Installed in a bird’s nest on the northern side of the nave, the blue, gold and purple organ circumstance draws in the visitors’ awareness. In reality, the ideal ensemble is the final result of a very long tale and, looking intently, it is a breathtaking combine of extremely disparate aspects into a magnificent unity.
The presence of an organ is attested as early as year 1260. There was also two other devices constructed and modified in 1291 and 1327. The oldest sections of the actual organ circumstance are not more mature than 1385. The bird’s nest was built in the very same interval. It is constructed in fir and is hung from the wall by a very huge vertical oak beam down to the Samson’s statue. To the right, the mobile character depicting a pretzel vendor was the renowned Rohraffe (crying monkey) who, with his arm and head, punctuated the insults shouted by a cathedral’s servant concealed in the loft throughout the procession on Pentecost Sunday. The city herald’s ideal arm (on the left) and the lion’s mouth are also cell.
Though the organ was restored in 1434, it is, in reality, in 1491 that organ builder Friedrich Krebs from Ansbach constructed the significant part of the organ circumstance with its two circumstances, its carved woodworkings and at the time, significant painted shutters to protect the pipeworks. These shutters really should be like to the Issenheim’s reredos in Colmar’s museum. Many organ builders modernized the instrument without the need of modifying the organ situation: Hans Süss from Koln in 1511, Sigmund Peistle from Gribourg-en-Brisgau in 1564, Anton Neuknecht in 1608 and Matthias Tretzscher in 1658-60. From 1713 to 1716, the instrumental part was completly rebuilt by Andreas Silbermann. It was then a 39-prevent instrument in excess of 3 manuals and pedal. Silbermann wanted to make a new organ case but sudden expenditures to repair the roof ruined by a storm obliged the organ builder to hold the Gothic organ case, replacing the painted shutters with wings and changing the pipe shades of the flats of the wonderful organ. Its acanthus decor goes alongside one another properly with its Gothic leaves. The polychromy was recreated in 1840.
The instrument experienced, like most cathedral organs, from the therapeutic determination that remaining it furious. Georges Wegmann intervened in 1833 and in 1842, Charles Wetzel in 1873, and Heinrich Koulen in 1897. The organ was dismantled in 1908 and the metallic was requisitioned in 1917. In 1927, Roethinger restored the organ but in fact totally rebuilt it. Soon after all these interventions, very little is still left from Siilbermann’s pipework: only façade pipes and a several inside of pipes missed by wreckers.
In 1981, on the basis of what was left, Alfred Kern from Strasburg designed a new organ. It is now a 47-cease instrument in excess of 3 manuals and pedal entire of qualities that can’t be categorised as historical. This instrument incorporates previous substance inside old polychromed situations restored with good care. It is an ensemble to 18-century Silbermann’s aesthetics, a full synthesis of French and German baroque styles.
Posted by -MiDes- on 2018-05-20 22:24:32
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