Tag: majolica

William Brouillard

www.cia.edu/college/listing.php?college_id=15

Artist Statement
The platters I have sent to this exhibition blend quite a few ceramic traditions. The very first is, The Palace Art Pot. Palace Art Pots have been created to exhibit wealth and energy. They had been made to tell a story, to commemorate an function or a individual, and to display talent and problem the talents of the artisans who built them. The second custom is the Fish Platter. Fish platters have been a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The 3rd and previous custom is the A single-Line visual and verbal Pun, Platters of the ceramic Funk Movement.
Humor by the use of the visual pun was a mainstay of the California Funk movement. Humor in clay has a custom as previous as the use of the content. I have usually felt that humor has been given small change as a critical emotion. Artwork work that works by using humor and has been actively excised from collections of critical artwork. It could be that we do not realize the perform of humor as properly as we have an understanding of the function of the other thoughts.
In the do the job offered I have tried out to inject some humor into the attractive / commemorative object. The platters are huge to give them a somewhat overblown feeling of their have importance and to be able to be seen from a distance . They are meant for the wall and the desk. The substantial sizing to fit the importance of substantial gatherings.
I have attempted to swap historical styles with objects lessened to pattern. Some of the objects are extensions of my setting or reflections of personal pursuits. Photographs of transform of the century technologies, (the Machine Age), are a private favourite. Subject matter make a difference ranges from humorous depiction of day to day objects to gender stereotypes. My skills as A draftsman are confined but appear to be to be suitable for the sort and high quality of impression that the subject involves. They have a cartoon appear as opposed to the crisp complexity of fine china.
The clay system, a pink earthenware, is heavily potted and would make no secrete of its versions and flaws. The glaze function is in the Majolica design and style and is accomplished really a great deal like a watercolor on smooth paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some might have an supplemental firing to Cone 018 for minimal temperature luster and enamels. They are fired in an oxidizing environment applying an electrical kiln.

William Brouillard June, 22 1993

Resume
William Craig Brouillard

Latest Situation:
Associate Professor of Art, Ceramics division, The Cleveland Institute of Artwork, Cleveland, Ohio, from 1980
Instruction:
M.F.A., Ceramic Art, The New York State College or university of Ceramics at Alfred University, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Artwork Schooling, State University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Similar Function Practical experience:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, output of pottery and ceramic fee work 1980-1993
Resident Craftsman at The Penland College of Crafts, Penland, North Carolina, as a whole time self supporting studio artist in clay, with some similar teaching obligations, 1976 -1978
Training Working experience:
Teacher, Educating starting intermediate and Graduate amount ceramics, East Tennessee Point out University, Johnson City, TN. 1978-1979
Instructing Assistantship, instructing Kiln Layout and Design, to advanced and graduate stage students at New York State University of Ceramics at Alfred College, Alfred, NY. 1974 – 1976
Teaching Assistantship, educating Two and 3 Dimensional Style to starting and state-of-the-art Pupils, also instruction in products and strategies of woodworking, at The New York Point out Higher education of

GRANTS AND AWARDS
National Cup Exhibit, invest in award, College of Southern IL. 1992
Ohio Designer Craftsmen, order award, Ideal of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Finest of 92 Exhibition, 1992
American Craft Museum, Structure Award , for Excellence in Design and style, in conduction with the Created and built for use Exhibition, at The American Craft Museum, NY 1986
Invest in Award, The Clay Cup Display, Southern IL. University, 1986
Artwork Park , Lewiston NY. Summertime operate and journey grant 1980

COLLECTIONS REPRESENTED BY
The Detroit Museum of Artwork [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Selection, St Louis, MO
The Sinker Selection, Detroit, MI.
The Vincent Lim Assortment,Philadelphia, PA
The Pfannebecker Selection, Lancaster, PA
College of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Regular, Columbus, OH
The Cleveland Art Affiliation, Cleveland, OH
Alfred University, Museum of Ceramics, Alfred, NY
College Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Magazine, Jan. 1994 Studio Potter Magazine, Jan, 1992, “The Language of the Lip” NCCECA Journal “Developing a Plastic Alphabet”, quantity 6, 1985 Studio Potter “Ohio Potters”, Oct, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, October 1977 The Alfred Kiln Drawings, New York Point out Higher education of Ceramics, Alfred University, Publication of The Division of Artwork and Style, 1976
GALLERIES REPRESENTED BY
-The Clay Position, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, Countrywide Meeting For Education in the Ceramic Arts
-Spaces, Arts Firm, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Area Represenitive, Columbus, OH
-AAUP, American Affiliation of University Professors, Washington DC

Posted by clayglazepots on 2007-04-27 20:34:52

Tagged: , William , Brouillard , Cleveland , Institute , Art , majolica

#home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, fine woodworking, picket chairs, wood doing work tools, popular woodworking, woodworking books, woodworking workbench programs

William Brouillard

www.cia.edu/school/directory.php?college_id=15

Artist Assertion
The platters I have despatched to this exhibition mix a number of ceramic traditions. The 1st is, The Palace Art Pot. Palace Artwork Pots were built to reveal prosperity and energy. They had been manufactured to inform a tale, to commemorate an function or a human being, and to reveal skill and challenge the capabilities of the artisans who built them. The second custom is the Fish Platter. Fish platters have been a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The third and previous tradition is the A single-Line visible and verbal Pun, Platters of the ceramic Funk Motion.
Humor by means of the use of the visible pun was a mainstay of the California Funk motion. Humor in clay has a custom as aged as the use of the content. I have generally felt that humor has been provided quick shift as a really serious emotion. Artwork function that takes advantage of humor and has been actively excised from collections of critical art. It may possibly be that we do not recognize the function of humor as nicely as we fully grasp the function of the other feelings.
In the function presented I have tried out to inject some humor into the ornamental / commemorative item. The platters are big to give them a slightly overblown sense of their have worth and to be ready to be seen from a distance . They are intended for the wall and the table. The substantial sizing to in shape the relevance of significant gatherings.
I have tried to exchange historic patterns with objects decreased to sample. Some of the objects are extensions of my natural environment or reflections of personalized interests. Photographs of flip of the century engineering, (the Device Age), are a particular preferred. Topic make any difference ranges from humorous depiction of day-to-day objects to gender stereotypes. My capabilities as A draftsman are minimal but appear to be to be satisfactory for the type and excellent of impression that the topic calls for. They have a cartoon look as opposed to the crisp complexity of fine china.
The clay physique, a red earthenware, is greatly potted and makes no secrete of its variants and flaws. The glaze perform is in the Majolica design and style and is finished pretty a great deal like a watercolor on soft paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some might have an added firing to Cone 018 for very low temperature luster and enamels. They are fired in an oxidizing ambiance utilizing an electric powered kiln.

William Brouillard June, 22 1993

Resume
William Craig Brouillard

Latest Posture:
Associate Professor of Art, Ceramics department, The Cleveland Institute of Artwork, Cleveland, Ohio, from 1980
Education and learning:
M.F.A., Ceramic Artwork, The New York Condition College or university of Ceramics at Alfred College, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Art Education and learning, Point out University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Associated Function Encounter:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, creation of pottery and ceramic fee perform 1980-1993
Resident Craftsman at The Penland College of Crafts, Penland, North Carolina, as a entire time self supporting studio artist in clay, with some related educating responsibilities, 1976 -1978
Training Expertise:
Teacher, Educating starting intermediate and Graduate amount ceramics, East Tennessee Condition University, Johnson Metropolis, TN. 1978-1979
Teaching Assistantship, teaching Kiln Design and style and Construction, to innovative and graduate degree students at New York Condition College of Ceramics at Alfred College, Alfred, NY. 1974 – 1976
Teaching Assistantship, instructing Two and A few Dimensional Design to starting and highly developed Students, also instruction in resources and procedures of woodworking, at The New York Condition School of

GRANTS AND AWARDS
Countrywide Cup Present, obtain award, University of Southern IL. 1992
Ohio Designer Craftsmen, invest in award, Very best of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Most effective of 92 Exhibition, 1992
American Craft Museum, Structure Award , for Excellence in Design, in conduction with the Developed and created for use Exhibition, at The American Craft Museum, NY 1986
Purchase Award, The Clay Cup Display, Southern IL. College, 1986
Artwork Park , Lewiston NY. Summer months work and vacation grant 1980

COLLECTIONS REPRESENTED BY
The Detroit Museum of Art [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Selection, St Louis, MO
The Sinker Selection, Detroit, MI.
The Vincent Lim Assortment,Philadelphia, PA
The Pfannebecker Assortment, Lancaster, PA
College of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Every month, Columbus, OH
The Cleveland Artwork Affiliation, Cleveland, OH
Alfred University, Museum of Ceramics, Alfred, NY
College Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Magazine, Jan. 1994 Studio Potter Magazine, Jan, 1992, “The Language of the Lip” NCCECA Journal “Establishing a Plastic Alphabet”, quantity 6, 1985 Studio Potter “Ohio Potters”, Oct, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, October 1977 The Alfred Kiln Drawings, New York Point out Faculty of Ceramics, Alfred University, Publication of The Section of Artwork and Style, 1976
GALLERIES REPRESENTED BY
-The Clay Position, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, Countrywide Conference For Schooling in the Ceramic Arts
-Areas, Arts Organization, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Space Represenitive, Columbus, OH
-AAUP, American Association of College Professors, Washington DC

Posted by clayglazepots on 2007-04-27 20:34:16

Tagged: , William , Brouillard , Cleveland , Institute , Artwork , majolica

#home furniture #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, high-quality woodworking, wood chairs, wooden doing work applications, preferred woodworking, woodworking textbooks, woodworking workbench strategies

William Brouillard

www.cia.edu/faculty/directory.php?school_id=15

Artist Statement
The platters I have despatched to this exhibition mix many ceramic traditions. The first is, The Palace Art Pot. Palace Artwork Pots ended up created to show prosperity and ability. They ended up manufactured to notify a tale, to commemorate an event or a person, and to show ability and challenge the qualities of the artisans who manufactured them. The second custom is the Fish Platter. Fish platters have been a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The third and past tradition is the One-Line visible and verbal Pun, Platters of the ceramic Funk Movement.
Humor by the use of the visual pun was a mainstay of the California Funk movement. Humor in clay has a tradition as aged as the use of the material. I have often felt that humor has been offered quick change as a serious emotion. Artwork work that uses humor and has been actively excised from collections of really serious art. It may be that we do not have an understanding of the purpose of humor as very well as we fully grasp the function of the other feelings.
In the work introduced I have tried to inject some humor into the decorative / commemorative object. The platters are huge to give them a a little overblown sense of their individual worth and to be able to be viewed from a distance . They are meant for the wall and the desk. The huge sizing to fit the great importance of massive gatherings.
I have tried to replace historical patterns with objects reduced to pattern. Some of the objects are extensions of my atmosphere or reflections of individual interests. Images of change of the century know-how, (the Machine Age), are a personal preferred. Issue make a difference ranges from humorous depiction of every day objects to gender stereotypes. My capabilities as A draftsman are minimal but look to be suitable for the sort and good quality of graphic that the issue calls for. They have a cartoon glimpse as opposed to the crisp complexity of wonderful china.
The clay body, a red earthenware, is heavily potted and can make no secrete of its variations and flaws. The glaze perform is in the Majolica design and style and is completed really considerably like a watercolor on comfortable paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some may have an additional firing to Cone 018 for minimal temperature luster and enamels. They are fired in an oxidizing environment making use of an electric kiln.

William Brouillard June, 22 1993

Resume
William Craig Brouillard

Recent Placement:
Affiliate Professor of Artwork, Ceramics section, The Cleveland Institute of Artwork, Cleveland, Ohio, from 1980
Training:
M.F.A., Ceramic Art, The New York Condition School of Ceramics at Alfred College, Alfred, NY, 1976
College of Wisconsin, at Madison, Wisconsin, 1973
B.A., Artwork Instruction, State University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Similar Function Experience:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, production of pottery and ceramic fee perform 1980-1993
Resident Craftsman at The Penland School of Crafts, Penland, North Carolina, as a complete time self supporting studio artist in clay, with some connected training obligations, 1976 -1978
Educating Knowledge:
Instructor, Training commencing intermediate and Graduate level ceramics, East Tennessee Condition College, Johnson City, TN. 1978-1979
Educating Assistantship, teaching Kiln Layout and Building, to superior and graduate degree college students at New York Condition College of Ceramics at Alfred University, Alfred, NY. 1974 – 1976
Educating Assistantship, teaching Two and Three Dimensional Design and style to beginning and innovative Pupils, also instruction in components and techniques of woodworking, at The New York State Faculty of

GRANTS AND AWARDS
Nationwide Cup Demonstrate, acquire award, University of Southern IL. 1992
Ohio Designer Craftsmen, purchase award, Ideal of 92 exhibition, Columbus, OH. 1992
Excellence in Structure Award Ohio Designer Craftsmen, Best of 92 Exhibition, 1992
American Craft Museum, Style and design Award , for Excellence in Design and style, in conduction with the Created and produced for use Exhibition, at The American Craft Museum, NY 1986
Order Award, The Clay Cup Demonstrate, Southern IL. University, 1986
Artwork Park , Lewiston NY. Summertime do the job and travel grant 1980

COLLECTIONS REPRESENTED BY
The Detroit Museum of Artwork [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Collection, St Louis, MO
The Sinker Collection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
College of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Monthly, Columbus, OH
The Cleveland Art Association, Cleveland, OH
Alfred University, Museum of Ceramics, Alfred, NY
University Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Journal, Jan. 1994 Studio Potter Journal, Jan, 1992, “The Language of the Lip” NCCECA Journal “Establishing a Plastic Alphabet”, volume 6, 1985 Studio Potter “Ohio Potters”, October, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, Oct 1977 The Alfred Kiln Drawings, New York State College or university of Ceramics, Alfred College, Publication of The Office of Artwork and Style, 1976
GALLERIES REPRESENTED BY
-The Clay Place, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, National Convention For Education in the Ceramic Arts
-Spaces, Arts Organization, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Region Represenitive, Columbus, OH
-AAUP, American Affiliation of College Professors, Washington DC

Posted by clayglazepots on 2007-04-27 20:34:03

Tagged: , William , Brouillard , Cleveland , Institute , Art , majolica

#furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, wonderful woodworking, wood chairs, wood doing the job applications, common woodworking, woodworking books, woodworking workbench programs

William Brouillard

www.cia.edu/school/directory.php?college_id=15

Artist Assertion
The platters I have sent to this exhibition incorporate numerous ceramic traditions. The to start with is, The Palace Artwork Pot. Palace Artwork Pots have been produced to reveal wealth and electricity. They had been produced to inform a story, to commemorate an function or a particular person, and to exhibit talent and obstacle the abilities of the artisans who made them. The 2nd tradition is the Fish Platter. Fish platters ended up a staple of the Neo Arts and Crafts Motion of the 1950s and 60s. The 3rd and previous tradition is the A single-Line visible and verbal Pun, Platters of the ceramic Funk Motion.
Humor by the use of the visual pun was a mainstay of the California Funk motion. Humor in clay has a tradition as previous as the use of the product. I have constantly felt that humor has been offered limited shift as a significant emotion. Artwork do the job that makes use of humor and has been actively excised from collections of serious art. It may possibly be that we do not have an understanding of the purpose of humor as effectively as we understand the operate of the other feelings.
In the work presented I have tried out to inject some humor into the ornamental / commemorative item. The platters are significant to give them a a little overblown perception of their possess relevance and to be capable to be viewed from a length . They are meant for the wall and the desk. The massive sizing to suit the worth of massive gatherings.
I have tried to switch historic styles with objects diminished to pattern. Some of the objects are extensions of my natural environment or reflections of personalized interests. Images of turn of the century engineering, (the Machine Age), are a personalized favorite. Issue make a difference ranges from humorous depiction of each day objects to gender stereotypes. My qualities as A draftsman are confined but feel to be satisfactory for the kind and high-quality of picture that the issue demands. They have a cartoon glance as opposed to the crisp complexity of high-quality china.
The clay human body, a crimson earthenware, is intensely potted and will make no secrete of its variations and flaws. The glaze function is in the Majolica model and is carried out very significantly like a watercolor on smooth paper. The pots are fired two times. They are bisqued to cone 05 and glazed to cone 04. Some may well have an supplemental firing to Cone 018 for very low temperature luster and enamels. They are fired in an oxidizing environment employing an electric powered kiln.

William Brouillard June, 22 1993

Resume
William Craig Brouillard

Present-day Place:
Associate Professor of Art, Ceramics department, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
Schooling:
M.F.A., Ceramic Art, The New York Condition College or university of Ceramics at Alfred University, Alfred, NY, 1976
College of Wisconsin, at Madison, Wisconsin, 1973
B.A., Artwork Instruction, Condition College of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Linked Function Knowledge:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, output of pottery and ceramic fee perform 1980-1993
Resident Craftsman at The Penland University of Crafts, Penland, North Carolina, as a whole time self supporting studio artist in clay, with some relevant teaching duties, 1976 -1978
Instructing Experience:
Instructor, Instructing commencing intermediate and Graduate degree ceramics, East Tennessee Point out University, Johnson Metropolis, TN. 1978-1979
Instructing Assistantship, instructing Kiln Layout and Construction, to innovative and graduate stage students at New York Condition Higher education of Ceramics at Alfred College, Alfred, NY. 1974 – 1976
Instructing Assistantship, training Two and A few Dimensional Design to beginning and advanced Students, also instruction in elements and procedures of woodworking, at The New York State Faculty of

GRANTS AND AWARDS
National Cup Show, acquire award, College of Southern IL. 1992
Ohio Designer Craftsmen, buy award, Finest of 92 exhibition, Columbus, OH. 1992
Excellence in Design and style Award Ohio Designer Craftsmen, Finest of 92 Exhibition, 1992
American Craft Museum, Design and style Award , for Excellence in Style and design, in conduction with the Built and built for use Exhibition, at The American Craft Museum, NY 1986
Obtain Award, The Clay Cup Exhibit, Southern IL. College, 1986
Art Park , Lewiston NY. Summertime operate and vacation grant 1980

COLLECTIONS REPRESENTED BY
The Detroit Museum of Artwork [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Collection, St Louis, MO
The Sinker Assortment, Detroit, MI.
The Vincent Lim Selection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
University of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Regular, Columbus, OH
The Cleveland Artwork Affiliation, Cleveland, OH
Alfred College, Museum of Ceramics, Alfred, NY
College Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Journal, Jan. 1994 Studio Potter Journal, Jan, 1992, “The Language of the Lip” NCCECA Journal “Acquiring a Plastic Alphabet”, quantity 6, 1985 Studio Potter “Ohio Potters”, October, 1983 Craft Horizons, December , 1978 Ceramics Regular monthly, “Penland Potters”, October 1977 The Alfred Kiln Drawings, New York Point out College of Ceramics, Alfred University, Publication of The Division of Artwork and Style, 1976
GALLERIES REPRESENTED BY
-The Clay Area, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Assortment, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, National Conference For Schooling in the Ceramic Arts
-Areas, Arts Business, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Place Represenitive, Columbus, OH
-AAUP, American Affiliation of University Professors, Washington DC

Posted by clayglazepots on 2007-04-27 20:28:42

Tagged: , William , Brouillard , Cleveland , Institute , Art , majolica

#furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, fine woodworking, picket chairs, wood functioning applications, preferred woodworking, woodworking textbooks, woodworking workbench programs

William Brouillard

www.cia.edu/school/listing.php?school_id=15

Artist Statement
The platters I have despatched to this exhibition mix numerous ceramic traditions. The 1st is, The Palace Artwork Pot. Palace Art Pots have been produced to reveal prosperity and electrical power. They had been designed to explain to a tale, to commemorate an event or a man or woman, and to show skill and obstacle the talents of the artisans who manufactured them. The 2nd tradition is the Fish Platter. Fish platters were being a staple of the Neo Arts and Crafts Motion of the 1950s and 60s. The 3rd and previous tradition is the Just one-Line visual and verbal Pun, Platters of the ceramic Funk Motion.
Humor as a result of the use of the visible pun was a mainstay of the California Funk movement. Humor in clay has a tradition as old as the use of the material. I have always felt that humor has been supplied brief shift as a really serious emotion. Artwork get the job done that employs humor and has been actively excised from collections of critical art. It may be that we do not comprehend the function of humor as perfectly as we understand the functionality of the other thoughts.
In the perform offered I have tried out to inject some humor into the decorative / commemorative object. The platters are significant to give them a somewhat overblown perception of their very own worth and to be ready to be seen from a length . They are intended for the wall and the table. The massive sizing to fit the relevance of huge gatherings.
I have tried to swap historical designs with objects decreased to sample. Some of the objects are extensions of my environment or reflections of particular passions. Illustrations or photos of transform of the century technologies, (the Equipment Age), are a personal beloved. Issue make any difference ranges from humorous depiction of day to day objects to gender stereotypes. My abilities as A draftsman are limited but seem to be to be sufficient for the kind and top quality of graphic that the topic requires. They have a cartoon glimpse as opposed to the crisp complexity of great china.
The clay system, a purple earthenware, is heavily potted and would make no secrete of its variations and flaws. The glaze work is in the Majolica design and is performed incredibly a great deal like a watercolor on smooth paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some may possibly have an further firing to Cone 018 for low temperature luster and enamels. They are fired in an oxidizing environment applying an electric kiln.

William Brouillard June, 22 1993

Resume
William Craig Brouillard

Present Placement:
Associate Professor of Art, Ceramics division, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
Schooling:
M.F.A., Ceramic Artwork, The New York State College or university of Ceramics at Alfred University, Alfred, NY, 1976
College of Wisconsin, at Madison, Wisconsin, 1973
B.A., Artwork Education and learning, Condition College of Wisconsin, Stout at Menomonie, Wisconsin, 1969
Associated Do the job Practical experience:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, production of pottery and ceramic fee work 1980-1993
Resident Craftsman at The Penland University of Crafts, Penland, North Carolina, as a total time self supporting studio artist in clay, with some linked teaching responsibilities, 1976 -1978
Training Knowledge:
Teacher, Training commencing intermediate and Graduate amount ceramics, East Tennessee State University, Johnson Metropolis, TN. 1978-1979
Training Assistantship, educating Kiln Structure and Development, to innovative and graduate degree college students at New York Condition School of Ceramics at Alfred University, Alfred, NY. 1974 – 1976
Teaching Assistantship, instructing Two and Three Dimensional Style to beginning and superior College students, also instruction in products and procedures of woodworking, at The New York Condition University of

GRANTS AND AWARDS
Countrywide Cup Display, acquire award, College of Southern IL. 1992
Ohio Designer Craftsmen, obtain award, Very best of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Ideal of 92 Exhibition, 1992
American Craft Museum, Layout Award , for Excellence in Style and design, in conduction with the Created and designed for use Exhibition, at The American Craft Museum, NY 1986
Buy Award, The Clay Cup Present, Southern IL. University, 1986
Art Park , Lewiston NY. Summer operate and journey grant 1980

COLLECTIONS REPRESENTED BY
The Detroit Museum of Art [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Collection, St Louis, MO
The Sinker Selection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
College of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Monthly, Columbus, OH
The Cleveland Artwork Association, Cleveland, OH
Alfred College, Museum of Ceramics, Alfred, NY
College Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Journal, Jan. 1994 Studio Potter Magazine, Jan, 1992, “The Language of the Lip” NCCECA Journal “Establishing a Plastic Alphabet”, volume 6, 1985 Studio Potter “Ohio Potters”, October, 1983 Craft Horizons, December , 1978 Ceramics Every month, “Penland Potters”, Oct 1977 The Alfred Kiln Drawings, New York Point out College or university of Ceramics, Alfred University, Publication of The Office of Artwork and Style and design, 1976
GALLERIES REPRESENTED BY
-The Clay Area, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, Countrywide Convention For Schooling in the Ceramic Arts
-Areas, Arts Group, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Space Represenitive, Columbus, OH
-AAUP, American Association of University Professors, Washington DC

Posted by clayglazepots on 2007-04-27 20:33:13

Tagged: , William , Brouillard , Cleveland , Institute , Art , majolica

#furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, high-quality woodworking, picket chairs, wood working resources, popular woodworking, woodworking textbooks, woodworking workbench designs