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  • 37865

    37865

    37865

    The Quality I shown Worcester Cathedral which prior to the English Reformation was known as Worcester Priory. In Worcester, Worcestershire.

    It is the seat of the Bishop of Worcester and its official title is The Cathedral Church of Christ and the Blessed Mary the Virgin of Worcester. Developed involving 1084 and 1504, Worcester Cathedral represents each individual fashion of English architecture from Norman to Perpendicular Gothic. It is renowned for its Norman crypt and unique chapter property, its uncommon Transitional Gothic bays, its fine woodwork and its “exquisite” central tower, which is of especially wonderful proportions.

    What is now the Cathedral was launched in 680 as a Priory, with Bishop Bosel at its head. The 1st priory was crafted in this period of time, but practically nothing now stays of it. The crypt of the current-working day cathedral dates from the 10th century and the time of St Oswald, Bishop of Worcester. The monastery grew to become Benedictine in the second half of the tenth century. The Priory arrived to an conclude with King Henry VIII’s Dissolution of the Monasteries, and the Benedictine monks were taken out on 18 January 1540 and changed by secular canons. Adhering to the Dissolution of the Monasteries, the former Priory was re-proven as a cathedral of secular clergy. In the 1860s the cathedral was subject matter to major restoration function prepared by Sir George Gilbert Scott and A. E. Perkins.

    Worcester Cathedral embodies quite a few characteristics that are highly common of an English medieval cathedral. Like the cathedrals of Salisbury and Lincoln, it has two transepts crossing the nave, rather than the single transept typical on the Continent. This characteristic of English Cathedrals was to aid the non-public saying of the Holy Office by a lot of clergy or monks. Worcester is also typical of English cathedrals in having a chapter residence and cloister. Worcester Cathedral’s tower was manufactured in the Perpendicular design and style is described by Alec Clifton-Taylor as “exquisite” and is observed very best throughout the River Severn.

    The earliest section of the building at Worcester is the multi-columned Norman crypt with cushion capitals remaining from the original monastic church begun by St Wulfstan in 1084. Also, from the Norman time period is the round chapter home of 1120, produced octagonal on the outside when the partitions were being bolstered in the 14th century. The nave was created and rebuilt piecemeal and in distinctive designs by several diverse architects in excess of a interval of 200 many years, from 1170 to 1374, some bays getting a special and ornamental changeover concerning Norman and Gothic.

    The east conclusion was rebuilt around the Norman crypt by Alexander Mason among 1224 and 1269, coinciding with, and in a extremely similar Early English type to Salisbury Cathedral. From 1360 John Clyve completed off the nave, designed its vault, the west front, the north porch and the japanese range of the cloister. He also strengthened the Norman chapter house, extra buttresses and modified its vault. His masterpiece is the central tower of 1374, at first supporting a timber, direct-covered spire, now long gone.

    Info Supply:
    en.wikipedia.org/wiki/Gloucester_Cathedral

    Posted by benbobjr on 2020-11-28 16:34:11

    Tagged: , Worcestershire , England , English , British isles , United Kingdom , GB , Wonderful Britain , Britain , British , Worcester , Midlands , West Midlands , West Mercia , Worcester Cathedral , Church , Cathedral , Worship , Faith , Christ , Christian , Christianity , Quality I Outlined Making , Quality I Outlined , Worcester Priory , Norman , Gothic , English Reformation , Bishop of Worcester , Perpendicular Gothic , Benedictine , Dissolution of the Monasteries , Sir George Gilbert Scott , A. E. Perkins

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  • All Saints Church,Winkley

    All Saints Church,Winkley

    All Saints Church,Winkley

    Formal list entry

    Heritage Category: Listed Creating
    Quality: I
    Checklist Entry Quantity: 1318120
    Date initially shown: 04-Oct-1960

    Place
    Statutory Address: CHURCH OF ALL SAINTS, COOPER’S HILL
    County: Devon
    District: Torridge (District Authority)
    Parish: Winkleigh
    National Grid Reference: SS 63274 08062

    Information

    Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble partitions. Gable ended slate roofs aside from flat roof to north transept. Approach: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north facet of chancel. The earliest options of the building are the windows to the chancel which recommend a day of early C14 which is substantiated by documents. In the C15 a important remodelling took position, obvious in the nave and north aisle and the tower and north transept are probable also to date tothe C15. The little south transept regarded as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was extra in the early C17. A significant restoration was undertaken in 1871-3 costing £6-7,000, by J F Gould which provided among other carved stone and woodwork carved picket bench ends by H Hems, the portray of the roof by J Thorne of Crediton and internal redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls put in, the roof painted and a fine oak monitor inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and set-back buttresses to its lessen phase. Probably rebuilt 2-centred arch west doorway with high reduction fleurons carved on soffit. 3-light-weight Perpendicular west window with restored tracery. 2-mild cinquefoil-headed belfry openings. Pentagonal stair turret on north side of tower. The north aisle has significant 3-light-weight Perpendicular home windows, partly restored, these going through north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched market higher than which has a likely C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween home windows. North transept is battlemented with established-again buttresses and significant gargoyles on east and west sides. North window is similar to those of aisle. Elaborate C19 ashlar chimney stack axial among organ chamber and chancel is crenellated with gargoyle at every single corner. C19 very low crenellated vestry among north chapel and east finish of chancel, at the rear of it is the restored Perpendicular east window to the chapel. 3-gentle front window with intersecting tracery, circa 1300, but maybe restored, south facet of chancel has contemporary Y-tracery window in direction of east conclude with 1- and 2-gentle lancets to its remaining. Small 2-centre arched priest’s doorway concerning them – all in purple sandstone. Compact south transept has plaque on east wall known as the Gidley medal – it is circular with a heraldic protect made up of the machine of a castle, which was awarded for layalty throughout the Civil War. South side of transept has pretty little 2-centre arched granite doorway with 2- mild segmental-headed granite mullion over and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude sort of cranium. Nave has a few 3-mild home windows, the 2 outer ones in the Embellished design and likely rebuilt, the other Perpendicular. Rebuilt south porch with large arched doorway and diagonal buttress either side. Graphic niches in apex with carved figures of Mary, the Shepherds and the A few Kings. Interior: porch has almost certainly restored painted wagon roof with moulded ribs and carved wall-plate. Pretty easy 2-centred arched chamfered south doorway. Substantial carving in recess earlier mentioned of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-sort piers with molded bases and cup capitals, roll and hollow moulded frustrated 4-centred arches. The piers to the north chapel arch and that of the chancel have somewhat distinct mouldings. Simple 4-centred tower arch with chamfered imposts. South transept has very simple round-headed arch with inset roll moulding. First wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with much gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal bouquets to panels and trefoiled headed recesses to shaft. In the north transept are many late C18 and early C19 marble wall memorials, also just one of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 ground memorials also survive in the transept and there are other people at the souht-east close of the nave and in the south transept, quite worn, one particular almost certainly to a Gidleigh, dated 1634 with the heraldic defend bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms earlier mentioned incorporating the castle and sheafs of corn. The inside wall surfaces are lined with sgraffito decoration from the late C19 restoration of differing types to the nave and aisle – which have horizontal bands of red alternating with various floral and geometric styles – and the north chapel and chancel which have a a lot less colourful incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos have been also component of Gould’s restoration. The only surviving old glass is in the north-west window depicting figures of angels bearing shields. The curiosity of this spectacular church lies not only in the surviving medieval and C17 cloth but also in the high high quality and really decorative restoration function carried out in the late C19 and early C20 with the strange sgraffito ornamentation of the walls. Sources: Devon C19 Churches Venture

    © Historic England 2022

    Posted by The Shaldives on 2022-05-03 21:34:03

    Tagged: , Man Fogwill , Guy , Fogwill , United Kingdom , Church , Église , Devon , GBR , April , England , Great Britan , Europe , the shaldives , All Saints’ Church , flicker , Mentioned Building , quality 1 , flicker photograph , 2022 , Torridge , Winkleigh , 1318120

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  • Covent Garden Xmas Decorations 2014, London

    Covent Garden Xmas Decorations 2014, London

    Covent Garden Xmas Decorations 2014, London

    Covent Garden (/ˈkɒvənt/) is a district in London on the eastern fringes of the West End, between St. Martin’s Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

    Though mainly fields until the 16th century, the area was briefly settled when it became the heart of the Anglo-Saxon trading town of Lundenwic. After the town was abandoned, part of the area was walled off by 1200 for use as arable land and orchards by Westminster Abbey, and was referred to as "the garden of the Abbey and Convent". The land, now called "the Covent Garden", was seized by Henry VIII, and granted to the Earls of Bedford in 1552. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul’s. The design of the square was new to London, and had a significant influence on modern town planning, acting as the prototype for the laying-out of new estates as London grew. A small open-air fruit and vegetable market had developed on the south side of the fashionable square by 1654. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up; the gentry moved away, and rakes, wits and playwrights moved in. By the 18th century it had become a well-known red-light district, attracting notable prostitutes. An Act of Parliament was drawn up to control the area, and Charles Fowler’s neo-classical building was erected in 1830 to cover and help organise the market. The area declined as a pleasure-ground as the market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.

    Covent Garden, with the postcode WC2, falls within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The area has been served by the Piccadilly line at Covent Garden tube station since 1907; the journey from Leicester Square, at 300 yards, is the shortest in London.

    Early history

    The route of the Strand on the southern boundary of what was to become Covent Garden was used during the Roman period as part of a route to Silchester, known as "Iter VII" on the Antonine Itinerary. Excavations in 2006 at St Martin-in-the-Fields revealed a Roman grave, suggesting the site had sacred significance. The area to the north of the Strand was long thought to have remained as unsettled fields until the 16th century, but theories by Alan Vince and Martin Biddle that there had been an Anglo-Saxon settlement to the west of the old Roman town of Londinium were borne out by excavations in 1985 and 2005. These revealed Covent Garden as the centre of a trading town called Lundenwic, developed around 600 AD, which stretched from Trafalgar Square to Aldwych. Alfred the Great gradually shifted the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, and the site returned to fields.

    Around 1200 the first mention of an abbey garden appears in a document mentioning a walled garden owned by the Benedictine monks of the Abbey of St. Peter, Westminster. A later document, dated between 1250 and 1283, refers to "the garden of the Abbot and Convent of Westminster". By the 13th century this had become a 40-acre (16 ha) quadrangle of mixed orchard, meadow, pasture and arable land, lying between modern-day St. Martin’s Lane and Drury Lane, and Floral Street and Maiden Lane. The use of the name "Covent"—an Anglo-French term for a religious community, equivalent to "monastery" or "convent" —appears in a document in 1515, when the Abbey, which had been letting out parcels of land along the north side of the Strand for inns and market gardens, granted a lease of the walled garden, referring to it as "a garden called Covent Garden". This is how it was recorded from then on.

    The Bedford Estate (1552–1918)

    After the Dissolution of the Monasteries in 1540, Henry VIII took for himself the land belonging to Westminster Abbey, including the convent garden and seven acres to the north called Long Acre; and in 1552 his son, Edward VI, granted it to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918.

    Russell had Bedford House and garden built on part of the land, with an entrance on the Strand, the large garden stretching back along the south side of the old walled-off convent garden. Apart from this, and allowing several poor-quality tenements to be erected, the Russells did little with the land until the 4th Earl of Bedford, Francis Russell, an active and ambitious businessman, commissioned Inigo Jones in 1630 to design and build a church and three terraces of fine houses around a large square or piazza. The commission had been prompted by Charles I taking offence at the condition of the road and houses along Long Acre, which were the responsibility of Russell and Henry Carey, 2nd Earl of Monmouth. Russell and Carey complained that under the 1625 Proclamation concerning Buildings, which restricted building in and around London, they could not build new houses; the King then granted Russell, for a fee of £2,000, a licence to build as many new houses on his land as he "shall thinke fitt and convenient". The church of St Paul’s was the first building, begun in July 1631 on the western side of the square. The last house was completed in 1637.

    The houses initially attracted the wealthy, though when a market developed on the south side of the square around 1654, the aristocracy moved out and coffee houses, taverns, and prostitutes moved in. The Bedford Estate was expanded in 1669 to include Bloomsbury, when Lord Russell married Lady Rachel Vaughan, one of the daughters of the 4th Earl of Southampton.

    By the 18th century, Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the "essential guide and accessory for any serious gentleman of pleasure". In 1830 a market hall was built to provide a more permanent trading centre. In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

    Modern changes

    Charles Fowler’s 1830 neo-classical building restored as a retail market.
    The Covent Garden Estate was part of Beecham Estates and Pills Limited from 1924 to 1928, after which time it was managed by a successor company called Covent Garden Properties Company Limited, owned by the Beechams and other private investors. This new company sold some properties at Covent Garden, while becoming active in property investment in other parts of London. In 1962 the bulk of the remaining properties in the Covent Garden area, including the market, were sold to the newly established government-owned Covent Garden Authority for £3,925,000.

    By the end of the 1960s, traffic congestion had reached such a level that the use of the square as a modern wholesale distribution market was becoming unsustainable, and significant redevelopment was planned. Following a public outcry, buildings around the square were protected in 1973, preventing redevelopment. The following year the market moved to a new site in south-west London. The square languished until its central building re-opened as a shopping centre in 1980. An action plan was drawn up by Westminster Council in 2004 in consultation with residents and businesses to improve the area while retaining its historic character. The market buildings, along with several other properties in Covent Garden, were bought by a property company in 2006.

    Geography

    Historically, the Bedford Estate defined the boundary of Covent Garden, with Drury Lane to the east, the Strand to the south, St. Martin’s Lane to the west, and Long Acre to the north. However, over time the area has expanded northwards past Long Acre to High Holborn, and since 1971, with the creation of the Covent Garden Conservation Area which incorporated part of the area between St Martins Lane and Charring Cross Road, the Western boundary is sometimes considered to be Charring Cross Road. Shelton Street, running parallel to the north of Long Acre, marks the London borough boundary between Camden and Westminster. Long Acre is the main thoroughfare, running north-east from St Martin’s Lane to Drury Lane.

    The area to the south of Long Acre contains the Royal Opera House, the market and central square, and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum; while the area to the north of Long Acre is largely given over to independent retail units centred on Neal Street, Neal’s Yard and Seven Dials; though this area also contains residential buildings such as Odhams Walk, built in 1981 on the site of the Odhams print works, and is home to over 6,000 residents.

    Governance
    The Covent Garden estate was originally under the control of Westminster Abbey and lay in the parish of St Margaret. During a reorganisation in 1542 it was transferred to St Martin in the Fields, and then in 1645 a new parish was created, splitting governance of the estate between the parishes of St Paul Covent Garden and St Martin, both still within the Liberty of Westminster. St Paul Covent Garden was completely surrounded by the parish of St Martin in the Fields. It was grouped into the Strand District in 1855 when it came within the area of responsibility of the Metropolitan Board of Works.

    In 1889 the parish became part of the County of London and in 1900 it became part of the Metropolitan Borough of Westminster. It was abolished as a civil parish in 1922. Since 1965 Covent Garden falls within the London boroughs of Westminster and Camden, and is in the Parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. For local council elections it falls within the St James’s ward for Westminster, and the Holborn and Covent Garden ward for Camden.

    Economy

    The area’s historic association with the retail and entertainment economy continues. In 1979, Covent Garden Market reopened as a retail centre; in 2010, the largest Apple Store in the world opened in The Piazza. The central hall has shops, cafes and bars alongside the Apple Market stalls selling antiques, jewellery, clothing and gifts; there are additional casual stalls in the Jubilee Hall Market on the south side of the square. Long Acre has a range of clothes shops and boutiques, and Neal Street is noted for its large number of shoe shops. London Transport Museum and the side entrance to the Royal Opera House box office and other facilities are also located on the square. During the late 1970s and 1980s the Rock Garden music venue was popular with up and coming punk rock and New Wave artists.

    The market halls and several other buildings in Covent Garden were bought by CapCo in partnership with GE Real Estate in August 2006 for £421 million, on a 150-year head lease. The buildings are let to the Covent Garden Area Trust, who pay an annual peppercorn rent of one red apple and a posy of flowers for each head lease, and the Trust protects the property from being redeveloped. In March 2007 CapCo also acquired the shops located under the Royal Opera House. The complete Covent Garden Estate owned by CapCo consists of 550,000 sq ft (51,000 m2), and has a market value of £650 million.

    Landmarks

    The Royal Opera House, often referred to as simply "Covent Garden", was constructed as the "Theatre Royal" in 1732 to a design by Edward Shepherd. During the first hundred years or so of its history, the theatre was primarily a playhouse, with the Letters Patent granted by Charles II giving Covent Garden and Theatre Royal, Drury Lane exclusive rights to present spoken drama in London. In 1734, the first ballet was presented; a year later Handel’s first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premières here. It has been the home of The Royal Opera since 1945, and the Royal Ballet since 1946.

    The current building is the third theatre on the site following destructive fires in 1808 and 1857. The façade, foyer and auditorium were designed by Edward Barry, and date from 1858, but almost every other element of the present complex dates from an extensive £178 million reconstruction in the 1990s. The Royal Opera House seats 2,268 people and consists of four tiers of boxes and balconies and the amphitheatre gallery. The stage performance area is roughly 15 metres square. The main auditorium is a Grade 1 listed building. The inclusion of the adjacent old Floral Hall, previously a part of the old Covent Garden Market, created a new and extensive public gathering place. In 1779 the pavement outside the playhouse was the scene of the murder of Martha Ray, mistress of the Earl of Sandwich, by her admirer the Rev. James Hackman.

    Covent Garden square

    Balthazar Nebot’s 1737 painting of the square before the 1830 market hall was constructed.
    The central square in Covent Garden is simply called "Covent Garden", often marketed as "Covent Garden Piazza" to distinguish it from the eponymous surrounding area. Laid out in 1630, it was the first modern square in London, and was originally a flat, open space or piazza with low railings. A casual market started on the south side, and by 1830 the present market hall was built. The space is popular with street performers, who audition with the site’s owners for an allocated slot. The square was originally laid out when the 4th Earl of Bedford, Francis Russell, commissioned Inigo Jones to design and build a church and three terraces of fine houses around the site of a former walled garden belonging to Westminster Abbey. Jones’s design was informed by his knowledge of modern town planning in Europe, particularly Piazza d’Arme, in Leghorn, Tuscany, Piazza San Marco in Venice, Piazza Santissima Annunziata in Florence, and the Place des Vosges in Paris. The centrepiece of the project was the large square, the concept of which was new to London, and this had a significant influence on modern town planning in the city,[56] acting as the prototype for the laying-out of new estates as the metropolis grew. Isaac de Caus, the French Huguenot architect, designed the individual houses under Jones’s overall design.

    The church of St Paul’s was the first building, and was begun in July 1631 on the western side of the square. The last house was completed in 1637. Seventeen of the houses had arcaded portico walks organised in groups of four and six either side of James Street on the north side, and three and four either side of Russell Street. These arcades, rather than the square itself, took the name Piazza; the group from James Street to Russell Street became known as the "Great Piazza" and that to the south of Russell Street as the "Little Piazza". None of Inigo Jones’s houses remain, though part of the north group was reconstructed in 1877–79 as Bedford Chambers by William Cubitt to a design by Henry Clutton.

    Covent Garden market

    The first record of a "new market in Covent Garden" is in 1654 when market traders set up stalls against the garden wall of Bedford House. The Earl of Bedford acquired a private charter from Charles II in 1670 for a fruit and vegetable market, permitting him and his heirs to hold a market every day except Sundays and Christmas Day. The original market, consisting of wooden stalls and sheds, became disorganised and disorderly, and the 6th Earl requested an Act of Parliament in 1813 to regulate it, then commissioned Charles Fowler in 1830 to design the neo-classical market building that is the heart of Covent Garden today. The contractor was William Cubitt and Company. Further buildings were added—the Floral hall, Charter Market, and in 1904 the Jubilee Market for foreign flowers was built by Cubitt and Howard.

    By the end of the 1960s, traffic congestion was causing problems for the market, which required increasingly large lorries for deliveries and distribution. Redevelopment was considered, but protests from the Covent Garden Community Association in 1973 prompted the Home Secretary, Robert Carr, to give dozens of buildings around the square listed-building status, preventing redevelopment. The following year the market relocated to its new site, New Covent Garden Market, about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, with cafes, pubs, small shops and a craft market called the Apple Market. Another market, the Jubilee Market, is held in the Jubilee Hall on the south side of the square. The market halls and several other buildings in Covent Garden have been owned by the property company Capital & Counties Properties (CapCo) since 2006.

    Theatre Royal, Drury Lane

    The current Theatre Royal on Drury Lane is the most recent of four incarnations, the Second of which opened in 1663, making it the oldest continuously used theatre in London. For much of its first two centuries, it was, along with the Royal Opera House, a patent theatre granted rights in London for the production of drama, and had a claim to be one of London’s leading theatres. The first theatre, known as "Theatre Royal, Bridges Street", saw performances by Nell Gwyn and Charles Hart. After it was destroyed by fire in 1672, English dramatist and theatre manager Thomas Killigrew engaged Christopher Wren to build a larger theatre on the same spot, which opened in 1674. This building lasted nearly 120 years, under leadership including Colley Cibber, David Garrick, and Richard Brinsley Sheridan. In 1791, under Sheridan’s management, the building was demolished to make way for a larger theatre which opened in 1794; but that survived only 15 years, burning down in 1809. The building that stands today opened in 1812. It has been home to actors as diverse as Shakespearean actor Edmund Kean, child actress Clara Fisher, comedian Dan Leno, the comedy troupe Monty Python (who recorded a concert album there), and musical composer and performer Ivor Novello. Since November 2008 the theatre has been owned by composer Andrew Lloyd Webber and generally stages popular musical theatre. It is a Grade I listed building.

    London Transport Museum

    The London Transport Museum is in a Victorian iron and glass building on the east side of the market square. It was designed as a dedicated flower market by William Rogers of William Cubitt and Company in 1871, and was first occupied by the museum in 1980. Previously the transport collection had been held at Syon Park and Clapham. The first parts of the collection were brought together at the beginning of the 20th century by the London General Omnibus Company (LGOC) when it began to preserve buses being retired from service. After the LGOC was taken over by the London Electric Railway (LER), the collection was expanded to include rail vehicles. It continued to expand after the LER became part of the London Passenger Transport Board in the 1930s and as the organisation passed through various successor bodies up to TfL, London’s transport authority since 2000. The Covent Garden building has on display many examples of buses, trams, trolleybuses and rail vehicles from 19th and 20th centuries as well as artefacts and exhibits related to the operation and marketing of passenger services and the impact that the developing transport network has had on the city and its population.

    St Paul’s Church

    St Paul’s, commonly known as the Actors’ Church, was designed by Inigo Jones as part of a commission by Francis Russell in 1631 to create "houses and buildings fitt for the habitacons of Gentlemen and men of ability". Work on the church began that year and was completed in 1633, at a cost of £4,000, with it becoming consecrated in 1638. In 1645 Covent Garden was made a separate parish and the church was dedicated to St Paul. It is uncertain how much of Jones’s original building is left, as the church was damaged by fire in 1795 during restoration work by Thomas Hardwick; though it is believed that the columns are original—the rest is mostly Georgian or Victorian reconstruction.

    Culture

    The Covent Garden area has long been associated with both entertainment and shopping, and this continues. Covent Garden has 13 theatres, and over 60 pubs and bars, with most south of Long Acre, around the main shopping area of the old market. The Seven Dials area in the north of Covent Garden was home to the punk rock club The Roxy in 1977, and the area remains focused on young people with its trendy mid-market retail outlets.

    Street performance

    Street entertainment at Covent Garden was noted in Samuel Pepys’s diary in May 1662, when he recorded the first mention of a Punch and Judy show in Britain. Impromptu performances of song and swimming were given by local celebrity William Cussans in the eighteenth century. Covent Garden is licensed for street entertainment, and performers audition for timetabled slots in a number of venues around the market, including the North Hall, West Piazza, and South Hall Courtyard. The courtyard space is dedicated to classical music only. There are street performances at Covent Garden Market every day of the year, except Christmas Day. Shows run throughout the day and are about 30 minutes in length. In March 2008, the market owner, CapCo, proposed to reduce street performances to one 30-minute show each hour.

    Pubs and bars

    The Covent Garden area has over 60 pubs and bars; several of them are listed buildings, with some also on CAMRA’s National Inventory of Historic Pub Interiors; some, such as The Harp in Chandos Place, have received consumer awards. The Harp’s awards include London Pub of the Year in 2008 by the Society for the Preservation of Beers from the Wood, and National Pub of the Year by CAMRA in 2011. It was at one time owned by the Charrington Brewery, when it was known as The Welsh Harp; in 1995 the name was abbreviated to just The Harp, before Charrington sold it to Punch Taverns in 1997. It has been owned by the landlady since 2010.

    The Lamb and Flag in Rose Street has a reputation as the oldest pub in the area, though records are not clear. The first mention of a pub on the site is 1772 (when it was called the Cooper’s Arms – the name changing to Lamb & Flag in 1833); the 1958 brick exterior conceals what may be an early 18th-century frame of a house replacing the original one built in 1638.[94] The pub acquired a reputation for staging bare-knuckle prize fights during the early 19th century when it earned the nickname "Bucket of Blood". The alleyway beside the pub was the scene of an attack on John Dryden in 1679 by thugs hired by John Wilmot, 2nd Earl of Rochester, with whom he had a long-standing conflict.

    The Salisbury in St. Martin’s Lane was built as part of a six-storey block around 1899 on the site of an earlier pub that had been known under several names, including the Coach & Horses and Ben Caunt’s Head; it is both Grade II listed, and on CAMRA’s National Inventory, due to the quality of the etched and polished glass and the carved woodwork, summed up as "good fin de siècle ensemble". The Freemasons Arms on Long Acre is linked with the founding of the Football Association in 1896; however, the meetings took place at The Freemasons Tavern on Great Queen Street, which was replaced in 1909 by the Connaught Rooms.

    Other pubs that are Grade II listed are of minor interest, they are three 19th century rebuilds of 17th century/18th century houses, the Nell Gwynne Tavern in Bull Inn Court, the Nag’s Head on James Street, and the White Swan on New Row; a Victorian pub built by lessees of the Marquis of Exeter, the Old Bell on the corner of Exeter Street and Wellington Street; and a late 18th or early 19th century pub the Angel and Crown on St. Martin’s Lane.

    Cultural connections

    Covent Garden, and especially the market, have appeared in a number of works. Eliza Doolittle, the central character in George Bernard Shaw’s play, Pygmalion, and the musical adaptation by Alan Jay Lerner, My Fair Lady, is a Covent Garden flower seller. Alfred Hitchcock’s 1972 film Frenzy about a Covent Garden fruit vendor who becomes a serial sex killer, was set in the market where his father had been a wholesale greengrocer. The daily activity of the market was the topic of a 1957 Free Cinema documentary by Lindsay Anderson, Every Day Except Christmas, which won the Grand Prix at the Venice Festival of Shorts and Documentaries.

    Transport

    Covent Garden is served by the Piccadilly line at Covent Garden tube station on the corner of Long Acre and James Street. The station was opened by Great Northern, Piccadilly and Brompton Railway on 11 April 1907, four months after services on the rest of the line began operating on 15 December 1906. Platform access is only by lift or stairs; until improvements to the exit gates in 2007, due to high passenger numbers (16 million annually), London Underground had to advise travellers to get off at Leicester Square and walk the short distance (the tube journey at less than 300 yards is London’s shortest) to avoid the congestion. Stations just outside the area include the Charing Cross tube station and Charing Cross railway station, Leicester Square tube station, and Holborn tube station. While there is only one bus route in Covent Garden itself—the RV1, which uses Catherine Street as a terminus, just to the east of Covent Garden square—there are over 30 routes which pass close by, mostly on the Strand or Kingsway.

    en.wikipedia.org/wiki/Covent_Garden

    Posted by PaChambers on 2015-01-31 21:42:49

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  • Eastnor Castle – Eastnor Lake

    Eastnor Castle – Eastnor Lake

    Eastnor Castle - Eastnor Lake

    A Superior Friday 2017 stop by to Eastnor Castle in Herefordshire.

    A look all over the castle developing.

    The numerous views of the castle as witnessed from Eastnor Lake.

    If you want to, you can share your castle pics to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).

    Quality I outlined developing

    Eastnor Castle

    Listing Text

    SO 73 NW
    4/31

    EASTNOR CP,
    EASTNOR,
    Eastnor Castle

    18.11.52

    GV

    I

    Nation dwelling. 1811-1820 by Robert Smirke for 2nd Baron Somers inner alterations, mostly attractive by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these were not absolutely carried out. Ashlar direct and slate roof concealed powering embattled parapet the roof trusses and floor beams are solid iron, an early instance of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nevertheless even now symmetrical castle in a critical neo-Norman and early English type: rectangular with E-prepare entrance front and flanking towers joined by shorter diagonal backlinks. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is elevated on a mound and has tall retaining partitions. Entrance front is dominated by a boldly massed centre which raises by means of 3 levels and is stepped up to the middle of the constructing spherical corner turrets and arched parapets to the outdoors projecting porte-cochere beneath an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither aspect of the centre are 3:1 bays, the outer ones remaining innovative and terminated by tall, 3 stage corner towers which are clover leaf on strategy and have corbelled parapets and single-light-weight, round-headed, windows established in deep embrasures. The central 3 bay sections have 3-gentle Early English type home windows on the floor floor established again in recesses and divided by flat buttresses, roll-moulded cill band under and corbelled blocking class higher than, guiding which the upper flooring is recessed with large pane sash windows in neo-Norman type surrounds which have columns and cushion capitals. The outer single bays have 3-mild Gothic type windows but established in neo-Norman surrounds plain tripartite home windows on to start with flooring. Large central double doorways and basic spherical-headed doors at foundation of outer towers, that to the left prospects to an outer parapet walkway at the foot of the side elevation. The north-east (facet) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre currently being a total top canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Backyard garden elevation of 4:3:4 home windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 phase tower which is canted to the out- side. 2-mild Geometric type windows on floor floor neo-Norman model surrounds and columns to the centre 3-gentle plain, spherical-headed windows on the first ground, but Geometric style outer windows. To the south-west of the Castle is the hooked up kitchen wing of 2 storeys forming a T-system with a courtroom on the south aspect 4 2-light casement windows underneath hood-moulds tall, 2-phase sq. towers terminate the 2 arms of the wing.

    Inside: little of the original Smirke interiors survive. Front Staircase
    Hall, redecorated by G E Fox 1860s. Entrance Corridor: Smirke, in all probability re-
    modelled by Scott, and redecorated by G E Fox in the 1860s the carving
    is by William and James Forsythe of Worcester the proportions are 60 toes
    long by 55 feet higher Romanesque type “triforium” gallery and 2-mild
    “clerestorey” home windows with Venetian model tracery panelled ceiling and
    braced trusses panelled doorways in neo-Norman design and style surrounds attractive
    stencilling in canvas by Fox. Octagon space has a coffered ceiling. Gothic
    Drawing Home: the plasterwork is by F Bernasconi and Son but the painted
    decoration was made by Pugin and executed by the Crace company in 1849-50
    lover vaulted ceiling: big, wrought, 2 tier chandelier by Pugin, 1850
    but made by Hardman of Birmingham really elaborate fire with ogee
    head and loved ones heraldry, a painted family tree is higher than linenfold
    panelling, chairs, desk and sideboard all by Pugin. Library: by G E Fox
    late 1860s, in an Italian Renaissance design and style discover inlaid woodwork, Istrian
    stone chimneypiece apparently with a representation of Garibaldi coffered
    ceiling with paintings of the Virtues and the Vices. Minor Library: also
    by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
    1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
    flanking the overmantel mirror. Dining Space: by Smirke but altered, painted
    and panelled ceiling panelled dado and crafted-in Gothic design and style sideboards
    home furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
    balustrade of forged iron and wooden. Point out Bed room: some of the earliest get the job done
    of the Royal School of Needlework, early C20 for Lady Henry Somerset. Several
    drawings and get the job done publications endure in the muniment area of the household. The
    accounts for the 1811-12 interval volume to £85,923 13s 11½d.

    (N Pevsner, The Properties of England: Herefordshire, 1963. State Existence, 7.3.68
    14.3.68 and 21.3.68).

    Listing NGR: SO7350036876

    This text is from the primary listing, and might not always reflect the recent environment of the making.

    Posted in the Birmingham Mail on Tuesday 18th July 2017.

    Posted by ell brown on 2017-04-15 16:50:01

    Tagged: , Eastnor , Herefordshire , England , United Kingdom , Fantastic Britain , Eastnor Castle , Very good Friday , Easter , Ledbury , John Cocks, 1st Earl Somers , Somers family members , Cocks family members , Robert Smirke , A.W.N. Pugin , George E Fox , Grade I detailed , Grade I shown setting up , 2nd Baron Somers , State home , Augustus Welby Northmore Pugin , Sir G. G. Scott , Ashlar , guide and slate roof concealed guiding embattled parapet , neo-Norman and early English design and style , mock or revival castle , tree , trees , lake , Eastnor Lake , Lakeside Route , turret , turrets , printed , Birmingham Mail , Your Flickr Shots

    #furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, wonderful woodworking, wood chairs, wooden operating applications, preferred woodworking, woodworking textbooks, woodworking workbench plans

  • Chatsworth House – the drive to the house

    Chatsworth House – the drive to the house

    Chatsworth House - the drive to the house

    The entrance to Chatsworth Dwelling for guests.

    Images is allowed, but not for commercial reasons (don’t use flash).

    The household is Grade I stated.

    Chatsworth Household, Chatsworth

    PARISH OF CHATSWORTH CHATSWORTH PARK
    SK 2570/2670
    6/82
    29.9.51 Chatsworth Property
    GV I
    Country dwelling. South wing 1687-9 by William Talman. East front
    1689-91 by Talman, west entrance 1700-03, north front 1705-7 by
    Thomas Archer. Alterations and additions 1756-60 by James
    Paine, generally replaced by alterations and additions which include
    the north wing 1820-42 by Jeffrey Wyatt, later Sir Jeffrey
    Wyatville. Baroque and Neo-classical designs. For the Initially,
    Fourth and Sixth Dukes of Devonshire. Sandstone ashlar (generally
    community) with other stones and marbles utilized for decoration. Roofs
    concealed powering parapets. Generally preserving the strategy of the
    past Elizabethan property, of four ranges all around a courtyard,
    and with a lengthy north east wing with a return range to south and
    wall enclosing a prolonged entrance courtyard. 3 floors, the
    floor flooring handled as a basement owing to the slide of the land.
    North wing of just one storey about a basement. South front of twelve
    bays, 3-6-3 with a rusticated basement and two higher floors of
    equivalent peak. Advanced finish pavilions have giant fluted Ionic
    pilasters. Entire entablature with carving to the frieze of the
    pavilions and daring inscription CAVENDO TUTUS across the centre.
    Balustrade additional in 1693 and urns in 1701. The basement has
    phase headed glazing bar sashes and in the centre a double
    return flight staircase, a replacement of 1837 by Wyatville.
    The first and 2nd flooring have twelve glazing bar sashes in
    moulded architraves with stepped keyblocks. East front of 1-8-1
    bays, proceeds the rusticated basement, entablature, balustrade
    and urns. Section headed sashes to ground floor and glazing bar
    sashes in keyed moulded architraves, to the two upper flooring.
    The end bays are set back and are flanked by paired big
    pilasters. The entrance was altered by Wyatville in 1823, who
    taken off a row of attic home windows and refaced the entire entrance.
    West front (originally the entrance front) of 3-3-3 bays. The
    centre three state-of-the-art and pedimented, on four fluted Ionic
    hooked up columns. The outer bays have huge fluted Ionic
    pilasters. Rusticated basement with section headed glazing bar
    sashes and a central flat arched entrance with moulded
    architrave. Two tiers of glazing bar sashes earlier mentioned, in moulded
    architraves with stepped keyblocks, the centre and higher kinds
    decorated with reduction carving. Full entablature with carved
    frieze, carving also in the pediment. Balustraded parapet with
    urns. Garlands all-around the centre windows. Carving by Nadauld
    and by Samuel Watson. North front of 3-5-3 bays, the centre
    5 forming a shallow curve, taller than the rest. Rusticated
    basement, big fluted Corinthian pilsters to the centre bow,
    and glazing bar sashes in moulded architraves. The facade was
    altered by Wyatville whose north wing abuts it. He altered the
    fenestration of the centre component, getting rid of attic windows and
    earning the pilasters fluted. The inner courtyard has
    elevations of five and seven bays, mostly in their present form
    as altered by Wyatville. Basic pilasters with carved trophies
    by Watson. Prime floor windows with alternately triangular and
    segmental pedimented architraves. Wyatville changed an open
    colonnade on the south aspect. North wing has north elevation of
    1-5-5-5-1 bays, followed by the orangery of 2-5-2 bays. Of the
    initial element the middle and conclude bays are divided by plain
    pilasters and have good parapets with urns alternatively than
    balustraded parapets. Rusticated basement with phase headed
    glazing bar sashes and glazing bar sashes in moulded architraves
    over. The orangery has the 5 center bays highly developed and
    divided by simple pilasters. Massive casement home windows.
    Balustraded parapet, dated 1827. The wing is terminated by a
    3 by 6 bay pavilion and belvedere, soaring to 4 storeys.
    Entablatures concerning storeys, glazing bar sashes in moulded
    architraves and the corner bays with basic pilasters. The
    belvedere has open colonnades on all sides. Reduce pavilion
    beyond. Return selection to west with gateways and entrance lodges.
    Tripartite composition with 3 round-arched carriageways.
    The centre flanked by paired Tuscan Doric columns, triglyph
    frieze, entablature and parapet, partly balustraded. Flanked by
    glazing bar sashes in moulded architraves and rusticated
    sophisticated finish bays. Partly balustraded parapet. The central
    gates are re-established and are late C17 by Jean Tijou. Wall to south
    enclosing entrance courtyard with statues on pedestals.
    Interior: North entrance hall transformed from a kitchen area by James
    Paine. Tuscan Doric columns with triglyphs. Wyatville changed
    the chimneypieces and widened the staircase. North corridor
    enclosed and altered by Wyatville. The Painted Hall of two
    storey height. Ceilings and walls painted by Laguerre, assisted
    by Ricard, in 1694. Stone carvings by Samuel Watson. Staircase
    1911-12 by W H Romaine-Walker. The south array commences with
    non-public residences, one home with an early C18 chimneypiece,
    yet another with early C19 painted panels in the window reveals. The
    Oak Space has panelling and twisted columns of c1700, introduced
    from Germany by the Sixth Duke. The chapel in the south west
    corner is of two storeys, with an east gallery. Cedar panelling
    with limewood carvings by Samuel Watson. Luxurious Baroque
    alabaster reredos developed by Cibber and carved by Watson.
    Completed in 1694. Walls and ceilings painted by Laguerre. On
    the west aspect, the west stairs with iron balustrade of 1702 by
    John Gardom, with wrought iron panels on the landings by Tijou.
    Painted ceiling by James Thornhill. West entrance corridor with
    Grisaille portray. Leather-based Place and Decrease Library redecorated
    in 1839 by Crace. The ground ground of the north wing is made up of
    support rooms. First floor has generally non-public apartments,
    taking in the upper fifty percent of the chapel and hall, except the
    north wing. On the south aspect private eating and drawing rooms,
    generally early C18 but redone in 1780s by John Carr. The
    eating room was altered by Wyatville. In the west wing the
    centre bedroom was at first a vestibule and has late C17
    panelling. Other rooms with delicate late C18 plasterwork.
    Duchess’ dressing room ceiling by Joseph Palfreyman, 1775. The
    Crimson Velvet Home has a chimneypiece by Kent. On the north aspect
    the Library designed in 1832 by Wyatville with woodwork and fittings
    by Armstrong and Siddons. Late C17 ceiling with portray by
    Verrio. The Ante-Library by Wyatville with ceiling painting by
    Hayter. To the north the suite of rooms in Wyatville’s north
    wing. Dome Home, the Wonderful Dining Home with segmental arched
    coffered ceiling and chimneypiece by Westmacott the More youthful and
    Sievier. Sculpture Gallery lit by a few lantern skylights. At
    the north conclusion ormolu capitals to the columns, by Delafontaine of
    Paris. Bas reliefs by Thorwaldsen and selection of
    neo-classical sculpture. Second flooring includes the state rooms
    along the south wing. Wonderful Staircase made by Talman
    (1689-90). Ceiling by Verrio statues and doorcases by Cibber,
    balustrade by Tijou. The state Eating Space, Drawing Room, Audio
    Room and Bedroom fill the south aspect. They have painted
    ceilings by Verrio, Laguerre and Ricardi and a profusion of wooden
    carving by the London carvers Lobb, Davis and Youthful, assisted by
    Watson. The rooms ended up decorated in 1689-99, but only the
    Eating Place survives in its first state. In the centre of
    the west wing is the Sabine Bed room, at first a lobby, with
    uninterrupted illusionist portray in excess of ceiling and partitions by
    Thornhill (1708). In the north wing are scaled-down loved ones rooms
    and in the east wing the Queen of Scots Rooms, a suite of rooms
    redone by Wyatville c1830. The oak stairs between ground and
    very first floor are by Wyatville, 1823-4. At the finish of Wyatville’s
    wing is the Theatre, built in 1833 as a banqueting chamber.
    The painted ceiling panels of c1700 by Cheron and Thornhill,
    were initially in the Library. Resources: William, 6th Duke of
    Devonshire Handbook of Chatsworth & Hardwick, London 1844.
    J Lees-Milne and J Cornforth Chatsworth. Nine articles or blog posts in
    Region Daily life April-September 1968. Duchess of Devonshire
    The Property: A Portrait of Chatsworth MacMillan 1982.

    Listing NGR: SK2602270104

    This textual content is a legacy document and has not been updated considering that the creating was at first shown. Details of the setting up may possibly have adjusted in the intervening time. You need to not count on this listing as an precise description of the constructing.

    Resource: English Heritage

    Shown building textual content is © Crown Copyright. Reproduced below licence.

    Heading to the home in the vehicle (to the car park).

    Posted by ell brown on 2014-10-04 21:22:03

    Tagged: , chatsworth , chatsworth household , derbyshire , derbyshire dales , england , united kingdom , excellent britain , bakewell , chesterfield , duke of devonshire , cavendish relatives , river derwent , Derwent and Wye valleys , grade i outlined , Grade I detailed constructing , tree , trees , Nation residence , William Talman , Thomas Archer , James Paine , Jeffrey Wyatt , Sir Jeffrey Wyatville , Baroque and Neo-classical types , 1st Duke of Devonshire , 4th Duke of Devonshire , 6th Duke of Devonshire , First Duke of Devonshire , fourth Duke of Devonshire , sixth Duke of Devonshire , Sandstone ashlar , John Carr , motor vehicle , The Gardens and Park , Gardens Sign-up , field

    #home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, fantastic woodworking, wood chairs, wood performing resources, well-liked woodworking, woodworking textbooks, woodworking workbench options