Tag: Church of England

The church and lychgate from the street

The church of St Edward was developed in the Arts and Crafts style of the late 19th and early 20th hundreds of years. At first created as a ‘chapel of ease’, it was committed in 1903 but not consecrated until eventually 1934 nor registered for weddings right up until 1943. It last but not least became the parish church for Kempley in 1975 with the formal closure of the close by 12th century church of St Mary’s. The church was extensively renovated in 2014.
The structure of the church is strange since it has no east window powering the altar. The 7th Earl Beauchamp gave his architect, Randall Wells, a no cost hand with the layout but preferred an exterior stone aid on the east close of the church as a roadside shrine for passers-by. It is created in nearby pink sandstone, and the church and lychgate were being at first roofed with regional stone tiles, but the church was subsequently re-roofed with pantiles. Timbers for the help beams, rafters and other woodwork arrived from nearby oaks on the Earl’s estates.
Neighborhood adult males created the church under the supervision of a neighborhood carpenter, Walter James. The community blacksmith, George Smallman, designed all the nails, hinges and other ironwork. The church is a steady solitary nave and chancel with a high-pitched roof held on large scissor-beam roof-trusses, with grapevine trails painted on the rood beam. On the north facet of the nave is the Woman Chapel, a vestry and a bell tower with a saddleback roof and a porch below. The massive west window has a diagonal stone grid, generally referred to as a ‘jam tart’ window. The leaded lights for the window were designed by W Smith of London applying Previous Dutch glass held in a wrought iron casement inside the stone grid.
The lychgate has a gabled roof with a very low deep arch the wedge shaped stones previously mentioned the arch are established as ‘voussoirs’, with a central keystone that distributes the bodyweight to the supports on both side of the arch.
There are a few sculpted stone reduction styles drawn by Randall Wells, two of which were carved by Walter James. Substantial on the east wall facing the road and serving as the Earl’s ‘roadside shrine’, is the ‘Crucifixion of Christ’. Above the entrance porch of the church is ‘Christ the Peacemaker’. In just the porch over the key doorway into the church is ‘Virgin and Child’ by Laurence Turner.
Inside the church the carved rood beam carries the figure of ‘Christ Triumphant’ on the cross. The carving of Christ was carried out by David Gibb, the last remaining carver of ship’s figureheads in London. To the sides of the crucifixion are the Virgin Mary and St John.
The altar, candle holders and lectern arrived from the Daneway workshop in Gloucestershire they were being intended by Ernest Gimson and Ernest Barnsley and manufactured in oak by Peter van der Waals. The candelabra have been produced by Charles Robert Ashbee and the pews by the Gloucester Woodworking Co. The stone font was intended by Gimson but its maker is not known.

Posted by WendyHarris1955 on 2022-03-13 20:44:28

Tagged: , church , Church of England , Christianity , Anglican , faith , spot of worship , Arts and Crafts , 20th century creating , holy , hallowed ground , eglise , kirche , iglesias , Gloucestershire , Uk , England , parish church

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