refined carving in the Neoclassical design was the work of woodworker Nicolas Huyot, a maître menuisier about whom little is acknowledged.

    The carving was finished by the sculptor Pierre Fixon or his son Louis-Pierre, or potentially the two in collaboration. The Fixons might also have established the plaster overdoor reliefs representative of the four seasons. The marble sculptor Jean-Baptiste-Antoine Le Franc, who like the Fixons experienced labored with Le Tellier on a variety of other assignments, was accountable for the blue turquin marble mantelpiece, which is unique to the space. The paneling acquired by the Museum adorned the biggest of the official reception rooms that ended up aligned, or laid out en enfilade, on the 1st ground of the constructing (the American next flooring). Especially lovely are the coffered triumphal arches executed in viewpoint that frame the 4 mirrors and are crowned by laurel branches and floral wreaths. The 1783 inventory drawn up just after the dying of the comtesse de Tessé indicates that this home was termed the Salle du Dais (Canopy Area) just after the substantial tester or canopy that must have been mounted on the wall reverse the windows. Underneath this crimson damask tent, which was enriched with gold embroidered appliqués of the Tessé household coat of arms, the comtesse or her son presumably received their visitors. While not of royal birth, Madame de Tessé was the widow of René Mans de Froulay (1707–1742), comte de Tessé and marquis de Laverdin, as nicely as a Spanish grandee. In addition to a sixleaf folding chamber monitor, the area was furnished with 20-nine chairs all lined with different crimson fabrics, a compact veneered bookcase, and a gilt-bronze cartel clock with movement by Voisin. Numerous relatives portraits and two tapestries of landscape scenes ended up hung on the aspect partitions. The 1783 stock of the hôtel did not checklist any curtains in the room most likely none were hung, in purchase not to obscure the charming watch from the a few massive windows of the Seine and the Louvre and Tuileries palaces throughout the h2o.

    Epigraph. Le Camus de Mézières 1780/1992, p. 111.

    Section
    European Sculpture and Attractive Arts (42,455)
    Artist / Maker / Lifestyle
    Louis-Pierre Fixon (1)
    Pierre Fixon (1)
    Nicolas Huyot (1)
    Louis Le Tellier (1)
    Jean-Baptiste-Antoine Lefranc (1)

    Object Form / Substance
    Gilt (9,167)
    Marble (2,198)
    Oak (1,176)
    Portray (6,273)
    Plaster (2,742)
    Wooden (15,082)
    Woodwork (2,296)
    Geographic Place
    Europe (168,004)
    France (55,728)
    Paris (6,770)

    Day / Period
    A.D. 1600–1800 (75,152)

    www.metmuseum.org/artwork/assortment/research/199118

    Posted by Luis Pérez Contreras on 2017-11-29 21:37:00

    Tagged: , Grand Salon from the Hôtel de Tessé , Viaje , EEUU , United states of america , trip , 2017 , Olympus , m4/3 , m.Zuiko , OM-D , E-M1 , Manhattan , NYC , New York , Nueva York , Estados Unidos , The Achieved , Metropolitan Museum of Artwork , Paris , Panorámica , panorama

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  • Daddy at Sacred Heart Convent, Cullman, Alabama – v42

    Daddy at Sacred Heart Convent, Cullman, Alabama – v42

    Daddy at Sacred Heart Convent, Cullman, Alabama - v42

    I experienced chauffeured Father to an appointment, and we experienced some time to eliminate, so we stopped by the Sacred Heart Convent and built a several shots.

    When he appeared at this image, he mentioned with a smile, “Who’s that? I’m heading to have to get a new mirror!”

    I like my Pop.

    He’ll begin his 81st calendar year in a handful of times, specifically, October 31.

    He’s a swell fellow – a real gentleman – with quite a life’s tale! Raised in poverty in rural West Alabama, he knows how to select cotton by hand, remembers when electricity arrived to his family’s dwelling, the electrician’s identify who wired their house, and so many other hard-scrabble tales of a daily life unknown to numerous of us in this day & age.

    Immediately after graduating Substantial University (he was the initial in his family members to do so), with his dad’s permission, he joined the United States Navy all through the Korean War, and served aboard the U.S.S. Juneau, CLAA119, aka “The Galloping Ghost of the Korean Coast.”

    After his Navy enlistment, with the support of the G.I. Bill, he matriculated Auburn College (then regarded as Alabama Polytechnic Institute, or API), in which he graduated with a Bachelor’s Diploma (once more, very first in his relatives to gain a university degree), achieved & married Mother immediately after she graduated.

    The first portion of his occupation was devoted to offering livestock/farm animal prescription drugs, he then moved on to poultry offer income, where by he remained for a lot of yrs until finally the company went tummy-up.

    He and Mom then returned to Graduate College (creating my brother & me the original “Latchkey Kids”), he to Alabama A&M University, Mom to U of Alabama, wherever he attained a Master’s and AA Teaching Certification. (In Alabama, academics don’t get paid any additional for earning terminal levels, i.e. PhD, than they do earning an AA Instructing Certificate, so knowing there was no a lot more Return for that Investment, he stopped there. He’d only require publish a paper & get an additional class for his PhD.) Mother earned her Master’s.

    He then began the shop method at Hartselle Junior Substantial School – from which he retired – and taught the boys & girls about the World of Do the job, Tiny Engine Mend, Woodworking (making bluebird homes was just one challenge), was an Alabama State Qualified Hunter Gun Safety Teacher, among the other classes.

    He is also retired from the Alabama Air Nationwide Guard, exactly where he served as a Procurement Officer until eventually mandatory retirement. Through his time teaching & in the ALARNG, he rode a bike to & from do the job, and drill.

    Following that, he earned a Class A Professional Driver License with Passenger endorsement, and drove buses for a number of many years.

    A lot more not long ago, I bought a new iPad4 for him to go with his iMac.

    Yeah… he is a rather swooft dude, alright!

    Posted by SouthernBreeze on 2013-10-29 01:52:10

    Tagged: , monochrome , story , lifetime , USAF , National Guard , navy , veteran , photograph , photography , photo , white , black , B&W , working day , good friends , pleasurable , household , trip , journey , gentle , Cullman , United states , United States , Alabama , AL , geotagged , geotag , portrait , gentleman , guardian , Father , Pop , Daddy , NikonD90 , D90 , Nikon , Southern Breeze , 2013 , T61614 , USN

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  • woodwork

    woodwork

    <a href=woodwork“>

    Posted by dirk.werdelmann on 2022-04-14 13:08:12

    Tagged: , architektur , salzburgerland , berge , journey , reise , Österreich , amadé , nikon , Austria , shabby , particulars , holiday , excursion , architecture , look at , urlaub , werdelmann , common , blick , mountain

    #home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, great woodworking, wooden chairs, wood doing work applications, popular woodworking, woodworking publications, woodworking workbench plans