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Posted by unlogical feeling on 2014-12-17 17:30:54
In the French city of Toulouse, a collective known as Les Pavillons Sauvages is hosting an exhibition titled Rakta + Woodwork + Fraude, which explores themes of Indian mythology and identity, among other subjects.
Rakta is a Sanskrit word meaning “blood,” and the exhibition takes inspiration from the story of the Hindu goddess Kali, who is often depicted as a fierce warrior with a tongue protruding in a state of rage and blood dripping from her mouth. The artworks on display draw from this violent imagery, with depictions of blood and violence portrayed through paintings, sculptures, and installations.
The exhibition also explores themes of identity and cultural appropriation, with some of the artists using traditional Indian motifs and symbols in their work. Questions are raised about who has the right to use cultural symbols and how their use can perpetuate harmful stereotypes and misunderstandings.
Woodwork is another central theme of the exhibition, with many of the works incorporating carvings and other forms of woodwork. These pieces often convey a sense of decay or decayed beauty, using the natural texture and patterns of the wood to create intricate designs.
Perhaps the most intriguing aspect of the exhibition is the concept of fraud, which is explored in several of the artworks. From fake artifacts to fraudulent claims, the pieces examine the ways in which deceit can be used to distort history and manipulate reality.
Overall, Rakta + Woodwork + Fraude is a rich and thought-provoking exhibit that engages with timely questions about culture, identity, and the power of myth and storytelling. With its bold and inventive works, it is a testament to the creativity and vision of the artists involved, and a must-see for anyone interested in contemporary art and culture.
Posted by unlogical feeling on 2014-12-17 17:30:55
Rakta + Woodwork + Fraude is an event that took place at Les Pavillons Sauvages, a cultural center in Toulouse, France. The event was a collaboration between the cultural center and Brazilian post-punk band Rakta, French woodworking artist Cyril Vetter, and French artist collective Fraude.
The event consisted of two main parts: a performance by Rakta and a woodworking exhibition by Vetter and Fraude.
Rakta is a post-punk band from São Paulo, Brazil. The band was formed in 2011 by Paula Rebellato and Carla Boregas, and has since released three albums and several EPs. Rakta’s music is characterized by its dark and atmospheric sound, which incorporates elements of post-punk, goth, and psychedelic rock.
For the performance at Les Pavillons Sauvages, Rakta played a set of their most popular songs, including tracks from their latest album Falha Comum. The band’s performance was complemented by a visual installation created by Fraude, which involved a series of projections and animations that were synchronized with the music.
While the band performed, Cyril Vetter and Fraude presented an exhibition of their woodworking art. Vetter is a woodworking artist who creates sculptures and installations from reclaimed wood. His work often incorporates elements of nature, such as tree branches, leaves, and flowers.
Fraude is a French artist collective that specializes in multimedia installations and performances. The collective is made up of artists from various disciplines, including music, visual art, and performance art. Fraude’s work often explores themes of technology, nature, and society.
For the Rakta + Woodwork + Fraude event, Vetter and Fraude created a series of wooden sculptures and installations that were inspired by Rakta’s music. The sculptures were lit from within, creating a warm and inviting atmosphere that contrasted with Rakta’s dark and brooding sound.
The Rakta + Woodwork + Fraude event was a unique and immersive experience that brought together different art forms and cultural perspectives. The collaboration between Rakta, Vetter, and Fraude was a testament to the power of art to transcend boundaries and create new forms of expression. The event was well received by the audience and was a testament to the thriving creative scene in Toulouse, France.
Posted by unlogical feeling on 2014-12-17 17:30:56