Çifte Kasirlar / Twin Kiosk
Çifte Kasırlar (Şehzadeler Dairesi, IV. Mehmed Kasrı)
III. Murad Has Odası’nın girişinin Mabeyn Taşlığı tarafında çıkma yapacak şekilde inşa edilen bu kasırlar iç içe iki odadan oluşur. Dıştan çini kaplı ve sürekliliği olan bir saçakla çevrelenmiş olması eş zamanlı bir inşaat izlenimi verir. Ancak, bu kasırların iç dekorasyonu farklı dönemlerde inşa edilmiş olduğunu gösterir. Yetişkin şehzadelerin Harem’in kadınlar kısmından ayrı ve mabeyn tarafında yaşamaları gerekiyordu. 17. yy. başından itibaren sancaklara gönderilmeyen şehzadeler maiyetlerindeki Kara Ağalar, kalfa kadınlar ve cariyelerle Harem içinde yaşamaya mecbur ediliyordu.
Cinlerin Meşveret Yeri adı verilen revak üzerinde ve Mabeyn Taşlığı’na çıkma yapacak şekilde inşa edilen ilk oda, muhtemelen 16.yy. sonu veya 17.yy. başlarında III. Mehmed (1596-1603) tarafından bir Has Oda olarak yaptırılmış olmalıdır.
Kubbeli kasrın sol tarafında yer alan kapıdan geçilerek girilen diğer oda büyük olasılıkla IV. Mehmed (1648-1687) tarafından yaptırılmıştır. Her iki odaya da zaman içinde ara katlar renkli ahşap şirvanlar yapılarak ilginç bir iç mimari kompozisyon oluşturulmuştur. Yapılan restorasyon çalışmaları sırasında Şehzâdegân Dairesi de denilen bu odaların özgün şeklini ortaya çıkartmak için ahşap kısımlar kaldırılmıştır.
Kaynak: www.topkapisarayi.gov.tr
Twin Kiosk / Residences of the Crown Prince
The Twin Kiosk / Residences of the Crown Prince (Cifte Kasirlar / Veliahd Dairesi) is composed of two privy chambers designed in the 17th century, at different moments. The building is connected to the palace and consists of only one particular storey built on an elevated system to give a superior see from inside of and shield views from the outside the house.
The inside is composed of two substantial rooms, relationship from the reign of Sultan Murat III, but are far more most likely from the reign of Ahmed I. The ceiling is not flat but conical in the kiosk type, evoking the conventional tents of the early Ottomans. As in tents, there is no standing household furniture but sofas established on the carpeted floor on the aspect of the walls for seating. These chambers depict all the details of the classical type employed in other sections of the palace. The pavilion has been absolutely redecorated, and most of the Baroque woodwork has been eliminated. The attractive tiles, reflecting the large high-quality craftsmanship of the Iznik tile industry of the 17th century, were being eradicated in accordance with the original principle and changed with modern copies. The paintwork of the wood dome is however initial and is an illustration of the wealthy models of the late 16th/early 17th centuries. The hearth in the next area has a tall, gilded hood and has been restored to its original overall look. The window shutters upcoming to the hearth are adorned with nacre intarsia. The home windows in coloured glass search out across the large terrace and the backyard of the pool beneath. The spigots in these windows are surrounded with red, black and gold types.
The crown prince (Sehzadeler) lived in this article in seclusion for that reason, the apartments have been also called kafes (cage). The crown prince and other princes were qualified in the willpower of the Ottoman Harem until finally they arrived at adulthood. Later on, they were being sent as governors to Anatolian provinces, where they were further trained in the administration of condition affairs. From the starting of the 17th century onward, the princes lived in the Harem, which started out to have a voice in the palace administration. The Twin Kiosk was employed as the privy chamber of the crown prince from the 18th century onward.
Source: Wikipedia
Posted by sait.erol on 2012-03-26 10:42:28
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