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  • Good Millwork: Bead Board Panels Rosemary Beach

    Good Millwork: Bead Board Panels Rosemary Beach

    Good Millwork: Bead Board Panels Rosemary Beach

    Almost never does such a GEM of household craftsmanship recognize! This dwelling, built in the wonderful Rosemary Beach, FL is in our backyard, and it is crammed with architectural woodwork and other sorts of splendor the two in the interior and the exterior.

    Overlooking the Gulf of Mexico, a residence affected by the grand plantation properties of the Caribbean sits in the New Urbanist resort town of Rosemary Seaside, FL. Minimally ornamented on the exterior, the Malugen House matches properly with its neighbors, when building a exceptional assertion by means of a refined mix of color and texture from its white stucco partitions and darkish stained timberwork.

    The $1.2 million, 5,976-sq.ft. house, completed in January 2002, was made “to endure the ferocious Gulf Coastline hurricanes with concrete-reinforced masonry block partitions and wooden truss roof and floor framing,” points out architect Eric Watson. The house characteristics four shaped-concrete gable parapets topped with spherical forged-concrete finials, timber porches, tall wood sash home windows and mahogany French doors and shutters.

    The inside has tall pine timber ceilings, black-iron chandeliers, bead-board paneled partitions and personalized-produced 3-panel interior doorways painted black. The lobby ground is composed of black granite and travertine tile arranged in a geometric pattern that recollects the three divisions of the entry porch. There is a double residing area, a eating space, five bedrooms, 5-and-a-half bathrooms, 9 coated porches and a courtyard yard with a circle terrace paved in a checkerboard sample of handmade Cuban tile. A detached garage with visitor quarters previously mentioned is constructed with concrete block on the very first floor and a wood frame clad with western purple cedar siding on the second. The adjust of materials on the garage/guesthouse contrasts with the most important household, reinforcing its “reading as a secondary framework,” describes Watson. The guesthouse has a living/dining home, bedroom, toilet and two coated balconies.

    The layout for this household survived by way of 3 customers. “The first client asked for a huge gracious dwelling, but didn’t have a potent notion of what it really should look like or what products should be utilized. That client offered the lot with the options, which were marketed the moment far more. The home grew to become additional and much more important and the design and style remained intact,” suggests Watson. In developing this property, the architect was interested in obtaining the truly feel of a Barbadian sugar plantation house he experienced frequented a couple of several years prior to: “That residence employed easy however strong materials, clearly defined architectural massing and roomy interior volumes.” Watson organized the strategy of the household in a clear “bookend” diagram that resulted in bold massing and a basic roof shape. “The bookend diagram was picked out, simply because it suit with the owner’s application prerequisites of four to start with-flooring guest bedrooms with the principal residing rooms and the learn bed room on the second floor,” he says. The room was divided into thirds, arranging the most important rooms with most frontal publicity and finding the secondary rooms these as the foyer, stair corridor and kitchen inside the heart. The eating home is specified unique emphasis, positioned earlier mentioned the entry, wherever the area captures a watch of the Gulf of Mexico from its projecting bay window.

    One more provision of the design and style included the city in which it was sited. Andrés Duany and Elizabeth Plater-Zyberk, the town planners of Rosemary Seashore, developed an architectural structure code to encourage the use and software of features uncovered in the standard architecture of the Caribbean to Florida’s Gulf Coast. The code encourages the use of authentic components and elements like cantilevered balconies, clean stucco exterior partitions, wood sash windows, metal roofs, cedar shingles and decorative brackets. “These materials and features,” describes Watson, “offer an genuine patina more than time. For instance, the concrete stucco on the Malugen property will eventually build modest cracks.”

    The new development was influenced by Rosemary Beach’s structure code in other ways as perfectly. “The principal layout problem of the Malugen Home,” says Watson, “was the translation of the regular architectural design of the Caribbean to the Neotraditional fashion of Rosemary Seashore.” Privacy is an challenge in the city due to the fact whole lot sizes are fairly tiny and community spaces are emphasised. “My approach was to arrange the rooms, porches and yard regions to optimize the most effective views possible, though supplying a measure of privateness from the neighbors.” Each individual bed room, for instance, has its possess porch, which functions as a changeover place between the general public and the private. The porches of entrance-going through bedrooms, going through the community boardwalk, are enclosed with louvered panels that can be opened.

    Supplies were decided on that have been reliable with the Caribbean architectural model. The sleek stucco exterior is painted white, contrasting with the dark-inexperienced stained porch timbers and other exterior woodwork. “The exterior ornamentation was minimized in favor of expressing the inherent visible attributes, textures and characteristics of the long lasting and genuine elements selected,” states Watson. The formed gable parapets, on the entrance and rear façades, are crowned with spherical finials, “recalling the decorative parapets observed in considerably Caribbean architecture,” he adds. The roof is clad with corrugated steel.

    The south façade showcases the house’s attractive timber-framed porches and timber rafter tails. Masonry piers are made use of on the lower porches to emphasize a heavier “base” examining for the house, with lighter timber posts topped with decorative carved brackets on the porches previously mentioned. “Because the home has minimal masonry ornament or detail, the exterior wood components introduce detail and texture – for instance, the formed finishes of the porch beams and the sawtooth ends of the vertical siding on the porch gable finishes. The dark stained wooden contrasts with the white stucco walls,” claims Watson. Both of those the shutters and the yard gates ended up fabricated in mahogany, tying these functions to the finer detailing of the French doorways. The masonry back garden walls are accented with tough-sawn cedar slats. Twin fuel lanterns, fabricated by New Orleans, LA-primarily based Bevolo Gasoline & Electric powered Lights, adorn the courtyard terrace. “The exterior lighting was encouraged by New Orleans’ French Quarter, which is a different resource the town planners seemed to for its magnificent courtyard gardens,” says Watson. At the lane at the rear, a shower pavilion anchors the foundation of an exterior stairway major to the guesthouse. On the north façade, the “symmetrical window arrangement is reflective of the flooring system.”

    On the 1st floor, four equivalent guest bedrooms, each with its personal porch, bookend the heart circulation and entry zone. On the lower porches, 1-ft. sq. handmade black and white Cuban tile is laid in a checkerboard pattern, “a trace of Caribbean ambiance and products,” describes Watson. Thickened property partitions along the lane enclose the exterior stairway, shower pavilion and mechanical places, whilst defining the courtyard yard concerning the home and the garage. “The walls are a secondary sculptural factor reflective of the shaped gable parapets. The partitions anchor and give mass to the exterior stair,” he claims. Painted 1×6-in. double bead-board walls accent the lobby, alongside with its distinctive flooring. Personalized black painted 3-panel interior doors complement the black iron spindles and black painted wooden handrail on the staircase.

    Most of the hues of the interior partitions are monolithic to highlight the beamed ceilings and the owner’s eclectic collection of art and antiques. “The walls are off-white, the trim a khaki shade. The inside designer, Susan Massey, did a fantastic job,” states Watson. The key rooms on the second floor consist of the dwelling place, eating area and grasp bedroom, all of which attribute dynamic ceiling therapies and open up on to huge, coated porches. The living home and master bed room, whose entrances are emphasised by thick-walled grand archways that flank the upper stair hall, attribute 13-ft.-tall ceilings, with 4-in. dark-stained quartersawn white oak flooring. Ponderosa pine double-hung sash windows are painted off-white, when tailor made mahogany French doors and transoms are black. “Black was utilised to emphasize the tall doorways,” claims Watson. Black is yet again utilised for the fireplace mantel and slate surround, the doorway components, iron chandeliers and sconces.

    A kitchen and dining place, each with projecting bays that permit a extensive watch of the seaside, are positioned in the centre of the house. Because of their positioning, these rooms have been specified vaulted ceilings emphasized with daring hues. The dining room ceiling is painted apple inexperienced and features an antique ivory chandelier. French doorways url the place to the outside, as do the double-hung sash home windows in the projecting bay. The walls of both the kitchen and dining place are 1×6-in. double bead-board paneling painted a neutral off-white, echoing the lobby and providing an informal texture to the rooms. In the kitchen, black granite countertops and higher-gloss, tomato-purple-painted, customized-intended cabinetry with bracketed glass upper compartments, colour matched to the ceiling, emphasize the stainless-steel appliances. Cabinet knobs were being fabricated from black glass, and the ceiling is similarly coloured to the cupboards.

    Prominently situated in the city, the Malugen household is correctly reflective of some of the fantastic Caribbean properties following which the community was planned. Eric Watson constructed an exemplary household with the details, elements and forms of conventional Caribbean architecture and the really feel of Rosemary Seashore.

    Job: Malugen Dwelling, Rosemary Seashore, FL
    Architect: Eric Watson Architect, P.A., Tampa, FL Eric Watson, AIA
    Interior Structure: Bohlert Massey Interiors, Seacrest Seaside, FL Susan Massey
    Basic Contractor: New Generation Builders, Inc., Panama City Beach front, FL
    Winner 2004 Palladio Awards: New Style and design & Building – extra than 5,000 sq.ft.

    [via Traditional Building – Marieke Cassia Gartner]

    [shameless plug: architectural wood trim? thousand of choices…online.]

    Posted by Great Millwork on 2009-11-13 17:43:12

    Tagged: , new urbanist , Rosemary Seaside , pine ceiling , bead-board , Caribbean Architecture , bead-board panel walls , personalized mahogany doorways

    #home furniture #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, good woodworking, wood chairs, wooden working instruments, well-known woodworking, woodworking publications, woodworking workbench programs

  • Good Millwork: Dining Room Woodwork Rosemary Beach

    Good Millwork: Dining Room Woodwork Rosemary Beach

    Good Millwork: Dining Room Woodwork Rosemary Beach

    Hardly ever does these types of a GEM of household craftsmanship notice! This house, developed in the beautiful Rosemary Beach, FL is in our yard, and it is crammed with architectural woodwork and other types of magnificence each in the interior and the exterior.

    Overlooking the Gulf of Mexico, a residence influenced by the grand plantation properties of the Caribbean sits in the New Urbanist vacation resort town of Rosemary Beach, FL. Minimally ornamented on the exterior, the Malugen Home suits beautifully with its neighbors, even though earning a exceptional assertion via a subtle mix of shade and texture from its white stucco walls and dim stained timberwork.

    The $1.2 million, 5,976-sq.ft. residence, done in January 2002, was manufactured “to face up to the ferocious Gulf Coast hurricanes with concrete-strengthened masonry block walls and wooden truss roof and floor framing,” points out architect Eric Watson. The house options four formed-concrete gable parapets topped with spherical cast-concrete finials, timber porches, tall wooden sash home windows and mahogany French doorways and shutters.

    The interior has tall pine timber ceilings, black-iron chandeliers, bead-board paneled walls and personalized-manufactured a few-panel inside doorways painted black. The lobby floor is composed of black granite and travertine tile arranged in a geometric sample that recalls the three divisions of the entry porch. There is a double residing area, a dining area, 5 bedrooms, five-and-a-50 % bathrooms, nine protected porches and a courtyard yard with a circle terrace paved in a checkerboard pattern of handmade Cuban tile. A detached garage with guest quarters earlier mentioned is made with concrete block on the initially flooring and a wood body clad with western crimson cedar siding on the next. The adjust of materials on the garage/guesthouse contrasts with the major property, reinforcing its “reading as a secondary framework,” clarifies Watson. The guesthouse has a residing/eating home, bed room, bathroom and two lined balconies.

    The style for this household survived by means of a few shoppers. “The preliminary consumer requested a substantial gracious dwelling, but did not have a solid plan of what it need to look like or what resources really should be utilised. That shopper bought the good deal with the plans, which ended up sold once extra. The home turned far more and a lot more worthwhile and the style remained intact,” suggests Watson. In developing this home, the architect was fascinated in attaining the truly feel of a Barbadian sugar plantation residence he experienced visited a couple yrs ahead of: “That home made use of simple but tough materials, evidently defined architectural massing and spacious inside volumes.” Watson arranged the prepare of the property in a apparent “bookend” diagram that resulted in bold massing and a basic roof condition. “The bookend diagram was selected, for the reason that it in shape with the owner’s plan necessities of four initial-flooring guest bedrooms with the principal dwelling rooms and the master bedroom on the 2nd ground,” he claims. The room was divided into thirds, arranging the major rooms with maximum frontal publicity and finding the secondary rooms such as the foyer, stair corridor and kitchen area within just the middle. The dining area is offered particular emphasis, positioned previously mentioned the entry, where by the area captures a view of the Gulf of Mexico from its projecting bay window.

    Another provision of the design included the city in which it was sited. Andrés Duany and Elizabeth Plater-Zyberk, the city planners of Rosemary Beach, designed an architectural structure code to stimulate the use and software of components observed in the conventional architecture of the Caribbean to Florida’s Gulf Coastline. The code encourages the use of authentic products and features like cantilevered balconies, clean stucco exterior walls, wooden sash home windows, metal roofs, cedar shingles and ornamental brackets. “These materials and factors,” describes Watson, “offer an genuine patina above time. For instance, the concrete stucco on the Malugen house will at some point produce little cracks.”

    The new development was motivated by Rosemary Beach’s style and design code in other approaches as very well. “The principal structure problem of the Malugen Home,” suggests Watson, “was the translation of the traditional architectural fashion of the Caribbean to the Neotraditional model of Rosemary Seaside.” Privateness is an problem in the city because lot measurements are comparatively smaller and community areas are emphasised. “My system was to set up the rooms, porches and yard spots to optimize the greatest sights attainable, whilst furnishing a evaluate of privateness from the neighbors.” Every single bedroom, for instance, has its have porch, which functions as a changeover place concerning the community and the personal. The porches of front-experiencing bedrooms, dealing with the community boardwalk, are enclosed with louvered panels that can be opened.

    Supplies were being chosen that were being regular with the Caribbean architectural model. The easy stucco exterior is painted white, contrasting with the dim-inexperienced stained porch timbers and other exterior woodwork. “The exterior ornamentation was minimized in favor of expressing the inherent visible attributes, textures and qualities of the strong and reliable resources selected,” suggests Watson. The formed gable parapets, on the front and rear façades, are crowned with spherical finials, “recalling the decorative parapets found in much Caribbean architecture,” he adds. The roof is clad with corrugated metal.

    The south façade showcases the house’s ornamental timber-framed porches and timber rafter tails. Masonry piers are used on the reduced porches to emphasize a heavier “base” reading through for the home, with lighter timber posts topped with attractive carved brackets on the porches earlier mentioned. “Because the household has very little masonry ornament or depth, the exterior wooden features introduce element and texture – for occasion, the formed ends of the porch beams and the sawtooth finishes of the vertical siding on the porch gable finishes. The dim stained wooden contrasts with the white stucco partitions,” states Watson. Both of those the shutters and the garden gates were fabricated in mahogany, tying these features to the finer detailing of the French doors. The masonry backyard garden walls are accented with tough-sawn cedar slats. Twin gas lanterns, fabricated by New Orleans, LA-centered Bevolo Gas & Electric Lights, adorn the courtyard terrace. “The exterior lights was impressed by New Orleans’ French Quarter, which is a different source the city planners looked to for its spectacular courtyard gardens,” states Watson. At the lane at the rear, a shower pavilion anchors the base of an exterior stairway main to the guesthouse. On the north façade, the “symmetrical window arrangement is reflective of the ground approach.”

    On the 1st floor, 4 similar visitor bedrooms, each individual with its possess porch, bookend the middle circulation and entry zone. On the reduce porches, 1-ft. square handmade black and white Cuban tile is laid in a checkerboard sample, “a hint of Caribbean ambiance and components,” explains Watson. Thickened property walls together the lane enclose the exterior stairway, shower pavilion and mechanical parts, even though defining the courtyard garden in between the residence and the garage. “The partitions are a secondary sculptural aspect reflective of the formed gable parapets. The walls anchor and offer mass to the exterior stair,” he suggests. Painted 1×6-in. double bead-board partitions accent the lobby, along with its exclusive flooring. Custom black painted three-panel inside doors enhance the black iron spindles and black painted wood handrail on the staircase.

    Most of the colours of the inside walls are monolithic to highlight the beamed ceilings and the owner’s eclectic collection of artwork and antiques. “The walls are off-white, the trim a khaki colour. The inside designer, Susan Massey, did a good task,” claims Watson. The most important rooms on the second ground include things like the residing place, dining space and master bed room, all of which feature dynamic ceiling treatment options and open on to wide, protected porches. The residing place and learn bed room, whose entrances are emphasised by thick-walled grand archways that flank the upper stair corridor, element 13-ft.-tall ceilings, with 4-in. dim-stained quartersawn white oak flooring. Ponderosa pine double-hung sash home windows are painted off-white, while personalized mahogany French doorways and transoms are black. “Black was applied to emphasize the tall doorways,” suggests Watson. Black is once again employed for the fireplace mantel and slate surround, the doorway hardware, iron chandeliers and sconces.

    A kitchen area and dining room, every with projecting bays that make it possible for a long view of the seaside, are positioned in the center of the residence. Due to the fact of their positioning, these rooms ended up given vaulted ceilings emphasised with bold hues. The dining space ceiling is painted apple eco-friendly and functions an antique ivory chandelier. French doorways backlink the area to the outdoor, as do the double-hung sash windows in the projecting bay. The partitions of both equally the kitchen area and dining area are 1×6-in. double bead-board paneling painted a neutral off-white, echoing the foyer and offering an informal texture to the rooms. In the kitchen, black granite countertops and large-gloss, tomato-red-painted, custom-built cabinetry with bracketed glass higher compartments, shade matched to the ceiling, highlight the stainless-steel appliances. Cupboard knobs had been fabricated from black glass, and the ceiling is equally colored to the cupboards.

    Prominently located in the town, the Malugen property is correctly reflective of some of the good Caribbean homes immediately after which the local community was planned. Eric Watson created an exemplary house with the aspects, elements and forms of traditional Caribbean architecture and the sense of Rosemary Seashore.

    Undertaking: Malugen Residence, Rosemary Seashore, FL
    Architect: Eric Watson Architect, P.A., Tampa, FL Eric Watson, AIA
    Interior Structure: Bohlert Massey Interiors, Seacrest Seaside, FL Susan Massey
    Common Contractor: New Creation Builders, Inc., Panama Town Seaside, FL
    Winner 2004 Palladio Awards: New Style & Development – a lot more than 5,000 sq.ft.

    [via Traditional Building – Marieke Cassia Gartner]

    [shameless plug: architectural wood trim? thousand of choices…online.]

    Posted by Fantastic Millwork on 2009-11-13 17:43:17

    Tagged: , new urbanist , Rosemary Beach , bead-board , Caribbean Architecture , bead-board panel partitions , white oak flooring , quartersawn white oak floor , mahogany French doors

    #home furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wooden planer, high-quality woodworking, picket chairs, wood operating tools, popular woodworking, woodworking guides, woodworking workbench ideas