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  • Irving House – 1865

    Irving House – 1865

    Irving House - 1865

    302 Royal Avenue, New Westminster, BC.

    Description of Historic Area:

    Irving Property is a large, just one and one particular-50 percent storey in addition basement wooden-frame home, intended in the Gothic Revival style, found on its first web-site at the corner of Royal Avenue and Merivale Road in the New Westminster neighbourhood of Albert Crescent. Irving Property is extraordinary for the extent to which its initial exterior and interior features have survived. Operated as an historic home museum, it also consists of a collection of numerous first furnishings from the Irving household.

    Heritage Worth:

    Irving Property is a direct url to the earliest pioneer progress of New Westminster. The city was launched by the Royal Engineers as the colonial money of the Mainland colony of British Columbia in 1859. Soon after the Royal Engineers had been disbanded in 1863, lots of of them stayed to aid build New Westminster as a centre of trade and commerce. Irving Home dates from the time of the initially enhancement of civilian constructions in the new local community. Concluded in April, 1865, it is just one of the oldest extant structures in the province.

    Irving Property is valued for its affiliation with Captain William and Elizabeth Jane Irving and their family members. Captain Irving arrived in New Westminster in 1859 and established a productive riverboat buying and selling organization on the Reduced Fraser River where he turned acknowledged as “King of the River.” Irving invested in the B.C. and Victoria Steam Navigation Enterprise, which afterwards turned the Canadian Pacific Navigation Business, and was a top citizen in New Westminster, a Mason, a founding member of the St. Andrew’s Culture, an honorary member of the Hyack Fireplace Firm, a member of the committee to examine the conditions of B.C.’s union with the Dominion of Canada, and a town councillor. Possession passed by 3 generations of the Irving spouse and children just before the home was obtained by the Town of New Westminster in 1950.

    This dwelling is of architectural great importance as a fine instance of Gothic Revival architecture and as an instance of Mid-Victorian period domestic style, and reflects the position attained by the Irvings in the early times of the town. It is a testament to the talent of architect James Syme (1832-1881), who seems to have adapted the design and style from a sample ebook, and the skills of its builder, Thomas W. Graham. The interior retains several first functions, together with wallpaper, plasterwork, furnishings and carpets, that are vital as a demonstration of the higher diploma of style and design and craftsmanship that was out there in New Westminster in the 1860s.

    The heritage benefit of this house also lies in its interpretive benefit, as the oldest historic home museum in B.C. The museum was proven in 1950 and is an essential cultural attribute for the interpretation of New Westminster’s heritage to the general public. On show in the residence is a assortment of time period furniture, which include a selection of unique parts from the Irving family. The Metropolis of New Westminster proceeds to possess the residence and operates it as portion of the civic museum and archives. It represents an important period in the expansion of the City and demonstrates to readers the way of life, possessions, and aspirations of the pioneers who helped to set up the Town of New Westminster.

    Source: Heritage Arranging Documents, Town of New Westminster

    Character-Defining Features:

    Vital elements that determine the heritage character of the Irving Property contain its:
    – place on Royal Avenue at the corner of Merivale Road, on a internet site sloping toward the Fraser River, with the basement exposed at the rear
    – type and scale as expressed in the rectangular prepare, a single and 1-half storey in addition basement top and symmetrical massing
    – side gable roof with a entrance gable wall dormer about the central door to the 2nd flooring balcony
    – wood construction, such as wooden framing, large lapped redwood weatherboard siding and picket trim
    – aspects of the Gothic Revival fashion including intensive carpenter ornamentation, attractive scroll-cut bargeboards and balustrades, lathe-turned finials at the roof edges, and trefoil attic windows
    – wraparound verandah, incorporating the primary whole open up front verandah with afterwards additions all over the sides of the home, such as square chamfered columns with brackets
    – Palladian window and door assembly on the 2nd-floor entrance facade
    – fenestration, which include: 2-around-2 double-hung wood-sash home windows with external shutters ground ground French doorways that open onto the verandah from the two entrance rooms and stained glass insets in the side doorway on the north facade
    – first entrance door with glass sidelights and transoms
    – interior brick chimneys with corbelled tops
    – brick basis walls
    – inside capabilities that day to the time of construction, such as primary plasterwork (these as ceiling medallions, cornices and rope mouldings), wallpaper (this kind of as the foil wallpaper in the entrance two rooms that dates from 1865), woodwork (such as doorways, floors and trim), fireplaces, staircases and gas lighting fixtures
    – other interior characteristics as tailored or added by the Irving relatives, these types of as the bronze newel write-up statue and electric lighting fixtures
    – selection of time period furniture, which includes a number of primary parts from the Irving family members
    – environment within just a manicured backyard with experienced holly and cedar trees and a replicated wooden fence

    A photograph of the dwelling in 1864

    A picture of the house in 1964

    Canada’s Historic Destinations

    Posted by Bob_2006 on 2006-11-15 02:35:25

    Tagged: , Irving , property , new westminster , BC , metropolis , outdated , setting up , heritage , geotagged , geo:lat=49.207817 , geo:lon=-122.906294

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  • Teens’ Creation: Made by a Young Adult

    Made by a teenager

    This article discusses the work of “ungdomarnas,” a group of young boat builders who create boats in Stockholm, Sweden under the guidance of an experienced coach. Each boat takes between 1000-3000 hours to build, and the kids work on them during weekends and holidays for about a year or two. The process involves the use of machine and woodworking tools to outfit an old Swedish Navy boat, and the teenagers are responsible for cutting and sewing sails, metalworking for any metal parts needed, woodcutting, and finishing. The boats are impressive in both design and construction, and a set of them can be viewed on Flickr.

    Posted by Let Ideas Compete on 2007-06-24 18:24:10

  • The 15th Century Norwich Cathedral

    norwich cathedral 15

    This content provides a brief description of the Roman Catholic Cathedral of Saint John the Baptist in Norwich, Norfolk, UK. The focus is mainly on the architectural features of the cathedral, particularly the wooden painted rood and the Holy Trinity window. The rood was carved by Peter Rendl of Oberammergau and is located in the crossing of the cathedral. The Holy Trinity window, created by Dunstan Powell, is situated at the east end of the cathedral. The article also mentions the unknown item in front of the Holy Trinity window.

    The image accompanying the content is an HDR composite of six exposures, taken between -3 and +2. The picture captures the view of the crossing from a distance, looking towards the chancel of the cathedral. The content does not provide any historical or cultural context about the cathedral, nor does it explain the significance of the rood or the Holy Trinity window. Overall, the content is a simple, descriptive piece about the visual elements of the Roman Catholic Cathedral of Saint John the Baptist.

    Posted by tim caynes on 2008-10-13 13:11:09

  • 1863: The Establishment of the Church of St. John the Divine

    Church of St. John the Divine - 1863

    The Church of St. John the Divine is a historic site located at 31187 Douglas Street, Yale, BC. It is an Anglican church built in a simple, unadorned wood-framed Gothic Revival style. The church was constructed in around 1863, as a Church of England, and is significant as a reflection of the establishment of British social and religious institutions in colonial British Columbia. It was also an early center for Anglican missionary work in the Fraser Canyon and provided religious, social, and medical services, as well as formal education, to members of the local First Nation.

    The Church of St. John the Divine is valued as an old surviving church in British Columbia, and its location on its original lot, together with the surrounding landscape features such as the stone foundation of the former rectory and specimen copper beech tree, provides valuable context to the town of Yale as it was during its heyday in the 1860s.

    The Church of St. John the Divine is architecturally significant as a vernacular adaptation of the Gothic Revival style, which was popular for churches in the nineteenth century. It has an excellent example of colonial wooden church architecture, reputedly designed by Victoria architect John Wright and constructed by the Royal Engineers. The interior elements such as rafters and woodwork remain intact and are valuable indicators of typical construction methods of the time, and original exterior elements such as the shape of the windows are related to its original design. The evolution and growth of the church over time can be seen in the 1880s choir addition and the vestry and furnace room, which were refurbished in 1954.

    The character-defining elements of the Church of St. John the Divine include the Gothic Revival profile and massing of the exterior, the preserved additions to the church, the location of the church on its original site, the remains of the foundation of the former rectory, original landscape elements such as pathways and the specimen copper beech tree, the original interior woodwork and structural elements, and the exterior elements related to its original design such as the shape of the windows.

    In conclusion, the Church of St. John the Divine is a heritage site with significant historical, social, and religious value in Canada. It not only serves as a reflection of the British social and religious institutions in colonial British Columbia but also as a center for Anglican missionary work in the Fraser Canyon, providing religious, social, medical services, and formal education to members of the local First Nation. It also showcases an excellent example of colonial wooden church architecture, and its character-defining elements provide valuable context to the town of Yale as it was during its heyday in the 1860s.

    Posted by Bob_2006 on 2007-07-17 01:44:32

  • The Wing Sang Building Established in 1889

    Wing Sang Building - 1889

    The Wing Sang building is a historic property located at 51 East Pender Street in Vancouver, British Columbia. The building is a testament to Chinatown’s history and development and is significant for its representation of the socio-economic power of leading Chinatown merchants, its role in accommodating a well-to-do family, and its inclusion of a variety of educational, religious, and social uses alongside commercial and residential uses. The building consists of a three-story brick structure on East Pender Street, incorporating stores at ground level with residential accommodation above, and a six-story warehouse and tenement facing the rear lane. The building was constructed in several phases between 1889 and 1912 and is a reflection of the rapid growth and success of the owner, Yip Sang, as well as the character of Chinatown as a mixed-use community.

    The brick building is made up of three distinct components. The oldest extant building in Chinatown is the two-story 1889 portion with an above-grade basement, which is not visible today as the street level was raised over time. This portion of the building had mixed uses, with storage at the front and residence at the back. In 1901, a large addition was added to the east of the original building, extending it to a third story. This addition was designed by T.E. Julian, the architect of Holy Rosary Cathedral. Some alterations of the 1901 portion occurred in 1902, including the replacement of the brick semi-circular pediment originally located on the front facade with a metal cornice across the entire building, and the removal of a flag pole originally located on the rooftop. A six-story warehouse and tenement was built in 1912 at the rear of the property. This reflects a period of rapid growth in Chinatown and in Vancouver generally.

    The rapid expansion of the Wing Sang building reflects the business success of its owner, Yip Sang. Yip was employed in the construction of the Canadian Pacific Railway and became a power broker, serving as a paymaster and labour agent, which made him an intermediary between Chinese workers and white employers. After establishing himself, his family, and his import-export business ‘Wing Sang and Company’ in Vancouver, Yip continued to act as a power broker, helping to establish the Chinese Benevolent Association, investing in real estate, and taking an active interest in Chinese politics. His significance is embedded within the community, both through his associations and in the built environment he helped to shape. Yip’s reported interactions with Minister of Labour (and future Prime Minister) W.L. Mackenzie King in 1907-08, in which he claimed compensation for damage caused during the anti-Oriental riots of 1907, may have contributed to the federal government’s decision to criminalize opium with the passage of the Narcotics Act (1908).

    The character-defining elements of the Wing Sang building include its location on the north side of Pender Street, Chinatown’s ‘main street’, its wide street frontage juxtaposed with narrow neighboring properties, the difference in the architectural treatment of the first and second phases of construction facing Pender Street, yet the overall harmony of the whole achieved by unifying elements including the sheet-metal cornice, the articulation of the elevation achieved by the arrangement of windows and molded string courses, the contrasting color and texture seen in the brick wall, and the woodwork and moldings of the principal facade, the contrasting window types, with decorated and plain segmental-headed windows and bay windows, and the volume, massing, and articulation of the warehouse/tenement at the rear.

    In conclusion, the Wing Sang building is an important historic property in Vancouver that reflects the development of Chinatown, the success of leading Chinatown merchants, and the character of a mixed-use community. The building is significant for its representation of a variety of uses, its construction over several phases, and the contributions of the Yip family to the local community. Its architectural elements and location on Pender Street are character-defining and contribute to its significance as a historic place in Canada.

    Posted by Bob_2006 on 2007-10-06 21:35:54