William Brouillard
www.cia.edu/school/listing.php?faculty_id=15
Artist Statement
The platters I have sent to this exhibition blend several ceramic traditions. The first is, The Palace Art Pot. Palace Artwork Pots were being built to exhibit wealth and electrical power. They were created to inform a tale, to commemorate an function or a human being, and to display talent and challenge the skills of the artisans who made them. The next custom is the Fish Platter. Fish platters have been a staple of the Neo Arts and Crafts Motion of the 1950s and 60s. The 3rd and very last custom is the A single-Line visible and verbal Pun, Platters of the ceramic Funk Motion.
Humor through the use of the visible pun was a mainstay of the California Funk motion. Humor in clay has a tradition as previous as the use of the product. I have always felt that humor has been given limited change as a significant emotion. Artwork function that utilizes humor and has been actively excised from collections of serious artwork. It may be that we do not fully grasp the function of humor as effectively as we fully grasp the operate of the other thoughts.
In the work offered I have attempted to inject some humor into the decorative / commemorative item. The platters are significant to give them a marginally overblown feeling of their very own worth and to be able to be seen from a distance . They are intended for the wall and the table. The substantial size to match the significance of large gatherings.
I have experimented with to change historic patterns with objects minimized to pattern. Some of the objects are extensions of my atmosphere or reflections of own pursuits. Photographs of switch of the century technological innovation, (the Machine Age), are a particular beloved. Matter make any difference ranges from humorous depiction of daily objects to gender stereotypes. My talents as A draftsman are limited but feel to be satisfactory for the form and top quality of image that the issue needs. They have a cartoon appear as opposed to the crisp complexity of fantastic china.
The clay human body, a pink earthenware, is heavily potted and would make no secrete of its versions and flaws. The glaze operate is in the Majolica design and is accomplished extremely substantially like a watercolor on gentle paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some may possibly have an supplemental firing to Cone 018 for low temperature luster and enamels. They are fired in an oxidizing environment employing an electrical kiln.
William Brouillard June, 22 1993
Resume
William Craig Brouillard
Present-day Position:
Affiliate Professor of Art, Ceramics section, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
Education:
M.F.A., Ceramic Art, The New York Condition University of Ceramics at Alfred University, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Art Instruction, Condition College of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Relevant Get the job done Encounter:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, generation of pottery and ceramic commission operate 1980-1993
Resident Craftsman at The Penland College of Crafts, Penland, North Carolina, as a total time self supporting studio artist in clay, with some relevant instructing responsibilities, 1976 -1978
Teaching Experience:
Teacher, Training commencing intermediate and Graduate stage ceramics, East Tennessee State University, Johnson Town, TN. 1978-1979
Educating Assistantship, teaching Kiln Style and Building, to advanced and graduate stage college students at New York State College or university of Ceramics at Alfred College, Alfred, NY. 1974 – 1976
Instructing Assistantship, teaching Two and 3 Dimensional Layout to starting and innovative Pupils, also instruction in products and techniques of woodworking, at The New York Condition University of
GRANTS AND AWARDS
National Cup Show, obtain award, College of Southern IL. 1992
Ohio Designer Craftsmen, order award, Very best of 92 exhibition, Columbus, OH. 1992
Excellence in Design and style Award Ohio Designer Craftsmen, Ideal of 92 Exhibition, 1992
American Craft Museum, Design and style Award , for Excellence in Style, in conduction with the Intended and created for use Exhibition, at The American Craft Museum, NY 1986
Acquire Award, The Clay Cup Display, Southern IL. University, 1986
Art Park , Lewiston NY. Summer months function and travel grant 1980
COLLECTIONS REPRESENTED BY
The Detroit Museum of Artwork [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Selection, St Louis, MO
The Sinker Selection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
University of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Month-to-month, Columbus, OH
The Cleveland Art Affiliation, Cleveland, OH
Alfred College, Museum of Ceramics, Alfred, NY
University Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Magazine, Jan. 1994 Studio Potter Magazine, Jan, 1992, “The Language of the Lip” NCCECA Journal “Establishing a Plastic Alphabet”, quantity 6, 1985 Studio Potter “Ohio Potters”, Oct, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, October 1977 The Alfred Kiln Drawings, New York State Higher education of Ceramics, Alfred College, Publication of The Office of Artwork and Design and style, 1976
GALLERIES REPRESENTED BY
-The Clay Put, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, National Meeting For Schooling in the Ceramic Arts
-Spaces, Arts Business, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Location Represenitive, Columbus, OH
-AAUP, American Affiliation of University Professors, Washington DC
Posted by clayglazepots on 2007-04-27 20:30:37
Tagged: , William , Brouillard , Cleveland , Institute , Art , pitcher
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