The Postcard
A Glosso-graph Collection postcard released by Misch & Co. of London E.C. The images was by the Dover Avenue Studios of London W. The impression is a shiny serious photograph.
Why Lewis has 3 fluffy toy mice working down the sash on his toga I are not able to even commence to speculate.
The card was posted in Brighton on Tuesday the 10th. March 1908 to:
Overlook E. Isaacs,
3, Western Highway,
Hove,
Brighton.
The pencilled information on the divided back of the card was as follows:
“How do you like
this P.C.?
Like to all,
From Trickster”.
Mr. Lewis Waller
William Waller Lewis (3rd. November 1860 – 1st. November 1915), recognised on phase as Lewis Waller, was an English actor and theatre supervisor, effectively known on the London phase and in the English provinces.
Immediately after early stage experience with J. L. Toole’s and Helena Modjeska’s companies from 1883, Waller turned known, by the late 1880’s, for intimate prospects, equally in Shakespeare and in preferred costume dramas of the Victorian and Edwardian eras.
He captivated a substantial number of feminine admirers, who shaped them selves into a vocal and conspicuous lover club. He also experimented with his hand at administration of excursions in 1885 and 1893, and then turned an actor-manager at the Theatre Royal, Haymarket in the mid-1890’s.
Waller remained an actor-supervisor for the relaxation of his occupation, both equally in London and on tour.
Even with his commercial good results in Booth Tarkington’s ‘Monsieur Beaucaire’ and Arthur Conan Doyle’s ‘Brigadier Gerard’, Waller enormously preferred acting in Shakespeare, in which his roles ranged from Romeo to Othello.
Between the roles he made was Sir Robert Chiltern in Oscar Wilde’s 1895 comedy ‘An Excellent Husband’.
Lewis Waller – The Early Years
Waller was born in Bilbao, Spain, the eldest son of an English civil engineer, William James Lewis, and his wife, Carlotta née Vyse. He was educated at King’s Higher education College in south west London, just after which, intending to pursue a business job, he examined languages on the Continent. From 1879 to 1883 he was a clerk in a London business owned by his uncle.
Following acting in novice performances, Waller determined to make a occupation on the stage, and was engaged by J. L. Toole in 1883. His first job was the Hon. Claude Lorrimer in H. J. Byron’s ‘Uncle Dick’s Darling’, in which he was billed as “Waller Lewis”.
By May of the same year, he had adopted the stage name Lewis Waller. In that month he appeared at the Theatre Royal, Drury Lane, in a charity matinee for the Actors’ Benevolent Fund with Toole’s corporation and this sort of modern stars as Rutland Barrington, Lionel Brough, Arthur Cecil, Nellie Farren, George Grossmith, Henry Irving and Ellen Terry.
He remained in Toole’s organization for a 12 months, enjoying mild comedy and juvenile components. In the course of this calendar year, he married a youthful actress, Florence West (1862–1912).
He joined a touring corporation, participating in the central position, the blind Gilbert Vaughan, in ‘Called Back’ by Hugh Conway.
Waller returned to London in March 1885 to engage in at the Lyceum Theatre in Helena Modjeska’s organization, as the Abbé in ‘Adrienne Lecouvreur’, and then toured with her, playing this kind of roles as Mortimer in ‘Mary Stuart’, and Orlando in ‘As You Like It’.
The Manchester Guardian stated of the latter:
“He stored Orlando correctly ingenuous,
and created him a taking and gallant
young wooer.”
In direction of the stop of 1885, Waller ventured into management for the to start with time, touring a production of ‘Called Back’, having the position of Dr. Basil North, in which The Manchester Guardian considered him:
“A trifle far too melodramatic”.
The tour was modestly productive, but not this kind of as to direct Waller to mount more productions for some time.
Waller returned to the West Conclude, performing for a succession of managements. At the Strand Theatre in early 1887, he played Roy Carlton in ‘Jack-in-the-Box’, which his biographer describes as his to start with considerable good results in London.
At the Opera Comique he played Ernest Vane in ‘Masks and Faces’, and Captain Absolute in ‘The Rivals’. At the Gaiety Theatre he performed Jacques Rosney in ‘Civil War’.
Waller then joined William Hunter Kendal and John Hare at the St. James’s Theatre, where he performed the Duc de Bligny in ‘The Ironmaster’, Sir George Barclay in ‘Lady Clancarty’, and Lord Arden in ‘The Wife’s Secret’.
When Rutland Barrington took more than the management of the St. James’s in 1888, Waller played George Sabine in ‘The Dean’s Daughter’, and Ralph Crampton in ‘Brantinghame Hall’.
Rudolph de Cordova, in a 1909 biographical sketch observed:
“All through this time period, handful of theatres
played frequent afternoon performances,
so that the actors were, for the most section,
engaged only in the evening. Lots of
matinees were being, on the other hand, specified to introduce
new plays and new players and in this way
Mr. Waller acted a big variety of new pieces,
all of an ephemeral character.”
In particular he performed quite a few Ibsen roles in these matinees in the early 1890’s, bringing him to the focus of individuals of influence in the theatre these kinds of as William Archer, Jacob Grein and Bernard Shaw.
Waller played Oswald in ‘Ghosts’, Lovborg in ‘Hedda Gabler’, Rosmer in ‘Rosmersholm’ and Solness in ‘The Learn Builder’. The ODNB commented that:
“Archer was delighted that an recognized
West Finish actor experienced contributed to the Ibsen
revival, but was conscious that Waller could
prevail over neither the play’s inadequate
rehearsal period nor his history of
florid West Conclusion performances.”
Lewis Waller – The Later on Many years
In October 1893, Waller returned to administration, mounting a tour of Wilde’s ‘A Female of No Importance’, in which he played Lord Illingworth. The Manchester Guardian identified as it:
“A tolerable travelling enterprise in
which nobody gains excellent distinction.”
Returning to London, Waller, in partnership with H. H. Morrell, leased the Theatre Royal, Haymarket though its common tenant, Herbert Beerbohm Tree was on tour in the US. He commenced with the premiere of Wilde’s ‘An Perfect Husband’, participating in Sir Robert Chiltern in a cast that bundled his spouse as Mrs. Cheveley, Julia Neilson as Girl Chiltern and Charles Hawtrey as Lord Goring.
Waller and Morrell remained in management right up until 1897, when Tree invited Waller to join his enterprise at the recently rebuilt Her Majesty’s Theatre.
Waller remained with Tree for 3 many years, enjoying a vast range of roles, together with intimate prospects in popular costume dramas and, in Tree’s lavish Shakespeare productions, Laertes in ‘Hamlet’, Brutus in ‘Julius Caesar’, Faulconbridge in ‘King John’ and Lysander in ‘A Midsummer Night’s Dream’.
Soon after leaving Tree’s company, Waller returned to administration. Although he beloved participating in Shakespeare, including the roles of Romeo, Othello and Henry V to his repertoire, for industrial reasons he was best recognised as the star of swashbuckling romances. He was particularly recognized with the title roles in the stage versions of Booth Tarkington’s ‘Monsieur Beaucaire’ and Arthur Conan Doyle’s ‘Brigadier Gerard’. He starred in a movie of the latter in 1915.
The critic Hesketh Pearson praised Waller for:
“His fantastic appears and virile performing,
and his vibrant voice which rang
by means of the theatre like a bell and
stirred like a trumpet”.
Waller experienced a big subsequent of enthusiastic females enthusiasts, who formed a club acknowledged as the K.O.W. [Keen On Waller] Brigade. Pearson lamented:
“The puerile nature of the plays he
generally place on, and the adolescent
conduct of his woman admirers,
prevented many people today from
appreciating his superb present as a
declaimer of Shakespeare’s rhetoric,
and routinely exposed him to ridicule.”
In 1911 and 1912, Waller designed a tour of the US, Canada and Australia. In his absence his wife died. His very last engage in was May well Martindale’s ‘Gamblers All’, which opened at Wyndham’s Theatre, London in June 1915, with Gerald du Maurier and Madge Titheradge co-starring.
The Manchester Guardian called the production:
“A individual performing triumph
for Lewis Waller”.
The Dying of Lewis Waller
Right after the West Close run, Waller took the participate in on tour, in the course of which he contracted pneumonia, from which he died in Nottingham two days small of his 55th. birthday.
The Greenwich Yacht Club
So what else took place on the working day that Trickster posted the card?
Effectively, on the 10th. March 1908, Thames watermen and river personnel established the Greenwich Yacht Club in the Yacht Tavern in Greenwich. For several a long time the club satisfied at the tavern.
Later the Clubhouse was positioned on the beach adjacent to the present clubhouse. Originally, it was a beached Thames Sailing Barge named “Iverna”, then later a hut on the Mudlarks beach front.
In a lot more new instances the club was centered in what is known as the “Previous Clubhouse” at the end of Riverway. That web site was obtained by English Partnerships, as portion of the planning for development of the Millennium Dome, and in trade English Partnerships delivered the club with new amenities on the earlier redundant Peartree Wharf.
The New Clubhouse
Greenwich Yacht Club took profession of the website early in November 1999 with a temporary clubroom in what is now the Marriage Venue. The new clubhouse was opened in June 2000.
The household building immediately driving the club has been named Iverna Quay, as a reference to the beached Thames sailing barge ‘Iverna’.
The new clubhouse is the only developing built in the Thames by itself which is elevated upon stilts above the waters down below, and is open up to the community every single 12 months as aspect of the London Open House.
The complex consists of an engineering/machining facility, sail loft, woodworking facility, an indoor function region with a potential for two or additional boats, and a marriage and convention venue.
There is also a three storey clubhouse positioned on a dolphin in the tidal Thames attained by a bridge from landside. A dolphin in this context is a gentleman-made maritime composition that extends higher than the drinking water stage.
The complex is disabled accessibility friendly. The club has much more than 400 associates, and caters for cruiser sailors, dinghy sailors, motor-boaters and rowers.
Posted by pepandtim on 2019-06-09 00:13:32
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