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St Mary’s Church in Tickhill, South Yorkshire: A Look at Its Stained Glass Windows

The North Chapel of St Mary’s in Tickhill, South Yorkshire houses a beautiful memorial window to Edmund and Laura Laughton, designed by Charles Eamer Kempe in 1896. Kempe was a painter of churches in the 1860s, a time when there was a resurgence of interest in high church practices. He founded his own stained glass company in London in 1868 and was known for his artistic abilities and ability to suggest ideas to his artists and cartoonists.

Kempe perfected the use of silver stain on clear glass, which resulted in a delicate or deep yellow tint depending on the amount of stain used. His greatest stylistic influence was the stained glass of Northern Germany and Flanders from the 16th Century. He often took trips to Europe, taking the Kempe Company artists with him. The insignia of Kempe, from about 1895 until his death in 1907 was a wheatsheaf, derived from his family’s coat of arms. After his death, the firm was run by four of his directors, including his cousin, Walter Tower, and the insignia was changed to a wheatsheaf with a black tower.

Kempe was not a trained artist, but possessed great artistic abilities. He insisted that only the firm’s name take the credit for the standard of work produced, and that individual members of the studio remain anonymous. His legacy lives on through his exquisite stained glass creations, which can be found in churches throughout the United Kingdom and beyond.

Posted by Glass Angel on 2022-09-20 22:06:27

April 10, 2023
St Peter’s Church in Ecclesfield

Charles Eamer Kempe was a painter who specialized in decorating the interiors of churches in the 1860s. He founded his own stained glass company, CE Kempe & Co in London, in 1868. His training helped him excel in his art, and he was able to establish a unique style that was fashionable in high church practices at the time.

Kempe’s artistic skills lay more in the ability to suggest ideas than in the ability to execute them himself. He insisted that only the firm’s name should take credit for its work, and its individual members should remain anonymous. A key technique that Kempe perfected was the use of silver stain on clear glass, which created a yellow tint that could be either delicate or deep depending on the level of stain. One of Kempe’s most significant stylistic influences were the stained glass works of Northern Germany and Flanders from the 16th century.

Kempe took several trips to Europe, often bringing along artists from his studio. The insignia for his company from 1895 to his death in 1907 was a wheatsheaf from his family’s coat of arms. After his death, his cousin Walter Tower and three other directors took over the company, and the insignia changed to a wheatsheaf with a black tower.

In addition to his work in church decoration, Kempe was also an influential figure in the Arts and Crafts movement. He was one of the main supporters of William Morris, who is considered the father of the movement. Kempe’s works can still be found in many churches today, including the St Mary, Ecclesfield in Sheffield.

One of Kempe’s most notable works is the Memorial Window to John Thomas Jeffcock in St Mary, Ecclesfield. Jeffcock was the Rector of Wolverhampton and Prebendary of Lichfield, and the window was created in his memory after his death in 1895. The window is intricate, with details that reflect Kempe’s distinctive style.

The Memorial Window is a multi-panelled stained glass window with a central image of St Michael holding a sword and a shield, standing on a dragon that represents the devil. The apostles, prophets, and evangelists surround St Michael in smaller panels. The lower section of the window features notable saints, including St George, St Andrew, and St Patrick. The tracery of the window features angels playing musical instruments, adding a playful element to the otherwise solemn imagery.

The window is an excellent example of Kempe’s use of silver stain on clear glass to create a delicate yellow glow. The details are intricate, and the overall effect is striking. The Memorial Window remains one of the highlights of St Mary, Ecclesfield.

Kempe’s work in St Mary, Ecclesfield is not limited to the Memorial Window. He also created a series of windows for the Lady Chapel, which depict the life of Christ. These windows are part of a rare series that has survived intact, and the details are again highly intricate. Each panel tells a story from the life of Christ, from his birth to his death and resurrection.

The windows in the Lady Chapel are known for their use of bright, bold colours. Unlike the Memorial Window, which uses yellow tints to create a more delicate atmosphere, the windows in the Lady Chapel feature blues, reds, and greens that are highly saturated. The overall effect is joyful and celebratory, reflecting the message of hope and redemption that is at the heart of the Christian faith.

Kempe’s influence on the world of arts and crafts, as well as on church decoration, continues to be felt. His legacy is evident in the works of other stained glass artists who followed in his footsteps, including the likes of Christopher Whall and Douglas Strachan. His distinctive style remains highly recognizable, and his works continue to inspire awe and wonder in those who view them.

Posted by Budby on 2016-12-02 14:59:38

April 9, 2023
[47057] Ecclesfield : St John the Baptist

St Mary, Ecclesfield, Sheffield.
Memorial Window (depth) to John Thomas Jeffcock (d1895), Rector of Wolverhampton & Prebendary of Lichfield.
By Charles Eamer Kempe (1837-1907), 1895.

Charles Eamer Kempe was a painter of partitions, ceilings and woodwork of church buildings in the 1860s. The design then in vogue reflected a resurgence of desire to significant church methods. Kempe’s training served him perfectly, and he commenced his own stained glass enterprise, CE Kempe & Co in London, in 1868. He was not a experienced artist, but was nonetheless creative, and able to counsel strategies which could be designed by his artists and cartoonists. He insisted that only the firm’s title need to acquire the credit rating for the common of perform developed, and that individual customers of the studio continue being nameless.

Kempe perfected the use of silver stain on apparent glass, which leaves a yellow tint, which could be delicate or deep depending on the amount of money of stain. His best stylistic influence was the stained glass of Northern Germany and Flanders from the 16th Century. He took several trips to Europe, often getting the Kempe Corporation artists with him. The insignia of Kempe, from about 1895 until his death in 1907 was a wheatsheaf, from his family’s coat of arms. Immediately after his demise, the company was operate by four of his administrators, like his cousin, Walter Tower. The insignia then transformed to a wheatsheaf with a black tower.

Posted by Budby on 2016-12-02 14:59:35

Tagged: , ecclesfield , sheffield , church , south yorkshire , stained glass , window

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November 22, 2022
[9945] All Saints, Ecclesall : William Butcher

All Saints, Ecclesall, Sheffield.
William Butcher of 5 Oaks (1791-1870).

William and his young brother, Samuel, grew to become apprentices in the cutlery trade to their father and when he died in 1806, they transfered their apprenticeships to an additional cutler.

The brothers grew to become companions in 1819, obtaining premises in Eyre Lane. By 1822 they ended up melting their own crucible steel and producing a range of edge equipment.

The 1830s have been increase decades for the American trade and Samuel acted as the firm’s New York agent. They ended up giving hoes, chisels, saws, hammers and full software chests. The agency created a speciality of crucible steel slicing irons for American woodworking planes and quite a few New England manufactures proudly marketed their solutions as being made of Butcher’s Remarkable Refined Forged Metal.

In 1835 the brothers expanded their enterprise by obtaining a device and steel works in Furnival Road. By 1845 they have been also occupying the Philadelphia Will work on a web page by the River Don. The Furnival web site was extended in 1856 by the addition of a grinding wheel.

For the duration of the 1850s and 1860s they elevated their trade in The usa with the sale of the renowned Bowie knife. They turned the main exporters of information to the American market.

William Butcher was also associated in engineering initiatives and worked intently with the Pennsylvania Steel Organization in Harrisburg. In 1865 that business used him to supervise the set up of numerous Bessemer converters to develop bulk steel. Afterwards in the exact same calendar year William Butcher went to Philadelphia to established up his personal steel operates.

The works ended up opened in June 1867 less than his identify and produced the first steel castings designed commercially in the United states. Butcher’s intention was to develop crucible metal making use of the similar solutions as had been utilized by the Sheffield steelmen. To attain this he utilised craftsmen from Sheffield to established up and run the will work.

Unfortunately these functions failed as they could not compete with the new techniques of steel production utilized in the open-fireside course of action, now very preferred with the People in america. The operates were taken over by the American shareholders in 1871. Butcher moved his guys to a further ironworks close to Lewistown, Pennsylvania where by they ongoing their crucible procedures.

William Butcher was a member of the Organization of Cutlers, serving as the Master Cutler in 1845.

Samuel Butcher died on the 1st December 1869 in Sheffield and William died on the 8th November 1870, at the household household, 5 Oaks on Glossop Road. William is buried below in Ecclesall churchyard.

Posted by Budby on 2012-03-14 21:47:45

Tagged: , ecclesall , sheffield , south yorkshire , church , churchyard , grave , memorial , victorian

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November 18, 2022
[47069] Ecclesfield : Thomas Dunn Jeffcock Window

St Mary, Ecclesfield, Sheffield.
Memorial Window to Thomas Dunn Jeffcock (d1859) & his wife Maria (d1883).
Detail – devotion.
By Charles Eamer Kempe (1837-1907), c1895.

Charles Eamer Kempe was a painter of walls, ceilings and woodwork of churches in the 1860s. The model then in vogue reflected a resurgence of interest to significant church methods. Kempe’s instruction served him very well, and he began his have stained glass corporation, CE Kempe & Co in London, in 1868. He was not a qualified artist, but was nevertheless inventive, and ready to counsel thoughts which could be produced by his artists and cartoonists. He insisted that only the firm’s name ought to consider the credit history for the regular of do the job created, and that specific users of the studio stay anonymous.

Kempe perfected the use of silver stain on distinct glass, which leaves a yellow tint, which could be fragile or deep based on the amount of stain. His best stylistic affect was the stained glass of Northern Germany and Flanders from the 16th Century. He took quite a few excursions to Europe, usually getting the Kempe Organization artists with him. The insignia of Kempe, from about 1895 until eventually his death in 1907 was a wheatsheaf, from his family’s coat of arms. Soon after his dying, the agency was run by 4 of his directors, which include his cousin, Walter Tower. The insignia then adjusted to a wheatsheaf with a black tower.

Posted by Budby on 2016-12-02 14:59:42

Tagged: , ecclesfield , sheffield , church , south yorkshire , stained glass , window

#household furniture #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, good woodworking, wood chairs, wooden doing the job resources, common woodworking, woodworking guides, woodworking workbench designs

November 18, 2022