The entrance to Chatsworth Dwelling for guests.
Images is allowed, but not for commercial reasons (don’t use flash).
The household is Grade I stated.
Chatsworth Household, Chatsworth
PARISH OF CHATSWORTH CHATSWORTH PARK
SK 2570/2670
6/82
29.9.51 Chatsworth Property
GV I
Country dwelling. South wing 1687-9 by William Talman. East front
1689-91 by Talman, west entrance 1700-03, north front 1705-7 by
Thomas Archer. Alterations and additions 1756-60 by James
Paine, generally replaced by alterations and additions which include
the north wing 1820-42 by Jeffrey Wyatt, later Sir Jeffrey
Wyatville. Baroque and Neo-classical designs. For the Initially,
Fourth and Sixth Dukes of Devonshire. Sandstone ashlar (generally
community) with other stones and marbles utilized for decoration. Roofs
concealed powering parapets. Generally preserving the strategy of the
past Elizabethan property, of four ranges all around a courtyard,
and with a lengthy north east wing with a return range to south and
wall enclosing a prolonged entrance courtyard. 3 floors, the
floor flooring handled as a basement owing to the slide of the land.
North wing of just one storey about a basement. South front of twelve
bays, 3-6-3 with a rusticated basement and two higher floors of
equivalent peak. Advanced finish pavilions have giant fluted Ionic
pilasters. Entire entablature with carving to the frieze of the
pavilions and daring inscription CAVENDO TUTUS across the centre.
Balustrade additional in 1693 and urns in 1701. The basement has
phase headed glazing bar sashes and in the centre a double
return flight staircase, a replacement of 1837 by Wyatville.
The first and 2nd flooring have twelve glazing bar sashes in
moulded architraves with stepped keyblocks. East front of 1-8-1
bays, proceeds the rusticated basement, entablature, balustrade
and urns. Section headed sashes to ground floor and glazing bar
sashes in keyed moulded architraves, to the two upper flooring.
The end bays are set back and are flanked by paired big
pilasters. The entrance was altered by Wyatville in 1823, who
taken off a row of attic home windows and refaced the entire entrance.
West front (originally the entrance front) of 3-3-3 bays. The
centre three state-of-the-art and pedimented, on four fluted Ionic
hooked up columns. The outer bays have huge fluted Ionic
pilasters. Rusticated basement with section headed glazing bar
sashes and a central flat arched entrance with moulded
architrave. Two tiers of glazing bar sashes earlier mentioned, in moulded
architraves with stepped keyblocks, the centre and higher kinds
decorated with reduction carving. Full entablature with carved
frieze, carving also in the pediment. Balustraded parapet with
urns. Garlands all-around the centre windows. Carving by Nadauld
and by Samuel Watson. North front of 3-5-3 bays, the centre
5 forming a shallow curve, taller than the rest. Rusticated
basement, big fluted Corinthian pilsters to the centre bow,
and glazing bar sashes in moulded architraves. The facade was
altered by Wyatville whose north wing abuts it. He altered the
fenestration of the centre component, getting rid of attic windows and
earning the pilasters fluted. The inner courtyard has
elevations of five and seven bays, mostly in their present form
as altered by Wyatville. Basic pilasters with carved trophies
by Watson. Prime floor windows with alternately triangular and
segmental pedimented architraves. Wyatville changed an open
colonnade on the south aspect. North wing has north elevation of
1-5-5-5-1 bays, followed by the orangery of 2-5-2 bays. Of the
initial element the middle and conclude bays are divided by plain
pilasters and have good parapets with urns alternatively than
balustraded parapets. Rusticated basement with phase headed
glazing bar sashes and glazing bar sashes in moulded architraves
over. The orangery has the 5 center bays highly developed and
divided by simple pilasters. Massive casement home windows.
Balustraded parapet, dated 1827. The wing is terminated by a
3 by 6 bay pavilion and belvedere, soaring to 4 storeys.
Entablatures concerning storeys, glazing bar sashes in moulded
architraves and the corner bays with basic pilasters. The
belvedere has open colonnades on all sides. Reduce pavilion
beyond. Return selection to west with gateways and entrance lodges.
Tripartite composition with 3 round-arched carriageways.
The centre flanked by paired Tuscan Doric columns, triglyph
frieze, entablature and parapet, partly balustraded. Flanked by
glazing bar sashes in moulded architraves and rusticated
sophisticated finish bays. Partly balustraded parapet. The central
gates are re-established and are late C17 by Jean Tijou. Wall to south
enclosing entrance courtyard with statues on pedestals.
Interior: North entrance hall transformed from a kitchen area by James
Paine. Tuscan Doric columns with triglyphs. Wyatville changed
the chimneypieces and widened the staircase. North corridor
enclosed and altered by Wyatville. The Painted Hall of two
storey height. Ceilings and walls painted by Laguerre, assisted
by Ricard, in 1694. Stone carvings by Samuel Watson. Staircase
1911-12 by W H Romaine-Walker. The south array commences with
non-public residences, one home with an early C18 chimneypiece,
yet another with early C19 painted panels in the window reveals. The
Oak Space has panelling and twisted columns of c1700, introduced
from Germany by the Sixth Duke. The chapel in the south west
corner is of two storeys, with an east gallery. Cedar panelling
with limewood carvings by Samuel Watson. Luxurious Baroque
alabaster reredos developed by Cibber and carved by Watson.
Completed in 1694. Walls and ceilings painted by Laguerre. On
the west aspect, the west stairs with iron balustrade of 1702 by
John Gardom, with wrought iron panels on the landings by Tijou.
Painted ceiling by James Thornhill. West entrance corridor with
Grisaille portray. Leather-based Place and Decrease Library redecorated
in 1839 by Crace. The ground ground of the north wing is made up of
support rooms. First floor has generally non-public apartments,
taking in the upper fifty percent of the chapel and hall, except the
north wing. On the south aspect private eating and drawing rooms,
generally early C18 but redone in 1780s by John Carr. The
eating room was altered by Wyatville. In the west wing the
centre bedroom was at first a vestibule and has late C17
panelling. Other rooms with delicate late C18 plasterwork.
Duchess’ dressing room ceiling by Joseph Palfreyman, 1775. The
Crimson Velvet Home has a chimneypiece by Kent. On the north aspect
the Library designed in 1832 by Wyatville with woodwork and fittings
by Armstrong and Siddons. Late C17 ceiling with portray by
Verrio. The Ante-Library by Wyatville with ceiling painting by
Hayter. To the north the suite of rooms in Wyatville’s north
wing. Dome Home, the Wonderful Dining Home with segmental arched
coffered ceiling and chimneypiece by Westmacott the More youthful and
Sievier. Sculpture Gallery lit by a few lantern skylights. At
the north conclusion ormolu capitals to the columns, by Delafontaine of
Paris. Bas reliefs by Thorwaldsen and selection of
neo-classical sculpture. Second flooring includes the state rooms
along the south wing. Wonderful Staircase made by Talman
(1689-90). Ceiling by Verrio statues and doorcases by Cibber,
balustrade by Tijou. The state Eating Space, Drawing Room, Audio
Room and Bedroom fill the south aspect. They have painted
ceilings by Verrio, Laguerre and Ricardi and a profusion of wooden
carving by the London carvers Lobb, Davis and Youthful, assisted by
Watson. The rooms ended up decorated in 1689-99, but only the
Eating Place survives in its first state. In the centre of
the west wing is the Sabine Bed room, at first a lobby, with
uninterrupted illusionist portray in excess of ceiling and partitions by
Thornhill (1708). In the north wing are scaled-down loved ones rooms
and in the east wing the Queen of Scots Rooms, a suite of rooms
redone by Wyatville c1830. The oak stairs between ground and
very first floor are by Wyatville, 1823-4. At the finish of Wyatville’s
wing is the Theatre, built in 1833 as a banqueting chamber.
The painted ceiling panels of c1700 by Cheron and Thornhill,
were initially in the Library. Resources: William, 6th Duke of
Devonshire Handbook of Chatsworth & Hardwick, London 1844.
J Lees-Milne and J Cornforth Chatsworth. Nine articles or blog posts in
Region Daily life April-September 1968. Duchess of Devonshire
The Property: A Portrait of Chatsworth MacMillan 1982.
Listing NGR: SK2602270104
This textual content is a legacy document and has not been updated considering that the creating was at first shown. Details of the setting up may possibly have adjusted in the intervening time. You need to not count on this listing as an precise description of the constructing.
Resource: English Heritage
Shown building textual content is © Crown Copyright. Reproduced below licence.
Heading to the home in the vehicle (to the car park).
Posted by ell brown on 2014-10-04 21:22:03
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