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  • Monastery of São Bento

    Monastery of São Bento

    Monastery of São Bento

    ©2010 Daniel Gafanhoto. All legal rights reserved.
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    The Monastery of São Bento of Rio de Janeiro is a historic monastery in the metropolis of Rio de Janeiro, Brazil.

    Crafted on the hill of São Bento, in the historic metropolis downtown, is a big inventive monuments of the colonial town and place.

    The inside of the church is prosperous, totally lined with gilt ranging from Baroque to the late seventeenth century rococo to the 2nd 50 % of the 18th century. The 1st sculptor lively in the church was the Portuguese monk Frei Domingos da Conceicao (c. 1643-1718) who developed and carved woodwork portion of the chancel (the chapel was replaced afterwards), the wonderful statues of the nave of St. Benedict and St. Scholastica, and the superior altar of the church, Our Lady of Montserrat (titular church), and other is effective.

    From 1714 his job was followed by carvers Alexandre Machado Pereira, Simão da Cunha and Jose da Conceicao e Silva, who notched most of the woodwork of the ship and numerous photos.

    Within the church of the monastery noticed toward the entrance.

    Between 1789 and 1800 he worked at the church one of the great sculptors of the rococo of Rio de Janeiro, Ignacio Ferreira Pinto. Master Ignatius redid the presbytery (1787 – 1794), preserving information but previously as perfectly as the screens on the everyday living of Benedictine saints, which were being painted among 1676 and 1684 by the German monk Frei Ricardo do Pilar. The stunning rococo chapel of the Blessed Sacrament (1795 – 1800) is also a masterpiece Ignatius. The lamps together the primary chapel was created and implemented concerning 1781 and 1783 by Master Valentim. In the sacristy of the monastery is the masterpiece of the painter Fra Ricardo, a screen representing the Lord of Martyrs painted about 1690.

    Within the church there are seven chapels of brotherhood: Chapel of Our Girl of Conception (Design and style), St. Lawrence Chapel, Chapel of Santa Gertrudes, São Brás Chapel, Chapel of St. Cajetan, Chapel of Our Woman of the Pillar and Chapel Santo Amaro.

    Currently there are supervised visits to church, where they are offered and defined the performs, images, carvings and architectural designs, amid other folks.

    Posted by daniel_gafanhoto on 2010-08-02 22:09:42

    Tagged: , HDR , baroque , rococo , São Bento , Mosteiro de São Bento , Mosteiro de Sao Bento , monastery , church , holy , gold , yellow , shiny , purple , Rio de Janeiro , pulpit , púlpito , Canon30D , igreja , Brazil , christian , cristão , catholic , católico , aspects , detalhes , arquitetura , architecture , Artizen , artwork , wood

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  • Viseu Cathedral

    Viseu Cathedral

    Viseu Cathedral

    Viseu, Portugal

    Viseu Cathedral is the Catholic bishopric seat of the city of Viseu, in Portugal. The church begun getting designed in the 12th century and is the most crucial historic monument of the town. It is presently a blend of architectural types, especially from the Manueline, Renaissance and Mannerist intervals.

    The cathedral is found on a massive and harmonious square, beside the previous Bishop’s Palace (now the Grão Vasco Museum) and in front of the Misericórdia Church of Viseu.

    Background

    Archaeological surveys have indicated that the web-site of Viseu Cathedral was occupied by an Early Christian basilica developed through the times of Sueve domination (5th-6th centuries).

    Christian lifestyle in the city was disturbed in the 8th century with the arrival of Moorish invaders, who dominated Viseu till Ferdinand I of León reconquered it in 1058. The bishopric seat was reestablished in the mid-12th century when the present-day cathedral building started off getting erected, but tiny remains from this early Romanesque setting up other than for some architectural particulars.

    The church was enormously enlarged in the subsequent generations of the Center Ages, assuming its existing configuration as a 3-aisled creating with three Japanese chapels. Some Gothic chapels in the cloisters also date from this period.

    From an inventive stage of check out, the most essential developing campaigns took location in the 16th century. Bishop Diogo Ortiz de Vilhena encharged architect João de Castilho with the building of the stone roof of the church and a new façade, which have been finished all-around 1513. Day from this time the rib vaulting of the aisles with decorative ribs in the condition of twisted ropes and knots, a masterpiece of the Manueline style.

    Close to 1539, bishop Miguel da Silva entrusted the creating of a new cloister to Italian architect Francisco da Cremona, who made a great Renaissance composition.

    Also in the 1st fifty percent of the 16th century, the cathedral was enriched with various sequence of painted altarpieces commissioned to foremost artists of the time, the most celebrated of which was Vasco Fernandes. These altarpieces were later on disassembled but can be viewed currently in the Grão Vasco Museum, situated beside the cathedral.

    The old Gothic primary chapel was changed by a new one in the early 17th century. In 1635, a tower and the Manueline design portal were being destroyed through a storm, and a new 1 was entrusted to Salamanca architect João Moreno. The latest façade, in the shape of a Mannerist altarpiece, dates from this time. In the Baroque period of time, the cathedral was enriched with an organ, pulpits, altarpieces and tiles (azulejos).

    Artwork & ARCHITECTURE

    Viseu Cathedral is a Latin cross church with a three-aisled nave, transept and a few Japanese chapels. The principal façade is flanked by two towers. The outer, lateral walls of the church have a hefty, menacing appearance, standard of Portuguese mediaeval cathedrals, remaining partially decorated with merlons.

    The South (clock) tower is continue to of mediaeval origin, even though the North tower had to be rebuilt in the 17th century soon after a storm. The storm also wrecked the Manueline façade, which was rebuilt close to 1635. The 3-storey façade resembles a Mannerist altarpiece and is embellished with niches harbouring statues of the 4 Evangelists, as very well as the Holy Mary and Saint Theotonius.

    In the interior, all aisles are of roughly equal peak, resembling a hall church. The stone rib vaulting is supported by significant pillars and was designed among 1505 and 1513, is an fantastic instance of Manueline architecture. Some ribs of the roof (lines) are formed like twisted ropes and knots, typical Manueline attractive motifs.

    The key chapel was rebuilt in Mannerist design and style and attributes a gilt-woodwork Baroque-Rococo altarpiece designed by famed sculptor Santos Pacheco, who was also responsible for the major altarpiece of Porto Cathedral. The altarpiece incorporates a Holy Mary statue from the 14th century and was carved amongst 1729 and 1733 by Francisco Machado. The choir stalls have been created by Gaspar Ferreira immediately after 1733.

    To the Southside of the cathedral there is a two-storey cloister originally built in the Center Ages but considerably modified in the 16th-17th generations. The ground flooring is a usual Italian Renaissance perform, constructed about 1539 by Francisco Cremona. The higher storey is a Mannerist gallery of the 17th century. The cloisters incorporate some Gothic chapels.

    Resource: en.wikipedia.org/wiki/Viseu_Cathedral

    Posted by pedrosimoes7 on 2020-05-08 17:04:37

    Tagged: , Viseu Cathedral , Cathedral , Church , Catedral , Igreja , Arquitectura , Arquitectura Portuguesa , Architecture , Portuguese Architecture , Faith , Catholic Religion , Religião , Romantic Style , Beira Alta Area , Viseu , Portugal

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  • Church of Saint Francis of Assisi, Ouro Preto, Brazil

    Church of Saint Francis of Assisi, Ouro Preto, Brazil

    Church of Saint Francis of Assisi, Ouro Preto, Brazil

    Wikipedia: The Church of Saint Francis of Assisi is a Rococo Catholic church in Ouro Preto, Brazil.

    Its erection commenced in 1766 right after a design by the wonderful Brazilian architect and sculptor Antônio Francisco Lisboa, the so-referred to as Aleijadinho, who also created the carved decorations inside of, which were being only finished in the direction of the close of the 19th century. The circular bell towers and the oculus shut by a relief ended up authentic options in spiritual architecture of that time in Brazil.

    The façade has a solitary entrance doorway underneath a fine stone frontispiece, surmounted by a relief depicting Saint Francis obtaining the stigmata. The inside is richly decorated with golden woodwork, statues and paintings, and the picket ceiling displays a wonderful portray by Manuel da Costa Ataíde on a Marian subject, 1 of his finest performs.

    Posted by Maria_Globetrotter on 2014-09-14 12:12:00

    Tagged: , photoshop , Maria_Globetrotter , Brazil , brasilien , brasil , Brésil , south , The united states , Americas , América , do , Sul , Sudamerica , popular , Gorgeous , incredible , good , wow , image , photograph , bela , bonito , lindo , attraction , holiday , holiday , cultural , Unesco , globe , heritage , internet site , Património , Mundial , da , Humanidade , Canon , 3Ti , 18-55 , day , cloudy , summertime , ouro , preto , minas , gerais , MG , road , hill , landscape , paisagem , paisaje , grandiose , city , aerial , overhead , viewpoint , very long , publicity , LE , ND1000 , church , cathedral , kyrka , katedral , igreja , iglesia , église , et , de , la , cathédrale , Kirche , Kathedrale , frans

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  • Carmo Church ● Igreja do Carmo

    Carmo Church ● Igreja do Carmo

    Carmo Church ● Igreja do Carmo

    Church of the former Carmelite convent
    The key façade (from 1911) follows the program of the tower façade, and the interior decoration characteristics baroque golden woodwork retables and neoclassical retables and tiles. Moura Coutinho, architect
    Braga, Portugal
    17 November 2017

    DSC01133

    Posted by sftrajan on 2018-03-16 19:36:41

    Tagged: , convento , church , iglesia , igreja , Església , Igreja do Carmo , carmelites , Braga , Portugal , architecture , arquitetura , Carmelite , convent , fachada , outdated metropolis , cidade velha , Ciudad Vieja , vieille ville , Брага , Carmo Church , Convento dos Carmelitas , Moura Coutinho , arquitectura , Architektur , architettura , архитектура

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  • Carmo Church ● Igreja do Carmo

    Carmo Church ● Igreja do Carmo

    Carmo Church ● Igreja do Carmo

    Church of the former Carmelite convent
    The primary façade (from 1911) follows the strategy of the tower façade, and the inside decoration options baroque golden woodwork retables and neoclassical retables and tiles. Moura Coutinho, architect
    Braga, Portugal
    17 November 2017

    DSC01129

    Posted by sftrajan on 2018-03-16 04:17:10

    Tagged: , Braga , Portugal , architecture , igreja , Carmelite , convent , church , fachada , previous city , cidade velha , Ciudad Vieja , vieille ville , Брага , Carmo Church , Igreja do Carmo , Convento dos Carmelitas , Moura Coutinho , arquitectura , arquitetura , Architektur , architettura , архитектура , façade , facade , église , iglesia , Kirche , chiesa , церковь

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