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  • All Saints Church,Winkley

    All Saints Church,Winkley

    All Saints Church,Winkley

    Formal list entry

    Heritage Category: Listed Creating
    Quality: I
    Checklist Entry Quantity: 1318120
    Date initially shown: 04-Oct-1960

    Place
    Statutory Address: CHURCH OF ALL SAINTS, COOPER’S HILL
    County: Devon
    District: Torridge (District Authority)
    Parish: Winkleigh
    National Grid Reference: SS 63274 08062

    Information

    Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble partitions. Gable ended slate roofs aside from flat roof to north transept. Approach: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north facet of chancel. The earliest options of the building are the windows to the chancel which recommend a day of early C14 which is substantiated by documents. In the C15 a important remodelling took position, obvious in the nave and north aisle and the tower and north transept are probable also to date tothe C15. The little south transept regarded as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was extra in the early C17. A significant restoration was undertaken in 1871-3 costing £6-7,000, by J F Gould which provided among other carved stone and woodwork carved picket bench ends by H Hems, the portray of the roof by J Thorne of Crediton and internal redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls put in, the roof painted and a fine oak monitor inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and set-back buttresses to its lessen phase. Probably rebuilt 2-centred arch west doorway with high reduction fleurons carved on soffit. 3-light-weight Perpendicular west window with restored tracery. 2-mild cinquefoil-headed belfry openings. Pentagonal stair turret on north side of tower. The north aisle has significant 3-light-weight Perpendicular home windows, partly restored, these going through north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched market higher than which has a likely C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween home windows. North transept is battlemented with established-again buttresses and significant gargoyles on east and west sides. North window is similar to those of aisle. Elaborate C19 ashlar chimney stack axial among organ chamber and chancel is crenellated with gargoyle at every single corner. C19 very low crenellated vestry among north chapel and east finish of chancel, at the rear of it is the restored Perpendicular east window to the chapel. 3-gentle front window with intersecting tracery, circa 1300, but maybe restored, south facet of chancel has contemporary Y-tracery window in direction of east conclude with 1- and 2-gentle lancets to its remaining. Small 2-centre arched priest’s doorway concerning them – all in purple sandstone. Compact south transept has plaque on east wall known as the Gidley medal – it is circular with a heraldic protect made up of the machine of a castle, which was awarded for layalty throughout the Civil War. South side of transept has pretty little 2-centre arched granite doorway with 2- mild segmental-headed granite mullion over and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude sort of cranium. Nave has a few 3-mild home windows, the 2 outer ones in the Embellished design and likely rebuilt, the other Perpendicular. Rebuilt south porch with large arched doorway and diagonal buttress either side. Graphic niches in apex with carved figures of Mary, the Shepherds and the A few Kings. Interior: porch has almost certainly restored painted wagon roof with moulded ribs and carved wall-plate. Pretty easy 2-centred arched chamfered south doorway. Substantial carving in recess earlier mentioned of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-sort piers with molded bases and cup capitals, roll and hollow moulded frustrated 4-centred arches. The piers to the north chapel arch and that of the chancel have somewhat distinct mouldings. Simple 4-centred tower arch with chamfered imposts. South transept has very simple round-headed arch with inset roll moulding. First wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with much gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal bouquets to panels and trefoiled headed recesses to shaft. In the north transept are many late C18 and early C19 marble wall memorials, also just one of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 ground memorials also survive in the transept and there are other people at the souht-east close of the nave and in the south transept, quite worn, one particular almost certainly to a Gidleigh, dated 1634 with the heraldic defend bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms earlier mentioned incorporating the castle and sheafs of corn. The inside wall surfaces are lined with sgraffito decoration from the late C19 restoration of differing types to the nave and aisle – which have horizontal bands of red alternating with various floral and geometric styles – and the north chapel and chancel which have a a lot less colourful incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos have been also component of Gould’s restoration. The only surviving old glass is in the north-west window depicting figures of angels bearing shields. The curiosity of this spectacular church lies not only in the surviving medieval and C17 cloth but also in the high high quality and really decorative restoration function carried out in the late C19 and early C20 with the strange sgraffito ornamentation of the walls. Sources: Devon C19 Churches Venture

    © Historic England 2022

    Posted by The Shaldives on 2022-05-03 21:34:03

    Tagged: , Man Fogwill , Guy , Fogwill , United Kingdom , Church , Église , Devon , GBR , April , England , Great Britan , Europe , the shaldives , All Saints’ Church , flicker , Mentioned Building , quality 1 , flicker photograph , 2022 , Torridge , Winkleigh , 1318120

    #home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, good woodworking, wooden chairs, wood doing work applications, well known woodworking, woodworking publications, woodworking workbench ideas

  • All Saints Church,Winkley

    All Saints Church,Winkley

    All Saints Church,Winkley

    Formal list entry

    Heritage Classification: Shown Building
    Quality: I
    Checklist Entry Selection: 1318120
    Day to start with listed: 04-Oct-1960

    Spot
    Statutory Deal with: CHURCH OF ALL SAINTS, COOPER’S HILL
    County: Devon
    District: Torridge (District Authority)
    Parish: Winkleigh
    Nationwide Grid Reference: SS 63274 08062

    Aspects

    Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble partitions. Gable finished slate roofs apart from flat roof to north transept. Approach: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north facet of chancel. The earliest features of the constructing are the home windows to the chancel which propose a day of early C14 which is substantiated by files. In the C15 a major remodelling took area, apparent in the nave and north aisle and the tower and north transept are probable also to day tothe C15. The smaller south transept acknowledged as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was extra in the early C17. A main restoration was undertaken in 1871-3 costing £6-7,000, by J F Gould which provided among other carved stone and woodwork carved picket bench finishes by H Hems, the portray of the roof by J Thorne of Crediton and interior redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls put in, the roof painted and a good oak screen inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and established-back again buttresses to its decreased phase. Most likely rebuilt 2-centred arch west doorway with superior reduction fleurons carved on soffit. 3-light-weight Perpendicular west window with restored tracery. 2-light cinquefoil-headed belfry openings. Pentagonal stair turret on north aspect of tower. The north aisle has substantial 3-gentle Perpendicular windows, partly restored, all those going through north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched area of interest above which consists of a possibly C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween windows. North transept is battlemented with set-back again buttresses and massive gargoyles on east and west sides. North window is similar to those of aisle. Elaborate C19 ashlar chimney stack axial concerning organ chamber and chancel is crenellated with gargoyle at each and every corner. C19 minimal crenellated vestry concerning north chapel and east finish of chancel, behind it is the restored Perpendicular east window to the chapel. 3-light-weight front window with intersecting tracery, circa 1300, but probably restored, south aspect of chancel has present-day Y-tracery window in the direction of east close with 1- and 2-mild lancets to its remaining. Little 2-centre arched priest’s doorway involving them – all in crimson sandstone. Smaller south transept has plaque on east wall recognised as the Gidley medal – it is circular with a heraldic protect made up of the unit of a castle, which was awarded for layalty throughout the Civil War. South side of transept has very modest 2-centre arched granite doorway with 2- mild segmental-headed granite mullion higher than and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude variety of skull. Nave has 3 3-gentle windows, the 2 outer types in the Embellished style and possibly rebuilt, the other Perpendicular. Rebuilt south porch with big arched doorway and diagonal buttress both side. Graphic niches in apex with carved figures of Mary, the Shepherds and the A few Kings. Inside: porch has almost certainly restored painted wagon roof with moulded ribs and carved wall-plate. Pretty very simple 2-centred arched chamfered south doorway. Significant carving in recess previously mentioned of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-form piers with molded bases and cup capitals, roll and hollow moulded depressed 4-centred arches. The piers to the north chapel arch and that of the chancel have marginally diverse mouldings. Plain 4-centred tower arch with chamfered imposts. South transept has easy spherical-headed arch with inset roll moulding. Unique wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with a lot gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal bouquets to panels and trefoiled headed recesses to shaft. In the north transept are various late C18 and early C19 marble wall memorials, also a person of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 floor memorials also endure in the transept and there are other folks at the souht-east close of the nave and in the south transept, pretty worn, a person in all probability to a Gidleigh, dated 1634 with the heraldic shield bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms above incorporating the castle and sheafs of corn. The inner wall surfaces are lined with sgraffito decoration from the late C19 restoration of differing types to the nave and aisle – which have horizontal bands of crimson alternating with many floral and geometric types – and the north chapel and chancel which have a considerably less vibrant incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos have been also component of Gould’s restoration. The only surviving outdated glass is in the north-west window depicting figures of angels bearing shields. The desire of this spectacular church lies not only in the surviving medieval and C17 fabric but also in the high high-quality and extremely attractive restoration function carried out in the late C19 and early C20 with the uncommon sgraffito ornamentation of the partitions. Sources: Devon C19 Churches Job

    © Historic England 2022

    Posted by The Shaldives on 2022-05-03 21:34:04

    Tagged: , Guy Fogwill , Male , Fogwill , United Kingdom , Door_home windows , Church , Église , Devon , GBR , April , England , Excellent Britan , Europe , the shaldives , All Saints’ Church , flicker , Shown Making , grade 1 , flicker photograph , 2022 , Torridge , Winkleigh , 1318120

    #home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, fantastic woodworking, wood chairs, wooden doing the job resources, popular woodworking, woodworking books, woodworking workbench strategies

  • All Saints Church,Winkley

    All Saints Church,Winkley

    All Saints Church,Winkley

    Official list entry

    Heritage Group: Outlined Constructing
    Quality: I
    List Entry Number: 1318120
    Day initial mentioned: 04-Oct-1960

    Place
    Statutory Deal with: CHURCH OF ALL SAINTS, COOPER’S HILL
    County: Devon
    District: Torridge (District Authority)
    Parish: Winkleigh
    Nationwide Grid Reference: SS 63274 08062

    Particulars

    Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble partitions. Gable ended slate roofs apart from flat roof to north transept. Plan: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north facet of chancel. The earliest features of the building are the home windows to the chancel which advise a date of early C14 which is substantiated by files. In the C15 a major remodelling took position, evident in the nave and north aisle and the tower and north transept are probably also to date tothe C15. The little south transept recognised as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was added in the early C17. A major restoration was undertaken in 1871-3 costing £6-7,000, by J F Gould which integrated amongst other carved stone and woodwork carved wood bench ends by H Hems, the painting of the roof by J Thorne of Crediton and inner redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls set in, the roof painted and a great oak display screen inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and established-again buttresses to its lower stage. Possibly rebuilt 2-centred arch west doorway with substantial reduction fleurons carved on soffit. 3-gentle Perpendicular west window with restored tracery. 2-light-weight cinquefoil-headed belfry openings. Pentagonal stair turret on north facet of tower. The north aisle has huge 3-mild Perpendicular windows, partly restored, people facing north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched market earlier mentioned which consists of a in all probability C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween home windows. North transept is battlemented with set-again buttresses and large gargoyles on east and west sides. North window is equivalent to people of aisle. Elaborate C19 ashlar chimney stack axial in between organ chamber and chancel is crenellated with gargoyle at just about every corner. C19 lower crenellated vestry in between north chapel and east conclusion of chancel, at the rear of it is the restored Perpendicular east window to the chapel. 3-mild entrance window with intersecting tracery, circa 1300, but possibly restored, south aspect of chancel has up to date Y-tracery window toward east conclude with 1- and 2-gentle lancets to its remaining. Small 2-centre arched priest’s doorway amongst them – all in crimson sandstone. Modest south transept has plaque on east wall acknowledged as the Gidley medal – it is circular with a heraldic shield made up of the device of a castle, which was awarded for layalty in the course of the Civil War. South facet of transept has really tiny 2-centre arched granite doorway with 2- light-weight segmental-headed granite mullion higher than and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude sort of skull. Nave has 3 3-light windows, the 2 outer types in the Embellished model and most likely rebuilt, the other Perpendicular. Rebuilt south porch with massive arched doorway and diagonal buttress possibly facet. Image niches in apex with carved figures of Mary, the Shepherds and the A few Kings. Inside: porch has likely restored painted wagon roof with moulded ribs and carved wall-plate. Pretty straightforward 2-centred arched chamfered south doorway. Significant carving in recess earlier mentioned of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-style piers with molded bases and cup capitals, roll and hollow moulded depressed 4-centred arches. The piers to the north chapel arch and that of the chancel have marginally diverse mouldings. Basic 4-centred tower arch with chamfered imposts. South transept has easy spherical-headed arch with inset roll moulding. Authentic wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with considerably gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal bouquets to panels and trefoiled headed recesses to shaft. In the north transept are a number of late C18 and early C19 marble wall memorials, also 1 of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 floor memorials also survive in the transept and there are other people at the souht-east conclude of the nave and in the south transept, quite worn, a single probably to a Gidleigh, dated 1634 with the heraldic defend bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms over incorporating the castle and sheafs of corn. The interior wall surfaces are protected with sgraffito decoration from the late C19 restoration of differing models to the nave and aisle – which have horizontal bands of red alternating with numerous floral and geometric layouts – and the north chapel and chancel which have a a lot less vibrant incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos had been also component of Gould’s restoration. The only surviving outdated glass is in the north-west window depicting figures of angels bearing shields. The interest of this amazing church lies not only in the surviving medieval and C17 cloth but also in the substantial quality and pretty decorative restoration get the job done carried out in the late C19 and early C20 with the abnormal sgraffito ornamentation of the walls. Sources: Devon C19 Church buildings Project

    © Historic England 2022

    Posted by The Shaldives on 2022-05-03 21:34:04

    Tagged: , Guy Fogwill , Dude , Fogwill , United Kingdom , Devon , GBR , April , England , Great Britan , Europe , the shaldives , All Saints’ Church , flicker , Stated Making , grade 1 , flicker photo , 2022 , Torridge , Winkleigh , 1318120

    #household furniture #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, fantastic woodworking, wooden chairs, wood operating instruments, popular woodworking, woodworking publications, woodworking workbench designs

  • All Saints Church,Winkley

    All Saints Church,Winkley

    All Saints Church,Winkley

    Formal list entry

    Heritage Class: Listed Making
    Quality: I
    Record Entry Amount: 1318120
    Day initially outlined: 04-Oct-1960

    Location
    Statutory Address: CHURCH OF ALL SAINTS, COOPER’S HILL
    County: Devon
    District: Torridge (District Authority)
    Parish: Winkleigh
    Countrywide Grid Reference: SS 63274 08062

    Aspects

    Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble partitions. Gable ended slate roofs aside from flat roof to north transept. Prepare: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north side of chancel. The earliest characteristics of the creating are the windows to the chancel which suggest a date of early C14 which is substantiated by documents. In the C15 a key remodelling took spot, obvious in the nave and north aisle and the tower and north transept are possible also to date tothe C15. The smaller south transept regarded as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was additional in the early C17. A big restoration was undertaken in 1871-3 costing £6-7,000, by J F Gould which incorporated among other carved stone and woodwork carved wooden bench finishes by H Hems, the painting of the roof by J Thorne of Crediton and inside redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls put in, the roof painted and a fine oak screen inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and established-again buttresses to its lower stage. Likely rebuilt 2-centred arch west doorway with substantial aid fleurons carved on soffit. 3-gentle Perpendicular west window with restored tracery. 2-mild cinquefoil-headed belfry openings. Pentagonal stair turret on north facet of tower. The north aisle has significant 3-light Perpendicular home windows, partly restored, people facing north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched market earlier mentioned which consists of a in all probability C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween windows. North transept is battlemented with established-back buttresses and big gargoyles on east and west sides. North window is identical to all those of aisle. Elaborate C19 ashlar chimney stack axial involving organ chamber and chancel is crenellated with gargoyle at every corner. C19 lower crenellated vestry among north chapel and east close of chancel, guiding it is the restored Perpendicular east window to the chapel. 3-light-weight entrance window with intersecting tracery, circa 1300, but quite possibly restored, south facet of chancel has present-day Y-tracery window towards east conclude with 1- and 2-light lancets to its still left. Little 2-centre arched priest’s doorway between them – all in purple sandstone. Small south transept has plaque on east wall recognized as the Gidley medal – it is circular with a heraldic defend made up of the gadget of a castle, which was awarded for layalty during the Civil War. South side of transept has pretty modest 2-centre arched granite doorway with 2- gentle segmental-headed granite mullion above and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude type of skull. Nave has 3 3-light home windows, the 2 outer types in the Adorned design and most likely rebuilt, the other Perpendicular. Rebuilt south porch with massive arched doorway and diagonal buttress possibly aspect. Image niches in apex with carved figures of Mary, the Shepherds and the Three Kings. Inside: porch has possibly restored painted wagon roof with moulded ribs and carved wall-plate. Very simple 2-centred arched chamfered south doorway. Large carving in recess higher than of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-sort piers with molded bases and cup capitals, roll and hollow moulded depressed 4-centred arches. The piers to the north chapel arch and that of the chancel have marginally various mouldings. Plain 4-centred tower arch with chamfered imposts. South transept has very simple spherical-headed arch with inset roll moulding. Authentic wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with much gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal flowers to panels and trefoiled headed recesses to shaft. In the north transept are several late C18 and early C19 marble wall memorials, also one of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 floor memorials also survive in the transept and there are other individuals at the souht-east finish of the nave and in the south transept, quite worn, a single probably to a Gidleigh, dated 1634 with the heraldic defend bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms above incorporating the castle and sheafs of corn. The internal wall surfaces are included with sgraffito decoration from the late C19 restoration of differing patterns to the nave and aisle – which have horizontal bands of purple alternating with many floral and geometric patterns – and the north chapel and chancel which have a significantly less vibrant incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos had been also component of Gould’s restoration. The only surviving outdated glass is in the north-west window depicting figures of angels bearing shields. The curiosity of this impressive church lies not only in the surviving medieval and C17 fabric but also in the large good quality and very ornamental restoration perform carried out in the late C19 and early C20 with the unusual sgraffito ornamentation of the partitions. Resources: Devon C19 Church buildings Venture

    © Historic England 2022

    Posted by The Shaldives on 2022-05-03 21:34:04

    Tagged: , Person Fogwill , Person , Fogwill , United Kingdom , Church , Église , Devon , GBR , April , England , Excellent Britan , Gargoyle , Europe , the shaldives , All Saints’ Church , flicker , Stated Creating , quality 1 , flicker picture , 2022 , Torridge , Winkleigh , 1318120

    #furnishings #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, wonderful woodworking, wood chairs, wooden doing work resources, well known woodworking, woodworking publications, woodworking workbench programs

  • The Valley of Rocks Hotel, Lynton, Devon

    The Valley of Rocks Hotel, Lynton, Devon

    The Valley of Rocks Hotel, Lynton, Devon

    The Valley Of Rocks Lodge, Lee Road, Lynton, Lynton

    Formal checklist entry

    Heritage Group: Mentioned Developing
    Quality: II
    List Entry Quantity: 1430607
    Day to start with stated: 11-Feb-2016

    Location

    Statutory Tackle: The Valley Of Rocks Resort, Lee Highway, Lynton, Lynton, EX35 6HS
    County: Devon
    District: North Devon (District Authority)
    Parish: Lynton and Lynmouth
    National Park: EXMOOR
    National Grid Reference: SS7201149483, SS7201249487

    Causes for Designation

    The Valley of Rocks Resort, Lynton, Devon, an early-C19 lodge rebuilt in the late C19, is detailed at Quality II for the subsequent principal causes: * Architectural interest: a handsome and nicely-articulated illustration of Large Victorian vacation resort lodge architecture, deploying a variety of resources in an eclectic design and style on well known themes * Historic curiosity: representing the entrepreneurship and business rivalry of the embryonic vacationer marketplace inspired by the acceptance of the space (the Valley of Rocks in specific) with figures in the Romantic movement. The resort also gave refuge to survivors of the catastrophic Lynmouth Flood in 1952 * Diploma of survival: a substantial proportion of its C19 material and attributes stay, and in quite a few conditions alterations are reversible * Interior fittings: like a 3-storey forged-iron atrium by W. McFarlane of Glasgow, stained glass by Swaine Bourne and Son, marble chimneypieces, ceiling cornices and C19 joinery all over * Group benefit: subsequent to the parish church of St Mary the Virgin (Grade II*) and at the centre of a tiny town scattered with outlined structures and overlooking the hanging cliffs and seascape of the north Devon coast.

    Background
    The adjoining settlements of Lynton and Lynmouth became vacation destinations in the late C18, popularised by members of the English Passionate motion and their followers. The principal attraction was the Valley of Rocks, a dry valley about a kilometre to the west of Lynton with awe-inspiring geological formations. In 1789, the only available lodging in Lynton was at a modest community property, and by 1800 community wool vendor William Litson set up the initially lodge in the city, on the website of the latest World Resort in Queen Road. By June 1808 Litson had designed a new hotel nearby, on a essential web page overlooking the sheer cliffs of Lynmouth, which he advertised as the Valley of Rocks Inn and Tavern and which boasted improved lodging and stabling. The Valley of Rocks Lodge is shown in a sketch of c.1830 as three adjoining two-storey ranges in the late Georgian design and style with white rendered partitions and a veranda overlooking the sea. The 1840 tithe map reveals that there was comprehensive stabling connected to the west of the lodge. To the north is a large place of open land marked as Valley Meadow, also beneath the possession of William Litson. By 1865, the structures had been given castellated parapets, and the meadow landscaped into gardens all over the steep path down to the seaside down below. There was fierce opposition involving motels in the town for buyers. The Prince of Wales stayed at the Castle Resort in 1856 and the foreseeable future Kaiser, Prince Frederick William of Prussia, stayed at the Valley of Rocks Hotel in 1876. Lodge improvement was found as vital to their good results.

    Among c.1880 and 1890 the Valley of Rocks Lodge was extended and rebuilt in levels, to start with beneath the ownership of John Criminal, and then John Heywood. Originally, the aged stables were replaced with the latest wing to the west. This is most likely when the former stable block on the other facet of Lee Street was crafted. This constructing period is revealed on the Initial Version Ordnance Survey Map of 1889, which also exhibits the remodelled gardens featuring a stone-created constructing tucked away at the rear, which is regionally referred to as “the chapel”. The map exhibits a modest inside courtyard to the new lodge wing, which in 2015 is referred to as “the void”.

    Afterwards in the 10 years the early-C19 properties nearer to the parish church had been rebuilt to the layouts of Rowland Plumbe (1838-1919). A sumptuous remodelling in the Superior Victorian manner with “heavy handed gaiety of extravagant tile-hanging and turrets and gables with woodwork painted white” (Pevsner) it grew to become the biggest and maximum-profile resort in Lynton. The lavish 3-storey atrium in the lounge was the major showpiece. The redevelopment, modern with that at other accommodations in the place, coincided with the completion of the Cliff Railway plan, which would fix the longstanding issue faced by people bringing their luggage around the vertiginous route from the shore to the town via inadequate roads. In Spring 1888, just one of the partners in the scheme, John Heywood, bought the Valley of Rocks Lodge and parcelled off component of its land to provide a route involving the city and the railway waiting area (shown at Grade II), assuring the success of the cliff railway scheme.

    All through its historical past the Valley of Rocks Lodge has been host to critical social events in the town, including the celebration following the opening of the Cliff railway in 1890 and the later opening of the railway line from Barnstaple. In August 1952 it served an vital functionality as a refuge for the evacuees from the renowned flood at Lynmouth, which took 34 life. The visitor book is on screen in the lodge cafe, in a glass situation.

    Later on in the C20 the hotel modified possession and fireproof board was inserted all around the atrium, separating the lounge from the most important stair. The roof lantern was sealed but still left in situ, and other fireplace prevention modifications had been produced. Quite a few of the bedrooms have been subdivided and the restaurant wing was extended. In the C21, the setting up continues to operate as a hotel. The previous stables opposite have been redeveloped, whilst the carriage arch continues to be in situ and retains the lettered branding for the resort.

    Aspects

    An early-C19 lodge rebuilt and extended in the mid-and-late C19, latterly to the layouts of Rowland Plumbe.

    Resources: the west wing is rubble stone with ashlar dressings. The east wing to the entrance is rubble stone with pink brick dressing, clay tile hanging to the upper flooring, and has a timber balcony and a stone portico. The rear of this wing is rendered, with stone dressings. The roofs are covered in clay tile and slate. The sash windows and interior joinery are timber. The cast-iron atrium fittings are supplied by W. MacFarlane of Glasgow.

    Prepare: broadly rectangular on strategy. On a website sloping down to the east, it is 3/ four storeys furthermore a basement and, to the east wing, an attic floor.

    EXTERIOR: the elevations encompass an eclectic mix of styles indicative of the phased creating involving c.1880 and 1890. The west elevations to the west wing are the earliest and symmetrically arranged with an altered central opening. The initial openings to the façade and west flank have eared architraves and stone cills. The 2nd floor openings are lesser.

    The façade and flank elevations to the east wing involve generous use of purple brick to the window architraves and quoins. The corner bays are canted with a even further three-storey canted bay on the east flank. The central entrance bay is set a little bit ahead and has a muscular Classical stone portico with methods up to glazed double doors with decorative glazing bars and colored higher lights. ‘Valley of Rocks Hotel’ is painted in script on the frieze. The elevations rise to a deep attic ground with turrets, fifty percent-hipped gables and small dormers with oversailing eaves and finials. The upper flooring is tile hung with clay fish scale tiles. The left of the entrance bay has a 2:2:2 arrangement of paired bays and the central pair has a door to the floor floor and a projecting timber balcony over with turned balustrade and columns and a hipped clay tile roof. Most openings have segmental heads people to the lower floor flooring have flat heads.

    The rear bays of the east flank and the back garden entrance of this wing are rendered and have a restrained Classical remedy with storey bands and eaves cornice. The openings and dormers have simple architraves and keystones (or are pedimented in some principal circumstances) and have deep cills with console brackets. Some openings have ornamental cast-iron balconies. Sweeping stone techniques with cast-iron handrails direct up to the major back garden doors established in a projecting porch with reeded Corinthian pilasters. To the appropriate the before wing has stone flat arches, apart from to the remaining bays at upper-ground stage, which have spherical heads and a triangular opening in the gable stop over. To the floor ground is a late-C20 addition* to the cafe with big plate glass openings.

    The home windows to the attic flooring are uPVC replacements*, and rainwater items are a combination of plastic* and cast iron. The roofs have substantial ridge stacks.

    Interior: the vestibule has encaustic ground tiles by the doorway (and quite possibly below carpeted regions) and timber wainscoting. There is a timber-panelled reception desk to the left, with business at the rear of. Double doorways established inside a curved glazed scenario lead into the lounge. An atrium with forged-iron fittings, coved ceiling and lantern with margin glazing spans half of the lounge. The atrium arcades have been lined with fireproof board*. The rear of the lounge has a central sprung dance ground, likely of late C19 or early C20 date, and seating places to every single side with decoratively-tiled solid-iron fireplaces with marble chimneypieces. There are ceiling cornices throughout the lounge and timber joinery. A place to the right, the ‘writing room’, has a marble chimneypiece, and cornices and joinery.

    Double doors guide to further bar and cafe regions, all with C19 joinery and a even further marble chimneypiece. The restaurant at the west end has been opened out into a late C20 extension, but retains some joinery and C19 stained glass by Swaine Bourne and Son, some experiencing into an inner courtyard. A panelled, glazed alcove developed into the rear wall of the cafe is a screen case for the guest e-book relating to the Lynmouth Flood of 1952. The major stair stands behind a greatly moulded arcade, previously section of the atrium ensemble but now divided by a partition. The stair has a considerable timber balustrade with vase balusters and linenfold panels. The higher floors have joinery and spherical arches to the stairs (initially the atrium arcades). The bedrooms (not inspected) have been subdivided and refurbished at a variety of dates.

    The compartmentalised basement is considerable and, in part almost certainly dates from the early-C19 original phase of the resort, as indicated by at least a single stair that does not mirror the approach of the creating higher than. The original coke boiler continues to be but is considerably altered and transformed to oil. It still serves the lodge the place some of the radiators to principal rooms and corridors are of late-C19 date. Further C19 capabilities might remain in situ in the hotel (these kinds of as mild fittings, boarded stained glass), like the basement, and a tunnel is thought to operate less than the street to previous team lodging opposite.

    © Historic England 2022

    Posted by The Shaldives on 2022-04-23 14:45:58

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