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Tag: Robert Smirke

  • Eastnor Castle – Eastnor Lake

    Eastnor Castle – Eastnor Lake

    Eastnor Castle - Eastnor Lake

    A Superior Friday 2017 stop by to Eastnor Castle in Herefordshire.

    A look all over the castle developing.

    The numerous views of the castle as witnessed from Eastnor Lake.

    If you want to, you can share your castle pics to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).

    Quality I outlined developing

    Eastnor Castle

    Listing Text

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    Nation dwelling. 1811-1820 by Robert Smirke for 2nd Baron Somers inner alterations, mostly attractive by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these were not absolutely carried out. Ashlar direct and slate roof concealed powering embattled parapet the roof trusses and floor beams are solid iron, an early instance of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nevertheless even now symmetrical castle in a critical neo-Norman and early English type: rectangular with E-prepare entrance front and flanking towers joined by shorter diagonal backlinks. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is elevated on a mound and has tall retaining partitions. Entrance front is dominated by a boldly massed centre which raises by means of 3 levels and is stepped up to the middle of the constructing spherical corner turrets and arched parapets to the outdoors projecting porte-cochere beneath an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither aspect of the centre are 3:1 bays, the outer ones remaining innovative and terminated by tall, 3 stage corner towers which are clover leaf on strategy and have corbelled parapets and single-light-weight, round-headed, windows established in deep embrasures. The central 3 bay sections have 3-gentle Early English type home windows on the floor floor established again in recesses and divided by flat buttresses, roll-moulded cill band under and corbelled blocking class higher than, guiding which the upper flooring is recessed with large pane sash windows in neo-Norman type surrounds which have columns and cushion capitals. The outer single bays have 3-mild Gothic type windows but established in neo-Norman surrounds plain tripartite home windows on to start with flooring. Large central double doorways and basic spherical-headed doors at foundation of outer towers, that to the left prospects to an outer parapet walkway at the foot of the side elevation. The north-east (facet) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre currently being a total top canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Backyard garden elevation of 4:3:4 home windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 phase tower which is canted to the out- side. 2-mild Geometric type windows on floor floor neo-Norman model surrounds and columns to the centre 3-gentle plain, spherical-headed windows on the first ground, but Geometric style outer windows. To the south-west of the Castle is the hooked up kitchen wing of 2 storeys forming a T-system with a courtroom on the south aspect 4 2-light casement windows underneath hood-moulds tall, 2-phase sq. towers terminate the 2 arms of the wing.

    Inside: little of the original Smirke interiors survive. Front Staircase
    Hall, redecorated by G E Fox 1860s. Entrance Corridor: Smirke, in all probability re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the proportions are 60 toes
    long by 55 feet higher Romanesque type “triforium” gallery and 2-mild
    “clerestorey” home windows with Venetian model tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman design and style surrounds attractive
    stencilling in canvas by Fox. Octagon space has a coffered ceiling. Gothic
    Drawing Home: the plasterwork is by F Bernasconi and Son but the painted
    decoration was made by Pugin and executed by the Crace company in 1849-50
    lover vaulted ceiling: big, wrought, 2 tier chandelier by Pugin, 1850
    but made by Hardman of Birmingham really elaborate fire with ogee
    head and loved ones heraldry, a painted family tree is higher than linenfold
    panelling, chairs, desk and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance design and style discover inlaid woodwork, Istrian
    stone chimneypiece apparently with a representation of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Minor Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Dining Space: by Smirke but altered, painted
    and panelled ceiling panelled dado and crafted-in Gothic design and style sideboards
    home furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
    balustrade of forged iron and wooden. Point out Bed room: some of the earliest get the job done
    of the Royal School of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and get the job done publications endure in the muniment area of the household. The
    accounts for the 1811-12 interval volume to £85,923 13s 11½d.

    (N Pevsner, The Properties of England: Herefordshire, 1963. State Existence, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This text is from the primary listing, and might not always reflect the recent environment of the making.

    Posted in the Birmingham Mail on Tuesday 18th July 2017.

    Posted by ell brown on 2017-04-15 16:50:01

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Fantastic Britain , Eastnor Castle , Very good Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers family members , Cocks family members , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I detailed , Grade I shown setting up , 2nd Baron Somers , State home , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , guide and slate roof concealed guiding embattled parapet , neo-Norman and early English design and style , mock or revival castle , tree , trees , lake , Eastnor Lake , Lakeside Route , turret , turrets , printed , Birmingham Mail , Your Flickr Shots

    #furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, wonderful woodworking, wood chairs, wooden operating applications, preferred woodworking, woodworking textbooks, woodworking workbench plans

  • Eastnor Castle

    Eastnor Castle

    Eastnor Castle

    A Superior Friday 2017 check out to Eastnor Castle in Herefordshire.

    The check out around a body in which you can get shots of the castle and write-up them to www.facebook.com/EastnorCastle

    There are numerous sights of the castle from the lake, not just from this aspect.

    Grade I mentioned making

    Eastnor Castle

    Listing Textual content

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    State household. 1811-1820 by Robert Smirke for 2nd Baron Somers internal alterations, typically attractive by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these were being not entirely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and ground beams are solid iron, an early case in point of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nonetheless nonetheless symmetrical castle in a really serious neo-Norman and early English fashion: rectangular with E-strategy entrance entrance and flanking towers joined by short diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is elevated on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises by way of 3 levels and is stepped up in the direction of the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer kinds remaining sophisticated and terminated by tall, 3 stage corner towers which are clover leaf on program and have corbelled parapets and solitary-light-weight, round-headed, windows established in deep embrasures. The central 3 bay sections have 3-light-weight Early English model windows on the floor flooring set again in recesses and divided by flat buttresses, roll-moulded cill band beneath and corbelled blocking program earlier mentioned, behind which the higher flooring is recessed with substantial pane sash windows in neo-Norman fashion surrounds which have columns and cushion capitals. The outer solitary bays have 3-gentle Gothic type home windows but established in neo-Norman surrounds basic tripartite windows on initially floor. Large central double doorways and basic spherical-headed doors at base of outer towers, that to the left prospects to an outer parapet walkway at the foot of the aspect elevation. The north-east (facet) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a whole height canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Yard elevation of 4:3:4 home windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- aspect. 2-gentle Geometric type home windows on ground ground neo-Norman model surrounds and columns to the centre 3-mild basic, spherical-headed home windows on the to start with floor, but Geometric fashion outer home windows. To the south-west of the Castle is the connected kitchen wing of 2 storeys forming a T-approach with a courtroom on the south aspect 4 2-mild casement windows less than hood-moulds tall, 2-stage square towers terminate the 2 arms of the wing.

    Inside: minor of the primary Smirke interiors survive. Front Staircase
    Corridor, redecorated by G E Fox 1860s. Entrance Corridor: Smirke, possibly re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the dimensions are 60 ft
    lengthy by 55 feet large Romanesque type “triforium” gallery and 2-light-weight
    “clerestorey” windows with Venetian type tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman design and style surrounds decorative
    stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
    Drawing Space: the plasterwork is by F Bernasconi and Son but the painted
    decoration was intended by Pugin and executed by the Crace agency in 1849-50
    admirer vaulted ceiling: big, wrought, 2 tier chandelier by Pugin, 1850
    but made by Hardman of Birmingham extremely elaborate fire with ogee
    head and household heraldry, a painted household tree is over linenfold
    panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance type discover inlaid woodwork, Istrian
    stone chimneypiece evidently with a illustration of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Very little Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Eating Room: by Smirke but altered, painted
    and panelled ceiling panelled dado and developed-in Gothic model sideboards
    furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
    balustrade of forged iron and wood. Condition Bedroom: some of the earliest work
    of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and operate textbooks survive in the muniment home of the household. The
    accounts for the 1811-12 period of time amount of money to £85,923 13s 11½d.

    (N Pevsner, The Properties of England: Herefordshire, 1963. Place Existence, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This textual content is from the unique listing, and may well not essentially reflect the present location of the setting up.

    Posted by ell brown on 2017-04-14 18:08:09

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Wonderful Britain , Eastnor Castle , Excellent Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers relatives , Cocks family members , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I outlined , Quality I detailed building , 2nd Baron Somers , State residence , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , lead and slate roof hid driving embattled parapet , neo-Norman and early English fashion , lake , mobile , mobile pictures , Huawei , Huawei P9 , mock or revival castle , tree , trees , Eastnor Lake

    #home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wooden planer, good woodworking, wood chairs, wood doing work applications, preferred woodworking, woodworking books, woodworking workbench plans

  • Eastnor Castle

    Eastnor Castle

    Eastnor Castle

    A Fantastic Friday 2017 check out to Eastnor Castle in Herefordshire.

    The check out near a frame where by you can consider photos of the castle and submit them to www.facebook.com/EastnorCastle

    There are lots of sights of the castle from the lake, not just from this aspect.

    Grade I shown developing

    Eastnor Castle

    Listing Textual content

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    Place home. 1811-1820 by Robert Smirke for 2nd Baron Somers inner alterations, typically ornamental by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these ended up not completely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and floor beams are cast iron, an early instance of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nevertheless however symmetrical castle in a critical neo-Norman and early English design: rectangular with E-system entrance entrance and flanking towers joined by small diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance entrance is dominated by a boldly massed centre which raises through 3 phases and is stepped up to the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere beneath an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer types currently being advanced and terminated by tall, 3 stage corner towers which are clover leaf on approach and have corbelled parapets and solitary-gentle, spherical-headed, home windows established in deep embrasures. The central 3 bay sections have 3-mild Early English design and style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band under and corbelled blocking course higher than, guiding which the higher flooring is recessed with huge pane sash home windows in neo-Norman type surrounds which have columns and cushion capitals. The outer solitary bays have 3-light-weight Gothic model home windows but established in neo-Norman surrounds basic tripartite windows on initially flooring. Massive central double doorways and easy round-headed doorways at foundation of outer towers, that to the remaining qualified prospects to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre currently being a full top canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Backyard elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- side. 2-mild Geometric model windows on floor floor neo-Norman type surrounds and columns to the centre 3-gentle simple, round-headed windows on the very first flooring, but Geometric design and style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-system with a court on the south facet 4 2-gentle casement home windows less than hood-moulds tall, 2-phase square towers terminate the 2 arms of the wing.

    Inside: small of the primary Smirke interiors endure. Front Staircase
    Corridor, redecorated by G E Fox 1860s. Entrance Hall: Smirke, likely re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the proportions are 60 ft
    extensive by 55 ft large Romanesque style “triforium” gallery and 2-light-weight
    “clerestorey” home windows with Venetian fashion tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman model surrounds attractive
    stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
    Drawing Home: the plasterwork is by F Bernasconi and Son but the painted
    decoration was built by Pugin and executed by the Crace organization in 1849-50
    enthusiast vaulted ceiling: substantial, wrought, 2 tier chandelier by Pugin, 1850
    but manufactured by Hardman of Birmingham hugely elaborate hearth with ogee
    head and relatives heraldry, a painted family members tree is over linenfold
    panelling, chairs, desk and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance type obtain inlaid woodwork, Istrian
    stone chimneypiece evidently with a representation of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Small Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fire and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Dining Area: by Smirke but altered, painted
    and panelled ceiling panelled dado and designed-in Gothic design sideboards
    furnishings also by Smirke. Staircase Corridor: plain staircase by Smirke, arcaded
    balustrade of cast iron and wooden. State Bed room: some of the earliest operate
    of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and perform publications endure in the muniment room of the home. The
    accounts for the 1811-12 time period quantity to £85,923 13s 11½d.

    (N Pevsner, The Structures of England: Herefordshire, 1963. Region Life, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This text is from the original listing, and may perhaps not always replicate the current environment of the constructing.

    Posted by ell brown on 2017-04-14 18:08:11

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Fantastic Britain , Eastnor Castle , Great Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers relatives , Cocks loved ones , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I mentioned , Grade I stated setting up , 2nd Baron Somers , Region dwelling , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , lead and slate roof concealed at the rear of embattled parapet , neo-Norman and early English type , lake , mobile , mobile photographs , Huawei , Huawei P9 , mock or revival castle , tree , trees , Eastnor Lake

    #furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, wonderful woodworking, wood chairs, wooden performing instruments, common woodworking, woodworking guides, woodworking workbench designs