Tag: Lychgate

Lapford – St Thomas of Canterbury, Devon

St Thomas of Canterbury church which at first dates back again to the 12th century. This pretty stone church is considered to have been built by William De Tracey as penance for his element in the murder of the then Archbishop of Canterbury, Thomas a Beckett on 29th December 1170. The church was extended in the 15th century. Also extra close to this time was the most exquisitely carved rood screen, the church also features wonderfully carved bench ends and roof woodwork.

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CHURCH OF ST THOMAS OF CANTERBURY, LAPFORD, DEVON

Heritage Group: Outlined Creating

Quality: I

Record Entry Quantity: 1250085

Date initial shown: 26-Aug-1965

Statutory Handle 1: CHURCH OF ST THOMAS OF CANTERBURY

National Grid Reference: SS 73152 08277

Specifics

LAPFORD LAPFORD SS 70 NW 4/86 Church of St Thomas of Canterbury – 26.8.65 GV I

Parish church. Norman origins, rebuilt in C15, north aisle additional and nave re-roofed in late C15. Vestry included 1869 according to Cresswell and chancel is full rebuild of exact time. South porch rebuilt 1871. Even further renovation of 1888 by Packham, Croote and Stuart bundled scraping and repointing the masonry, exposing and repairing the roofs, and some window replacement. 1955 restoration by Lt. Col. Bertram Shore. First material of mudstone rubble with granite, pink sandstone and volcanic ashlar element C19 snecked mudstone masonry and red sandstone, Hamstone and Bathstone element slate roofs with crested ridge tiles on north aisle. Nave with scaled-down and narrower chancel, north aisle and vestry, west tower and south porch. Perpendicular during. Tall west tower of 3 phases with diagonal buttresses and embattled parapet. Semi-octagonal stair turret projecting from south-east corner with embattled parapet. The 4 bold drip courses are carried spherical the stair turret and buttresses and increase as hoodmoulds around doorway and window on west aspect. Replaced belfry windows of crimson sandstone, all 2-lights with trefoil heads and a quatrefoil in the arched head. West facet of tower has C15 doorway, a 2-centred arch with moulded encompass and roll stops, which is made up of C19 studded plank door with plain heavy hinges. Tall 3-gentle window higher than with restored Perpendicular tracery and a drip system at sill degree is on this side only. Late C19 carved gargoyle h2o spout at the top on the north-west corner. South facet has an strange and pretty weathered sandstone niche in the lower phase which now contains a C19 statue of St Thomas a Becket and, in the center phase, a 2-light-weight window to the ringing loft similar to the belfry windows but of volcanic stone and authentic. The stair turret has tiny slit windows and 1 quatrefoil mild. The east face of the tower reveals evidence of an previously better roof than present. South aspect of nave is significantly restored. Renewed Bathstone window at remaining finish is sq.-headed and 2-lights with cinquefoil heads and hoodmould, and toward suitable end is a a lot-restored, arch- headed window with Perpendicular tracery. C19 porch has Bathstone quoins, kneelers and coping to gable finish, outer flat arch with moulded surround, and lancets both facet. At appropriate (east) close of nave is a volcanic and purple standstone offset buttress which has been diminished in top, potentially C15 work. Gable finish of nave is slate hung previously mentioned the chancel. Chancel alone is wholly C19. South side has two 2-light-weight Perpendicular home windows with a buttress between them. East finish has diagonal buttresses each and every side, kneelers and coping to gable which is surmounted by a fleuree cross and includes substantial 3-light-weight window with Perpendicular tracery and moulded hoodmould with substantial labels carved as bishops heads, and, near the apex, a trefoil headed ventilator. Set into the base of the wall is a plaque recording the 1955 restoration by Lt. Col. Bertram Shore (Architect), Harry Partridge (grasp builder) and Michael Tucker (grasp mason). North aspect of chancel has 2 lancets. East end of north aisle and gable end of vestry have the exact kneelers, coping, cross and ventilator as the chancel. Former includes a 3-light Perpendicular window and latter a 3-light Embellished window. On east facet of vestry is an arched doorway that contains a plank door with Gothick protect strips and strap hinges with fleur-de-lis finials and on the north-west corner is a huge chimney shaft supported by an offset buttress. Straight away to the right of the vestry the split involving the C19 rebuild and C15 north aisle can obviously be observed. The north aisle yet greatly restored 3-window front of tall sq.-headed 3-light-weight home windows with elliptical heads, sunken spandrels and moulded hoodmoulds. Unique granite heads and renewed mullions. Restored buttresses concerning and chamfered granite plinth. West has been restored in the design and style of C19 rebuild of east close. Exceptional interior. Tiled floor of porch incorporates a C17 granite gravestone with a sunken border and daring lettering growing from it. ‘God relaxation the soul of John Killan’. C15 south doorway, a granite 2-centred arch with moulded encompass and roll stops. It incorporates an ancient studded oak doorway assumed by some to be Norman. The coverstrips are C19 but the enormous simple strap hinges, the other iron fittings and the significant oak lock housing are first. Above the south door is a semi-circle of voussoirs, may perhaps be a blocked Norman arch. Nave has incredibly good late C15 wagon roof, now open but formerly ceiled. 8 bays, most important trusses with moulded ribs and purlins, big carved bosses, carved vine leaf wall plate and angels bearing heaters stand on shaped corbels below each principal truss. The 2 bays nearest chancel have a ceilure the panels are boarded and there are diagonal cross braces, crestwork about the panels and on the wall plate, the bosses are richer and the total concluded with paint and gold leaf. ll-bay wagon roof to north aisle is identical but not fairly as grand as the nave roof. In this article far too the authentic ceiling has been taken off. Chancel has 4 bay C19 roof with bogus hammer beam trusses with moulded archbraces and cusped queen struts over collar. Very similar roof to vestry. Moulded chancel arch on corbels. Significant tower arch has triple-chamfered arch ring dying into basic sides. Stair turret projects into south-west corner and consists of a granite arch that contains a C15 oak studded plank door. Late C15 4-bay granite arcade to north aisle with moulded piers (Pevsner’s Form A) with moulded capitals to shafts only and large low arches. Nave and aisle partitions have been stripped of plaster and considerably restored. Substantial crank-headed arch to C19 vestry. C19 tile flooring all through with some patterned encaustic tiles in chancel. The late C15 8-bay oak rood display across both equally nave and aisle is nicely-preserved and amongst the very best in the country. It has Pevsner’s B Sort Perpendicular tracery more than panelled wainscotting with utilized ogival tracery and decreased quatrefoils. The ribbed coving above the arches is enriched with carved Renaissance motifs, and above this the cornice is lined by 4 friezes of densely carved openwork foliage and delicate cresting. Chancel doorway has been rehung and doorway to previous north chapel is lacking. Bay to still left of chancel doorway experienced mullion eliminated in C17 to accommodate a examining desk and lintel with lobe decoration inserted. Rear of monitor is significantly less adorned. Modern day oak 3 bay parclose. East bay of wainscotting has an utilized strip of chip-carved oak with 4 trefoil heads. 4-light-weight square-headed windows with slender Perpendicular tracery and round headed door. Most of seating is C15 oak benches. 2 distinctive varieties but both of those are C15. Earlier benches now to south of nave and north of aisle have moulded surrounds to bench ends with boldly carved panels, either tracery or rigidly symmetrical plant motifs. The later on C15 benches, primarily in the center of nave and aisle, involve unique rear benches and frontal with collonade of flamboyant Perpendicular used tracery and decrease quatrefoils. Bench ends have carved foliage frames and similar tracery to 2-panels. These consist of a wide range of carved motifs in matching pairs organized on heaters, often heraldic achievements, plant symbols, human faces and some allegoric, this kind of as symbols of the Enthusiasm. A person features the initials of the Saint John family members who experienced the manor and advowson from 1430 to circa 1490. Some C19 benches to rear. Other furnishings are all C19. Oak handrail on wrought iron supports with repoussee vine leaf brackets. Gothic-model Beerstone stem pulpit with octangonal drum and marble shafts to arcade and dated 1860, the present of Henry Kelland. Oak lectern of 1884. Perpendicular Gothic-type Beerstone font. Solitary plain marble mural monument to James Wills Patridge (died 1836) on south wall. East window and south window have stained glass memorial windows, both to Kelland spouse and children and manufactured by Beer and Driffield 1888-9. North windows have beautiful late C19 leaded glass in which geometric designs built up of small panes of coloured translucent glass and with basic flowers in heads. Sources. Devon SMR. Devon C19 Church Undertaking. B Cresswell, Notes on Devon Churches in the Deanery of Chumleigh (1919), pp.96-107.

Listing NGR: SS7315608276

Resources

Books and journals
Cresswell, B F, Notes on Devon Church buildings in the Deanery of Chulmleigh, (1919), 96-107

historicengland.org.uk/listing/the-list/checklist-entry/125008…

Posted by Glass Angel on 2018-03-10 20:52:35

Tagged: , Lapford , St Thomas of Canterbury , Devon , Lychgate

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October 29, 2022
Clacton on Sea, Essex

Lych Gate, Church of Our Lady of Mild and St Osyth, Clacton on Sea, Essex

Grade II Stated

Record Entry Range: 1420919

Summary

A lych gate and war memorial commemorating the parish dead of the 1st Earth War, sited in a popular corner situation at the entrance to the grounds of the Roman Catholic Church of Our Lady of Mild and St Osyth, Clacton-on-Sea.

Causes for Designation

The lych gate, manufactured in 1925 and located at the entrance to the grounds of the Church of Our Lady of Mild and St Osyth on the corner of Church Street and Holland Road, Clacton-on-Sea, is mentioned at Grade II for the next principal causes: *Historic desire: as an eloquent witness to the tragic impacts of entire world functions on this parish local community, and the sacrifices it made in the conflict of 1914-18 * Architectural interest: as a effectively-in depth Arts and Crafts gabled layout of oak, brick and stone, with excellent sculptural depth * Group value: the lych gate kinds the entrance to the grounds of the Church of Our Woman of Light and St Osyth, Clacton-on-Sea, stated at Quality II, with which the gate has group worth.

Heritage

The lych gate was built at the entrance to the Church of Our Woman of Mild and St Osyth in about 1925 to honour the parish dead of the 1st Environment War.

The notion of commemorating war dead did not produce to any fantastic extent until finally towards the stop of the C19. Nevertheless, it was the aftermath of the 1st Environment War that was the fantastic age of memorial setting up, both as a end result of the big impression the decline of three quarters of a million British lives had on communities and the formal plan of not repatriating the dead, which meant that memorials presented the major emphasis for the grief felt at this wonderful loss.

Specifics

Lych gate of 1925 at the entrance to the Church of our Girl of Light-weight and St Osyth.

Materials: oak framed war memorial on a Lincolnshire limestone plinth, with herringbone brick at the sides (to gate top), oak gates and a gabled tile roof.

EXTERIOR: open gabled layout, the woodwork richly carved with quatrefoils (on the gables) and naturalistic foliage (in the pendentives). On the entrance there are carved figures of St Osyth (remaining) and St Charles (right) on the key uprights, and higher than, placed centrally on a king post, a determine of Our Woman of Mild with a dove and inscription underneath (‘humilitas’). Inside the lych gate to the left is an oak panel recording 6 parish war useless, with an inscription more than (‘Pro Patria Mortui Sunt 1914-1918’).

This List entry has been amended to insert the source for War Memorials Sign up. This source was not used in the compilation of this List entry but is included listed here as a manual for further studying, 12 January 2017.

Sources
Textbooks and journals
” in The Tablet, (20 September 1924)

Internet websites
War Memorials Sign-up, accessed 12 January 2017 from www.iwm.org.british isles/memorials/merchandise/memorial/22710

Other
Architectural Heritage follow, Getting Inventory: Roman Catholic Diocese of Brentwood, 2012,
Church Guidebook: Shrine of Our Lady of Gentle, Partner of the Holy Spirit, Clacton-on-Sea, Essex by Rev. C. Wilson et al,

historicengland.org.british isles/listing/the-record/list-entry/1420919

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Our Woman Of Light and St Osyth Catholic Church
1 Church Highway, Clacton-on-Sea, CO15 6AG

Our Girl of Light and St Osyth Church was constructed in 1902. In 1902 do the job commenced on the new church, and on October 15th 1903 the church was opened with Solemn Significant Mass.

For extra info see:-
ourladyoflight.co.uk/about-our-parish/

Element:- Oak war memorial lych gate designed at the entrance to the churchyard.

Clacton-on-Sea – Our Woman of Light and St Osyth, Church Street, Clacton, Essex CO15

HERITAGE Specifics
Architect: F. W. Tasker
Unique Date: 1902
Conservation Spot: Sure
Listed Quality: II*

A placing neo-Norman design of the early twentieth century by F. W. Tasker, developed to residence the national shrine of Our Woman of Gentle. The exterior massing of the church tends to make a major contribution to the regional conservation location, and the vaulted interior impresses equally. Reordering has remaining the sanctuary relatively bare but the church retains numerous furnishings of desire.

Clacton grew as a seaside vacation resort from the mid-nineteenth century. Mass was mentioned in a wide range of improvised destinations, which include the Martello Tower and in a little area in excess of a fruit shop in Station Street. A mission was not absolutely founded till 1894, when Mrs Pauline de Bary and Mrs Agnes St John obtained a plot of land and a property at the corner of Church Street and Holland Road for £2400.

Mrs de Bary and Mrs St John were the guardians of a statue of Our Woman of Light, the centrepiece of a shrine which had been proven at Sclerder, Cornwall in 1834 by members of the Trelawny family. It took its identify from the shrine to Our Girl of Gentle (‘Intron Varia ar Sklerder’) in Brittany. ‘Sclerder’ is also the Cornish term for light-weight, and the estate at Trelawne was so renamed. The shrine survived the Trelawny loved ones, who died out in the 1860s, being managed by a succession of secular and spiritual clergy until finally it was taken around by Pauline de Bary, widow of Richard de Bary of Weston Corridor, Worcs. Mrs de Bary restored the shrine and mounted a picket statue of Our Lady and the shrine grew to become a pilgrimage centre. Nevertheless, what Wilson describes as ‘various difficulties’ arose, and a determination was taken by Mrs de Bary and Mrs St John to move the shrine to another location. They approached Cardinal Vaughan, who recommended Clacton-on-Sea, where there was a will need for a mission.

In 1895 the Oblates of St Charles at Bayswater have been invited to choose in excess of the operating of the shrine, and Cardinal Vaughan undertook to erect the Confraternity of Our Woman of Light-weight there. Leonard Stokes ready styles for a massive church in his personalized model of free Gothic, which were being exhibited at the Royal Academy in 1896. This scheme was not pursued and as an alternative in 1901 the Chapter of the Oblates approved the making of a small chapel, costing about £2000. Just after browsing Clacton nonetheless, Canon Wyndham, Father Excellent of the Oblates, concluded that ‘the developing of a small church or a low-cost just one does not appear practical. For a position as isolated as Clacton, the constructing itself should be expressive of the Holy Catholic Faith’ (quoted in Wilson etal, p.10). Canon Wyndham himself provided a sizeable sum toward the challenge, and in April 1902 function began on a substantial church in Norman design and style, costing about £10,000, the design and style mentioned to be primarily based on St Bartholomew, Smithfield. The architect was F.W. Tasker and the builders Messrs S. Fancourt Halliday of Stamford, Lincolnshire. The basis stone was laid by Canon Wyndham on 4 September 1902. The church was committed to Our Girl of Light-weight and St Osyth, the Saxon abbess of a close by convent and later Augustinian abbey. The western part (nave and aisles) was opened on 24 May well 1903 and the done church opened on 15 October 1903. The Oblates of St Charles brought lots of merchandise from London, which include books and vestments, and four bells which had been hung in the new tower.

In 1909 the sacristy was added at the east finish and a Ketton stone pulpit introduced, the latter the reward of Mr A.G. Swannell, who also gave the higher altar, communion rails and font. In the 1920s the carved wood Stations of the Cross were put up and an oak war memorial lych gate built at the entrance to the churchyard.

In 1998 the sanctuary was reordered by the David Rackham Partnership. The church was consecrated by Bishop McMahon on 15 October 2004, 101 many years to the day just after the official opening.

The church is described in the list entry, below. Briefly, it is a substantial stone-constructed neo- Norman church consisting of nave, aisles, crossing tower with transepts and apsidal sanctuary with ambulatory. The structure is claimed to have been modelled on that of St Bartholomew, Smithfield – the apse and ambulatory becoming the design and style functions most in popular.

Aspects of the interior in the checklist entry are very quick. To the proper of the west doorway is the original baptistery, vaulted in stone, now a reconciliation room. The nave is made up of five bays, with a stone gallery at the west stop, and circular nave piers with scalloped capitals. Around this is a barrel vaulted roof, clad in Canadian redwood, as in the transepts. There is a large groin vault at the crossing, and the aisles are also groin vaulted. The sanctuary has a seven-arched arcade with a groin-vaulted ambulatory, with later on sacristies past to the east. There are two facet chapels on the jap side of the transepts, to the Sacred Heart on the south aspect and the shrine to Our Woman of Gentle on the north aspect (determine 2), with the figure of Our Girl set inside a neo- Romanesque aedicule. The square neo-Norman font has been placed in front of the sanctuary, possibly as element of the 1998 reordering. The stone ambo and neo-Norman forward altar also presumably belong to that reordering, together with the removal of the significant altar and communion rails. Stained glass in the church involves windows by Jones and Willis in the ambulatory, dating from c1903, and a depiction of Our Woman of Gentle in the nave, c1925.

using-stock.org.united kingdom/building/clacton-on-sea-our-woman-of-l…

Posted by Glass Angel on 2017-05-15 14:30:19

Tagged: , Clacton-on-Sea , Essex , Our Girl of Mild and St Osyth , Lychgate , Arts and Crafts , England , Good Britain , United Kingdom , War Memorial , Quality II Listed

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October 18, 2022

Tag: Lychgate

Lapford – St Thomas of Canterbury, Devon

Clacton on Sea, Essex