Tudor Grange Home is now aspect of a luxury housing growth in Solihull termed Blossomfield Park.
The Victorian mansion was created in 1887, and is now fully restored. It was as soon as residence of Sir Alfred Chook, son of the authentic Alfred Hen, who started Bird’s Custard (eggless custard), which utilized to make custard at the Custard Factory in Digbeth (until afterwards proprietors moved output to Banbury).
Check out from the prime deck of the bus heading into Solihull Town Centre.
Grade II* Mentioned Making
Tudor Grange Home and Secure Block
Description
SOLIHULL
732//10042 BLOSSOMFIELD Highway
24-OCT-08 Tudor Grange Property and Secure Block
II*
A big suburban house with connected stable block. It was made and created in 1887 in a loosely Jacobean model by Thomas Henry Mansell of Birmingham for the industrialist Alfred Lovekin with panelling by Plunketts of Smith Avenue, Warwick. The household is of red stretcher bond brick with ashlar dressings and a tiled roof and has two storeys with attics and basement. The stable block is T-shaped in system and attached to the west aspect of the house.
EXTERIOR: The northern entrance front has a around-symmetrical centrepiece which is recessed at 1st flooring amount and above but which has a projecting three-bay porch to the ground ground with doorway to the right. At both side are projecting, gabled wings and these and the central bay all have formed outlines to their gables. The windows to the floor and first flooring are mullioned and transomed, and there are projecting bay home windows to the ground ground at either aspect. There are panels of carved stonework, specifically all over the porch, featuring strapwork and grotesque masks. A even further bay to the east then joins to the low wall screening a services court and this in transform joins to the stable block. Extending to the west is a single-storey range of two bays additional by Sir Alfred Bird with a square bay window and modest, elaborately-carved oriel capped by a battlemented parapet. The back garden front is composed with deliberate asymmetry, acquiring five bays with shaped gables to the still left of centre and far correct and a canted and sq. bay, each and every of two storeys, as properly as a single-storey bay to the much suitable. At the west finish is a small monitor wall which connects to the steady block. To the far east is a portion of walling, the southern side of which was formerly inside the conservatory. Connected to this are concrete containers hooked up to the wall which are moulded in immitation of rock. The skyline on both of those principal fronts has a really whole array of clustered octagonal chimneys with moulded caps. The balustrade at the top rated of the wall has moulded balusters and the balustrade piers are surmounted by statues personifying a range of figures together with Hercules, Brutus and William the Conqueror some of which ended up carved by White’s, in accordance to George Noszlopy, who has identified the total plan as based on late C16 and early-C17 English engravings of heroes from Greek mythology, Roman Emperors and characters from English legend, some of which have been extra by Sir Alfred Hen who used Robert Bridgeman.
Interior: The ground flooring prepare approximates to a double-pile program with a significant central staircase and entrance hall at possibly facet of which are corridors primary to the previous conservatory and the kitchens and assistance courtroom. The floor flooring has a collection of lavishly adorned rooms, which include the Eating Place, Morning Place, Drawing Home and Songs Room. The Jacobean and Elizabethan models are freely combined and there are also things of Georgian joinery, specially in the Audio Room. Each individual place has an elaborate hearth with a carved oak surround and overmantel and panelling to dado top. A lot of of the fireplaces have tiled cheeks by the De Morgan or Ruskin potteries. The plaster ceilings are adorned with strapwork, fruit and flowers in high aid. Quite a few of the windows contain panels of stained glass of superior quality showing coats of arms or mottoes. Many also have panels of Flemish or German C16 or C17 glass. The Study and Songs Space are notably luxurious, with richly carved woodwork. The Review, which was included to the previously household by Sir Alfred Bird in the very same design, has a screen of no cost-standing columns at the rear of which is a tiny, richly-modelled, barrel-vaulted ceiling and, in the Audio Home, there is panelling to the total peak of the walls, divided by Ionic pilasters with panels of bay leaves to their decreased bodies and strapwork and masks above. To the western conclusion of the room are equipped cupboards with glazed doorways and a smaller, central fireplace with flambeau glazing to the tiled encompass. Higher than is an inset tapestry panel jogging the width of the wall demonstrating a Tudor looking scene. Sir Alfred Fowl was a collector of Old Master paintings and various of the panels in the New music Space and Hallway have buttons to their decrease rims which permit the panels to be eliminated and it is attainable that photographs were being incorporated into the panelling with a system to release them in the celebration of a fire, as is the circumstance with the heavy frames at the Wallace Selection and other C19 collections.
The panelling is recorded as getting fitted by Plunkett’s of Warwick, and it appears most likely that they were accountable for fitting out the rooms in their entirety. The staircase hall contains further more panelling and the window has 9 panels of Flemish or German glass. To the initially flooring just one bedroom has a fireplace with richly figured wood and ivory inlay. There is a 1st flooring corridor with housekeepers’ panelled cupboards to both aspect and Lyncrusta wallpaper and the previous bedrooms have a collection of fireplaces with wood or cast metal surrounds.
Secure BLOCK: The stables, with coach houses and, maybe, garaging are connected to the west side of the dwelling. They have a T-formed plan. The cross-stroke is oriented north-south and has a partly-glazed roof. The stables have been arranged at both facet of the central passageway of the downstroke, which runs east-west, but these have now been re-arranged to variety teaching rooms. This part of the building is also richly decorated, with statuary and a louvered octagonal bellcote to the skyline and ball and sceptre finials. A number of of the first home windows have been replaced with uPVC home windows and the openings show up to have been enlarged.
SUBSIDIARY Functions:
Terrace Balustrade and Stone Bench: Straight away to the south of the household is a terrace which is bounded to its south and east sides by a stone balustrade which has oval and diamond motifs and a moulded handrail. The balustrade connects at its east stop to the foundations of the former conservatory. On the terrace is a stone bench with shaped ends which include lions masks and to its back again it has a cresting incorporating carved acanthus leaves.
Background
The opening of the Birmingham-Oxford Railway in 1852 brought on the original expansion of Solihull’s city place and during the afterwards C19 and considerably of the C20, the borough has expanded to develop into an affluent commuter suburb of Birmingham. Tudor Grange was developed for Alfred Lovekin of Adie & Lovekin, jewellers and silversmiths in 1887. The enterprise manufactured a extensive selection of silver fancy items at the close of the C19 and had a manufacturing unit in Regent Avenue, Hockley. In 1894 they commissioned Mansell & Mansell to layout a new manufacturing facility for them at 23, Frederick Street, Birmingham which became known as `Trafalgar Works’ (Quality II).
Lovekin’s wife died in 1900 and in 1901 the dwelling was sold to Alfred Chicken, son of the founder of Bird’s Custard Enterprise. He enlarged the household, introducing the library and a sizeable conservatory to the east, and experienced Blossomfield Road moved northwards, away from the entrance entrance, and designed a new entrance lodge at the conclusion of the re-configured push. He also employed Robert Bridgeman to ornament the property with statuary and furnished it with an comprehensive art selection which involved paintings and also with panels of C16 and C17 Flemish stained glass, which endure in situ. Alfred Fowl grew to become M.P. for Wolverhampton West in 1910. In 1920 he was knighted and in 1922, the calendar year of his loss of life, he was designed a baronet. His widow lived on at Tudor Grange until her loss of life in 1943 and the property is believed to have been applied as a Red Cross auxiliary medical center all through and right after the 2nd Planet War. In 1946 the household was purchased by Warwickshire County Council and became a university for small children with exclusive demands until 1976 when it turned section of Solihull Technological University.
Causes FOR DESIGNATION Choice
Tudor Grange, Solihull is designated at Grade II* for the following principal causes:
* The house has a collection of cautiously built reception rooms which integrate panelling, plasterwork, antique glass panels and tilework of significant quality.
* Tudor Grange is an interesting case in point of a new form of late-C19 house which was created for a generation of self-assured businessmen who did not set up on their own as state gentlemen but chosen to create homes which were being inside straightforward reach of their companies but enjoyed the characteristics of nation dwelling everyday living.
* The approach form of the residence has been minor altered and all of the principal parts and many of the distinctive rooms can be recognized.
* The exterior of the dwelling, with its joined secure block, lodge, terracing and walled yard forms a coherent group.
Resources
John Cattell, Sheila Ely, Barry Jones, The Birmingham Jewelry Quarter, 2002, 219 George T. Noszlopy, Sculpture of Warwickshire, Coventry and Solihull, Liverpool University Push, 2003, 301.
Posted by ell brown on 2022-11-25 16:17:28
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