Tag: Filipino

Kamagong Aparador I
And Kamagong Aparador II
2nd Quarter of the 19th century
“babaeng kamagong” hardwood
just about every:
76” x 48” x 20” (193 cm x 122 cm x 51 cm)

Opening bid: P 1,000,000

Provenance:
Romeo Jorge
An previous household of Santa Ana, Manila

Ton 17 of the Leon Gallery auction on 14 September 2019. Remember to see www.leon-gallery.com for additional specifics.

This splendid pair of Philippine cupboards in the late Neoclassical design and style are built of fantastically burled “babaeng kamagong” hardwood and are decidedly of German Biedermeier inspiration. Both equally aspect carved friezes of steady, upright acanthus leaves. Down below the friezes are inlays of traces and lozenges of “lanite” wooden. The doorways and sides of the cabinets are inlaid with stylized panels of “lanite” wood in the late Neoclassical design characteristic of Philippine situation household furniture from 1800 – 1850. All the inlays of “lanite” wooden are painstakingly crafted. The cabinets stand on conventional urn-formed ft. They come from the popular collection of the industrialist Romeo Jorge.

On buy by Romeo Jorge from antique vendor Gerardo Esposo in 1992, the interesting wood of the cabinets was determined with certainty as “babaeng kamagong” hardwood by the famous antique supplier and woodworker, “Manila’s romancer of wood” Osmundo Esguerra (coined by Ramon N. Villegas in 1990), acknowledged as “Omeng.”

These two impressive, matching cupboards of “kamagong” hardwood have been obtained individually by Romeo Jorge, not with each other as could be assumed. Intrepid antique vendor Gerardo Pagala Esposo (“Gerry”) discovered the first aparador in an outdated dwelling in Santa Ana, Manila in 1992 and bought it to Jorge. (A single will have to bear in mind that Santa Ana, Manila for the duration of the Spanish interval was a picturesque, riverside group with a lot of prosperous residents — Spaniards, mestizos, and Filipinos alike.) Seven months later, Esposo observed the matching 2nd, lesser aparador in one more aged household, however in Santa Ana, owned by a relative of the seller of the 1st aparador.

It turned evident that the two “his and hers” cupboards had originally been owned by the 1830s progenitors of the sellers’ households.

These gorgeous and exceedingly exceptional pair of “kamagong” cabinets had been proudly set up in Romeo Jorge’s living area, together with so numerous other Filipiniana treasures.

Romeo Jorge is an industrialist with a fortune centered in agribusiness. He started obtaining antique Filipino furnishings in 1982 and turned a significant collector of antique Filipino paintings, religious sculpture in wood and ivory, household furniture, and domestic items in 1986. He was supplied by the best antique sellers of the time — Romeo Bauzon, Terry Baylosis, Antonio Martino, Jean-Louis Levi and Willie Versoza, Viring de Asis, Osmundo Esguerra, Ramon N Villegas, Maria Cristina Ongpin-Roxas, Gerardo Esposo, Liza Ramos Rama-Esposo, Roberto Antonio, et al. Jorge generously funded expeditions by antique dealers to the farthest corners of the country in research of the very best antiques. As a result of his wife Nini Santos-Jorge, a professor of new music at the College of the Philippines, he grew to become a munificent patron of the well-known Philippine Madrigal Singers of Dr Andrea Veneracion, web hosting fundraising receptions at his classy La Vista residence and bankrolling their trips to contests overseas.

The late 1970s to the 1980s were heady, stunning occasions for Filipino arts and antiques. A nicely-funded and very lively authorities place of work tasked to restore Intramuros (“Ciudad Murada”/The Walled Metropolis) as nicely as a few affluent folks have been fast paced building their collections — The Intramuros Administration represented by the Central Bank Governor Jaime C Laya, Esperanza Bunag-Gatbonton, and Martin Imperial Tinio Jr, notable Chinese-Filipino businessman Paulino Que, primary sugar govt Antonio Gutierrez, and the industrialist Romeo Jorge. (Also an active collector was the To start with Girl Imelda Romualdez-Marcos and her close circle of “Blue Ladies.”) Between helpful rivals Que, Gutierrez, and Jorge, it turned the custom to give stylish dinner get-togethers for their restricted circle of severe art and antique collectors on the arrivals of significant acquisitions. Individuals distinctive, intimate dinners of the Que, Gutierrez, and Jorge circle had been some of the most coveted invites of those years.

The “materialistic” 1980s had been punctuated by great, lavish exhibitions in major inns arranged by the top rated artwork and antique sellers. The exclusive opening evenings of this kind of situations discovered Manilas’ richest of the loaded jostling, from time to time arguing or even quarreling, for the selection art and antique finds of the night. Maximalism was the manner of the Marcosian 1980s, the richer you had been, the far more crowded with critical and hence high priced artwork and antiques your large dwelling was.

The opulent design and style was very best exemplified by the Italianate house on Vito Cruz avenue, Manila household lived in by the irrepressible, Europe-educated collector Dr Eleuterio Pascual (regarded as “Teyet”). The razzle-dazzle interiors had been a “Beaux-Arts” or “fin-de-siecle” jumble with swathes of Marchesa Luisa Casati eccentricity that impressed the Marcos political bigwigs and new and old Manila culture.

-Augusto Marcelino Reyes Gonzalez III

Posted by Leo Cloma on 2019-08-30 08:45:11

Tagged: , Philippines , Filipino , antique , antiques , auction , Makati , Manila , furniture , art , Cloma

#home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, high-quality woodworking, wooden chairs, wood performing applications, well-liked woodworking, woodworking textbooks, woodworking workbench designs

Kamagong Aparador I
And Kamagong Aparador II
2nd Quarter of the 19th century
“babaeng kamagong” hardwood
each individual:
76” x 48” x 20” (193 cm x 122 cm x 51 cm)

Opening bid: P 1,000,000

Provenance:
Romeo Jorge
An aged household of Santa Ana, Manila

Whole lot 17 of the Leon Gallery auction on 14 September 2019. Be sure to see www.leon-gallery.com for far more information.

This splendid pair of Philippine cupboards in the late Neoclassical model are produced of superbly burled “babaeng kamagong” hardwood and are decidedly of German Biedermeier inspiration. Each characteristic carved friezes of constant, upright acanthus leaves. Underneath the friezes are inlays of strains and lozenges of “lanite” wooden. The doorways and sides of the cabinets are inlaid with stylized panels of “lanite” wood in the late Neoclassical style characteristic of Philippine circumstance household furniture from 1800 – 1850. All the inlays of “lanite” wood are painstakingly crafted. The cupboards stand on standard urn-formed ft. They come from the famous assortment of the industrialist Romeo Jorge.

On invest in by Romeo Jorge from antique supplier Gerardo Esposo in 1992, the fascinating wood of the cupboards was determined with certainty as “babaeng kamagong” hardwood by the legendary antique supplier and woodworker, “Manila’s romancer of wood” Osmundo Esguerra (coined by Ramon N. Villegas in 1990), regarded as “Omeng.”

These two remarkable, matching cupboards of “kamagong” hardwood had been acquired individually by Romeo Jorge, not jointly as could be assumed. Intrepid antique seller Gerardo Pagala Esposo (“Gerry”) uncovered the initial aparador in an old home in Santa Ana, Manila in 1992 and marketed it to Jorge. (Just one ought to try to remember that Santa Ana, Manila for the duration of the Spanish period was a picturesque, riverside community with quite a few wealthy citizens — Spaniards, mestizos, and Filipinos alike.) 7 months later on, Esposo discovered the matching next, more compact aparador in one more aged household, even now in Santa Ana, owned by a relative of the vendor of the very first aparador.

It grew to become evident that the two “his and hers” cupboards experienced at first been owned by the 1830s progenitors of the sellers’ families.

These wonderful and exceedingly rare pair of “kamagong” cupboards were proudly installed in Romeo Jorge’s dwelling room, together with so quite a few other Filipiniana treasures.

Romeo Jorge is an industrialist with a fortune based mostly in agribusiness. He begun paying for antique Filipino household furniture in 1982 and turned a serious collector of antique Filipino paintings, religious sculpture in wood and ivory, home furniture, and home items in 1986. He was equipped by the most effective antique dealers of the time — Romeo Bauzon, Terry Baylosis, Antonio Martino, Jean-Louis Levi and Willie Versoza, Viring de Asis, Osmundo Esguerra, Ramon N Villegas, Maria Cristina Ongpin-Roxas, Gerardo Esposo, Liza Ramos Rama-Esposo, Roberto Antonio, et al. Jorge generously funded expeditions by antique dealers to the farthest corners of the nation in research of the finest antiques. Via his wife Nini Santos-Jorge, a professor of new music at the College of the Philippines, he turned a munificent patron of the well-known Philippine Madrigal Singers of Dr Andrea Veneracion, hosting fundraising receptions at his classy La Vista residence and bankrolling their outings to contests abroad.

The late 1970s to the 1980s have been heady, dazzling periods for Filipino arts and antiques. A very well-funded and quite lively govt workplace tasked to restore Intramuros (“Ciudad Murada”/The Walled City) as very well as 3 affluent people today had been chaotic making their collections — The Intramuros Administration represented by the Central Financial institution Governor Jaime C Laya, Esperanza Bunag-Gatbonton, and Martin Imperial Tinio Jr, popular Chinese-Filipino businessman Paulino Que, leading sugar govt Antonio Gutierrez, and the industrialist Romeo Jorge. (Also an energetic collector was the To start with Lady Imelda Romualdez-Marcos and her close circle of “Blue Women.”) Between pleasant rivals Que, Gutierrez, and Jorge, it turned the personalized to give sophisticated meal functions for their restricted circle of significant artwork and antique collectors upon the arrivals of essential acquisitions. Those exceptional, intimate dinners of the Que, Gutierrez, and Jorge circle ended up some of the most coveted invites of individuals several years.

The “materialistic” 1980s were punctuated by fantastic, lavish exhibitions in major accommodations arranged by the best art and antique dealers. The exclusive opening nights of these kinds of functions discovered Manilas’ richest of the prosperous jostling, at times arguing or even quarreling, for the preference artwork and antique finds of the evening. Maximalism was the manner of the Marcosian 1980s, the richer you were being, the more crowded with crucial and thus highly-priced artwork and antiques your large residence was.

The opulent fashion was finest exemplified by the Italianate residence on Vito Cruz street, Manila household lived in by the irrepressible, Europe-educated collector Dr Eleuterio Pascual (known as “Teyet”). The razzle-dazzle interiors have been a “Beaux-Arts” or “fin-de-siecle” jumble with swathes of Marchesa Luisa Casati eccentricity that amazed the Marcos political bigwigs and new and aged Manila society.

-Augusto Marcelino Reyes Gonzalez III

Posted by Leo Cloma on 2019-08-30 08:45:10

Tagged: , Philippines , Filipino , antique , antiques , auction , Makati , Manila , home furnishings , artwork , Cloma

#home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, great woodworking, wood chairs, wooden doing the job instruments, common woodworking, woodworking books, woodworking workbench ideas

Kamagong Aparador I
And Kamagong Aparador II
2nd Quarter of the 19th century
“babaeng kamagong” hardwood
every:
76” x 48” x 20” (193 cm x 122 cm x 51 cm)

Opening bid: P 1,000,000

Provenance:
Romeo Jorge
An outdated family of Santa Ana, Manila

Whole lot 17 of the Leon Gallery auction on 14 September 2019. Remember to see www.leon-gallery.com for much more information.

This splendid pair of Philippine cupboards in the late Neoclassical design and style are made of fantastically burled “babaeng kamagong” hardwood and are decidedly of German Biedermeier inspiration. Both equally attribute carved friezes of continual, upright acanthus leaves. Beneath the friezes are inlays of strains and lozenges of “lanite” wooden. The doors and sides of the cupboards are inlaid with stylized panels of “lanite” wooden in the late Neoclassical design characteristic of Philippine circumstance home furnishings from 1800 – 1850. All the inlays of “lanite” wood are painstakingly crafted. The cabinets stand on conventional urn-formed feet. They appear from the renowned selection of the industrialist Romeo Jorge.

On invest in by Romeo Jorge from antique vendor Gerardo Esposo in 1992, the fascinating wooden of the cabinets was discovered with certainty as “babaeng kamagong” hardwood by the legendary antique dealer and woodworker, “Manila’s romancer of wood” Osmundo Esguerra (coined by Ramon N. Villegas in 1990), regarded as “Omeng.”

These two extraordinary, matching cabinets of “kamagong” hardwood were being obtained independently by Romeo Jorge, not collectively as could be assumed. Intrepid antique seller Gerardo Pagala Esposo (“Gerry”) observed the very first aparador in an old residence in Santa Ana, Manila in 1992 and marketed it to Jorge. (A person have to try to remember that Santa Ana, Manila throughout the Spanish time period was a picturesque, riverside community with numerous prosperous citizens — Spaniards, mestizos, and Filipinos alike.) Seven months later, Esposo found the matching 2nd, lesser aparador in another previous dwelling, still in Santa Ana, owned by a relative of the seller of the initial aparador.

It became evident that the two “his and hers” cabinets experienced at first been owned by the 1830s progenitors of the sellers’ households.

These beautiful and exceedingly exceptional pair of “kamagong” cupboards were proudly put in in Romeo Jorge’s living room, along with so many other Filipiniana treasures.

Romeo Jorge is an industrialist with a fortune primarily based in agribusiness. He begun acquiring antique Filipino home furnishings in 1982 and became a critical collector of antique Filipino paintings, spiritual sculpture in wooden and ivory, furnishings, and home goods in 1986. He was provided by the greatest antique dealers of the time — Romeo Bauzon, Terry Baylosis, Antonio Martino, Jean-Louis Levi and Willie Versoza, Viring de Asis, Osmundo Esguerra, Ramon N Villegas, Maria Cristina Ongpin-Roxas, Gerardo Esposo, Liza Ramos Rama-Esposo, Roberto Antonio, et al. Jorge generously funded expeditions by antique dealers to the farthest corners of the region in search of the best antiques. Via his spouse Nini Santos-Jorge, a professor of audio at the University of the Philippines, he turned a munificent patron of the well-known Philippine Madrigal Singers of Dr Andrea Veneracion, internet hosting fundraising receptions at his classy La Vista residence and bankrolling their trips to contests overseas.

The late 1970s to the 1980s had been heady, stunning moments for Filipino arts and antiques. A properly-funded and very energetic federal government office tasked to restore Intramuros (“Ciudad Murada”/The Walled Town) as properly as three affluent people today had been fast paced creating their collections — The Intramuros Administration represented by the Central Lender Governor Jaime C Laya, Esperanza Bunag-Gatbonton, and Martin Imperial Tinio Jr, prominent Chinese-Filipino businessman Paulino Que, foremost sugar government Antonio Gutierrez, and the industrialist Romeo Jorge. (Also an energetic collector was the To start with Lady Imelda Romualdez-Marcos and her shut circle of “Blue Girls.”) Between friendly rivals Que, Gutierrez, and Jorge, it turned the customized to give exquisite dinner functions for their limited circle of significant artwork and antique collectors upon the arrivals of essential acquisitions. People exceptional, intimate dinners of the Que, Gutierrez, and Jorge circle had been some of the most coveted invitations of people a long time.

The “materialistic” 1980s were punctuated by fantastic, lavish exhibitions in main resorts organized by the best artwork and antique dealers. The special opening evenings of such functions observed Manilas’ richest of the prosperous jostling, occasionally arguing or even quarreling, for the preference art and antique finds of the night. Maximalism was the trend of the Marcosian 1980s, the richer you have been, the extra crowded with significant and consequently highly-priced artwork and antiques your significant residence was.

The opulent type was very best exemplified by the Italianate household on Vito Cruz avenue, Manila residence lived in by the irrepressible, Europe-educated collector Dr Eleuterio Pascual (identified as “Teyet”). The razzle-dazzle interiors were being a “Beaux-Arts” or “fin-de-siecle” jumble with swathes of Marchesa Luisa Casati eccentricity that impressed the Marcos political bigwigs and new and old Manila culture.

-Augusto Marcelino Reyes Gonzalez III

Posted by Leo Cloma on 2019-08-30 08:45:09

Tagged: , Philippines , Filipino , antique , antiques , auction , Makati , Manila , furniture , artwork , Cloma

#home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wooden planer, good woodworking, picket chairs, wood operating tools, well-known woodworking, woodworking publications, woodworking workbench strategies