Depth of just one of a pair of late medieval panel paintings depicting scenes from the Passion of Christ, now mounted on possibly facet of the altar. These rather rustically painted panels may well have at first fashioned portion of the former rood or shaped portion of the adorned front of its loft. There is proof of iconoclasm in the scratches across the faces of the figures, but normally it is particularly exceptional for these artworks to survive the Reformation.
St Michael’s church stands on substantial ground overlooking the village of Hamstall Ridware, approaching involves a lengthy stroll from the street throughout a industry, the spire beckoning us onward and upward. Arriving at the churchyard gate it gets distinct that the church wasn’t the only grand historic making in this article as a jagged stump of brickwork is glimpsed that signifies the final continues to be of the former Hamstall Corridor results in being obvious quickly behind the churchyard. The church by itself appears to be mainly 14th century with some modification to home windows, tower and spire in the adhering to century. The system of the setting up is unconventional in exhibiting no structural big difference in between nave and chancel, the aisles proceed eastwards to embrace both as a single unit and the clerestorey over is unbroken.
In it turns into apparent that this is a church with considerably of antiquarian fascination. The central aisle is a lengthy unbroken space flanked by a sequence of reduced regimented arches revealing the much more mysterious and intimate spaces of the aisles on both facet. Much of the woodwork is previous, from the roof to some of the furnishings far too, but most unusually the altar reredos incorporates two late medieval painted panels (not in situ, most likely at first part of the missing rood display). Neither are of large top quality but are of wonderful interest however. On the south facet of the chancel is a canopied late medieval monument with a tomb chest adorned with painted shields. The north aisle has a sequence of a few windows of early 16th century date depicting the Apostles they are so heavily restored that only close to 30%-40% of the glass is initial, the rest getting 19th century reconstruction (which includes all the heads aside from elements of two of them) but ample continues to be to give a perception of their influence.
Hamstall Ridware church was a person of my favourites of the day and a superior issue to end on in each feeling. I did on the other hand come across it ‘locked’ on arrival and was bitterly disappointed, however immediately after being a when in the churchyard I found an individual approaching so made a decision not to go away until finally soon after they arrived in circumstance they had the vital. The gentleman was without a doubt coming to the church but assured me it should be open and just calls for a bit of a knack to get the door open up, which he then managed to do (I might attempted a number of instances but was worried to power it any more difficult) and as he was planning songs for the Sunday support he kindly allow me have time to discover and get my images in advance of locking up. I think the church may possibly be open much more on a regular basis in summer months, but that doorway may require some perseverance!
en.wikipedia.org/wiki/Church_of_St_Michael_and_All_Angels…
Posted by Aidan McRae Thomson on 2020-03-21 20:22:23
Tagged: , Hamstall Ridware , church , Staffordshire , portray , medieval
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