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  • J.C. Fraker Residence; Wichita, KS

    J.C. Fraker Residence; Wichita, KS

    J.C. Fraker Residence; Wichita, KS

    This photo is circa (approximately) 1875. Exhibiting is the residence of J. C. Fraker at 306 East Central Avenue in Wichita, KS. This Next Empire fashion characteristics a Mansard roof. Stylistically, this house is a clear departure from the easy frame residences of the working day (background) that usually experienced gabled or lose roofs. The roof on this house is plainly designed with fashion and elegance in intellect and sticks out somewhat like a “sore thumb” in the middle of the prairie. Inside of months just after W.H. Sternberg settled in Wichita, ornate residences these types of as this started dotting the scene. This home (which is no extended standing) is believed to have been made and crafted by William Henry Sternberg (1832-1906) who at first came from New York and had much success there incorporating Mansard roofs into residential design and style. Info suggests that W.H. Sternberg attended the 1855 World’s Reasonable in Paris where he became launched to a wide variety of French and European styles these types of as the Mansard roof. He came again to the states greatly affected by these French designs and integrated them into his household types. It can be pretty obvious from the newspaper report under that W.H. Sternberg tremendously admired the natural beauty of these Mansard roofs . . . In Norwich, NY in which Sternberg was born and raised, he built a dwelling at No. 89 on East Principal Street which was mentioned in an early newspaper report . . .

    “Mr. Sternberg’s property was in East Major road at No. 89, now owned by Mrs. Julia O. Stuart, whose father, Charles W. Olendorf, obtained it from the builder, William H. Sternberg, the father of Oscar [Sternberg]. It was the very first French or Mansard roof to be developed in the village. When Mr. Sternberg marketed it for sale in 1870 he explained it as ‘the most trendy residence in Chenango County.’ ”

    It would NOT have been abnormal on arriving in Wichita (in get to support advertise his developing and contracting operate) for Sternberg to “announce” his arrival in city by promoting, building and setting up his most beloved styles (i.e., French or European variations). Sternberg utilised this really procedure afterwards on when he built Sternberg Mansion as a way of showcasing attractive kinds he supposed to market to the public (a design house of sorts). The household over incorporates lots of of well-known things on confirmed Sternberg-created properties in New York this kind of as the porches and bay home windows resembling those people of the Warren Newton household in Norwich and the Mansard roof carefully resembles that of one particular of his very own residences on East Principal Road in Norwich. Of class the diamond patterns inside of the roof (of which Sternberg was the only identified builder specially creating diamond designs) is nevertheless a further cause this home is strongly suspected to have been designed and created by W.H. Sternberg. The a single-story bay windows are highly reminiscent of the Greiffenstein Mansion in Wichita, KS (also believed to have been desinged and designed by Sternberg). See this url to compare the one particular-tale bay home windows on the Greiffenstein Mansion with the just one-tale bay home windows on the Fraker dwelling: www.flickr.com/pictures/37230477@N06/5119278171/. It can be considered that the Fraker household previously mentioned was one of the initially properties (if not the pretty very first property) that Sternberg designed & designed in Wichita. Sternberg arrived to Wichita in 1875 and this dwelling is believed to have been designed in 1875. The picture is circa 1875 and generally pics of new residences were taken quite shortly after completion (be aware the freshly-planted sapling trees in the front lawn). Centered on the new grime which surrounds quite a few of the other vegetation in the lawn, it seems that the other vegetation ended up also planted not extended ahead of this picture was taken. Streets were dust at this time and there seem to be two going for walks paths by way of the front garden connecting to the street. There seems to be a crop of a thing driving the Fraker household. This crop likely belongs to a person of the neighbors, considering the fact that J.C. Fraker was a financial institution president and the household was not into farming. Moreover there are no noticeable barn structures in the image (commonly, a source of satisfaction and display for people when using shots) and hence there was in all probability no farming going on with out barn properties.

    Aspect of the difficulty with finding homes like this designed (at this time in Wichita – 1870s) was that there weren’t lots of facilities (instruments / machines) that could reduce particular designs in lumber (curved and attractive styles). As can be noticed in the history here, properties were being generally built from flat planed boards. Millwork equipment was high priced to obtain and established-up and demand for ornamental millwork merchandise was rather weak in 1875, but expanding with the introduction of the railroads in Wichita in 1872. If householders did request a minimal attractive millwork on their properties, that work was done domestically by hand with existing slicing and planing products – which didn’t often perform out quite effectively. Rotary steam-driven table saws back again then were being developed for slicing substantial quantities of rough, but straight boards, not the smooth polished millwork we count on these days and the thickness of the blades (the kerf, not uncommonly a 1/4″ thick) prevented some specifics to be created at all. Again in New York Condition (until finally arriving in Wichita), Sternberg owned and operated a millwork manufacturing unit producing attractive doorways, newel posts, turned fence posts, shutters, foundation boards and much more (see Photostream for photograph of the Sternberg Sash and Blind Firm). This 3-story factory had close to 30 staff, so Sternberg was common with how to make architectural wood merchandise and also resources from back east to get top quality perform accomplished – if he did not do it himself. Sternberg grew up doing the job in his father’s lumber garden in New York. He participated in logging and slash many a tree into lumber on the steam planing devices. He was truly an specialist in the functionality characterists of different species of wooden and begain making and designing residences at an early age (ahead of the age of 20). In New York, Sternberg had been advertising and marketing the use of mansard roofs in household design. One of Sternberg’s 1st homes in New York (in Norwich) was developed with a mansard roof and it was the initial one particular of this style recognised in southern New York Point out. It can be thought Sternberg started employing this roofing fashion following attending the 1855 World’s Reasonable in Paris. Sternberg would have been 23 a long time outdated at the time of the World’s Honest. His biographical sketch suggests he had been working in the lumber market (his father’s lumber yard) since he was about 5 yrs aged and had started building (and constructing) households since his late teens. This style of roof was common in component simply because with only a minor adaptation to what would in any other case have been a gabled or hip-style roof, a Mansard roof extra a entire new flooring of usable room. In France, the ground place integrated right away underneath the roof was still regarded “attic area” and as a result was not taxed as remaining usable flooring place no matter of regardless of whether it was in fact usable ground area or not, so this was one purpose Mansard roofs were popular in France. This would have been one of the extremely to start with residences in Wichita that Sternberg designed and by suggesting this Mansard design to Fraker, it appears clear that Sternberg was not only attempting to give a exclusive dwelling to the President of the Kansas National Bank, but he was also introducing what was a common type back again east into the rising Kansas frontier. The Fraker relatives is observed posed with the household. Anyone in city would have acknowledged that Sternberg was the builder of this design, so if any person else favored this sophisticated roof, they would have also contacted Sternberg for one thing similar. The house has a lot of style attributes prevalent to Sternberg which include extravagant milled woodwork, a number of porches, a Mansard roof, an elaborate shingle sample that includes Sternberg’s signature diamond layouts within the roof and double decorative flanking gazebos out in entrance of the home. Other Sternberg residences (these kinds of as the Wallace dwelling and the Greiffenstein Mansion) would integrate double flanking ornamental objects in the entrance of the residence, even so rather of double gazebos, these amounted to double decorative multiered fountains in front of the home with a floor amount reflecting pool. These ornamental objects in the entrance of the residence give it a considerably European court docket feeling. Obviously this was not a regular prairie fashion and these layout influences came from exterior the spot, notably New York and most likely more (France).

    In style, this house is considerably a lot more reminiscent of a lesser edition of the Greiffenstein Mansion than most of Sternberg’s patterns, specially with the use of 1-tale bay windows. Most Sternberg bay windows were being two-story ones. Evaluate this picture with people of the Greiffenstien Mansion and discover is a similarity of design and style. As on the Greiffenstein Mansion, this home also has only one chimney flue – a vent for the boiler in the basement which means this house was outfitted with steam radiators in 1875! It truly is not regarded for positive whether or not steam radiators were installed on the 2nd floor, but it is really possible they have been. Some houses of the working day (even manufacturerd upscale homes these as this) not uncommonly heated only the major amount and allowed the heat to increase for second flooring heating with auxiliary warmth for the second floor (if you were lucky adequate to have auxiliary warmth) coming off of a flue pipes or a compact coal hearth. Sometimes the amount of heat could be managed through louvered vents or louvered rotary dials mounted into the floor – which could be opened or closed as needed.

    In early Wichita (early 1870s) most of the structures remaining set up had been of wood. The intent was to switch these wood composition with a lot more sizeable brick kinds as shortly as doable, but wooden was quickly and straightforward and low cost. Brick properties ended up far more pricey and since making demand did not need several bricks (people ended up presently employing wood) there wasn’t a great deal local potential to manufacture bricks at this time, even though by 1875 that demand was growing swiftly. Soon just after this by about 1880, brick generation in Wichita was approaching of a million bricks / day. To begin with, bricks for buildings were being likely introduced in by railroad from Emporia or Kansas Town. The chimney flue on the Fraker dwelling is suspected to be a metallic flue pipe surrounded by a attractive wood encasement. The foundation on the Fraker property could quite well have been limestone, but it would not look to have the usual “roughness” of a limestone foundation. Maybe it was brick or heavy wooden piles, but limestone is nonetheless a pretty probably likelihood.

    No outbuildings (out-properties or stables) are obvious in the photograph, but for photo functions these were being normally concealed powering the key construction (conceal the outhouse). In other pictures at about this time that were regarded to have experienced out properties individuals outbuildings were being purposely “hidden” from see by the residence in the photo. A variety of plumbing fixtures and indoor piping was quickly readily available at the time but indoor loos with jogging drinking water were not widespread in center-upper class properties. Indoor bathrooms were only staying crafted in upper-class residences. It would be fascinating to know the actual bathing services listed here at the Fraker household.

    Any reviews, views, tips, stories or supplemental facts about this photo or this area are constantly welcome and appreciated.

    This image is provided courtesy of the Wichita-Sedgwick County Historic Museum, (www.WichitaHistory.org).

    Posted by kendahlarama on 2010-05-12 13:22:10

    Tagged: , Fraker , J.C. Fraker , 306 E. Central , 306 , E. , Central , Wichita , KS , President , Kansas , Countrywide , Bank , Kansas Countrywide Lender , Wichita, KS , Wichita Kansas , Sedgwick County , Sternberg , William , Henry , William Henry Sternberg , W.H. Sternberg , Waco Avenue , Mansard , Mansard roof , Victorian Types , Victorian Roof Variations , Victorian Gazebos , Greiffenstein Mansion , Norwich , Norwich, New York , Norwich, NY , World’s Truthful , Paris , Diamond , Next Empire , President Kansas Nationwide Bank , Sternberg Mansion , Historic Sternberg Mansion , Bay window , Steam Warmth , Coal Fireplace , France , Historic Wichita , Neat Victorian Houses , Awesome Victorian Properties , 1885 , 1800s , 306 E Central Avenue , bricks , Brick Producing , Brick production , queen anne , Lovely previous homes , Attractive Victorian Properties , Neat Things in Wichita , rail , streets , railroads , Railroads Wichita , Victorian Houses , Victorian Architecture , Midwestern Architecture , Victorian Layout , Victorian Properties , Victorian Homes Wichita KS , Sternberg Residence , Sternberg House , lose roof , Gabled roof , Hip roof , Limestone basis , Limestone , Indian Territory , Indian , Territory

    #household furniture #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, fine woodworking, wooden chairs, wood doing the job applications, popular woodworking, woodworking books, woodworking workbench designs

  • Residence of John A. Wallace in Wichita, KS

    John A. Wallace Residence; Wichita, KS

    The John A. Wallace Residence at 1021 North Lawrence was designed and built by William Henry Sternberg in the mid-1880s. It was a brick residence with a limestone foundation and had a single-story heated carriage house finished with a small belvedere. The Wallace Residence had stylistic features consistent with other confirmed Sternberg designs including two-story bay windows, double multi-tiered decorative fountains flanking the front entryway, double front doors, decorative porches on the third floor, three main porches on the ground level, three highly corbelled chimney flues, and fancy milled gingerbread woodwork. The house had an ornate slate roof comprised of bands with varying tile shapes and different slate colors for each band. Sternberg used different colors of slate tiles for the roof of his own house at 1065 N. Waco Avenue. The sidewalks in the image appear to be paved with cement which was certainly available at that time. Portland cement had been around for about 50 years when the Wallace home was built.

    Sternberg was promoting himself as both an “architect and builder” of homes, specifically “designing and drafting” services. He was a contractor, but designing and drafting services that he did himself were a substantial portion of his business. At Sternberg’s millwork factory in Norwich, New York, his designing and drafting business was co-located in the same building as the millwork factory. The multi-tiered fountains, stone carriage step, iron fence and dual decoratively carved stone hitching posts were a symbol of a fine address. Mr. John Wallace was a dealer/agent of agricultural implements for the Walter A. Wood Harvesting Machines business at that time.

    Unfortunately, the Wallace home has been torn down to make way for commercial “development.” Any thoughts, comments, ideas, or additional information about this residence are welcomed and appreciated!

    Posted by kendahlarama on 2010-05-14 17:58:21

  • Antique tools!

    Antique tools!

    Antique tools!

    Portion of my antique resource assortment, Some are 200 years old,
    Molding wood planes I have the most, That torpedo and and the other degree are British, 1 from Birmingham, the rest on the photograph are American,
    I had to involve 2 of my favored woods, Tiger maple and Cocobolo rosewood,

    Posted by ineedathis, Every day I get up, it can be a great day! on 2019-11-18 12:31:11

    Tagged: , Antiques Resources , Collectibles , Woodworking resources , Plow plane , Molding airplane , Torpedo amount , Spirit stage , Folding ruler , Folding ruler gauge , Rosewood , Hardwood , Brass , Nikon d80 , Driveway , Pavers , Bricks , Measuring equipment , Lumber , Unique , Cocobolo board , Tiger maple board

    #home furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, high-quality woodworking, picket chairs, wooden doing the job tools, preferred woodworking, woodworking guides, woodworking workbench designs

  • The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    Carrington Chambers:

    Carrington Chambers was constructed for William Woodley, an artesian well-borer who settled in Queensland in the 1880s. The building was designed in 1909 by eminent architectural firm Hall and Dods, who had also designed King Edward Chambers on the adjoining lot in 1905. Woodley’s Building was designed in harmony King Edward Chambers. The building was constructed during the Valley’s growth as an appealing commercial destination and Carrington Chambers was leased to a variety of tenants throughout its history. The Chambers were also part of the 1980s Chinatown redevelopment.

    Carrington Chambers, originally known as Woodley’s Building, was designed by Hall and Dods in 1909 for William Woodley. William Woodley, an artesian well borer and contractor, had purchased 25.72 perches on the corner of Wickham and Gipps Streets in 1908. The site was opposite the well-known Foy and Gibson and adjacent to King Edward’s Buildings, which had been constructed for the Honorable Peter Murphy in 1905, also designed by Hall and Dods.

    William Woodley arrived in Queensland from Canada in the 1880s on the invitation of Queensland artesian bore pioneers. Drilling for artesian bores had been trialled in Victoria in the 1850s, with bores predicted in Queensland shortly afterwards. But it was not until the 1880s that pioneers attempted to create bores in the western plains of Queensland. The first well was completed in 1887 and on the basis of that success American experts, including William Woodley, were invited to Queensland. Woodley had trained for the occupation of artesian well-boring from his youth and on moving to Queensland commenced operations in his chosen field. By 1910 he had established a company, Woodley Limited, and completed bores in Dalby, Windorah, Roma, Mitchell, and a number of stations in the western plains of Queensland.

    Despite the rural nature of his work, Woodley was based in Brisbane. He managed his company from business premises in Wickham Street and he and wife Caroline Cummins lived in Sandgate, moving to Clayfield in 1908. Their new house, ‘Wyoming’, later named ‘Mapleleaf’, referenced Woodley’s American origins. The Woodleys resided in ‘Mapleleaf’ until Mrs Woodley died in 1928, when she was credited for the great amount of charitable work she had undertaken in her life.

    Woodley’s decision to invest in Wickham Street reflected the potential for commercial success in the centre of the Valley in the early twentieth century. Wickham Street had begun as a secondary road in the Valley, opened in stages in the 1860s as an alternative route to Ann Street, the main commercial district. The Valley developed as small town and Wickham Street, accordingly, grew slowly. In the 1870 and 1880s, with the settlement now well-established, solid brick and stone buildings began to replace the timber shops, churches and residences. Wickham Street was a particular focus of this growth, as new multi-tenanted shops and dwellings were erected along the street. The growth of businesses in the Valley accelerated in the 1890s, despite an economic depression and destruction caused by the 1893 floods. The area was mostly spared from flood damage and retailers who had set up shop in the Valley pressed their advantage. By 1900 drapery firms were expanding into department stores, and within five years the Valley was an attractive shopping destination. Newer and larger retail and office buildings emerged on and around the Valley Corner.

    Investors’ attention turned to Valley sites on which older buildings still stood. Not least of these was the large block at the corner of Wickham and Gipps Streets. In the nineteenth century it had been too far from the main commercial district, and its tenants were mostly tradesmen, including plumbers and painters, whose businesses adjoined the funeral parlour of Cannon and Cripps. By 1908, however, with a location close to the now-popular Valley Corner, across the road from Foy and Gibson and next to the successfully tenanted King Edward Building, the site was ripe for development. Woodley acquired the title to the land in November 1908, consisting of 25.72 perches of a much larger block fronting Wickham and Gipps Streets.

    Woodley wasted no time informing prospective tenants of his intentions for the Wickham Street site. Notice of shops and offices to be built on the vacant land on the corner of Wickham and Gipps St was given in September 1908, and tenders for construction went out in December. The commissioning of architects Hall and Dods to design the premises also highlighted the prestige of the new building.

    Francis Hall and Robin Dods were two of the most distinguished architects in Brisbane in the early 1900s. Their popularity coincided with a construction boom in Brisbane, and in 1909 alone the firm had been commissioned to design the latest additions to T.C. Beirne’s premises in Ipswich and the Valley, as well as the Church of England Cathedral, new premises for Rothwell’s in Edward street, the New Zealand Insurance Company building in Ann street, the Lyceum Theatre in George street, a station for the Brisbane Electric Supply Company in William street, an office building near Custom House, the expansion of Rhoades and Company in Wickham street and Woodley’s building.

    Beyond 1909, Hall and Dods made a significant contribution to the architectural record of Brisbane, including the Mater Misericordiae Private Hospital and the first part of its public hospital; parts of the General Hospital; the AMP and Bank of NSW buildings; the Australian Mercantile Land and Finance Woolstores at Teneriffe; St Brigid’s at Red Hill; the Maryborough Town Hall (1906); and St John’s Cathedral.

    Woodley’s new building was designed to complement its neighbour, another multi-tenanted commercial building. It was originally known as King Edward’s Building, and had been designed by Hall and Dods in 1905. Despite having two different clients, the architects managed to design complementary buildings, ensuring a consistent streetscape along Wickham Street between Duncan and Gipps Streets.

    Excavations on Woodley’s site began in January 1909, conducted by William Bowers, of Bowen and Bowers. The work involved the use of dynamite, and on 21 January the explosives caused a massive blast, sending rocks and debris flying across Wickham Street. Pedestrians were injured and a seventeen year old department store worker was killed. An inquiry in February and trial through April and May resulted in a charge of unlawful killing against Bowers, although the case was quietly dropped later in the year.

    Walls and Juster had been contracted to construct the shop and office building in early January, with a tender of £5,239/14/0, and carried on the construction through the trial, finishing in August 1909. The newly finished ‘Woodley’s Buildings’ provided retail and commercial space for various lessees, including (notably for the time) a photography studio. Other tenants included a dentist, dressmaker, restaurant, tobacconist, chemist and ladies’ hairdresser. Like the King Edward Chambers, the multicultural nature of the Valley was reflected in some of its tenants, including Japanese merchant T. Kashiwagi, president of the Brisbane Japanese Association, who leased one of the chambers from the 1920s-1940s.

    Woodley’s Chambers was the beginning of William Woodley’s investment in the Valley, who went on to have plans approved for buildings on Brunswick Street, twice in 1910 and once in 1911. All of Woodley’s buildings were designed by Hall and Dods and constructed by M. Doggett.

    In 1910 Peter Blundell and Falkiner Hewson purchased Woodley’s Chambers and continued to lease it to small business tenants. Hewson’s death in 1926 led to the dissolution of their partnership, and in June 1927 Woodley’s Buildings were auctioned in five subdivisions, each with a separate title. The smallest chamber was subdivision 5, consisting of 4.72 perches. Subdivision 5 abutted the corner of Gipps Street and was the first to sell in March 1928. It was soon renamed ‘Judge’s Chambers’ for new owners William and Lillian Judge, who had run a hairdressing and tobacconist venture in the adjacent King Edward’s Building. Architect C.B. De Costa designed alterations for the Judges in 1928, which were constructed by Low and Co. The Federal Deposit Bank had bought subdivisions 2-4, a much larger allotment of 14.61 perches, in December 1928. The bank’s premises unsurprisingly became known as the Federal Bank Chambers. The final 6.42 perches of subdivision 1, closest to King Edward’s Building, was sold to Treasury Buildings in 1936.

    Each subdivision was passed through a series of owners and leases. Judge’s Chambers was owned by the Brisbane Crematorium for nearly thirty years, while the National Mutual Life Association held the Federal Bank Chambers for just over sixty years. A new shopfront was added to subdivision 1 in 1956 by new proprietor Norman Simmich, while alterations to the office and the awning were undertaken for the Brisbane Crematorium in 1952 and 1953. The building also underwent renovations as part of the Chinatown redevelopment in the 1980s.

    The name ‘Carrington Chambers’, which is on the parapet of the building, may come from the ‘Carrington Reception Lounge’ caterers, who leased part of the building from around 1949.

    The building continues to be leased to commercial tenants, including restaurateurs, and the property passed to its current owner in 2006.

    King Edward Chambers:

    King Edward Chambers was designed in 1905 by eminent architectural firm Hall and Dods, for owner Peter Murphy, M.L.A. The building was constructed during the development of the Valley as a desirable commercial location in the early twentieth century, and reflected the growing trend of the erection of valuable investment properties in prime Valley areas to be leased to small businesses.

    Originally known as King Edward’s Chambers, this building was designed by renowned architects Hall and Dods in 1905. ‘The person who has decided upon this enterprising step,’ announced the Brisbane Courier in July 1905, ‘is the Hon. Peter Murphy, M.L.C., who by it is staking some thousands on his faith in the progress of the city.’

    Irish-born Peter Murphy had arrived in Australia in 1871. He established the Transcontinental Hotel [600122] on Roma Street in 1884, which he ran for the ensuing 28 years. He was the director of Perkins & Company from 1893, and held shares in the Queensland Brewery, Castlemaine Brewery and Quinlan Grey & Company. In 1904 Murphy was appointed to the Legislative Council and in that role was primarily known as the spokesman of the liquor trade, believing that drinking and gambling were part of human nature. In accordance with the latter trait he was the owner of a racehorse, a committee member of the Queensland Turf and Tattersall’s Clubs, a trustee of the Toombul Racecourse and an advocate of State lotteries. Murphy was also an honorary life member of the Philanthropic Institute, and well-liked by the staff of his former hotel. Murphy had also had a long, though indirect, association with the Valley. His wife Ellen, nee Bulcock, was the daughter of one of the Fortitude passengers Ben Bulcock who became a prominent figure in Fortitude Valley and who ran a butcher shop on the corner of Ann and Brunswick Street.

    Murphy’s purchase of the sites on Wickham and Duncan Streets came after the slow development of Wickham Street from a small track to a street of some importance. Wickham Street had begun as a secondary road in the Valley, opened in stages in the 1860s as an alternative route to Ann Street, the main commercial district. Duncan Street, running between Wickham and Ann, contained a small number of residential properties. The Valley developed as small town and Wickham Street, accordingly, grew slowly. In the 1870 and 1880s, with the settlement now a certainty, solid brick and stone buildings began to replace the timber shops, churches and residences. Wickham Street benefited greatly from this, particularly spurred on by an economic boom of the 1880s.

    The block on the corner of Wickham and Duncan Streets was something of an anomaly, however. It sat empty through most of the 1870s and 1880s, with applications for its development (including a provisional license for a hotel to be built on the corner) rejected. The block passed through nine owners between 1870 and 1901. It was not until 1890 that the corner was finally tenanted, as the Valley headquarters of undertakers Cannon and Cripps, directly across Duncan Street from Kenny and Dietz, also undertakers.

    The Valley’s growth continued through the last decade of the nineteenth century and by 1905 it was a flourishing retail area, with department stores gradually taking over large areas of land. Trams and trains on recently extended lines brought customers to the area, particularly to the major businesses which fanned out from the newly-prominent Valley Corner. Visitors came for the bargains and the atmosphere: the Valley, particularly on Friday nights, was filled with well-dressed men and women admiring the brightly-lit large plate-glass windows displaying the trader’s wares or, at Christmas, families enjoying the window displays. The early 1900s saw a large amount of construction work in Brisbane, not least of all in Wickham Street. Retailers Foy and Gibson opened their new shop in Wickham Street opposite the Cannon and Cripps site in June 1903, and trams and buses had conveyed full loads of passengers to the Valley to investigate the new building. ‘Everybody seemed to be there,’ reported The Brisbane Courier, ‘and more than once as friend met friend the mutual greeting was, “Isn’t this like opening day at the Exhibition”. With Foy and Gibson directly across the road to attract shoppers, the site was ideal for a commercial enterprise other than an undertaker’s business. Murphy purchased 19.7 perches fronting Wickham and Duncan Streets in October 1901, adding the adjacent 19.4 perches fronting Duncan Street in July 1903. Cripps and Cannon’s two-storey brick and wooden building, cottage, and coachhouse and stables, as well as two semi-detached cottages and a portion of a wooden building in Duncan Street, were advertised for removal in May 1905.

    Unusually, leases of the building had been offered to tenants before it had been designed, in order that prospective lessees could have the premises planned to meet their requirements. Architectural firm Hall and Dods advertised the opportunity for input into the design, called for tenders and designed the building. Francis Hall and Robin Dods were among the most eminent architects in Brisbane in the early twentieth century. Having established their firm in 1896, they were in great demand during the 1900s, which was a particularly busy time in the building industry and culminated in a boom in 1909. Hall and Dods made a significant contribution to the architectural record of Brisbane, including the Mater Misericordiae Private Hospital and the first part of its public hospital; parts of the General Hospital; the AMP and Bank of NSW buildings; the Wool Store at Bulimba; St Brigid’s at Red Hill; the Maryborough Town Hall; and St John’s Cathedral. In Fortitude Valley, Hall and Dods also designed most of T.C. Beirne’s complex, the 1898 shop front and awning for Overell and Sons’ drapery, Ruddle’s 1901 additions and additions to All Hallows convent and a confectionary factory for Bouchard, Plumridge and Rankin in 1900.

    Out of 24 building tenders, F.H. Groth was selected to construct the building in seven and a half months, at a cost of £6,295. Murphy’s building was designed as a mixed use building with shops at ground level and offices above. The building used the corner block to its advantage, designed with a frontage to Wickham Street as well as Duncan Street to make the chambers easily accessible and highly visible. It consisted of six distinct shops or chambers which could be inhabited independently of one another. Hall and Dods also designed its neighbour, originally known as Woodley’s Buildings, in 1909. Despite having two different clients, the architects managed to design complimentary buildings, ensuring a consistent streetscape along Wickham Street between Duncan and Gipps Streets.

    Murphy’s building was immediately known as King Edward’s Building, a sign of the era of its construction. Edward VII ruled from 1901-1910, one of the most popular monarchs since the seventeenth century and who, like Murphy, had an interest in gambling and horse racing.

    Among the early businesses to occupy the building were: King Edward’s Dining Rooms, a chemist, a dentist, the Federal Furnishing Co, and several dressmakers and hairdressers, including Walter Paxton, Junior, who could offer, in addition to a ‘first class’ haircut, ‘leading brands and tobacco and fishing tackle and rod repairs’. The building also hosted the BAFS Dispensary before it moved to a building across the road. Throughout its first decade, the Chambers were used for a range of activities and tenants, including a dance for the Misses Healion, dressmakers working in the building, the Brisbane Canary Improvement Society’s inaugural championship show, Mrs Young’s employment agency and Miss Ogilvie’s talent agency.

    Changes to the building occurred in 1919 when a fire in Judge’s tobacco shop damaged the interior and windows of his tenanted shop, although the fire was prevented from spreading to other shops. Judge later purchased part of Woodley’s Building on the corner of Wickham and Gipps and conducted his business there. The premises formerly leased to BAFS Dispensary were remodelled by architect Edward Myers for the new tenants, the ‘well-known and old-established’ optometrist firm of A.P. Greenfield and Company. Greenfield remained in the building through the 1920s-1940s. In 1922 the building became the Brisbane branch of the Chinese Nationalist Party of Australasia (or the Kuomintang), an example of the Chinese presence which had been in the Valley from the 1880s. Improvements were also undertaken on the building, with approval granted for a new frontage to the building by the Valley Woodwork Company in 1923.

    Peter Murphy died in Hamilton in February 1925, leaving his £210,256 estate to his sons Peter James Benjamin Murphy and Kevin William Murphy. A dispute over Murphy’s estate meant that the King Edward building and its land were held in trust, though it remained tenanted, until 1950, when they were sold to Sanders Chemicals. Sanders leased the ground floor properties throughout its period of ownership, to tenants whose names (Pappalardo, Pulvirenti, Demura, Kutja and the company Samrai and Co) reflected the increasingly multicultural population of the Valley.

    Sanders Chemicals sold the land in 1979 to Gum Hoy Yuen and Lai Ming Yuen. The building has undergone several internal alterations for its lessees and uses which included a supermarket centre, laundrette, spray painting booth, hairdressing salon, electrical goods store, amusement arcade, second hand shop and restaurant/bar. The building was a central part of the Chinatown redevelopment of the 1980s and the Chinese Fraternity Association of Queensland currently leases premises in the building. The properties were transferred to the Gum Hoy Yuen and Lai Ming Yuen family trust in 2007.

    Source: Brisbane City Council Heritage Register.

    Posted by Buddy Patrick on 2018-02-12 14:00:00

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  • Sapele Brick

    Sapele Brick

    Sapele Brick

    Posted by esmithiii2003 on 2013-04-27 20:33:12

    Tagged: , Sapele , Bowl , Woodworking , Lathe , Vase , esmithiii , esmithiii2003 , Wooden Turning , Wooden , turning , bricks , Brick , Woodworking Jobs

    #home furnishings #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, good woodworking, picket chairs, wood doing work instruments, well-liked woodworking, woodworking textbooks, woodworking workbench strategies