Tag: St Gervais et St Protais

Saint-Gervais-Saint-Protais

Saint-Gervais-Saint-Protais is a Roman Catholic parish church found in the 4th arrondissement of Paris, on Position Saint-Gervais in the Marais district, east of Metropolis Corridor (Hôtel de Ville). The existing church was built amongst 1494 and 1657, on the site of two earlier church buildings the facade, accomplished past, was the initially example of the French baroque design in Paris. The organists of the church incorporated Louis Couperin and his nephew François Couperin, two of the most celebrated composers and musicians of the Baroque time period the organ they made use of can nonetheless be witnessed these days. The church includes remarkable examples of medieval carved choir stalls, stained glass from the 16th century, 17th century sculpture, and present day stained glass by Sylvie Gaudin and Claude Courageux. Saint-Gervais was a parish church until 1975, when it grew to become the headquarters of the Monastic Fraternities of Jerusalem.

Historical past

A church committed to Saints Gervasius and Protasius, two Christian martyrs from Milan, is recorded as present on the web-site in the 7th century, making it a single of the very first parish churches on the correct bank in Paris. It was attended mostly by boatmen and fishermen, for the reason that it was near to the river port at the Location de Grève. It was designed on a slight hill, the Monceau Saint-Gervais, to be protected from the floods of the Seine. After the completion of the wall of Philippe-Auguste, developed in between 1190 and 1209, the community was protected towards assault and the population commenced to grow. The church had arrive beneath the sponsorship of numerous of the vital confreries or guilds of Paris, which include the wine-merchants. With their economic enable, a bigger church was constructed on the web site in the early 13th century. .[1]

Building of the existing church began in 1494, but was delayed by the Wars of religion and by a scarcity of funds. It was begun in the Gothic type the chapels of the apse have been finished in 1530 and the transept in 1578.[2] Even though the inside of the church was largely Gothic, the facade was created in an initial new model, the French Baroque, on a prepare by architect Salomon de Brosse (1571–1626). The to start with stone of the facade was put by the younger King Louis XIII in 1616. Concerning 1600 and 1628, a next row of chapels was created on the north aspect such as the golden chapel ornamented with painted woodwork.[3]

For the duration of the 17th and 18th century the church was attended by a lot of customers of the aristocratic households who lived in the Marais, like Marie de Rabutin-Chantal, marquise de Sévigné, and the Chancellor of Louis XIV, Michel Le Tellier, whose funeral monument is discovered in the church.

Beginning in 1653, the church used and sheltered the Couperin household, 1 of the most famed dynasties of French musicians, for more than two generations. On a single aspect of the church, the dwelling of the celebrated harpsichordists, organists, and composers even now stands, with a plaque commemorating the Couperins’ tenure. The organ applied by Louis and François Couperin continue to exists today inside of the church it was crafted by the most popular organ builders of the time, François-Henri Clicquot, Louis-Alexandre Clicquot, and Robert Clicquot.

In the 18th century, the facade of the church was significantly admired, although it was approximately blocked from look at by a row of homes. Voltaire wrote, “It is a masterpiece which is lacking practically nothing besides a area from which to see it.” The houses blocking the look at had been finally demolished in 1854, opening up the watch of the facade. .[4]

All through the French Revolution, the church was emptied of many of its treasures and turned into a Temple of Explanation and Youth, right before getting returned to the Church in 1802.

On 29 March 1918, a German shell, fired by the prolonged-assortment “Paris Gun”, fell on the church, killing 91 people and wounding 68 other individuals the explosion collapsed the roof when a Great Friday support was in development. This was the worst single incident involving a decline of civilian lives in the course of the German bombardment of Paris in 1918.[5] Among individuals killed was Rose-Marie Ormond Andre-Michel, the niece and a favorite model of John Singer Sargent.[6]

In 1975 the church grew to become the headquarters of the Monastic Fraternities of Jerusalem, launched in that identical 12 months by Père Pierre-Marie Delfieu with the authorisation of the then Archbishop of Paris, François Marty. The buy is devoted to carrying on monastic lifestyle in an urban context most of its members get the job done portion-time in civil occupations. The church is identified for its unique and ecumenical liturgy for example, adopting Lutheran hymn songs and Orthodox troparia. The purchase has founded many other communities in France, at Mont St. Michel, Vezelay, and Magdala Sologne and elsewhere in Europe, in Florence, Brussels, Cologne, Warsaw, and Montreal.

Five new stained glass home windows by Sylvie Gaudin were being additional to the southwest chevet of the church in 1993–95. Yet another collection of six home windows by Claude Courageux was included in the early 2000s in the higher degree of the church, in the south nave, the transept and the choir, replacing those destroyed in excess of the generations.[7]

Facade

The facade of the church was started in 1616, well soon after the nave of the church, with the cornerstone laid by Louis XIII. The structure was by Salomon de Brosse (1571–1626), whose other major Paris operate was the Luxembourg Palace. While the nave of the church was late or flamboyant gothic, the facade introduced an totally new classical style, which opened the way for the French Baroque. The facade positioned the 3 classical orders of architecture a single atop the other. The floor flooring showcased three bays with pairs of columns with capitals of the easiest Doric buy, with a classical pediment. Above this is a stage of 3 bays with columns of the ionic buy, and previously mentioned that is a solitary bay with paired columns of the Corinthian order, keeping up a curved pediment. In purchase to connect the new facade to the gothic portion of the church, de Brosse created a traverse and two semicircular chapels on both facet of the facade. The facade served as design for other churches in France and Europe, most notably the church of Saint-Paul-Saint-Louis, the church of the Jesuits, not significantly away in the Marais, which was the first church in Paris built entirely in the new type. [8]

Since the Center Ages, an elm tree has been planted in front of the church it served as a assembly area, and a put wherever disputes were sometimes settled by judges. The trees were replanted often about the hundreds of years. Carvings of the trees from earlier generations are observed on the partitions of some of the neighboring buildings.

Nave

The nave of the church (1600–1620) is noteworthy for its dramatic peak and the simplicity and purity of its traces. Though the lower level of the nave is late gothic, the higher stage of the nave displays the impact of the Renaissance, with massive semi-round arches containing a series of big stained glass windows, filling the church with light. The upper windows are 21st-century, by Claude Courageux, illustrating the tale of Adam and Eve, Noah’s ark, and the patriarchs and their spouses. The ceiling of the nave, where by the arches of the walls occur jointly in an elaborate embroidery, symbolizes the vaults of heaven.

Choir stalls

The wooden choir stalls (16th–17th century), from the reigns of François I and Henri II, are richly carved with scenes of each day life, the diverse professions, and grotesque animals. Out of sight from all those attending mass, they ended up intended as a place where by the Canons of the church could take it easy all through the services. Some of the figures were being as well intimate for a lot more puritanical later hundreds of years, and had to be censored, including a carved image of a person and lady bathing together.[8]

Chapel of the Virgin

The chapel of the Virgin, at the again of the church, has a spectacular late gothic vaulted ceiling, showcasing a hanging crown of stone 2.5 meters in diameter, and abstract designs resembling flames. The space is typically utilised for silent meditation by church site visitors. The chapel has some of the oldest stained glass windows in the flamboyant gothic design, designed by Jean Chastellain in 1517, illustrating the daily life of the Virgin Mary. [8] Yet another impressive window by Chastellain, “The Judgement of Solomon”, built in 1533 in the colourful Renaissance fashion, is uncovered in a aspect chapel.

Portray and sculpture

The church has a selection of notable functions of art.

– A painting by the Venetian artist Sebastiano Ricci (1659–1734), Saint Gregory the Great and Saint Critical intercede for the souls in Pugatory, positioned in the Chapel of Saint Philomene. This was brought from Venice to Paris by Napoleon following his Italian campaign.

– The paintings The Beheading of John the Baptist and The Adoration of the Magi by Claude Vignon (1593–1670), located in the Chapel of the Virgin.

– A statue of Christ carved in oak by Antoine-Augustin Préault (1809-1879) in the Chapel of the Virgin.

– Statues from the funeral monument of Michel Tellier (1603–1685) the Chancellor of Louis XIV, by Pierre Mazeline (1632–1685) and Simon Hurtelle (1648–1724). The figures consist of the Chancellor, in prayer a weeping ‘genie’ praying at his toes and two draped figures symbolizing Religion and Faith. Two other figures from the group, Justice and Prudence, are found in the Louvre.

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

—————————————

St Gervais et St Protais has 21 mid 16th century misericords and 21 early 17th century misericords.

Much more information can be discovered listed here:-

www.misericords.co.united kingdom/stgervaisandstprotais.html

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Saint Gervais Saint Protais Church – Paris

A church devoted to the twin martyrs Gervais and Protais

Saint Gervais Saint Protais Church is positioned on the japanese aspect of the Hôtel-de-Ville.

It stands on a hillock identified as Monceau Saint-Gervais and replaced the Chapelle Saint-Gervais-Saint-Protais.

This chapel served the fishing village that formulated on the small mound during the 5th century. This community was one of the few on the Rive Droite, which then was a wide marsh these days known as Marais.

The chapel was devoted to the twin Roman officers who had been martyred under the reign of Nero (1st century Advert).

Location Saint-Gervais, the church square was originally identified as Carrefour de l’Orme. It was named immediately after the large elm that marked its centre and was felled at the French Revolution.

It was enlarged and renamed for the duration of Haussmann’s renovation of Paris of the mid 19th century.

The cemetery was decommissioned in 1765 to give way to Put Baudoyer, the square that serves the town corridor of the 4th district.

Sarcophagi and burial artifacts courting back again to the 1st century Advertisement were being learned through design will work.

Saint Gervais Saint Protais Church ,is a great illustration of French architecture.

The Hôtel-de-Ville district made in the 13th century and gave increase to a thriving group. The minimal Saint Gervais Saint Protais Chapel turned obsolete, a greater church was a lot required!

Even so, the building of the new church dragged on from 1494 to 1660 thanks to the absence of money.

Astonishingly, this slow development turned Saint Gervais Saint Protais Church into a excellent illustration of the evolution of French architecture.

Salomon de Brosse built the French Baroque (Jesuit Type) facade with the a few classical orders, the very first of its design and style in Paris.

The 25m large Gothic Flamboyant nave and the 16th and 17th century stained glass windows are equally impressive.

Francois-Henri Clicquot constructed the organ in 1601. The wind-chests, reeds and two-thirds of its stops are unique and change the instrument into one of the oldest organs in Paris.

The composer François Couperin is among the the prestigious organists who performed in Saint Gervais Saint Protais Church, which is to this working day a big centre of Sacred Tunes.

The church has two other, but scaled-down, organs which are located in the side chapels

www.travelfranceonline.com/saint-gervais-saint-protais-ch…

See also:-

www.spottinghistory.com/check out/4397/st-gervais-et-st-protai…

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

Posted by Glass Angel on 2021-05-08 12:11:59

Tagged: , France , Paris , St Gervais et St Protais , Europe

#home furniture #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wooden planer, fantastic woodworking, wood chairs, wood operating equipment, common woodworking, woodworking books, woodworking workbench designs

Saint-Gervais-Saint-Protais

Saint-Gervais-Saint-Protais is a Roman Catholic parish church found in the 4th arrondissement of Paris, on Spot Saint-Gervais in the Marais district, east of City Hall (Hôtel de Ville). The latest church was built in between 1494 and 1657, on the web page of two previously churches the facade, finished last, was the to start with case in point of the French baroque fashion in Paris. The organists of the church bundled Louis Couperin and his nephew François Couperin, two of the most celebrated composers and musicians of the Baroque period the organ they utilised can continue to be observed today. The church consists of amazing illustrations of medieval carved choir stalls, stained glass from the 16th century, 17th century sculpture, and present day stained glass by Sylvie Gaudin and Claude Courageux. Saint-Gervais was a parish church till 1975, when it turned the headquarters of the Monastic Fraternities of Jerusalem.

History

A church focused to Saints Gervasius and Protasius, two Christian martyrs from Milan, is recorded as present on the internet site in the 7th century, building it a person of the 1st parish church buildings on the correct bank in Paris. It was attended mainly by boatmen and fishermen, due to the fact it was shut to the river port at the Location de Grève. It was designed on a slight hill, the Monceau Saint-Gervais, to be harmless from the floods of the Seine. After the completion of the wall of Philippe-Auguste, constructed involving 1190 and 1209, the neighborhood was guarded versus attack and the population began to mature. The church had appear less than the sponsorship of several of the essential confreries or guilds of Paris, including the wine-retailers. With their fiscal assist, a larger church was constructed on the website in the early 13th century. .[1]

Building of the present church started in 1494, but was delayed by the Wars of faith and by a shortage of funds. It was begun in the Gothic design and style the chapels of the apse ended up finished in 1530 and the transept in 1578.[2] Though the inside of the church was mainly Gothic, the facade was developed in an initial new design, the French Baroque, on a plan by architect Salomon de Brosse (1571–1626). The initially stone of the facade was placed by the young King Louis XIII in 1616. Amongst 1600 and 1628, a second row of chapels was crafted on the north aspect which includes the golden chapel ornamented with painted woodwork.[3]

Through the 17th and 18th century the church was attended by a lot of users of the aristocratic households who lived in the Marais, which include Marie de Rabutin-Chantal, marquise de Sévigné, and the Chancellor of Louis XIV, Michel Le Tellier, whose funeral monument is found in the church.

Beginning in 1653, the church used and sheltered the Couperin spouse and children, a person of the most famed dynasties of French musicians, for more than two centuries. On one particular facet of the church, the residence of the celebrated harpsichordists, organists, and composers nonetheless stands, with a plaque commemorating the Couperins’ tenure. The organ applied by Louis and François Couperin nonetheless exists today within the church it was constructed by the most famous organ builders of the time, François-Henri Clicquot, Louis-Alexandre Clicquot, and Robert Clicquot.

In the 18th century, the facade of the church was significantly admired, nevertheless it was nearly blocked from perspective by a row of properties. Voltaire wrote, “It is a masterpiece which is lacking practically nothing besides a spot from which to see it.” The homes blocking the see ended up finally demolished in 1854, opening up the view of the facade. .[4]

In the course of the French Revolution, the church was emptied of numerous of its treasures and turned into a Temple of Rationale and Youth, in advance of remaining returned to the Church in 1802.

On 29 March 1918, a German shell, fired by the long-vary “Paris Gun”, fell on the church, killing 91 men and women and wounding 68 many others the explosion collapsed the roof when a Very good Friday company was in development. This was the worst one incident involving a reduction of civilian life for the duration of the German bombardment of Paris in 1918.[5] Amid all those killed was Rose-Marie Ormond Andre-Michel, the niece and a most loved product of John Singer Sargent.[6]

In 1975 the church grew to become the headquarters of the Monastic Fraternities of Jerusalem, started in that identical 12 months by Père Pierre-Marie Delfieu with the authorisation of the then Archbishop of Paris, François Marty. The get is devoted to carrying on monastic daily life in an urban context most of its customers perform component-time in civil occupations. The church is recognized for its distinctive and ecumenical liturgy for instance, adopting Lutheran hymn audio and Orthodox troparia. The buy has started many other communities in France, at Mont St. Michel, Vezelay, and Magdala Sologne and in other places in Europe, in Florence, Brussels, Cologne, Warsaw, and Montreal.

Five new stained glass home windows by Sylvie Gaudin had been extra to the southwest chevet of the church in 1993–95. Yet another series of 6 windows by Claude Courageux was additional in the early 2000s in the higher degree of the church, in the south nave, the transept and the choir, changing those ruined over the generations.[7]

Facade

The facade of the church was started in 1616, properly following the nave of the church, with the cornerstone laid by Louis XIII. The style and design was by Salomon de Brosse (1571–1626), whose other key Paris perform was the Luxembourg Palace. Even though the nave of the church was late or flamboyant gothic, the facade launched an fully new classical type, which opened the way for the French Baroque. The facade positioned the a few classical orders of architecture a single atop the other. The ground flooring featured 3 bays with pairs of columns with capitals of the simplest Doric order, with a classical pediment. Higher than this is a level of a few bays with columns of the ionic buy, and earlier mentioned that is a one bay with paired columns of the Corinthian buy, holding up a curved pediment. In buy to attach the new facade to the gothic part of the church, de Brosse built a traverse and two semicircular chapels on both aspect of the facade. The facade served as product for other church buildings in France and Europe, most notably the church of Saint-Paul-Saint-Louis, the church of the Jesuits, not far absent in the Marais, which was the initially church in Paris designed entirely in the new design. [8]

Because the Center Ages, an elm tree has been planted in entrance of the church it served as a meeting area, and a spot the place disputes had been often settled by judges. The trees had been replanted routinely more than the centuries. Carvings of the trees from previously centuries are observed on the partitions of some of the neighboring buildings.

Nave

The nave of the church (1600–1620) is noteworthy for its spectacular top and the simplicity and purity of its lines. Although the reduced level of the nave is late gothic, the upper amount of the nave exhibits the affect of the Renaissance, with significant semi-round arches containing a collection of large stained glass windows, filling the church with gentle. The upper windows are 21st-century, by Claude Courageux, illustrating the tale of Adam and Eve, Noah’s ark, and the patriarchs and their spouses. The ceiling of the nave, where the arches of the walls appear jointly in an elaborate embroidery, symbolizes the vaults of heaven.

Choir stalls

The picket choir stalls (16th–17th century), from the reigns of François I and Henri II, are richly carved with scenes of everyday daily life, the distinct professions, and grotesque animals. Out of sight from those attending mass, they were being designed as a location wherever the Canons of the church could relax in the course of the company. Some of the figures have been far too intimate for additional puritanical afterwards centuries, and experienced to be censored, which include a carved graphic of a man and girl bathing collectively.[8]

Chapel of the Virgin

The chapel of the Virgin, at the back again of the church, has a extraordinary late gothic vaulted ceiling, featuring a hanging crown of stone 2.5 meters in diameter, and summary designs resembling flames. The space is typically utilized for silent meditation by church visitors. The chapel has some of the oldest stained glass home windows in the flamboyant gothic type, manufactured by Jean Chastellain in 1517, illustrating the daily life of the Virgin Mary. [8] A different amazing window by Chastellain, “The Judgement of Solomon”, made in 1533 in the colorful Renaissance design, is observed in a aspect chapel.

Painting and sculpture

The church is made up of a quantity of noteworthy performs of artwork.

– A painting by the Venetian artist Sebastiano Ricci (1659–1734), Saint Gregory the Terrific and Saint Vital intercede for the souls in Pugatory, found in the Chapel of Saint Philomene. This was introduced from Venice to Paris by Napoleon right after his Italian campaign.

– The paintings The Beheading of John the Baptist and The Adoration of the Magi by Claude Vignon (1593–1670), positioned in the Chapel of the Virgin.

– A statue of Christ carved in oak by Antoine-Augustin Préault (1809-1879) in the Chapel of the Virgin.

– Statues from the funeral monument of Michel Tellier (1603–1685) the Chancellor of Louis XIV, by Pierre Mazeline (1632–1685) and Simon Hurtelle (1648–1724). The figures include the Chancellor, in prayer a weeping ‘genie’ praying at his ft and two draped figures symbolizing Religion and Religion. Two other figures from the group, Justice and Prudence, are uncovered in the Louvre.

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

—————————————

St Gervais et St Protais has 21 mid 16th century misericords and 21 early 17th century misericords.

Additional data can be found in this article:-

www.misericords.co.united kingdom/stgervaisandstprotais.html

————————————

Saint Gervais Saint Protais Church – Paris

A church focused to the twin martyrs Gervais and Protais

Saint Gervais Saint Protais Church is positioned on the japanese aspect of the Hôtel-de-Ville.

It stands on a hillock recognized as Monceau Saint-Gervais and changed the Chapelle Saint-Gervais-Saint-Protais.

This chapel served the fishing village that created on the compact mound all through the 5th century. This community was a person of the handful of on the Rive Droite, which then was a broad marsh today recognized as Marais.

The chapel was focused to the twin Roman officers who had been martyred beneath the reign of Nero (1st century Ad).

Spot Saint-Gervais, the church sq. was at first identified as Carrefour de l’Orme. It was named right after the large elm that marked its centre and was felled at the French Revolution.

It was enlarged and renamed during Haussmann’s renovation of Paris of the mid 19th century.

The cemetery was decommissioned in 1765 to give way to Put Baudoyer, the sq. that serves the town hall of the 4th district.

Sarcophagi and burial artifacts relationship back again to the 1st century Advert ended up learned for the duration of development will work.

Saint Gervais Saint Protais Church ,is a high-quality illustration of French architecture.

The Hôtel-de-Ville district designed in the 13th century and gave increase to a flourishing group. The very little Saint Gervais Saint Protais Chapel turned out of date, a more substantial church was a great deal desired!

Nonetheless, the building of the new church dragged on from 1494 to 1660 due to the absence of cash.

Amazingly, this sluggish development turned Saint Gervais Saint Protais Church into a perfect illustration of the evolution of French architecture.

Salomon de Brosse made the French Baroque (Jesuit Design) facade with the 3 classical orders, the very first of its design in Paris.

The 25m large Gothic Flamboyant nave and the 16th and 17th century stained glass windows are similarly outstanding.

Francois-Henri Clicquot constructed the organ in 1601. The wind-chests, reeds and two-thirds of its stops are initial and change the instrument into one particular of the oldest organs in Paris.

The composer François Couperin is among the the prestigious organists who performed in Saint Gervais Saint Protais Church, which is to this working day a significant centre of Sacred Tunes.

The church has two other, but lesser, organs which are situated in the side chapels

www.travelfranceonline.com/saint-gervais-saint-protais-ch…

See also:-

www.spottinghistory.com/perspective/4397/st-gervais-et-st-protai…

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

Posted by Glass Angel on 2021-05-08 12:12:01

Tagged: , France , Paris , St Gervais et St Protais , Europe

#furnishings #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, wonderful woodworking, wood chairs, wooden doing work applications, well-known woodworking, woodworking guides, woodworking workbench ideas

Saint-Gervais-Saint-Protais

Saint-Gervais-Saint-Protais is a Roman Catholic parish church located in the 4th arrondissement of Paris, on Spot Saint-Gervais in the Marais district, east of Town Corridor (Hôtel de Ville). The latest church was developed involving 1494 and 1657, on the web page of two earlier churches the facade, finished previous, was the first example of the French baroque model in Paris. The organists of the church involved Louis Couperin and his nephew François Couperin, two of the most celebrated composers and musicians of the Baroque period the organ they applied can even now be observed right now. The church includes remarkable examples of medieval carved choir stalls, stained glass from the 16th century, 17th century sculpture, and present day stained glass by Sylvie Gaudin and Claude Courageux. Saint-Gervais was a parish church right until 1975, when it became the headquarters of the Monastic Fraternities of Jerusalem.

Heritage

A church dedicated to Saints Gervasius and Protasius, two Christian martyrs from Milan, is recorded as present on the web site in the 7th century, making it 1 of the to start with parish church buildings on the right lender in Paris. It was attended largely by boatmen and fishermen, simply because it was close to the river port at the Put de Grève. It was crafted on a slight hill, the Monceau Saint-Gervais, to be safe and sound from the floods of the Seine. Right after the completion of the wall of Philippe-Auguste, created in between 1190 and 1209, the community was safeguarded against assault and the populace began to increase. The church had occur less than the sponsorship of many of the essential confreries or guilds of Paris, including the wine-retailers. With their financial support, a larger church was created on the web-site in the early 13th century. .[1]

Design of the current church began in 1494, but was delayed by the Wars of religion and by a scarcity of money. It was begun in the Gothic model the chapels of the apse were finished in 1530 and the transept in 1578.[2] When the interior of the church was mainly Gothic, the facade was built in an primary new design, the French Baroque, on a plan by architect Salomon de Brosse (1571–1626). The very first stone of the facade was placed by the youthful King Louis XIII in 1616. Involving 1600 and 1628, a 2nd row of chapels was crafted on the north facet which includes the golden chapel ornamented with painted woodwork.[3]

For the duration of the 17th and 18th century the church was attended by a lot of members of the aristocratic family members who lived in the Marais, like Marie de Rabutin-Chantal, marquise de Sévigné, and the Chancellor of Louis XIV, Michel Le Tellier, whose funeral monument is observed in the church.

Beginning in 1653, the church used and sheltered the Couperin loved ones, one of the most well-known dynasties of French musicians, for extra than two generations. On 1 aspect of the church, the property of the celebrated harpsichordists, organists, and composers still stands, with a plaque commemorating the Couperins’ tenure. The organ utilised by Louis and François Couperin even now exists right now inside the church it was created by the most popular organ builders of the time, François-Henri Clicquot, Louis-Alexandre Clicquot, and Robert Clicquot.

In the 18th century, the facade of the church was greatly admired, nevertheless it was nearly blocked from perspective by a row of properties. Voltaire wrote, “It is a masterpiece which is missing absolutely nothing except a area from which to see it.” The properties blocking the view were being ultimately demolished in 1854, opening up the see of the facade. .[4]

In the course of the French Revolution, the church was emptied of quite a few of its treasures and turned into a Temple of Explanation and Youth, prior to staying returned to the Church in 1802.

On 29 March 1918, a German shell, fired by the extensive-array “Paris Gun”, fell on the church, killing 91 people today and wounding 68 many others the explosion collapsed the roof when a Good Friday company was in development. This was the worst one incident involving a reduction of civilian lives during the German bombardment of Paris in 1918.[5] Among the all those killed was Rose-Marie Ormond Andre-Michel, the niece and a favourite design of John Singer Sargent.[6]

In 1975 the church grew to become the headquarters of the Monastic Fraternities of Jerusalem, established in that exact 12 months by Père Pierre-Marie Delfieu with the authorisation of the then Archbishop of Paris, François Marty. The get is devoted to carrying on monastic lifestyle in an city context most of its users get the job done aspect-time in civil occupations. The church is identified for its unique and ecumenical liturgy for illustration, adopting Lutheran hymn tunes and Orthodox troparia. The buy has launched numerous other communities in France, at Mont St. Michel, Vezelay, and Magdala Sologne and in other places in Europe, in Florence, Brussels, Cologne, Warsaw, and Montreal.

Five new stained glass home windows by Sylvie Gaudin have been included to the southwest chevet of the church in 1993–95. A different collection of six home windows by Claude Courageux was added in the early 2000s in the higher amount of the church, in the south nave, the transept and the choir, changing all those ruined more than the generations.[7]

Facade

The facade of the church was begun in 1616, well right after the nave of the church, with the cornerstone laid by Louis XIII. The style and design was by Salomon de Brosse (1571–1626), whose other main Paris work was the Luxembourg Palace. Though the nave of the church was late or flamboyant gothic, the facade launched an totally new classical style, which opened the way for the French Baroque. The facade placed the 3 classical orders of architecture one atop the other. The ground floor showcased 3 bays with pairs of columns with capitals of the simplest Doric order, with a classical pediment. Higher than this is a degree of a few bays with columns of the ionic purchase, and above that is a one bay with paired columns of the Corinthian order, holding up a curved pediment. In order to attach the new facade to the gothic portion of the church, de Brosse created a traverse and two semicircular chapels on either facet of the facade. The facade served as model for other churches in France and Europe, most notably the church of Saint-Paul-Saint-Louis, the church of the Jesuits, not far away in the Marais, which was the very first church in Paris created solely in the new design and style. [8]

Due to the fact the Center Ages, an elm tree has been planted in front of the church it served as a assembly position, and a position the place disputes ended up at times settled by judges. The trees ended up replanted routinely more than the generations. Carvings of the trees from earlier centuries are observed on the walls of some of the neighboring structures.

Nave

The nave of the church (1600–1620) is noteworthy for its extraordinary top and the simplicity and purity of its traces. Though the reduced degree of the nave is late gothic, the higher level of the nave displays the affect of the Renaissance, with big semi-circular arches containing a series of significant stained glass home windows, filling the church with gentle. The upper windows are 21st-century, by Claude Courageux, illustrating the tale of Adam and Eve, Noah’s ark, and the patriarchs and their spouses. The ceiling of the nave, the place the arches of the walls appear alongside one another in an elaborate embroidery, symbolizes the vaults of heaven.

Choir stalls

The wooden choir stalls (16th–17th century), from the reigns of François I and Henri II, are richly carved with scenes of day by day everyday living, the various professions, and grotesque animals. Out of sight from those people attending mass, they ended up built as a place exactly where the Canons of the church could chill out in the course of the company. Some of the figures had been far too intimate for more puritanical afterwards generations, and experienced to be censored, like a carved picture of a man and girl bathing alongside one another.[8]

Chapel of the Virgin

The chapel of the Virgin, at the back of the church, has a dramatic late gothic vaulted ceiling, featuring a hanging crown of stone 2.5 meters in diameter, and summary types resembling flames. The room is generally used for silent meditation by church visitors. The chapel has some of the oldest stained glass home windows in the flamboyant gothic fashion, designed by Jean Chastellain in 1517, illustrating the everyday living of the Virgin Mary. [8] A different exceptional window by Chastellain, “The Judgement of Solomon”, designed in 1533 in the vibrant Renaissance type, is found in a aspect chapel.

Portray and sculpture

The church includes a range of noteworthy functions of artwork.

– A painting by the Venetian artist Sebastiano Ricci (1659–1734), Saint Gregory the Excellent and Saint Very important intercede for the souls in Pugatory, found in the Chapel of Saint Philomene. This was brought from Venice to Paris by Napoleon after his Italian marketing campaign.

– The paintings The Beheading of John the Baptist and The Adoration of the Magi by Claude Vignon (1593–1670), found in the Chapel of the Virgin.

– A statue of Christ carved in oak by Antoine-Augustin Préault (1809-1879) in the Chapel of the Virgin.

– Statues from the funeral monument of Michel Tellier (1603–1685) the Chancellor of Louis XIV, by Pierre Mazeline (1632–1685) and Simon Hurtelle (1648–1724). The figures include things like the Chancellor, in prayer a weeping ‘genie’ praying at his toes and two draped figures symbolizing Faith and Religion. Two other figures from the team, Justice and Prudence, are discovered in the Louvre.

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

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St Gervais et St Protais has 21 mid 16th century misericords and 21 early 17th century misericords.

A lot more details can be discovered in this article:-

www.misericords.co.uk/stgervaisandstprotais.html

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Saint Gervais Saint Protais Church – Paris

A church dedicated to the twin martyrs Gervais and Protais

Saint Gervais Saint Protais Church is located on the japanese aspect of the Hôtel-de-Ville.

It stands on a hillock identified as Monceau Saint-Gervais and changed the Chapelle Saint-Gervais-Saint-Protais.

This chapel served the fishing village that produced on the tiny mound for the duration of the 5th century. This local community was a person of the couple on the Rive Droite, which then was a wide marsh today recognised as Marais.

The chapel was focused to the twin Roman officers who were martyred below the reign of Nero (1st century Advertisement).

Location Saint-Gervais, the church square was originally termed Carrefour de l’Orme. It was named following the substantial elm that marked its centre and was felled at the French Revolution.

It was enlarged and renamed during Haussmann’s renovation of Paris of the mid 19th century.

The cemetery was decommissioned in 1765 to give way to Position Baudoyer, the square that serves the town corridor of the 4th district.

Sarcophagi and burial artifacts courting back again to the 1st century Ad had been found out during construction performs.

Saint Gervais Saint Protais Church ,is a good illustration of French architecture.

The Hôtel-de-Ville district produced in the 13th century and gave rise to a flourishing group. The minor Saint Gervais Saint Protais Chapel turned out of date, a bigger church was much required!

On the other hand, the building of the new church dragged on from 1494 to 1660 thanks to the deficiency of cash.

Astonishingly, this gradual development turned Saint Gervais Saint Protais Church into a ideal illustration of the evolution of French architecture.

Salomon de Brosse developed the French Baroque (Jesuit Model) facade with the 3 classical orders, the 1st of its model in Paris.

The 25m large Gothic Flamboyant nave and the 16th and 17th century stained glass home windows are equally impressive.

Francois-Henri Clicquot crafted the organ in 1601. The wind-chests, reeds and two-thirds of its stops are first and change the instrument into 1 of the oldest organs in Paris.

The composer François Couperin is between the prestigious organists who played in Saint Gervais Saint Protais Church, which is to this day a key centre of Sacred Songs.

The church has two other, but more compact, organs which are located in the side chapels

www.travelfranceonline.com/saint-gervais-saint-protais-ch…

See also:-

www.spottinghistory.com/look at/4397/st-gervais-et-st-protai…

en.wikipedia.org/wiki/St-Gervais-et-St-Protais

Posted by Glass Angel on 2021-05-08 12:12:00

Tagged: , France , Paris , St Gervais et St Protais , Europe

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