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Tag: thurston

  • Is “Gloria in Deo” from the 15th century or a fabricated composition from the 19th century?

    date gloria in deo (15th Century? Or 19th Century fake?)

    St. Peter’s Church in Thurston, Suffolk is a Victorian-era church that was built as a replacement for the original church that was destroyed in a dramatic incident in 1860. John Hakewill was the lesser-known younger brother of the architect Edward Hakewill who extensively worked on construction projects in Suffolk in the 1860s. John Hakewill was tasked with rebuilding St. Peter’s Church in Thurston after the original church was destroyed when its tower collapsed on the night of Sunday March 18th, 1860. A decision was made to rebuild from scratch, accommodating the new church to the surviving chancel and porch. John Hakewill replaced the inferior architecture in the old structure with the much-preferred Decorated style, which was immensely popular at the time.

    St. Peter’s Church in Thurston was reopened barely 18 months later after the tower collapsed at a cost of about £3,500 or three quarters of a million in today’s money. The exterior of the church is impressive, with an imposing tower that remains to this day. The interior is wholly 19th Century, with earlier survivals such as the Perpendicular font which has foliage panels that conceal a number of green man depictions. Other medieval relics include collected fragments of stained-glass windows, including a series of striking heads and the figures of a cherubim, a pope, and a bishop. There are also delightful little figures in the spandrels of the 15th Century stalls that survived the fall of the tower.

    A set of royal arms to Queen Elizabeth II, dated to 1977, was installed in the church along with woodwork in the nave that is of decent quality. However, the reredos in the chancel is rather finer and was the work of Father Ernest Geldart, the Anglo-Catholic carpenter-priest. The Greene family, who are commemorated at Thurston, paid for the restoration of the chancel. Sir Walter Greene, a member of the Greene family, is depicted in the memorial windows created by the stained glass firm Ward & Hughes. The windows spanned over thirty years from 1890 to 1920 and are considered to be exceptionally spectacular.

    In addition to the stunning memorials and preserved medieval artefacts, St. Peter’s Church in Thurston also boasts a couple of delightful medieval benches at the west end of the south aisle, both of which also have green men on them. The church is now open to visitors every day, with signs in the porch warning visitors not to lock the door upon leaving.

    Posted by Simon Knott on 2018-02-06 16:58:06

  • Thurston

    Thurston

    Thurston

    St Peter, Thurston, Suffolk

    Thurston is a substantial and occupied village just off of the A14 not much from the edge of Bury St Edmunds, with the blessing of its own railway station on the Ipswich to Cambridge line. The church sits on the edge of the village, a significant, crisp developing that stands upright previously mentioned the street to Pakenham. None of the tough-and-readiness of several of Suffolk’s rural churches in this article, for what you see from the road is solely of the 19th Century.

    On this internet site, we have frequently occur throughout the operate of the unfashionable Victorian Suffolk architect Edward Hakewill, son of the additional famed Henry Hakewill. He experienced worked extensively in Suffolk the 1860s, and is often excellent, at Kenton, for instance. But he can also be extremely undistinguished, as at Rushmere, Brantham and Shottisham. The rationale I was intrigued by Thurston is that it was the work of his lesser-recognised youthful brother, John Henry Hakewill, and I was intrigued to see what he experienced got up to.

    His brother Edward’s usual method was to go in, create a north aisle, minimize the interior furnishings to a polite center-brow sacramentalism, and then leave. John Hakewill had fairly a lot more than that to do below, due to the fact of one thing that occurred on the evening of Sunday March 18th 1860. In frequent with most Suffolk churches, St Peter had been considerably neglected by way of the 18th and early 19th Generations, and its will need for a facelift had develop into apparent. In reality, John Hakewill had presently been engaged as the architect for a thorough going-about of the aged framework. But shortly ahead of midnight, supposedly on the night in advance of function was owing to commence, the tower fell.

    It is really hard to think about the effect of an incident like that on a small, remote, rural local community. The a person long-lasting, ageless framework in its midst out of the blue disappeared overnight. The tower collapsed straight down, but slipping rubble took out the nave and aisle roofs, as perfectly as destroying piers of the two arcades. The parishioners decided to do the clear, and retreat into the chancel for solutions. On the other hand, just ten days afterwards, the rest of the nave collapsed, bringing down what remained of the arcades and roofs, and destroying all the furnishings, which includes the pulpit and lectern.

    And so, a choice was designed to rebuild from scratch, accommodating the new church to the surviving chancel and porch. As Roy Tricker points out, Hakewill was quite much of the prevailing view of the time that Adorned was the only appropriate design for a medieval church (in spite of the fact that Suffolk’s finest moments are primarily Perpendicular), and, as a Bury Put up short article of the time famous, Hakewill was decided that the new church really should be totally in Adorned and accurate architecture, replacing the inferior architecture in the aged structure.

    And so, there it is today. The exterior is definitely remarkable, and the church reopened barely 18 months later, at the cost of about £3,500, about 3 quarters of a million in modern income, an extraordinary discount I would have considered. This will have to have been a massive church, even just before Hakewill’s rebuild – I puzzled if it had been a match for Rougham, throughout the A14. A lot of the chancel seems reasonably primary, in spite of considerable patching up. The imposing tower alone is beginning to mellow with age, while maybe it still bears a disconcerting similarity to what might be the tower of a Commonly English Village Church in a product village, many thanks to Hakewill’s insistence on ‘correct’ Dec. But when you take into account what Richard Phipson did throughout the street at Finborough and Woolpit in the course of the exact decade, St Peter may have bought off lightly.

    You phase into a large, tidy house total of light – no gloomy north aise in this article. Inevitably, there is an city truly feel to the wholly 19th Century inside, while there are some earlier survivals. 1 of these is the font, a high-quality perpendicular piece whose foliage panels conceal a eco-friendly man or two. Can it have appear from listed here at first? It is tricky to see how the font could have survived the collapse of the tower. Gathered fragments of 15th Century glass include things like a selection of placing heads, as very well as components of the figures of a cherubim, a pope and a bishop. Up in the chancel there is what seems to be a pair of tasty medieval angels keeping scrolls, whilst they are, I feel, 19th Century fakes. Certainly 15th Century are the stalls down below, however, which survived the fall of the tower and have pleasant minor figures in the spandrels. There are a few additional medieval benches now put at the west close of the south aisle, also with inexperienced gentlemen on them.

    Bringing us ideal up to day is a person of Suffolk’s several sets of royal arms to Queen Elizabeth II (there are many others not considerably off at Rattlesden and Lavenham, between other people). This set is dated 1977, the year of the Silver Jubilee. The woodwork in the nave is of a respectable high-quality, presumably mounted as part of the identical fee as the rebuilding, but the reredos in the chancel is somewhat finer, the get the job done of Father Ernest Geldart, the Anglo-catholic carpenter-priest whose parish and studio have been at Little Braxted in Essex. Its fee may perhaps give us some concept of the churchmanship right here at Thurston in the early decades of the 20th Century.

    A name that a lot of will associate with Bury St Edmunds is that of the Greene King brewery, and the Greene spouse and children are commemorated listed here at Thurston. Sir Walter Greene compensated for the restoration of the chancel. The memorial windows to the Greene family members are by the stained glass agency Ward & Hughes, and ended up put in over 30 yrs from 1890 to 1920. Ward & Hughes were being a corporation that went by means of three distinctive phases. In their early yrs they ended up generally fairly intriguing, as across the border at Pentney in Norfolk, for instance. Afterwards in the 19th Century they turned one particular of the premier mass-producing workshops in the region, churning out countless numbers of windows for hundreds of churches all over the earth that are mostly of a very similar center-brow excellent. In the 20th Century, on the other hand, the wheels arrived off a little bit, and the home windows fluctuate significantly. There is a emotion that patrons have been given much too significantly say in the design and style, which is often a oversight, and often they can be pretty terrible. But here at Thurston the glass is spectacular. The 1890 glass is unquestionably not operate-of-the-mill, currently being a edition in glass of Axel Ender’s painting Easter Morning. Regardless of whether it is excellent or not is most likely a subject of flavor, but the other two home windows are alternatively thrilling, and delightfully mawkish – witness the determine of Peace stooping to kiss the lips of Righteousness. There is a Ward & Hughes window in a equivalent design and style to these previous two up the road at Pakenham.

    In other places in the church, the beautiful 1950 window of the Adoration of the Magi at the east close of the south aisle is by E L Armitage for Powell & Sons, and it changed weakened glass which commemorated a 14 months aged baby, Mary Adelaide Blake, who died in 1842. The day of the new window indicates that the old a person experienced blast damge in the Next Globe War, a prevalent fate for these Suffolk churches surrounded by American air bases. The greatest window in the church, nonetheless, is at the east conclusion of the north aisle, and depicts the Raising of Jairus’s Daughter in a quiet, painterly fashion. It remembers Isabella Blake, who died in 1856, and no person appears to be to know who it is by. Intriguingly, provided that this is also to a daughter of the Blake household, it appears probable that the misplaced window in the south aisle was by the similar workshop.

    For numerous years, Thurston church was complicated of entry, so it is pleasing to discover that it is now open up to strangers and pilgrims each day. Even extra, the indicator in the porch asks you to be mindful not to unintentionally lock the doorway on your way out.

    Posted by Simon Knott on 2018-02-05 17:51:48

    Tagged: , Thurston , suffolk , east Anglia , CHURCH

    #furniture #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, high-quality woodworking, wood chairs, wood operating applications, well-liked woodworking, woodworking textbooks, woodworking workbench designs

  • fragments including a bishop and a cherubim (15th Century)

    fragments including a bishop and a cherubim (15th Century)

    fragments including a bishop and a cherubim (15th Century)

    St Peter, Thurston, Suffolk

    Thurston is a huge and active village just off of the A14 not far from the edge of Bury St Edmunds, with the blessing of its have railway station on the Ipswich to Cambridge line. The church sits on the edge of the village, a big, crisp building that stands upright above the road to Pakenham. None of the rough-and-readiness of many of Suffolk’s rural churches listed here, for what you see from the street is fully of the 19th Century.

    On this internet site, we have generally come throughout the function of the unfashionable Victorian Suffolk architect Edward Hakewill, son of the more famous Henry Hakewill. He experienced labored extensively in Suffolk the 1860s, and is from time to time good, at Kenton, for instance. But he can also be quite undistinguished, as at Rushmere, Brantham and Shottisham. The explanation I was intrigued by Thurston is that it was the work of his lesser-regarded youthful brother, John Henry Hakewill, and I was intrigued to see what he experienced got up to.

    His brother Edward’s typical solution was to go in, make a north aisle, minimize the inner furnishings to a polite center-brow sacramentalism, and then depart. John Hakewill had rather a lot more than that to do right here, mainly because of some thing that happened on the evening of Sunday March 18th 1860. In prevalent with most Suffolk churches, St Peter had been enormously neglected as a result of the 18th and early 19th Centuries, and its need to have for a facelift had become apparent. In actuality, John Hakewill experienced presently been engaged as the architect for a extensive likely-above of the outdated structure. But shortly before midnight, supposedly on the night time in advance of perform was thanks to commence, the tower fell.

    It is tricky to picture the impact of an incident like that on a very small, remote, rural neighborhood. The 1 lasting, ageless construction in its midst quickly disappeared overnight. The tower collapsed straight down, but slipping rubble took out the nave and aisle roofs, as perfectly as destroying piers of equally arcades. The parishioners made the decision to do the obvious, and retreat into the chancel for companies. Even so, just 10 days afterwards, the relaxation of the nave collapsed, bringing down what remained of the arcades and roofs, and destroying all the furnishings, like the pulpit and lectern.

    And so, a selection was built to rebuild from scratch, accommodating the new church to the surviving chancel and porch. As Roy Tricker details out, Hakewill was extremely considerably of the prevailing opinion of the time that Adorned was the only suited design and style for a medieval church (despite the simple fact that Suffolk’s finest moments are generally Perpendicular), and, as a Bury Publish article of the time famous, Hakewill was identified that the new church should be totally in Embellished and suitable architecture, changing the inferior architecture in the previous composition.

    And so, there it is these days. The exterior is surely outstanding, and the church reopened hardly 18 months afterwards, at the expense of about £3,500, about 3 quarters of a million in modern cash, an amazing cut price I would have thought. This have to have been a substantial church, even ahead of Hakewill’s rebuild – I puzzled if it experienced been a match for Rougham, throughout the A14. Considerably of the chancel appears somewhat first, even with appreciable patching up. The imposing tower itself is commencing to mellow with age, even though probably it still bears a disconcerting similarity to what may be the tower of a Ordinarily English Village Church in a model village, many thanks to Hakewill’s insistence on ‘correct’ Dec. But when you take into consideration what Richard Phipson did throughout the road at Finborough and Woolpit throughout the very same 10 years, St Peter may well have bought off evenly.

    You phase into a substantial, tidy room comprehensive of gentle – no gloomy north aise here. Inevitably, there is an city feel to the wholly 19th Century interior, though there are some before survivals. A person of these is the font, a great perpendicular piece whose foliage panels conceal a eco-friendly guy or two. Can it have appear from here initially? It is hard to see how the font could have survived the collapse of the tower. Gathered fragments of 15th Century glass incorporate a amount of striking heads, as effectively as parts of the figures of a cherubim, a pope and a bishop. Up in the chancel there is what appears to be a pair of mouth watering medieval angels holding scrolls, although they are, I feel, 19th Century fakes. Absolutely 15th Century are the stalls under, on the other hand, which survived the drop of the tower and have pleasant tiny figures in the spandrels. There are a couple extra medieval benches now placed at the west stop of the south aisle, also with eco-friendly males on them.

    Bringing us correct up to day is a person of Suffolk’s various sets of royal arms to Queen Elizabeth II (there are some others not considerably off at Rattlesden and Lavenham, among some others). This established is dated 1977, the yr of the Silver Jubilee. The woodwork in the nave is of a decent excellent, presumably set up as part of the very same commission as the rebuilding, but the reredos in the chancel is rather finer, the do the job of Father Ernest Geldart, the Anglo-catholic carpenter-priest whose parish and studio have been at Little Braxted in Essex. Its fee may give us some notion of the churchmanship listed here at Thurston in the early a long time of the 20th Century.

    A title that numerous will affiliate with Bury St Edmunds is that of the Greene King brewery, and the Greene household are commemorated listed here at Thurston. Sir Walter Greene paid out for the restoration of the chancel. The memorial home windows to the Greene relatives are by the stained glass business Ward & Hughes, and ended up put in above 30 years from 1890 to 1920. Ward & Hughes have been a company that went by way of 3 unique phases. In their early many years they ended up typically pretty appealing, as across the border at Pentney in Norfolk, for illustration. Afterwards in the 19th Century they turned just one of the largest mass-making workshops in the country, churning out thousands of windows for hundreds of churches all above the globe that are largely of a identical middle-brow quality. In the 20th Century, nevertheless, the wheels arrived off a bit, and the home windows range tremendously. There is a feeling that patrons have been provided too a lot say in the structure, which is always a miscalculation, and often they can be really dreadful. But listed here at Thurston the glass is stunning. The 1890 glass is absolutely not run-of-the-mill, remaining a version in glass of Axel Ender’s painting Easter Morning. No matter if it is great or not is perhaps a issue of flavor, but the other two home windows are somewhat thrilling, and delightfully mawkish – witness the figure of Peace stooping to kiss the lips of Righteousness. There is a Ward & Hughes window in a identical style to these final two up the street at Pakenham.

    Elsewhere in the church, the charming 1950 window of the Adoration of the Magi at the east close of the south aisle is by E L Armitage for Powell & Sons, and it changed weakened glass which commemorated a 14 months old little one, Mary Adelaide Blake, who died in 1842. The day of the new window suggests that the old a person experienced blast damge in the 2nd Globe War, a common destiny for these Suffolk churches surrounded by American air bases. The finest window in the church, nonetheless, is at the east finish of the north aisle, and depicts the Boosting of Jairus’s Daughter in a quiet, painterly style. It remembers Isabella Blake, who died in 1856, and no one looks to know who it is by. Intriguingly, supplied that this is also to a daughter of the Blake relatives, it looks feasible that the missing window in the south aisle was by the exact workshop.

    For many several years, Thurston church was complicated of accessibility, so it is satisfying to discover that it is now open to strangers and pilgrims each individual day. Even more, the signal in the porch asks you to be very careful not to unintentionally lock the door on your way out.

    Posted by Simon Knott on 2018-02-06 16:58:05

    Tagged: , thurston , suffolk , east anglia , church

    #home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, high-quality woodworking, wood chairs, wooden functioning equipment, well-liked woodworking, woodworking books, woodworking workbench designs

  • healing the sick (Ward & Hughes for Anne Elizabeth Greene, 1913)

    healing the sick (Ward & Hughes for Anne Elizabeth Greene, 1913)

    healing the sick (Ward & Hughes for Anne Elizabeth Greene, 1913)

    St Peter, Thurston, Suffolk

    Thurston is a huge and fast paced village just off of the A14 not much from the edge of Bury St Edmunds, with the blessing of its personal railway station on the Ipswich to Cambridge line. The church sits on the edge of the village, a big, crisp setting up that stands upright above the street to Pakenham. None of the tough-and-readiness of several of Suffolk’s rural church buildings here, for what you see from the highway is entirely of the 19th Century.

    On this web-site, we have frequently occur throughout the work of the unfashionable Victorian Suffolk architect Edward Hakewill, son of the much more famous Henry Hakewill. He had labored extensively in Suffolk the 1860s, and is often great, at Kenton, for instance. But he can also be incredibly undistinguished, as at Rushmere, Brantham and Shottisham. The motive I was intrigued by Thurston is that it was the operate of his lesser-known younger brother, John Henry Hakewill, and I was interested to see what he experienced received up to.

    His brother Edward’s common technique was to go in, establish a north aisle, decrease the inner furnishings to a well mannered middle-brow sacramentalism, and then go away. John Hakewill experienced alternatively a lot more than that to do below, simply because of anything that happened on the night time of Sunday March 18th 1860. In prevalent with most Suffolk church buildings, St Peter had been drastically neglected by the 18th and early 19th Centuries, and its have to have for a facelift experienced turn into evident. In fact, John Hakewill had by now been engaged as the architect for a extensive going-above of the previous framework. But soon right before midnight, supposedly on the night prior to get the job done was thanks to begin, the tower fell.

    It is difficult to picture the effect of an incident like that on a little, distant, rural local community. The one long-lasting, ageless construction in its midst abruptly disappeared right away. The tower collapsed straight down, but falling rubble took out the nave and aisle roofs, as nicely as destroying piers of each arcades. The parishioners decided to do the noticeable, and retreat into the chancel for solutions. On the other hand, just ten times afterwards, the rest of the nave collapsed, bringing down what remained of the arcades and roofs, and destroying all the furnishings, including the pulpit and lectern.

    And so, a final decision was created to rebuild from scratch, accommodating the new church to the surviving chancel and porch. As Roy Tricker factors out, Hakewill was quite considerably of the prevailing belief of the time that Adorned was the only suited design and style for a medieval church (irrespective of the truth that Suffolk’s very best times are mainly Perpendicular), and, as a Bury Post report of the time mentioned, Hakewill was identified that the new church ought to be fully in Decorated and proper architecture, replacing the inferior architecture in the previous construction.

    And so, there it is now. The exterior is undoubtedly spectacular, and the church reopened barely 18 months later on, at the charge of about £3,500, about three quarters of a million in present-day cash, an extraordinary bargain I would have imagined. This ought to have been a substantial church, even prior to Hakewill’s rebuild – I wondered if it had been a match for Rougham, across the A14. A great deal of the chancel seems reasonably original, irrespective of substantial patching up. The imposing tower itself is beginning to mellow with age, despite the fact that most likely it nevertheless bears a disconcerting similarity to what may well be the tower of a Usually English Village Church in a product village, thanks to Hakewill’s insistence on ‘correct’ Dec. But when you take into account what Richard Phipson did throughout the highway at Finborough and Woolpit during the similar ten years, St Peter may have obtained off lightly.

    You stage into a big, tidy house full of mild – no gloomy north aise listed here. Inevitably, there is an city sense to the wholly 19th Century interior, although there are some previously survivals. A person of these is the font, a wonderful perpendicular piece whose foliage panels conceal a inexperienced gentleman or two. Can it have come from in this article at first? It is difficult to see how the font could have survived the collapse of the tower. Collected fragments of 15th Century glass contain a amount of striking heads, as very well as parts of the figures of a cherubim, a pope and a bishop. Up in the chancel there is what appears to be a pair of delightful medieval angels keeping scrolls, even though they are, I consider, 19th Century fakes. Certainly 15th Century are the stalls down below, nevertheless, which survived the drop of the tower and have delightful minor figures in the spandrels. There are a few more medieval benches now positioned at the west end of the south aisle, also with inexperienced adult men on them.

    Bringing us right up to date is a person of Suffolk’s various sets of royal arms to Queen Elizabeth II (there are other individuals not significantly off at Rattlesden and Lavenham, among other individuals). This set is dated 1977, the 12 months of the Silver Jubilee. The woodwork in the nave is of a good high quality, presumably set up as part of the exact fee as the rebuilding, but the reredos in the chancel is alternatively finer, the function of Father Ernest Geldart, the Anglo-catholic carpenter-priest whose parish and studio were at Minimal Braxted in Essex. Its commission may possibly give us some notion of the churchmanship right here at Thurston in the early decades of the 20th Century.

    A identify that a lot of will associate with Bury St Edmunds is that of the Greene King brewery, and the Greene household are commemorated right here at Thurston. Sir Walter Greene compensated for the restoration of the chancel. The memorial home windows to the Greene spouse and children are by the stained glass agency Ward & Hughes, and were set up over thirty several years from 1890 to 1920. Ward & Hughes were being a organization that went as a result of a few distinctive phases. In their early yrs they have been frequently rather fascinating, as across the border at Pentney in Norfolk, for example. Later on in the 19th Century they became a single of the premier mass-producing workshops in the state, churning out 1000’s of home windows for hundreds of churches all more than the entire world that are mainly of a comparable middle-brow top quality. In the 20th Century, having said that, the wheels arrived off a little bit, and the home windows range tremendously. There is a sensation that patrons ended up presented too significantly say in the style and design, which is usually a blunder, and often they can be really terrible. But here at Thurston the glass is magnificent. The 1890 glass is definitely not operate-of-the-mill, becoming a edition in glass of Axel Ender’s portray Easter Morning. Irrespective of whether it is excellent or not is maybe a subject of style, but the other two home windows are alternatively thrilling, and delightfully mawkish – witness the determine of Peace stooping to kiss the lips of Righteousness. There is a Ward & Hughes window in a identical fashion to these past two up the road at Pakenham.

    Somewhere else in the church, the charming 1950 window of the Adoration of the Magi at the east conclude of the south aisle is by E L Armitage for Powell & Sons, and it replaced destroyed glass which commemorated a 14 months outdated kid, Mary Adelaide Blake, who died in 1842. The date of the new window suggests that the aged 1 suffered blast damge in the Second World War, a popular destiny for these Suffolk church buildings surrounded by American air bases. The ideal window in the church, however, is at the east close of the north aisle, and depicts the Raising of Jairus’s Daughter in a silent, painterly design. It remembers Isabella Blake, who died in 1856, and no one appears to know who it is by. Intriguingly, provided that this is also to a daughter of the Blake family members, it looks achievable that the shed window in the south aisle was by the exact same workshop.

    For several many years, Thurston church was difficult of obtain, so it is satisfying to find that it is now open up to strangers and pilgrims each working day. Even much more, the sign in the porch asks you to be cautious not to unintentionally lock the door on your way out.

    Posted by Simon Knott on 2018-02-07 19:35:27

    Tagged: , thurston , suffolk , east anglia

    #furniture #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, fantastic woodworking, picket chairs, wooden working applications, well known woodworking, woodworking publications, woodworking workbench programs

  • in memory of Mary Adelaide Blake, aged 14 months, died 1842, this glass replaces a window destroyed during the War 1939-1945 (EL Armitage for Powell & Sons, 1950)

    in memory of Mary Adelaide Blake, aged 14 months, died 1842, this glass replaces a window destroyed during the War 1939-1945 (EL Armitage for Powell & Sons, 1950)

    in memory of Mary Adelaide Blake, aged 14 months, died 1842, this glass replaces a window destroyed during the War 1939-1945 (EL Armitage for Powell & Sons, 1950)

    St Peter, Thurston, Suffolk

    Thurston is a substantial and busy village just off of the A14 not significantly from the edge of Bury St Edmunds, with the blessing of its have railway station on the Ipswich to Cambridge line. The church sits on the edge of the village, a massive, crisp developing that stands upright above the street to Pakenham. None of the rough-and-readiness of numerous of Suffolk’s rural churches listed here, for what you see from the road is solely of the 19th Century.

    On this website, we have generally occur throughout the function of the unfashionable Victorian Suffolk architect Edward Hakewill, son of the much more well-known Henry Hakewill. He had worked thoroughly in Suffolk the 1860s, and is often great, at Kenton, for instance. But he can also be very undistinguished, as at Rushmere, Brantham and Shottisham. The explanation I was intrigued by Thurston is that it was the operate of his lesser-recognized youthful brother, John Henry Hakewill, and I was interested to see what he experienced received up to.

    His brother Edward’s normal approach was to go in, build a north aisle, lessen the internal furnishings to a polite center-brow sacramentalism, and then leave. John Hakewill experienced fairly much more than that to do listed here, mainly because of anything that transpired on the night time of Sunday March 18th 1860. In popular with most Suffolk church buildings, St Peter had been enormously neglected via the 18th and early 19th Centuries, and its need for a facelift had come to be evident. In reality, John Hakewill experienced previously been engaged as the architect for a complete likely-above of the aged composition. But shortly ahead of midnight, supposedly on the night time prior to work was owing to begin, the tower fell.

    It is difficult to envision the result of an incident like that on a tiny, distant, rural community. The a single long term, ageless construction in its midst out of the blue disappeared right away. The tower collapsed straight down, but slipping rubble took out the nave and aisle roofs, as nicely as destroying piers of both arcades. The parishioners made a decision to do the obvious, and retreat into the chancel for services. On the other hand, just ten times later, the relaxation of the nave collapsed, bringing down what remained of the arcades and roofs, and destroying all the furnishings, like the pulpit and lectern.

    And so, a final decision was manufactured to rebuild from scratch, accommodating the new church to the surviving chancel and porch. As Roy Tricker factors out, Hakewill was very much of the prevailing view of the time that Adorned was the only suited style for a medieval church (despite the fact that Suffolk’s finest times are primarily Perpendicular), and, as a Bury Submit post of the time pointed out, Hakewill was identified that the new church ought to be completely in Adorned and proper architecture, changing the inferior architecture in the previous structure.

    And so, there it is currently. The exterior is undoubtedly extraordinary, and the church reopened barely 18 months afterwards, at the charge of about £3,500, about 3 quarters of a million in present-day cash, an remarkable cut price I would have thought. This must have been a big church, even ahead of Hakewill’s rebuild – I questioned if it had been a match for Rougham, across the A14. Much of the chancel seems relatively authentic, irrespective of appreciable patching up. The imposing tower itself is starting to mellow with age, whilst potentially it nevertheless bears a disconcerting similarity to what could possibly be the tower of a Usually English Village Church in a product village, many thanks to Hakewill’s insistence on ‘correct’ Dec. But when you think about what Richard Phipson did throughout the road at Finborough and Woolpit for the duration of the exact same ten years, St Peter may well have received off frivolously.

    You stage into a significant, tidy room total of mild – no gloomy north aise in this article. Inevitably, there is an city truly feel to the wholly 19th Century interior, although there are some before survivals. One particular of these is the font, a high-quality perpendicular piece whose foliage panels conceal a eco-friendly man or two. Can it have come from below initially? It is challenging to see how the font could have survived the collapse of the tower. Gathered fragments of 15th Century glass include a variety of striking heads, as effectively as sections of the figures of a cherubim, a pope and a bishop. Up in the chancel there is what seems to be a pair of delicious medieval angels holding scrolls, while they are, I think, 19th Century fakes. Absolutely 15th Century are the stalls under, nevertheless, which survived the drop of the tower and have pleasant minimal figures in the spandrels. There are a few a lot more medieval benches now positioned at the west end of the south aisle, also with green guys on them.

    Bringing us proper up to date is one particular of Suffolk’s various sets of royal arms to Queen Elizabeth II (there are some others not significantly off at Rattlesden and Lavenham, among the other folks). This established is dated 1977, the 12 months of the Silver Jubilee. The woodwork in the nave is of a decent high-quality, presumably set up as portion of the similar commission as the rebuilding, but the reredos in the chancel is rather finer, the perform of Father Ernest Geldart, the Anglo-catholic carpenter-priest whose parish and studio were being at Small Braxted in Essex. Its fee may give us some thought of the churchmanship below at Thurston in the early decades of the 20th Century.

    A identify that many will associate with Bury St Edmunds is that of the Greene King brewery, and the Greene household are commemorated below at Thurston. Sir Walter Greene paid for the restoration of the chancel. The memorial windows to the Greene household are by the stained glass firm Ward & Hughes, and ended up set up more than 30 several years from 1890 to 1920. Ward & Hughes had been a firm that went through three unique phases. In their early several years they ended up generally really attention-grabbing, as across the border at Pentney in Norfolk, for illustration. Afterwards in the 19th Century they turned one particular of the most significant mass-making workshops in the country, churning out countless numbers of home windows for hundreds of churches all more than the planet that are mainly of a comparable middle-brow high-quality. In the 20th Century, even so, the wheels came off a little bit, and the windows range significantly. There is a sensation that patrons were being presented much too significantly say in the structure, which is always a blunder, and often they can be fairly dreadful. But below at Thurston the glass is impressive. The 1890 glass is surely not operate-of-the-mill, remaining a edition in glass of Axel Ender’s portray Easter Early morning. Regardless of whether it is great or not is perhaps a matter of flavor, but the other two home windows are instead thrilling, and delightfully mawkish – witness the determine of Peace stooping to kiss the lips of Righteousness. There is a Ward & Hughes window in a equivalent design to these final two up the road at Pakenham.

    Elsewhere in the church, the charming 1950 window of the Adoration of the Magi at the east finish of the south aisle is by E L Armitage for Powell & Sons, and it replaced damaged glass which commemorated a 14 months aged baby, Mary Adelaide Blake, who died in 1842. The date of the new window implies that the old one particular experienced blast damge in the Second Environment War, a popular fate for these Suffolk churches surrounded by American air bases. The finest window in the church, nevertheless, is at the east conclusion of the north aisle, and depicts the Boosting of Jairus’s Daughter in a tranquil, painterly style. It remembers Isabella Blake, who died in 1856, and no person appears to know who it is by. Intriguingly, provided that this is also to a daughter of the Blake family members, it appears attainable that the missing window in the south aisle was by the similar workshop.

    For a lot of several years, Thurston church was tough of access, so it is pleasing to explore that it is now open to strangers and pilgrims every working day. Even much more, the indicator in the porch asks you to be thorough not to unintentionally lock the door on your way out.

    Posted by Simon Knott on 2018-02-05 17:51:50

    Tagged: , Thurston , suffolk , east Anglia , CHURCH

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