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  • Eastnor Castle

    Eastnor Castle

    Eastnor Castle

    A Superior Friday 2017 check out to Eastnor Castle in Herefordshire.

    The check out around a body in which you can get shots of the castle and write-up them to www.facebook.com/EastnorCastle

    There are numerous sights of the castle from the lake, not just from this aspect.

    Grade I mentioned making

    Eastnor Castle

    Listing Textual content

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    State household. 1811-1820 by Robert Smirke for 2nd Baron Somers internal alterations, typically attractive by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these were being not entirely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and ground beams are solid iron, an early case in point of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nonetheless nonetheless symmetrical castle in a really serious neo-Norman and early English fashion: rectangular with E-strategy entrance entrance and flanking towers joined by short diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is elevated on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises by way of 3 levels and is stepped up in the direction of the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer kinds remaining sophisticated and terminated by tall, 3 stage corner towers which are clover leaf on program and have corbelled parapets and solitary-light-weight, round-headed, windows established in deep embrasures. The central 3 bay sections have 3-light-weight Early English model windows on the floor flooring set again in recesses and divided by flat buttresses, roll-moulded cill band beneath and corbelled blocking program earlier mentioned, behind which the higher flooring is recessed with substantial pane sash windows in neo-Norman fashion surrounds which have columns and cushion capitals. The outer solitary bays have 3-gentle Gothic type home windows but established in neo-Norman surrounds basic tripartite windows on initially floor. Large central double doorways and basic spherical-headed doors at base of outer towers, that to the left prospects to an outer parapet walkway at the foot of the aspect elevation. The north-east (facet) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a whole height canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Yard elevation of 4:3:4 home windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- aspect. 2-gentle Geometric type home windows on ground ground neo-Norman model surrounds and columns to the centre 3-mild basic, spherical-headed home windows on the to start with floor, but Geometric fashion outer home windows. To the south-west of the Castle is the connected kitchen wing of 2 storeys forming a T-approach with a courtroom on the south aspect 4 2-mild casement windows less than hood-moulds tall, 2-stage square towers terminate the 2 arms of the wing.

    Inside: minor of the primary Smirke interiors survive. Front Staircase
    Corridor, redecorated by G E Fox 1860s. Entrance Corridor: Smirke, possibly re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the dimensions are 60 ft
    lengthy by 55 feet large Romanesque type “triforium” gallery and 2-light-weight
    “clerestorey” windows with Venetian type tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman design and style surrounds decorative
    stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
    Drawing Space: the plasterwork is by F Bernasconi and Son but the painted
    decoration was intended by Pugin and executed by the Crace agency in 1849-50
    admirer vaulted ceiling: big, wrought, 2 tier chandelier by Pugin, 1850
    but made by Hardman of Birmingham extremely elaborate fire with ogee
    head and household heraldry, a painted household tree is over linenfold
    panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance type discover inlaid woodwork, Istrian
    stone chimneypiece evidently with a illustration of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Very little Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Eating Room: by Smirke but altered, painted
    and panelled ceiling panelled dado and developed-in Gothic model sideboards
    furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
    balustrade of forged iron and wood. Condition Bedroom: some of the earliest work
    of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and operate textbooks survive in the muniment home of the household. The
    accounts for the 1811-12 period of time amount of money to £85,923 13s 11½d.

    (N Pevsner, The Properties of England: Herefordshire, 1963. Place Existence, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This textual content is from the unique listing, and may well not essentially reflect the present location of the setting up.

    Posted by ell brown on 2017-04-14 18:08:09

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Wonderful Britain , Eastnor Castle , Excellent Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers relatives , Cocks family members , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I outlined , Quality I detailed building , 2nd Baron Somers , State residence , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , lead and slate roof hid driving embattled parapet , neo-Norman and early English fashion , lake , mobile , mobile pictures , Huawei , Huawei P9 , mock or revival castle , tree , trees , Eastnor Lake

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  • “Tudor Grange – A Beautiful Residence at Blossomfield Park”

    Tudor Grange House at Blossomfield Park

    Tudor Grange House is a Grade II* Listed Building located in Solihull, Birmingham. The Victorian mansion was built in 1887 by Thomas Henry Mansell for Alfred Lovekin, an industrialist. The house features two storeys with attics and a basement, red stretcher bond brick, ashlar dressings, and a tiled roof. The attached stable block was situated on the west side of the house and has a T-shaped plan.

    The ground floor of the house has a double-pile plan with lavish decoration, including panelling by Plunketts of Smith Street, Warwick, and elaborately carved fireplace mantels. The ground floor is composed of the Dining Room, Morning Room, Drawing Room, and Music Room. The Jacobean and Elizabethan styles are mixed with Georgian joinery. The plaster ceilings are decorated with strapwork, fruit, and flowers in high relief, and the windows contain stained glass panels of good quality. The Study and Music Room are particularly sumptuous, with richly carved woodwork. The Music Room has panelling to the full height of the walls, divided by Ionic pilasters with panels of bay leaves to their lower bodies and strapwork and masks above.

    The house has a very full array of clustered octagonal chimneys with moulded caps. The balustrade at the top of the wall has moulded balusters and the balustrade piers are surmounted by statues personifying a variety of figures including Hercules, Brutus, and William the Conqueror.

    The stable block has been re-arranged to form teaching rooms, with several of the original windows replaced with uPVC windows and the openings appear to have been enlarged. The stables were arranged at either side of the central passageway of the downstroke, which runs east-west. The cross-stroke is oriented north-south and has a partially-glazed roof.

    Alfred Bird, son of the founder of Bird’s Custard Company, bought the house from Lovekin after his wife died in 1900. He employed Robert Bridgeman to ornament the house with statuary and furnished it with an extensive art collection which included paintings and also with panels of C16 and C17 Flemish stained glass, which survive in situ. Alfred Bird became M.P. for Wolverhampton West in 1910. In 1920 he was knighted and in 1922, the year of his death, he was made a baronet.
    His widow continued to live in the house until 1940.

    In recent years, the house has been fully restored and is now a retirement home. It is a notable example of a Victorian suburban mansion, displaying the wealth and style of the period. The rich decoration and elaborate architecture are a testament to the craftsmanship of the time. The connection to Alfred Bird, a prominent figure in Birmingham’s history, adds to the historical significance of the house. Today, Tudor Grange House remains a valuable cultural asset to Solihull and to the wider West Midlands region.

    Posted by ell brown on 2023-01-16 14:16:36

  • Blossomfield Park – Tudor Grange House

    Blossomfield Park – Tudor Grange House

    Blossomfield Park - Tudor Grange House

    Tudor Grange Home is now aspect of a luxury housing growth in Solihull termed Blossomfield Park.

    The Victorian mansion was created in 1887, and is now fully restored. It was as soon as residence of Sir Alfred Chook, son of the authentic Alfred Hen, who started Bird’s Custard (eggless custard), which utilized to make custard at the Custard Factory in Digbeth (until afterwards proprietors moved output to Banbury).

    Check out from the prime deck of the bus heading into Solihull Town Centre.

    Grade II* Mentioned Making

    Tudor Grange Home and Secure Block

    Description

    SOLIHULL

    732//10042 BLOSSOMFIELD Highway
    24-OCT-08 Tudor Grange Property and Secure Block

    II*
    A big suburban house with connected stable block. It was made and created in 1887 in a loosely Jacobean model by Thomas Henry Mansell of Birmingham for the industrialist Alfred Lovekin with panelling by Plunketts of Smith Avenue, Warwick. The household is of red stretcher bond brick with ashlar dressings and a tiled roof and has two storeys with attics and basement. The stable block is T-shaped in system and attached to the west aspect of the house.
    EXTERIOR: The northern entrance front has a around-symmetrical centrepiece which is recessed at 1st flooring amount and above but which has a projecting three-bay porch to the ground ground with doorway to the right. At both side are projecting, gabled wings and these and the central bay all have formed outlines to their gables. The windows to the floor and first flooring are mullioned and transomed, and there are projecting bay home windows to the ground ground at either aspect. There are panels of carved stonework, specifically all over the porch, featuring strapwork and grotesque masks. A even further bay to the east then joins to the low wall screening a services court and this in transform joins to the stable block. Extending to the west is a single-storey range of two bays additional by Sir Alfred Bird with a square bay window and modest, elaborately-carved oriel capped by a battlemented parapet. The back garden front is composed with deliberate asymmetry, acquiring five bays with shaped gables to the still left of centre and far correct and a canted and sq. bay, each and every of two storeys, as properly as a single-storey bay to the much suitable. At the west finish is a small monitor wall which connects to the steady block. To the far east is a portion of walling, the southern side of which was formerly inside the conservatory. Connected to this are concrete containers hooked up to the wall which are moulded in immitation of rock. The skyline on both of those principal fronts has a really whole array of clustered octagonal chimneys with moulded caps. The balustrade at the top rated of the wall has moulded balusters and the balustrade piers are surmounted by statues personifying a range of figures together with Hercules, Brutus and William the Conqueror some of which ended up carved by White’s, in accordance to George Noszlopy, who has identified the total plan as based on late C16 and early-C17 English engravings of heroes from Greek mythology, Roman Emperors and characters from English legend, some of which have been extra by Sir Alfred Hen who used Robert Bridgeman.
    Interior: The ground flooring prepare approximates to a double-pile program with a significant central staircase and entrance hall at possibly facet of which are corridors primary to the previous conservatory and the kitchens and assistance courtroom. The floor flooring has a collection of lavishly adorned rooms, which include the Eating Place, Morning Place, Drawing Home and Songs Room. The Jacobean and Elizabethan models are freely combined and there are also things of Georgian joinery, specially in the Audio Room. Each individual place has an elaborate hearth with a carved oak surround and overmantel and panelling to dado top. A lot of of the fireplaces have tiled cheeks by the De Morgan or Ruskin potteries. The plaster ceilings are adorned with strapwork, fruit and flowers in high aid. Quite a few of the windows contain panels of stained glass of superior quality showing coats of arms or mottoes. Many also have panels of Flemish or German C16 or C17 glass. The Study and Songs Space are notably luxurious, with richly carved woodwork. The Review, which was included to the previously household by Sir Alfred Bird in the very same design, has a screen of no cost-standing columns at the rear of which is a tiny, richly-modelled, barrel-vaulted ceiling and, in the Audio Home, there is panelling to the total peak of the walls, divided by Ionic pilasters with panels of bay leaves to their decreased bodies and strapwork and masks above. To the western conclusion of the room are equipped cupboards with glazed doorways and a smaller, central fireplace with flambeau glazing to the tiled encompass. Higher than is an inset tapestry panel jogging the width of the wall demonstrating a Tudor looking scene. Sir Alfred Fowl was a collector of Old Master paintings and various of the panels in the New music Space and Hallway have buttons to their decrease rims which permit the panels to be eliminated and it is attainable that photographs were being incorporated into the panelling with a system to release them in the celebration of a fire, as is the circumstance with the heavy frames at the Wallace Selection and other C19 collections.
    The panelling is recorded as getting fitted by Plunkett’s of Warwick, and it appears most likely that they were accountable for fitting out the rooms in their entirety. The staircase hall contains further more panelling and the window has 9 panels of Flemish or German glass. To the initially flooring just one bedroom has a fireplace with richly figured wood and ivory inlay. There is a 1st flooring corridor with housekeepers’ panelled cupboards to both aspect and Lyncrusta wallpaper and the previous bedrooms have a collection of fireplaces with wood or cast metal surrounds.

    Secure BLOCK: The stables, with coach houses and, maybe, garaging are connected to the west side of the dwelling. They have a T-formed plan. The cross-stroke is oriented north-south and has a partly-glazed roof. The stables have been arranged at both facet of the central passageway of the downstroke, which runs east-west, but these have now been re-arranged to variety teaching rooms. This part of the building is also richly decorated, with statuary and a louvered octagonal bellcote to the skyline and ball and sceptre finials. A number of of the first home windows have been replaced with uPVC home windows and the openings show up to have been enlarged.

    SUBSIDIARY Functions:
    Terrace Balustrade and Stone Bench: Straight away to the south of the household is a terrace which is bounded to its south and east sides by a stone balustrade which has oval and diamond motifs and a moulded handrail. The balustrade connects at its east stop to the foundations of the former conservatory. On the terrace is a stone bench with shaped ends which include lions masks and to its back again it has a cresting incorporating carved acanthus leaves.
    Background
    The opening of the Birmingham-Oxford Railway in 1852 brought on the original expansion of Solihull’s city place and during the afterwards C19 and considerably of the C20, the borough has expanded to develop into an affluent commuter suburb of Birmingham. Tudor Grange was developed for Alfred Lovekin of Adie & Lovekin, jewellers and silversmiths in 1887. The enterprise manufactured a extensive selection of silver fancy items at the close of the C19 and had a manufacturing unit in Regent Avenue, Hockley. In 1894 they commissioned Mansell & Mansell to layout a new manufacturing facility for them at 23, Frederick Street, Birmingham which became known as `Trafalgar Works’ (Quality II).
    Lovekin’s wife died in 1900 and in 1901 the dwelling was sold to Alfred Chicken, son of the founder of Bird’s Custard Enterprise. He enlarged the household, introducing the library and a sizeable conservatory to the east, and experienced Blossomfield Road moved northwards, away from the entrance entrance, and designed a new entrance lodge at the conclusion of the re-configured push. He also employed Robert Bridgeman to ornament the property with statuary and furnished it with an comprehensive art selection which involved paintings and also with panels of C16 and C17 Flemish stained glass, which endure in situ. Alfred Fowl grew to become M.P. for Wolverhampton West in 1910. In 1920 he was knighted and in 1922, the calendar year of his loss of life, he was designed a baronet. His widow lived on at Tudor Grange until her loss of life in 1943 and the property is believed to have been applied as a Red Cross auxiliary medical center all through and right after the 2nd Planet War. In 1946 the household was purchased by Warwickshire County Council and became a university for small children with exclusive demands until 1976 when it turned section of Solihull Technological University.

    Causes FOR DESIGNATION Choice
    Tudor Grange, Solihull is designated at Grade II* for the following principal causes:
    * The house has a collection of cautiously built reception rooms which integrate panelling, plasterwork, antique glass panels and tilework of significant quality.
    * Tudor Grange is an interesting case in point of a new form of late-C19 house which was created for a generation of self-assured businessmen who did not set up on their own as state gentlemen but chosen to create homes which were being inside straightforward reach of their companies but enjoyed the characteristics of nation dwelling everyday living.
    * The approach form of the residence has been minor altered and all of the principal parts and many of the distinctive rooms can be recognized.
    * The exterior of the dwelling, with its joined secure block, lodge, terracing and walled yard forms a coherent group.

    Resources
    John Cattell, Sheila Ely, Barry Jones, The Birmingham Jewelry Quarter, 2002, 219 George T. Noszlopy, Sculpture of Warwickshire, Coventry and Solihull, Liverpool University Push, 2003, 301.

    Posted by ell brown on 2022-11-25 16:17:28

    Tagged: , Blossomfield Park , Tudor Grange Household , blossomfield rd , solihull , west midlands , england , united kingdom , excellent britain , chook relatives , bird’s custard , tudor grange , solihull faculty , grade ii* listed , Grade II* shown developing , big suburban house , loosely jacobean design and style , thomas henry mansell of birmingham , alfred lovekin , plunketts of smith street, warwick , sir alfred chicken , adie & lovekin , bird’s custard organization , robert bridgeman , warwickshire county council , solihull technological college , care dwelling , Macc Group , tree , trees , cellular , Cellular photographs , Sony , Sony Xperia 5 III , bus , 6 , NXWM , Nationwide Specific West Midlands , Nationwide Categorical West Midlands Electric powered

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  • Eastnor Castle

    Eastnor Castle

    Eastnor Castle

    A Fantastic Friday 2017 check out to Eastnor Castle in Herefordshire.

    The check out near a frame where by you can consider photos of the castle and submit them to www.facebook.com/EastnorCastle

    There are lots of sights of the castle from the lake, not just from this aspect.

    Grade I shown developing

    Eastnor Castle

    Listing Textual content

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    Place home. 1811-1820 by Robert Smirke for 2nd Baron Somers inner alterations, typically ornamental by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these ended up not completely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and floor beams are cast iron, an early instance of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nevertheless however symmetrical castle in a critical neo-Norman and early English design: rectangular with E-system entrance entrance and flanking towers joined by small diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance entrance is dominated by a boldly massed centre which raises through 3 phases and is stepped up to the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere beneath an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer types currently being advanced and terminated by tall, 3 stage corner towers which are clover leaf on approach and have corbelled parapets and solitary-gentle, spherical-headed, home windows established in deep embrasures. The central 3 bay sections have 3-mild Early English design and style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band under and corbelled blocking course higher than, guiding which the higher flooring is recessed with huge pane sash home windows in neo-Norman type surrounds which have columns and cushion capitals. The outer solitary bays have 3-light-weight Gothic model home windows but established in neo-Norman surrounds basic tripartite windows on initially flooring. Massive central double doorways and easy round-headed doorways at foundation of outer towers, that to the remaining qualified prospects to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre currently being a full top canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Backyard elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- side. 2-mild Geometric model windows on floor floor neo-Norman type surrounds and columns to the centre 3-gentle simple, round-headed windows on the very first flooring, but Geometric design and style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-system with a court on the south facet 4 2-gentle casement home windows less than hood-moulds tall, 2-phase square towers terminate the 2 arms of the wing.

    Inside: small of the primary Smirke interiors endure. Front Staircase
    Corridor, redecorated by G E Fox 1860s. Entrance Hall: Smirke, likely re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the proportions are 60 ft
    extensive by 55 ft large Romanesque style “triforium” gallery and 2-light-weight
    “clerestorey” home windows with Venetian fashion tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman model surrounds attractive
    stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
    Drawing Home: the plasterwork is by F Bernasconi and Son but the painted
    decoration was built by Pugin and executed by the Crace organization in 1849-50
    enthusiast vaulted ceiling: substantial, wrought, 2 tier chandelier by Pugin, 1850
    but manufactured by Hardman of Birmingham hugely elaborate hearth with ogee
    head and relatives heraldry, a painted family members tree is over linenfold
    panelling, chairs, desk and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance type obtain inlaid woodwork, Istrian
    stone chimneypiece evidently with a representation of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Small Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fire and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Dining Area: by Smirke but altered, painted
    and panelled ceiling panelled dado and designed-in Gothic design sideboards
    furnishings also by Smirke. Staircase Corridor: plain staircase by Smirke, arcaded
    balustrade of cast iron and wooden. State Bed room: some of the earliest operate
    of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and perform publications endure in the muniment room of the home. The
    accounts for the 1811-12 time period quantity to £85,923 13s 11½d.

    (N Pevsner, The Structures of England: Herefordshire, 1963. Region Life, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This text is from the original listing, and may perhaps not always replicate the current environment of the constructing.

    Posted by ell brown on 2017-04-14 18:08:11

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Fantastic Britain , Eastnor Castle , Great Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers relatives , Cocks loved ones , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I mentioned , Grade I stated setting up , 2nd Baron Somers , Region dwelling , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , lead and slate roof concealed at the rear of embattled parapet , neo-Norman and early English type , lake , mobile , mobile photographs , Huawei , Huawei P9 , mock or revival castle , tree , trees , Eastnor Lake

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