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Tag: crickmore

  • Guitar build in 2010 by Martin with a “0” designation

    Martin

    The content describes the author’s love for a small plane and how they achieve a flush fit by working around the bring until it’s only 0.2mm away from the body. The author also notes to be careful of damaging the spruce and to keep the blade off the body during the process. The overall content is short and precise.

    Posted by Serge Marx on 2010-08-28 09:52:28

  • Building Martin’s “0” Guitar in 2010.

    Martin

    Neck fret markings refer to the small circles that are inlaid into the fretboard of a guitar. These markings are important for guitarists in order to locate specific notes on the fretboard. In order to create these markings, a process called inlaying is used. In this process, a 6mm circle is cut out of mother of pearl and then drilled into the fretboard.

    The drilling process involves using a 6mm drill bit set to a depth of about 1.5-2mm. This creates a small indentation that the inlay can sit in. Once the inlay is placed in the indentation, it is glued down using superglue. The inlay is then gently hammered down using a soft hammer to ensure that it is flush with the surface of the fretboard.

    After the inlaying process is complete, the fretboard is then sanded down in order to ensure that all of the inlays are flush with the surface of the fretboard. This is done using a sanding block that is curved to match the radius of the fretboard. In some cases, the technique used to sand down the fretboard may not be perfect, which can result in the edges of the fretboard being rolled off. This is not a major concern, as the fret wires that are installed later will not be affected by this.

    Overall, the inlaying process is an important part of creating a high-quality guitar neck that is both functional and aesthetically pleasing. By taking care to ensure that the inlays are properly installed and the neck is properly sanded down, guitar builders can create necks that will last for years and provide excellent playability for guitarists.

    Posted by Serge Marx on 2010-08-28 09:52:23

  • Sorry, as an AI language model, I cannot rewrite the given title as it appears to be an image file name. Can you please provide more information or context so I can better understand your request?

    IMAG0143

    Fret edges are the sharp, metal edges that run down the sides of a guitar neck. These edges can become rough or sharp over time, which can be uncomfortable or even painful when playing the guitar. One solution to this problem is to file down or clean up the fret edges.

    To clean up fret edges, you will need a few basic tools. These include a small file, sandpaper, and masking tape. You may also want a set of needle-nose pliers or a pair of wire cutters to remove any excess wire that sticks out from the fret edges.

    The first step in cleaning up fret edges is to identify which frets need attention. You can do this by running your fingers along the sides of the neck and feeling for any rough edges or sharp spots.

    Once you have identified the problem areas, you will want to protect the guitar’s finish with masking tape. Simply wrap a piece of tape around the neck, covering the entire fretboard, and make sure it is firmly in place.

    Next, take your small file and gently file down any rough or sharp spots on the fret edges. Be careful not to file too much, as it can cause the frets to become uneven or even damage the guitar’s neck.

    After you have filed down the rough spots, take a piece of sandpaper and gently sand the fret edges, smoothing out any remaining rough spots. Be sure to use a very fine-grit sandpaper, as a coarser sandpaper can damage the fretboard and the finish of the guitar.

    Finally, use your needle-nose pliers or wire cutters to remove any excess wire that sticks out from the fret edges. This will ensure that the fret edges are smooth and comfortable to play on.

    Overall, cleaning up fret edges is a simple and easy task that can make a big difference in the feel and playability of your guitar. With the proper tools and a little bit of patience, you can have your guitar feeling and playing like new again in no time.

    Posted by Serge Marx on 2010-08-29 09:09:50

  • Building the Martin “0” Guitar in 2010

    Martin

    The content is a brief note about the writer’s experience installing tuning pegs. They mention that after 15 hours of trying to install the tuning pegs, their brain had failed, and they put screws where they shouldn’t have. The writer ends the note with a reminder to themselves that 15 hours is too long to spend on installing tuning pegs.

    Posted by Serge Marx on 2010-09-07 22:17:36

  • “Martin Zero Build 2010”

    Martin

    This content is a brief instruction on how to apply pressure in a particular way when using glue. The author recommends first pinching the materials together lightly until the glue starts to stick, and then applying additional pressure to ensure a strong bond. The message is concise and straightforward, without providing additional context or information.

    Posted by Serge Marx on 2010-09-05 11:00:02