Tag: Banham

St Mary, Banham, Norfolk

A massive, affluent south Norfolk village, unwanted fat and sleepy like an aged cat on this day of superior heat in August 2018, and the well known check out of its parish church of St Mary is from the green – the village signal, the war memorial, and then that spectacular spire lifting to heaven. It rises a lot more than 40 metres, and is produced of ribbed guide, extremely similar to the one particular around the border at Hadleigh in Suffolk. It experienced been a very long time because I past frequented Banham church, extensive ample back for its size and presence to have astonished me. The making is very a lot all of a piece, early 14th century. The Victorians brought the east window, which Sam Mortlock considered relatively abnormal in its exuberance, but the wealth of flowing tracery somewhere else in the church retains up effectively in opposition to it.

You stage into a significant, nicely-retained jewel. Though, inevitably, there was a large Victorian restoration listed here, there is nonetheless a experience of simplicity, with brick flooring and a bit cluttered furnishings, all overshadowed by a impressive west conclude organ. Significant over, the roof bears the date 1622, and the small George III royal arms glimpse like a postage stamp over the significant tower arch. The star of the clearly show is the luscious range of 19th and early 20th Century glass, much of it the function of Powell & Sons. The 1857 east window, unusually, is a cavalcade of geometric models in pressed glass, with at its centre a crucifixion. The artist was John Clayton, a vigorous scene, his watchers searching up in an agony, displaying what he was able of before Alfred Bell arrived along and produced him major. It is reminiscent of the function of Robert Bayne in the similar 10 years.

The other 19th Century Powell & Sons glass is to the styles of the wonderful Henry Getaway. The earliest echoes the design and style of the east window, with medallions of the Baptism of Christ, the Adoration of the angels at the Nativity, and the Ascension of Christ. The most effective, in the south aisle, depicts gorgeously prosperous figures of the four Evangelists, each and every in their personal light around two home windows.

The richness of these was echoed half a century afterwards by a Powell & Sons window of 1936, which is in all probability the freshest and most unforgettable point in the complete church. The risen Christ stands in between two lights, 1 depicting spring with sheep grazing beneath an apple tree in blossom, the other autumn with the tree in fruit over rabbits and birds. It would be interesting to know who the artist was. The window beside it of the Presentation in the Temple is by Kempe & Co, and seems curiously out of area as if basically not talking the similar language, but then I have under no circumstances been a supporter of Kempe glass.

The earliest English glass is in the chancel, a vary of the twelve disciples and a Tudor arms all in a pre-Ecclesiological design and style. It possibly dates from the 1830s, and has not worn well, the painted information have very long since pale and all that remains are mosaics of colored glass suggesting human figures. Nonetheless, there is a pretty good 16th Century continental graphic of the Blessed Virgin and youngster in the north aisle, gathered from elsewhere and set in this article in the 1960s. In the east window of that aisle is a one 19th Century panel depicting Christ with Martha and Mary at Bethany, which would seem so odd to discover in isolation that I assume it might much too have appear from elsewhere.

At the east finish of this aisle lies a picket knight, life-dimension and relatively serious in his simplicity within his tomb recess. He is commonly believed to be Sir Hugh Bardolph, founder of the church, but as Pevsner drily notes, presented that Bardolph died in 1203 and this effigy is early 14th Century, it is a little bit much too considerably of an afterthought. Woodwork of a afterwards time surmounts the font on its stepped pedestal, a grand gothic font deal with of the 1860s that could possibly consider its inspiration from the Albert Memorial. The screen arrived up coming, and by the finish of the century the two richly carved reredoses in the sanctuary and the north aisle chapel.

On this day of dazzling sunshine on a working day in significant summer, the temperature dipping up into the thirties, this felt a very pleased, self-confident place, a real statement of 14th Century self-assurance coupled with 19th Century piety and electrical power. But I remembered currently being listed here after ahead of, some fifteen decades ago, late on a December afternoon. The small sunlight designed the shadows long, and within the church the south aisle home windows glowed as if they were being on hearth as the nave and chancel darkened. And as I sat there, the day faded. I could barely see the configurations on my camera any much more, but Christ in the apple orchard nevertheless glowed fiercely, the brightest of the jewels, as if on its own keeping again the sinking sunlight. And then, as the afternoon deepened, the home windows all around darkened, like stars fading, and this was the final to go out.

Posted by Simon Knott on 2018-08-13 07:00:14

Tagged: , Banham , Norfolk , East Anglia

#furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, fine woodworking, picket chairs, wooden performing tools, common woodworking, woodworking guides, woodworking workbench plans

St Mary, Banham, Norfolk

A significant, affluent south Norfolk village, fat and sleepy like an outdated cat on this working day of large warmth in August 2018, and the famed view of its parish church of St Mary is from the green – the village sign, the war memorial, and then that spectacular spire lifting to heaven. It rises more than 40 metres, and is produced of ribbed guide, extremely comparable to the a person around the border at Hadleigh in Suffolk. It experienced been a extended time since I very last frequented Banham church, very long enough back for its sizing and existence to have shocked me. The creating is rather a lot all of a piece, early 14th century. The Victorians introduced the east window, which Sam Mortlock considered somewhat abnormal in its exuberance, but the wealth of flowing tracery somewhere else in the church holds up properly in opposition to it.

You step into a massive, very well-retained jewel. Whilst, inevitably, there was a huge Victorian restoration listed here, there is even now a experience of simplicity, with brick flooring and somewhat cluttered furnishings, all overshadowed by a magnificent west conclusion organ. Large above, the roof bears the date 1622, and the tiny George III royal arms glance like a postage stamp above the high tower arch. The star of the exhibit is the luscious selection of 19th and early 20th Century glass, considerably of it the perform of Powell & Sons. The 1857 east window, unusually, is a cavalcade of geometric styles in pressed glass, with at its centre a crucifixion. The artist was John Clayton, a vigorous scene, his watchers wanting up in an agony, showing what he was capable of just before Alfred Bell arrived along and made him critical. It is reminiscent of the do the job of Robert Bayne in the exact ten years.

The other 19th Century Powell & Sons glass is to the styles of the fantastic Henry Holiday break. The earliest echoes the style of the east window, with medallions of the Baptism of Christ, the Adoration of the angels at the Nativity, and the Ascension of Christ. The ideal, in the south aisle, depicts gorgeously wealthy figures of the 4 Evangelists, every in their own light-weight about two home windows.

The richness of these was echoed 50 percent a century later on by a Powell & Sons window of 1936, which is possibly the freshest and most unforgettable point in the complete church. The risen Christ stands amongst two lights, one depicting spring with sheep grazing beneath an apple tree in blossom, the other autumn with the tree in fruit previously mentioned rabbits and birds. It would be exciting to know who the artist was. The window beside it of the Presentation in the Temple is by Kempe & Co, and seems curiously out of place as if merely not speaking the exact same language, but then I have under no circumstances been a lover of Kempe glass.

The earliest English glass is in the chancel, a array of the twelve disciples and a Tudor arms all in a pre-Ecclesiological fashion. It almost certainly dates from the 1830s, and has not worn very well, the painted aspects have extended due to the fact light and all that continues to be are mosaics of coloured glass suggesting human figures. Nonetheless, there is a quite very good 16th Century continental image of the Blessed Virgin and youngster in the north aisle, collected from somewhere else and established listed here in the 1960s. In the east window of that aisle is a single 19th Century panel depicting Christ with Martha and Mary at Bethany, which seems so odd to uncover in isolation that I consider it might too have appear from elsewhere.

At the east stop of this aisle lies a wood knight, existence-sizing and instead critical in his simplicity within his tomb recess. He is commonly thought to be Sir Hugh Bardolph, founder of the church, but as Pevsner drily notes, offered that Bardolph died in 1203 and this effigy is early 14th Century, it is a bit as well a lot of an afterthought. Woodwork of a afterwards time surmounts the font on its stepped pedestal, a grand gothic font address of the 1860s that may possibly get its inspiration from the Albert Memorial. The monitor arrived upcoming, and by the close of the century the two richly carved reredoses in the sanctuary and the north aisle chapel.

On this day of bright sunshine on a working day in high summertime, the temperature dipping up into the thirties, this felt a happy, assured position, a real statement of 14th Century self-assurance coupled with 19th Century piety and strength. But I remembered staying below at the time prior to, some fifteen decades back, late on a December afternoon. The reduced solar produced the shadows lengthy, and within the church the south aisle home windows glowed as if they had been on fire as the nave and chancel darkened. And as I sat there, the day pale. I could rarely see the options on my camera any a lot more, but Christ in the apple orchard however glowed fiercely, the brightest of the jewels, as if on its very own holding back again the sinking solar. And then, as the afternoon deepened, the home windows about darkened, like stars fading, and this was the very last to go out.

Posted by Simon Knott on 2018-08-13 07:00:13

Tagged: , Banham , Norfolk , East Anglia

#household furniture #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wood planer, wonderful woodworking, wooden chairs, wood functioning resources, well-liked woodworking, woodworking publications, woodworking workbench designs

St Mary, Banham, Norfolk

A massive, affluent south Norfolk village, excess fat and sleepy like an aged cat on this working day of higher warmth in August 2018, and the famous view of its parish church of St Mary is from the green – the village indication, the war memorial, and then that outstanding spire lifting to heaven. It rises far more than 40 metres, and is manufactured of ribbed guide, really comparable to the a single around the border at Hadleigh in Suffolk. It had been a extensive time due to the fact I last frequented Banham church, lengthy adequate ago for its measurement and existence to have stunned me. The building is pretty a lot all of a piece, early 14th century. The Victorians brought the east window, which Sam Mortlock considered somewhat abnormal in its exuberance, but the wealth of flowing tracery elsewhere in the church retains up very well in opposition to it.

You move into a massive, perfectly-held jewel. Despite the fact that, inevitably, there was a significant Victorian restoration below, there is even now a sensation of simplicity, with brick flooring and somewhat cluttered furnishings, all overshadowed by a wonderful west conclude organ. Large higher than, the roof bears the day 1622, and the minimal George III royal arms glance like a postage stamp previously mentioned the significant tower arch. The star of the display is the luscious variety of 19th and early 20th Century glass, much of it the work of Powell & Sons. The 1857 east window, unusually, is a cavalcade of geometric patterns in pressed glass, with at its centre a crucifixion. The artist was John Clayton, a vigorous scene, his watchers hunting up in an agony, exhibiting what he was able of in advance of Alfred Bell arrived alongside and created him really serious. It is reminiscent of the operate of Robert Bayne in the exact same 10 years.

The other 19th Century Powell & Sons glass is to the models of the good Henry Holiday. The earliest echoes the design and style of the east window, with medallions of the Baptism of Christ, the Adoration of the angels at the Nativity, and the Ascension of Christ. The greatest, in the south aisle, depicts gorgeously rich figures of the four Evangelists, every in their individual light-weight about two windows.

The richness of these was echoed 50 percent a century afterwards by a Powell & Sons window of 1936, which is likely the freshest and most unforgettable issue in the full church. The risen Christ stands between two lights, one depicting spring with sheep grazing beneath an apple tree in blossom, the other autumn with the tree in fruit previously mentioned rabbits and birds. It would be intriguing to know who the artist was. The window beside it of the Presentation in the Temple is by Kempe & Co, and seems curiously out of location as if merely not talking the same language, but then I have in no way been a fan of Kempe glass.

The earliest English glass is in the chancel, a variety of the twelve disciples and a Tudor arms all in a pre-Ecclesiological design. It likely dates from the 1830s, and has not worn properly, the painted information have extended considering the fact that pale and all that remains are mosaics of colored glass suggesting human figures. However, there is a pretty excellent 16th Century continental graphic of the Blessed Virgin and child in the north aisle, collected from elsewhere and set right here in the 1960s. In the east window of that aisle is a solitary 19th Century panel depicting Christ with Martha and Mary at Bethany, which looks so odd to locate in isolation that I think it may possibly far too have arrive from somewhere else.

At the east finish of this aisle lies a wooden knight, life-sizing and instead intense in his simplicity within his tomb recess. He is popularly considered to be Sir Hugh Bardolph, founder of the church, but as Pevsner drily notes, supplied that Bardolph died in 1203 and this effigy is early 14th Century, it is a bit as well substantially of an afterthought. Woodwork of a later time surmounts the font on its stepped pedestal, a grand gothic font protect of the 1860s that could get its inspiration from the Albert Memorial. The display screen came up coming, and by the close of the century the two richly carved reredoses in the sanctuary and the north aisle chapel.

On this working day of vibrant sunshine on a day in superior summer, the temperature dipping up into the thirties, this felt a very pleased, assured put, a authentic assertion of 14th Century self esteem coupled with 19th Century piety and vitality. But I remembered staying listed here when just before, some fifteen decades ago, late on a December afternoon. The lower sunlight produced the shadows very long, and within the church the south aisle windows glowed as if they were on hearth as the nave and chancel darkened. And as I sat there, the day pale. I could rarely see the settings on my camera any a lot more, but Christ in the apple orchard nevertheless glowed fiercely, the brightest of the jewels, as if on its have keeping back the sinking sunlight. And then, as the afternoon deepened, the home windows around darkened, like stars fading, and this was the very last to go out.

Posted by Simon Knott on 2018-08-13 07:00:13

Tagged: , Banham , Norfolk , East Anglia

#furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, fantastic woodworking, picket chairs, wooden operating tools, well-liked woodworking, woodworking textbooks, woodworking workbench options