Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed beneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Variety: 39.153
On check out at The Satisfied Fifth Avenue in Gallery 501.
This element is from a research, (or studiolo), intended for meditation and review. Its partitions are carried out in a wooden-inlay approach recognized as intarsia. The latticework doors of the cabinets, proven open up or partly closed, point out the contemporary curiosity in linear point of view. The cupboards screen objects reflecting Duke Federico’s large-ranging creative and scientific pursuits, and the depictions of textbooks recall his considerable library. Emblems of the Montefeltro are also represented. This home may perhaps have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A related space, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mother // Adult males pre-eminent in learning and genius, // How they tumble with bared neck ahead of // …… // ………………………………………………knee. // Honored loyalty prevails in excess of justice, and no one particular // Repents having yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti spouse and children, Frascati (till 1937 sold to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Background
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft Faculty
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Innovative Writing Routines at The Metropolitan Museum of Artwork
oOne Satisfied. Numerous Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Manual (Spanish)
oThe Metropolitan Museum of Art Manual (Russian)
oThe Metropolitan Museum of Artwork Manual (Portuguese)
oThe Metropolitan Museum of Artwork Guideline (Korean)
oThe Metropolitan Museum of Art Tutorial (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Art Manual (French)
oThe Metropolitan Museum of Artwork Manual (Chinese)
oThe Metropolitan Museum of Art Information (Arabic)
oThe Metropolitan Museum of Artwork Manual
oThe Metropolitan Museum of Artwork Guide
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Challenge: What Artists See When They Search At Art
oThe Artist Task
oThe Art of Renaissance Europe: A Source for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Like in Renaissance Italy
Posted by Autistic Reality on 2018-10-23 15:49:27
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