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  • Budapest Art Nouveau

    Budapest Art Nouveau

    Budapest Art Nouveau

    Stained glass home windows: Árkay Aladár (design and style) and Róth Miksa

    Calvinist Church of Fasor
    Budapest, VII. District, Városligeti fasor 7.

    Crafted in 1911-1913.
    Architect (inside design way too): Árkay Aladár
    Stained glass window: Róth Miksa
    Ironwork and metallic perform: Miakits Károly
    Woodwork: Kovács Zsigmond

    At the finish of the 19th century the new Calvinist communities of the swiftly escalating Budapest initiated the making of a new church as the centrally positioned Kalvin Square assembly became steadily much too far to attend for people living outside the house the Boulevard.
    A assortment was began in 1903 by the assemblies of Elizabeth Boulevard and Rózsa Street, supported to the highest degree by the generous donation of Adolf Laky and the funds alone.
    The Church ordered the plot of land in the Fasor (Avenue) and invited a competitiveness which was received by the options of Aladár Árkay, the architect of numerous churches in Budapest and the country.
    The church was built between 1911 and 1913 and consecrated by bishop Sándor Baksay.

    The building, concealed at the rear of the tall trees of the avenue primary to City Park is a worthwhile memorial of 20th century Hungarian architecture. It signifies needs of a Hungarian nationwide model merged with English and Finnish architectural results. The frontispiece of the major façade is joined together by the superior riding bell-tower and the lesser stair turret. The entrance wall-facial area is covered by ceramic slabs decorated with motives of people-art produced in Zsolnay manufacturing facility. This is repeated internally, under the organ, on the solid parapet which consists of the pulpit. The 4 vaulted archways framing the interior have a reinforced concrete structured dome. The visible effect of the house expanded by 4 choirs exceeds the true proportions. The composition of the dark mass of the floor ground pews, the black marble Lord’s table and the pulpit is surrounded by tall, light wall surfaces adorned by painted ornaments emphasizing only the architectural elements.

    The exceptional architectural influence of the interior is increased by the mild streaming via the substantial stained glass home windows, function by the renowned artist Miksa Róth, and the distinction amongst the silvery organ-pipes and the dim history. The pews and the outer railings are in the Art Nouveau type, the painted decorations, the ceramics and stained glass windows present the marks of people-art. The central area included by the dome, the huge bronze chandelier (manufactured by Károly Miakits), the concentrated gilding lends a characteristically eastern environment to the architecture of Aladár Árkay.
    The values of joined architectural and attendant arts increase this church to an outstanding monument of Budapest from the early portion of the 20th century.

    Fasori református templom (1911-13).
    Építész – belsőépítész: Árkay Aladár
    Üvegablakok: Róth Miksa
    Kerámia kivitelezése: Zsolnay-gyár, pirogránit
    Lakatos- és fémmunkák: Miákits Károly (bronz csillár, lámpatestek, kapu, kerítés)
    Asztalosmunkák: Kovács Zsigmond

    A szecesszió épségben megőrzött és legmagasabb szintet képviselő művészeti alkotása a fasori református templom és parókia.
    (VII. Városligeti fasor 7.)

    Árkay Aladár mindent maga tervezett, a világítótesteket, a padokat, a falburkolat mintáit, a színes üvegablakokat. Így, bár nagyon sok hatás találkozott össze ebben az épületben, azokat egyetlen mestere csodálatosan egyedi egységgé gyúrta össze.

    Az utcasarkon álló épület messziről felhívja magára a figyelmet monumentális megjelenésű tornyával. Homlokzata egyetlen falfelület lőrésszerű ablakokkal, a torony bástyaszerű, zömök, mégis magas. A nagy falfelületen a bejárat uralkodik, fölötte sajátos szecessziós-magyaros kerámiadíszes falmező, afölött hatalmas üvegezett félköríves ablak. A délnyugati oldalon egy egyszerűbb, kisebb, hengeres torony áll. Az épületet magas nyeregtető fedi, meredek oromfalakkal lezárva.
    A templom alaprajza egyenlő szárú kereszt, közepén magas kupolával. A kereszt száraiban emeletes karzatokat találunk. A szószék középponti helyzetét a tér egész formálása és díszítése hangsúlyozza. A monumentális belső térben hangsúlyos helyeken újra megjelennek a szecesszió növényi díszítőelemei és a kerámialapok az egyébként fehér falfelületek között. Az erősen stilizált, geometrikus elemekre bontott minták őrzik népművészeti gyökereiket. Ugyanez vonatkozik a faragott bútorokra is. Erőteljes tömegük az ácsolt népi bútorok világát idézi, a felszín, a fekete-arany különös pompája a bécsi szecesszió nyomát hordozza.

    Posted by elinor04 many thanks for 42,000,000+ views! on 2013-08-02 07:55:16

    Tagged: , hungary , budapest , making , architecture , art nouveau , secession , jugendstil , szecesszió , hungarian art nouveau , hungarian secession , magyar szecesszió , architect , layout , árkay aladár , aladár , árkay , home windows , stained glass windows , róth miksa , miksa , róth , calvinist , church , 1911 , 1913 , fasori református templom , calvinist church of fasor , városligeti fasor , belle époque , szecesszó , belle epoque , flip-of-the-century , hungarian , magyar szecesszó , household , liberty , modern motion , modernisme , arte nova , fin de siècle

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  • The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    The Carrington Chambers // Woodley’s Building (R) & King Edward Chambers (L) (Fortitude Valley, Queensland)

    Carrington Chambers:

    Carrington Chambers was constructed for William Woodley, an artesian well-borer who settled in Queensland in the 1880s. The building was designed in 1909 by eminent architectural firm Hall and Dods, who had also designed King Edward Chambers on the adjoining lot in 1905. Woodley’s Building was designed in harmony King Edward Chambers. The building was constructed during the Valley’s growth as an appealing commercial destination and Carrington Chambers was leased to a variety of tenants throughout its history. The Chambers were also part of the 1980s Chinatown redevelopment.

    Carrington Chambers, originally known as Woodley’s Building, was designed by Hall and Dods in 1909 for William Woodley. William Woodley, an artesian well borer and contractor, had purchased 25.72 perches on the corner of Wickham and Gipps Streets in 1908. The site was opposite the well-known Foy and Gibson and adjacent to King Edward’s Buildings, which had been constructed for the Honorable Peter Murphy in 1905, also designed by Hall and Dods.

    William Woodley arrived in Queensland from Canada in the 1880s on the invitation of Queensland artesian bore pioneers. Drilling for artesian bores had been trialled in Victoria in the 1850s, with bores predicted in Queensland shortly afterwards. But it was not until the 1880s that pioneers attempted to create bores in the western plains of Queensland. The first well was completed in 1887 and on the basis of that success American experts, including William Woodley, were invited to Queensland. Woodley had trained for the occupation of artesian well-boring from his youth and on moving to Queensland commenced operations in his chosen field. By 1910 he had established a company, Woodley Limited, and completed bores in Dalby, Windorah, Roma, Mitchell, and a number of stations in the western plains of Queensland.

    Despite the rural nature of his work, Woodley was based in Brisbane. He managed his company from business premises in Wickham Street and he and wife Caroline Cummins lived in Sandgate, moving to Clayfield in 1908. Their new house, ‘Wyoming’, later named ‘Mapleleaf’, referenced Woodley’s American origins. The Woodleys resided in ‘Mapleleaf’ until Mrs Woodley died in 1928, when she was credited for the great amount of charitable work she had undertaken in her life.

    Woodley’s decision to invest in Wickham Street reflected the potential for commercial success in the centre of the Valley in the early twentieth century. Wickham Street had begun as a secondary road in the Valley, opened in stages in the 1860s as an alternative route to Ann Street, the main commercial district. The Valley developed as small town and Wickham Street, accordingly, grew slowly. In the 1870 and 1880s, with the settlement now well-established, solid brick and stone buildings began to replace the timber shops, churches and residences. Wickham Street was a particular focus of this growth, as new multi-tenanted shops and dwellings were erected along the street. The growth of businesses in the Valley accelerated in the 1890s, despite an economic depression and destruction caused by the 1893 floods. The area was mostly spared from flood damage and retailers who had set up shop in the Valley pressed their advantage. By 1900 drapery firms were expanding into department stores, and within five years the Valley was an attractive shopping destination. Newer and larger retail and office buildings emerged on and around the Valley Corner.

    Investors’ attention turned to Valley sites on which older buildings still stood. Not least of these was the large block at the corner of Wickham and Gipps Streets. In the nineteenth century it had been too far from the main commercial district, and its tenants were mostly tradesmen, including plumbers and painters, whose businesses adjoined the funeral parlour of Cannon and Cripps. By 1908, however, with a location close to the now-popular Valley Corner, across the road from Foy and Gibson and next to the successfully tenanted King Edward Building, the site was ripe for development. Woodley acquired the title to the land in November 1908, consisting of 25.72 perches of a much larger block fronting Wickham and Gipps Streets.

    Woodley wasted no time informing prospective tenants of his intentions for the Wickham Street site. Notice of shops and offices to be built on the vacant land on the corner of Wickham and Gipps St was given in September 1908, and tenders for construction went out in December. The commissioning of architects Hall and Dods to design the premises also highlighted the prestige of the new building.

    Francis Hall and Robin Dods were two of the most distinguished architects in Brisbane in the early 1900s. Their popularity coincided with a construction boom in Brisbane, and in 1909 alone the firm had been commissioned to design the latest additions to T.C. Beirne’s premises in Ipswich and the Valley, as well as the Church of England Cathedral, new premises for Rothwell’s in Edward street, the New Zealand Insurance Company building in Ann street, the Lyceum Theatre in George street, a station for the Brisbane Electric Supply Company in William street, an office building near Custom House, the expansion of Rhoades and Company in Wickham street and Woodley’s building.

    Beyond 1909, Hall and Dods made a significant contribution to the architectural record of Brisbane, including the Mater Misericordiae Private Hospital and the first part of its public hospital; parts of the General Hospital; the AMP and Bank of NSW buildings; the Australian Mercantile Land and Finance Woolstores at Teneriffe; St Brigid’s at Red Hill; the Maryborough Town Hall (1906); and St John’s Cathedral.

    Woodley’s new building was designed to complement its neighbour, another multi-tenanted commercial building. It was originally known as King Edward’s Building, and had been designed by Hall and Dods in 1905. Despite having two different clients, the architects managed to design complementary buildings, ensuring a consistent streetscape along Wickham Street between Duncan and Gipps Streets.

    Excavations on Woodley’s site began in January 1909, conducted by William Bowers, of Bowen and Bowers. The work involved the use of dynamite, and on 21 January the explosives caused a massive blast, sending rocks and debris flying across Wickham Street. Pedestrians were injured and a seventeen year old department store worker was killed. An inquiry in February and trial through April and May resulted in a charge of unlawful killing against Bowers, although the case was quietly dropped later in the year.

    Walls and Juster had been contracted to construct the shop and office building in early January, with a tender of £5,239/14/0, and carried on the construction through the trial, finishing in August 1909. The newly finished ‘Woodley’s Buildings’ provided retail and commercial space for various lessees, including (notably for the time) a photography studio. Other tenants included a dentist, dressmaker, restaurant, tobacconist, chemist and ladies’ hairdresser. Like the King Edward Chambers, the multicultural nature of the Valley was reflected in some of its tenants, including Japanese merchant T. Kashiwagi, president of the Brisbane Japanese Association, who leased one of the chambers from the 1920s-1940s.

    Woodley’s Chambers was the beginning of William Woodley’s investment in the Valley, who went on to have plans approved for buildings on Brunswick Street, twice in 1910 and once in 1911. All of Woodley’s buildings were designed by Hall and Dods and constructed by M. Doggett.

    In 1910 Peter Blundell and Falkiner Hewson purchased Woodley’s Chambers and continued to lease it to small business tenants. Hewson’s death in 1926 led to the dissolution of their partnership, and in June 1927 Woodley’s Buildings were auctioned in five subdivisions, each with a separate title. The smallest chamber was subdivision 5, consisting of 4.72 perches. Subdivision 5 abutted the corner of Gipps Street and was the first to sell in March 1928. It was soon renamed ‘Judge’s Chambers’ for new owners William and Lillian Judge, who had run a hairdressing and tobacconist venture in the adjacent King Edward’s Building. Architect C.B. De Costa designed alterations for the Judges in 1928, which were constructed by Low and Co. The Federal Deposit Bank had bought subdivisions 2-4, a much larger allotment of 14.61 perches, in December 1928. The bank’s premises unsurprisingly became known as the Federal Bank Chambers. The final 6.42 perches of subdivision 1, closest to King Edward’s Building, was sold to Treasury Buildings in 1936.

    Each subdivision was passed through a series of owners and leases. Judge’s Chambers was owned by the Brisbane Crematorium for nearly thirty years, while the National Mutual Life Association held the Federal Bank Chambers for just over sixty years. A new shopfront was added to subdivision 1 in 1956 by new proprietor Norman Simmich, while alterations to the office and the awning were undertaken for the Brisbane Crematorium in 1952 and 1953. The building also underwent renovations as part of the Chinatown redevelopment in the 1980s.

    The name ‘Carrington Chambers’, which is on the parapet of the building, may come from the ‘Carrington Reception Lounge’ caterers, who leased part of the building from around 1949.

    The building continues to be leased to commercial tenants, including restaurateurs, and the property passed to its current owner in 2006.

    King Edward Chambers:

    King Edward Chambers was designed in 1905 by eminent architectural firm Hall and Dods, for owner Peter Murphy, M.L.A. The building was constructed during the development of the Valley as a desirable commercial location in the early twentieth century, and reflected the growing trend of the erection of valuable investment properties in prime Valley areas to be leased to small businesses.

    Originally known as King Edward’s Chambers, this building was designed by renowned architects Hall and Dods in 1905. ‘The person who has decided upon this enterprising step,’ announced the Brisbane Courier in July 1905, ‘is the Hon. Peter Murphy, M.L.C., who by it is staking some thousands on his faith in the progress of the city.’

    Irish-born Peter Murphy had arrived in Australia in 1871. He established the Transcontinental Hotel [600122] on Roma Street in 1884, which he ran for the ensuing 28 years. He was the director of Perkins & Company from 1893, and held shares in the Queensland Brewery, Castlemaine Brewery and Quinlan Grey & Company. In 1904 Murphy was appointed to the Legislative Council and in that role was primarily known as the spokesman of the liquor trade, believing that drinking and gambling were part of human nature. In accordance with the latter trait he was the owner of a racehorse, a committee member of the Queensland Turf and Tattersall’s Clubs, a trustee of the Toombul Racecourse and an advocate of State lotteries. Murphy was also an honorary life member of the Philanthropic Institute, and well-liked by the staff of his former hotel. Murphy had also had a long, though indirect, association with the Valley. His wife Ellen, nee Bulcock, was the daughter of one of the Fortitude passengers Ben Bulcock who became a prominent figure in Fortitude Valley and who ran a butcher shop on the corner of Ann and Brunswick Street.

    Murphy’s purchase of the sites on Wickham and Duncan Streets came after the slow development of Wickham Street from a small track to a street of some importance. Wickham Street had begun as a secondary road in the Valley, opened in stages in the 1860s as an alternative route to Ann Street, the main commercial district. Duncan Street, running between Wickham and Ann, contained a small number of residential properties. The Valley developed as small town and Wickham Street, accordingly, grew slowly. In the 1870 and 1880s, with the settlement now a certainty, solid brick and stone buildings began to replace the timber shops, churches and residences. Wickham Street benefited greatly from this, particularly spurred on by an economic boom of the 1880s.

    The block on the corner of Wickham and Duncan Streets was something of an anomaly, however. It sat empty through most of the 1870s and 1880s, with applications for its development (including a provisional license for a hotel to be built on the corner) rejected. The block passed through nine owners between 1870 and 1901. It was not until 1890 that the corner was finally tenanted, as the Valley headquarters of undertakers Cannon and Cripps, directly across Duncan Street from Kenny and Dietz, also undertakers.

    The Valley’s growth continued through the last decade of the nineteenth century and by 1905 it was a flourishing retail area, with department stores gradually taking over large areas of land. Trams and trains on recently extended lines brought customers to the area, particularly to the major businesses which fanned out from the newly-prominent Valley Corner. Visitors came for the bargains and the atmosphere: the Valley, particularly on Friday nights, was filled with well-dressed men and women admiring the brightly-lit large plate-glass windows displaying the trader’s wares or, at Christmas, families enjoying the window displays. The early 1900s saw a large amount of construction work in Brisbane, not least of all in Wickham Street. Retailers Foy and Gibson opened their new shop in Wickham Street opposite the Cannon and Cripps site in June 1903, and trams and buses had conveyed full loads of passengers to the Valley to investigate the new building. ‘Everybody seemed to be there,’ reported The Brisbane Courier, ‘and more than once as friend met friend the mutual greeting was, “Isn’t this like opening day at the Exhibition”. With Foy and Gibson directly across the road to attract shoppers, the site was ideal for a commercial enterprise other than an undertaker’s business. Murphy purchased 19.7 perches fronting Wickham and Duncan Streets in October 1901, adding the adjacent 19.4 perches fronting Duncan Street in July 1903. Cripps and Cannon’s two-storey brick and wooden building, cottage, and coachhouse and stables, as well as two semi-detached cottages and a portion of a wooden building in Duncan Street, were advertised for removal in May 1905.

    Unusually, leases of the building had been offered to tenants before it had been designed, in order that prospective lessees could have the premises planned to meet their requirements. Architectural firm Hall and Dods advertised the opportunity for input into the design, called for tenders and designed the building. Francis Hall and Robin Dods were among the most eminent architects in Brisbane in the early twentieth century. Having established their firm in 1896, they were in great demand during the 1900s, which was a particularly busy time in the building industry and culminated in a boom in 1909. Hall and Dods made a significant contribution to the architectural record of Brisbane, including the Mater Misericordiae Private Hospital and the first part of its public hospital; parts of the General Hospital; the AMP and Bank of NSW buildings; the Wool Store at Bulimba; St Brigid’s at Red Hill; the Maryborough Town Hall; and St John’s Cathedral. In Fortitude Valley, Hall and Dods also designed most of T.C. Beirne’s complex, the 1898 shop front and awning for Overell and Sons’ drapery, Ruddle’s 1901 additions and additions to All Hallows convent and a confectionary factory for Bouchard, Plumridge and Rankin in 1900.

    Out of 24 building tenders, F.H. Groth was selected to construct the building in seven and a half months, at a cost of £6,295. Murphy’s building was designed as a mixed use building with shops at ground level and offices above. The building used the corner block to its advantage, designed with a frontage to Wickham Street as well as Duncan Street to make the chambers easily accessible and highly visible. It consisted of six distinct shops or chambers which could be inhabited independently of one another. Hall and Dods also designed its neighbour, originally known as Woodley’s Buildings, in 1909. Despite having two different clients, the architects managed to design complimentary buildings, ensuring a consistent streetscape along Wickham Street between Duncan and Gipps Streets.

    Murphy’s building was immediately known as King Edward’s Building, a sign of the era of its construction. Edward VII ruled from 1901-1910, one of the most popular monarchs since the seventeenth century and who, like Murphy, had an interest in gambling and horse racing.

    Among the early businesses to occupy the building were: King Edward’s Dining Rooms, a chemist, a dentist, the Federal Furnishing Co, and several dressmakers and hairdressers, including Walter Paxton, Junior, who could offer, in addition to a ‘first class’ haircut, ‘leading brands and tobacco and fishing tackle and rod repairs’. The building also hosted the BAFS Dispensary before it moved to a building across the road. Throughout its first decade, the Chambers were used for a range of activities and tenants, including a dance for the Misses Healion, dressmakers working in the building, the Brisbane Canary Improvement Society’s inaugural championship show, Mrs Young’s employment agency and Miss Ogilvie’s talent agency.

    Changes to the building occurred in 1919 when a fire in Judge’s tobacco shop damaged the interior and windows of his tenanted shop, although the fire was prevented from spreading to other shops. Judge later purchased part of Woodley’s Building on the corner of Wickham and Gipps and conducted his business there. The premises formerly leased to BAFS Dispensary were remodelled by architect Edward Myers for the new tenants, the ‘well-known and old-established’ optometrist firm of A.P. Greenfield and Company. Greenfield remained in the building through the 1920s-1940s. In 1922 the building became the Brisbane branch of the Chinese Nationalist Party of Australasia (or the Kuomintang), an example of the Chinese presence which had been in the Valley from the 1880s. Improvements were also undertaken on the building, with approval granted for a new frontage to the building by the Valley Woodwork Company in 1923.

    Peter Murphy died in Hamilton in February 1925, leaving his £210,256 estate to his sons Peter James Benjamin Murphy and Kevin William Murphy. A dispute over Murphy’s estate meant that the King Edward building and its land were held in trust, though it remained tenanted, until 1950, when they were sold to Sanders Chemicals. Sanders leased the ground floor properties throughout its period of ownership, to tenants whose names (Pappalardo, Pulvirenti, Demura, Kutja and the company Samrai and Co) reflected the increasingly multicultural population of the Valley.

    Sanders Chemicals sold the land in 1979 to Gum Hoy Yuen and Lai Ming Yuen. The building has undergone several internal alterations for its lessees and uses which included a supermarket centre, laundrette, spray painting booth, hairdressing salon, electrical goods store, amusement arcade, second hand shop and restaurant/bar. The building was a central part of the Chinatown redevelopment of the 1980s and the Chinese Fraternity Association of Queensland currently leases premises in the building. The properties were transferred to the Gum Hoy Yuen and Lai Ming Yuen family trust in 2007.

    Source: Brisbane City Council Heritage Register.

    Posted by Buddy Patrick on 2018-02-12 14:00:00

    Tagged: , shop , shops , shopping , store , stores , retail , outlet , service , building , architecture , architect , brick , bricks , mason , masonry , vintage , antique , old , unique , history , historic , heritage , fortitude valley , brisbane , queensland , australia

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  • The Normanby Hotel & Tram Shelter (Brisbane, Queensland)

    The Normanby Hotel & Tram Shelter (Brisbane, Queensland)

    The Normanby Hotel & Tram Shelter (Brisbane, Queensland)

    The Normanby Hotel:

    The Normanby Hotel, located prominently on the Normanby Fiveways intersection at Pink Hill, Brisbane, is a two storey brick building with a reduced amount, developed in 1890 on a web page used for hotel purposes since 1872.

    Motels have played an critical job in the historical growth of Queensland. Frequently the initial locations to show up together transportation routes and at fledgling settlements, inns have catered to travellers, offered areas for communities to consume, socialize and carry out company and meetings, and have strongly contributed to area economies. Architecturally, motels have ranged from ephemeral makeshift shanties to additional lasting and imposing properties that have competed with civic and business structures to dominate their surrounds. In urban regions, avenue corners have been notably favoured websites for accommodations to emphasize their commercial existence.

    Around time, legislative provisions for accredited premises motivated the architecture and layout of resorts, by requiring a selection of minimal criteria, together with those connected to the selection of rooms, top boundaries of rooms, and individual entries for company. Coupled with the domestic nature of the expert services delivered, the necessity for licensees to reside on the premises formed hotels’ attribute interior mix of non-public and public spaces.

    The space all over the intersection of Petrie Terrace and Kelvin Grove Highway, on the fringe of Brisbane’s city centre, began to establish from the 1860s. Though land was to begin with surveyed for smaller household allotments, the siting at a street junction and increases in website traffic led to retailers and other providers progressively showing up along the road. The expansion in the place noticed the naming of the compact suburb Normanby, soon after Queensland’s 3rd governor (1871-1875) George Augustus Constantine, the Marquis of Normanby. The route of Brisbane’s very first suburban railway to Sandgate (1882) went near to this junction, with a Normanby station for travellers running until the early 1890s.

    Musgrave Street, initially a continuation of Petrie Terrace toward Crimson Hill, experienced produced into a compact organization spot by the 1880s. The forming of College Rd throughout the rail line (connected to Gregory Terrace) and Countess Street made the Normanby ‘Fiveways’, which grew to become one particular of Brisbane’s significant site visitors intersections, primarily next the introduction of horse-drawn bus solutions and trams (later electrical-powered).

    The primary Normanby Lodge opened in 1872. The 1st owner and publican, Matthew Burton, obtained land on the corner of Musgrave and Kelvin Grove Roads in 1865. In December 1871 Burton (initially a carpenter) gave see of his intention to implement for a publican’s licence for the Normanby Lodge, which was granted in January 1872. The original lodge, a two storey timber making was oriented towards Kelvin Grove Rd.

    Subsequent the demise of Matthew Burton in 1873, the assets and lease of the resort was transferred to his wife Elizabeth Sophia Burton, who continued to operate the hotel. The lease was transferred a amount of situations from the mid-1880s right until William Valentine signed a lease in 1888 for 14 a long time.

    The 1880s was a increase period for Queensland, characterised by strong economic progress and a swift enlargement in population. In Brisbane, this advancement was notably pronounced, with the populace much more than tripling all through the ten years. Aided by public transport, suburban areas ongoing to extend. Quite a few new sizeable public and private buildings transformed the crafted ecosystem, reflecting the self-assurance and prosperity of the era.

    In late 1889, architect John Beauchamp Nicholson, engaged by leaseholder William Valentine, named for tenders for pulling down and rebuilding the Normanby Resort. Arriving in Brisbane from England in 1876, Nicholson prospered as an architect and residence speculator in Brisbane for the duration of the 1880s.The Norman Lodge and the Princess Theatre in Woolloongabba and the Alliance Lodge in Spring Hill were being between the styles produced by his architectural exercise. Nicholson formally went into partnership with Dutch-educated English-born architect Alfred Wright in early 1890, who had previously labored for Nicholson. Wright is regarded to be accountable for the structure of the Normanby Resort and other related styled buildings designed by the business these as Chardon’s Corner Lodge in Annerley and Girl Musgrave Lodge in Spring Hill (equally demolished).

    The new Normanby Lodge was formally opened in December 1890, a massive, ornate two storey brick building with a decrease degree to the rear. The hotel was designed to face Musgrave Rd and its principal elevations had been Musgrave Rd and its jap side, struggling with a small reserve at the corner of Musgrave and Kelvin Grove Streets. Internally the hotel contained bars and parlours, drawing and billiard rooms, and accommodation for both company and lessees/workers. The developing was explained in great detail in a Brisbane Courier posting at the time of opening, even though a sketch of the constructing appeared in the Setting up and engineering journal of Australia and New Zealand in 1891.The lodge was built at a expense of £4000, with Thomas Recreation the contractor.

    Like a lot of hotels of its era, the Normanby Hotel was built to impress, with its ornate stylistic therapy utilizing aspects of the ‘Queen Anne’ architectural idiom. The Queen Anne model was usually designed at a domestic scale with elaborate layout particulars, these types of as an intricate roof structure, charming towers with conical or pyramidal roofs, and ornate tall chimneys. The fashion revived facets of English architecture from the time of Queen Anne’s reign (1702-14) and was reminiscent of Tudor or Previous- English rural layouts. A picturesque, classical type no cost from the classical principles of proportion, it remodeled conventional official options and symmetry into an intertwined assortment of in-depth bays, dormers, porches and spires. Originating in Britain, the Queen Anne architectural model turned significantly popular in the United States of The usa and Australia. Exclusive structure options evident in the design of the Normanby Lodge consist of the red facebrick walls, a dominant steeply-pitched roof with subsidiary Tudor-design gables, tall chimneys, terracotta attractive particulars, good finials, leadlight home windows, and verandas with fretted ornamental woodwork.

    In the decades soon after its construction, a range of lessees, including William Valentine, Castlemaine Brewery and Quinlan Gray and Firm Constrained and users of the Burton loved ones operated the hotel. Sophia Burton died in 1901, with the home passing to her sons John, Francis and William Burton. Francis Burton turned the sole owner in 1909. Castlemaine-Perkins Confined acquired the assets in 1936 at a described expense of ‘about £52000′, whilst the ownership was not formally transferred till 1944. This invest in by Castlemaine Perkins was aspect of a wider practice of obtaining resort freeholds and leases all through Queensland. This method of vertical integration ongoing through 1930s, guaranteeing the providers domination of the Queensland market place. Castlemaine-Perkins marketed the Normanby Resort in 1986 and the ownership has due to the fact adjusted a number of periods. The present entrepreneurs (in 2014) obtained the web page in 1999 and have considering the fact that prolonged the hotel’s functions into adjacent assets to the west (not included in the heritage sign up boundary).

    More than time, extensions and alterations happened at the hotel in response to the switching demands of its buyers. Alterations intended by architect GHM Addison are recorded to have taken location in 1917, although other alterations happened in 1933. The extent of these alterations is unclear. In 1937 the Licensing Fee accepted alterations to the resort and the addition of a bar, assumed to be an extension at the rear of the constructing towards Kelvin Grove Street. The existing tiling in the entrance corridor and on the façade on Musgrave Road date from this time. Two brick garages were also created in the 1930s. Equally the bar and garages have considering the fact that been demolished. In between 1958 and 1962 an earlier ‘bottle department’ was replaced with a generate-in bottleshop, which has also since been demolished.

    On the reserve at the corner of Musgrave and Kelvin Grove Streets, a beer yard linked to the hotel was produced (day not known). A amount of fig trees and a jacaranda ended up planted in the reserve, of which only one huge fig tree survives.

    Though the standard type of the 1890 lodge setting up remains unchanged, the interior structure of the lodge has been altered in spots by new openings. In 2014, the ground ground comprises a bar, gaming lounge and provider areas, when the initial floor comprises the general public bar, configured into one particular massive open place, and function rooms. The second floor, which previously housed bedrooms and affiliated spaces, remains largely intact and is made use of as business and storage place.

    Tram Shelter:

    This tram shelter outside the house the Normanby Resort was erected in 1925 by the Brisbane Tramway Corporation. A tramway line, built along Kelvin Grove Street in 1897-1901, was expanded in the early twentieth century. By the 1920s trams ran along all five streets intersecting at the Normanby Fiveways, generating it one particular of Brisbane’s busiest and most dangerous intersections. The shelter was constructed as a compromise between nearby authorities and the Brisbane Tramway Firm, who had debated the position and protection of the tram end outside the Normanby Lodge.

    In the course of the second 50 % of the 1880s a additional crowded urban main and a creating community transportation process inspired land subdivision and suburban expansion in Brisbane, which include northwest to Kelvin Grove. By 1888 the Normanby Fiveways had turn out to be a busy centre. Tramlines were laid alongside Kelvin Grove Road during 1897 to 1901, and by the finish of 1903 the tram service prolonged alongside Kelvin Grove as far as the corner of Edmonstone Road, helpful to the Newmarket Resort.

    By the 1920s, trams ran alongside all 5 streets of the Fiveways and the escalating reputation of the motor car designed the Normanby Junction one of the busiest intersections in Brisbane. The Brisbane Tramway Have confidence in acquired criticism from the Ithaca Shire Council for the unsuitability of its tram stops in September 1924. The Rely on proposed to make a shelter get rid of outside the Normanby Resort, pending acceptance by the Ithaca Council. Immediately after much debate about the safest situation for the drop, acceptance was granted in April 1925. The get rid of featured in the nearby newspaper in July 1925. Initially it was elevated and accessible by a limited staircase. It was quickly eradicated for roadworks in the 1990s.

    Resource: Queensland Heritage Register, Brisbane City Council Heritage Register.

    Posted by Buddy Patrick on 2017-08-03 14:30:00

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  • Good Millwork: Architecture Students Design Build Project

    Good Millwork: Architecture Students Design Build Project

    Good Millwork: Architecture Students Design Build Project

    MINIMALIST CHAPEL Photos… Architecture Pupils craft an stylish and unlikely position of reflection.

    The Discipline Chapel is a job intended and executed by the pupils of an Innovative Style/Develop Studio at the Illinois Institute of Know-how Higher education of Architecture in Chicago for a ecumenical church co-operative in Boedigheim, Germany. Led by Professor Frank Flury, the challenge was assisted on a professional bono basis by the firm of Ecker Architekten (Buchen, Germany) with the craftsmen, volunteer personnel and townspeople of the Odenwald/Bauland, a rural location in northern Baden-Württemberg.

    Program
    The activity of the structure was to create a spot of spirituality. Professor Flury outlined the venture for the twelve pupils who appear from Alabama, Alaska, California, Florida, Idaho, Illinois, Tennessee and China, as “an interdenominational chapel, a space for men and women who are in a lookup for God – a location for tranquil reflection, but also one that welcomes hikers and cyclists who take pleasure in a relaxation stop that has a sense of attractiveness. ”

    History and Participants
    In January of 2008, the Reverend Moser-Feesche contacted Ecker Architekten with the intent to establish a chapel. He had no funding, held no residence, and did not have the assistance of his congregation. He did on the other hand, have a distinct idea about what this creating should really be and where it ought to be located.

    Dea Ecker acquired her Master diploma in Architecture at the Illinois Institute of Technological innovation (IIT). Her prolonged-time mate and previous faculty colleague, Frank Flury, is a Professor at IIT, and teaches an Innovative Studio for Style-Make Jobs at the University of Architecture in Chicago. Right after speaking about the likely of a Style and design-Make challenge with the Reverend, Ms. Ecker contacted Prof. Flury. The project constellation appeared to in shape. Flury’s studio has intended and designed various projects in the U.S. that have had a favourable social impact. This was the to start with feasible risk for the learners at IIT to execute an global challenge.

    In December of 2008, Prof. Flury visited Boedigheim to examine the web-site and to talk about the task with the Reverend. Just after this original assembly venture duties had been agreed upon: Flury would information the layout and construction of the making, Ecker Architekten would perform with community officials and get necessary making permits, and Reverend Moser-Feesche would safe assets rights and assemble the group for the volunteer function required to comprehensive the undertaking.

    In January 2009 Flury introduced the challenge to the Style and design-Establish curriculum and been given an enthusiastic reaction. Above the next 3 months, 12 pupils developed 3 style alternate options. In March 2009, these assignments have been individually offered to the governing municipality of Buchen and the citizens of Boedigheim. A Immediately after lengthy conversations two initiatives were being preferred for further more growth, with Prof. Flury in the end dependable for the feasibility of a closing proposal. Armed with a donation of lumber from the metropolis of Buchen, the “Professor from Chicago” and the “Reverend with an idea” requested for the have confidence in and enable of the townspeople to realize the challenge. With commitments from the area blacksmith, carpenter, sawmill operator, and the farmer (whose discipline the chapel was to be constructed upon), the town of Boedigheim agreed to apply the task.

    Tasks were being subsequently delegated. Prof. Flury created the style with his learners to make certain completed building in a solitary summer time semester. From March as a result of Could, the Design and style-Construct Studio and Ecker Architekten were in constant call. E-mail, AutoCAD, and Skype teleconferencing were the equipment made use of to translate a pupil job intended in an American college into a established of functioning documents that satisfied or exceeded German building expectations. Dea Ecker contacted the nearby officials and prepared drawings to get hold of the important permits in time for the groundbreaking scheduled for early June. The Reverend Moser-Feesche and the neighborhood were liable for the acquisition of assets rights and for the collection and coordination of accomodations for the students throughout the design stage.

    The student group arrived in Germany throughout the initial week of June. In spite of an unusually rainy summer, the task progressed easily. With the assistance of countless volunteers, the chapel was constructed in just 8 months. In excess of 400 individuals witnessed the official benediction on 25 July, 2009.

    Style and design
    The ecumenical chapel stands on a hill amongst the villages of Boedigheim, Seckach and Großeicholzheim.

    The construction is noticeable from afar but can only attained by foot or by bicycle through a steep country lane. The pupils produced out of doors services and area as a rational consequence of interaction: when arriving at the web-site, a slim footpath sales opportunities among an current hedge and the blank tower facade to a modest gravel forecourt, which is bounded on 2 sides with enormous benches created of local limestone. This forecourt represents the secular realm. A brick platform rises from this forecourt, upon which guests enter a shut patio and eventually the sanctuary. This system traverses the profane to the divine.

    Surrounded by 4 shut walls, views are limited to the sky and the tower, which encloses the chapel sanctuary. “The courtyard and chapel are located in a sea of religion,” according to the pupils. “The Secular and the Sacred touch each and every other, they are connected with a person an additional.”

    Fabrication
    From the onset of the task development, assembly aspects had been made to make sure the chapel could be accomplished by learners without having development competencies.

    The whole picket framework was cut on a CNC device according to the student’s drawings. The getting slots in the 4 primary columns of the tower for the louvers have been subsequently hand routed. Not a solitary plank was sawn on site. The students designed the drawings in different CAD applications and developed the particular person factors with hand applications and computer system-assisted equipment.

    Aspects of Sustainability
    The venture is in the truest perception of the term sustainable:
    The chapel layout was based mostly on utilizing donated, renewable and area products.

    The wood arrives from the municipal forests in Buchen and in Boedigheim and was dried and reduce at the sawmill less than 2 km from the chapel web-site. The higher sap content of Larch allowed a design with no any handling or weatherproofing of the wooden surfaces. This surface will finally weather conditions to a silver-gray patina. Bricks utilized in paving the tower platform have been left over from a nearby setting up internet site and donated to the task. The gravel utilized for the forecourt is dredged from the Principal River, and Limestone blocks are quarried in just walking length from the chapel. All the factors had been possibly fabricated by the students in the carpenters’ shop or made by local craftsmen. With the exception of the steel used to in the fastening screws and column anchors, all resources come from areas inside 40 km from the developing web-site.

    The Dematerialization of Regular Building
    Aside from the architectural filigree of the tower enclosure, the developing appears regular in its building. It has a straightforward form, and is formally similar to the two the Biblical Temple of Solomon and to vernacular tobacco-drying barns even now discovered in the region.

    The entire picket construction rests on 8 metal moment-body anchors, which are sized to expose a thin gap amongst the enormous brick system and the timber structure. This articulated joint would make the significant setting up look to hover weightlessly earlier mentioned the ground aircraft. The 3-meter large building foundation would seem monolithic, and the comprehensive-timber diagonal bracing that lends the framework its stiffness is hidden from perspective – initially by diagonal planking that is an integral portion of the structural process, then eventually by the 50 mm wooden siding that clads the whole to start with degree.

    The base braces the whole building, and allows the 4 major columns to cantilever vertically for the following 6 meters without supplemental bracing. Despite the massiveness of these columns, structural calculations show that the roof of the chapel could sway up to 5 cm in a 100-year storm.

    The 9-meter superior chapel tower, as found from the exterior, appears diaphanous and permeable. Louvers cladding the upper portion of the tower are mounted incrementally further more from one a further as they increase in relation to the stable, enveloping foundation. This calibration of enclosure helps make the tower surface to be growing in peak, and success in an outstanding participate in of gentle and shadow as just one moves all-around the creating. A parabolic geometry appears however a moiré effect the louvers make when the tower is observed diagonally. This openness, however, is not perceptible from the interior of the chapel. From inside, the distance between the louvers seems to be similar, collapsing the point of view area. The quantity of the tower appears as a entirely closed quantity – an introverted area of reflection and silence, occupied only by an at any time-transforming physique of light. The distortion of perspective transforms the quantity into an abstract body that is concurrently personal and limitless.

    Epilogue
    In many U.S. universities, an apprenticeship is not expected for a diploma in Architecture. The pedagogical approach of the IIT Highly developed Layout/Establish Studio makes an attempt to join the head and hand. The confrontation with the overall architectural approach – from the style sketch to the ribbon-chopping ceremony – offers students with a functional experience that the two parallels and contrasts their acquired educational awareness.
    The project has found beneficial resonance in the all of the collaborating municipalities. It has also realized all desired aims. Varied groups have collaborated to produce a thing not achievable separately. Cultural and religious discrepancies ended up bridged, new friendships were forged, and a chapel was designed.

    Architects: Learners of the Higher education of Architecture at the Illinois Institute of Technological know-how, led by Professor Frank Flury
    Neighborhood architect: Ecker Architekten
    Place: Boedigheim, Germany
    Shopper: Protestant Church of Bödigheim
    Project 12 months: 2009
    Images: Robert Piotrowski, Dea Ecker, Klaus Hilger & John Ruffalo, Brigida Gonzalez
    Web page: Flurkapelle Buchen/Bödigheim

    [via Arch Daily, photos courtesy Brigida Gonzalez]

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    Posted by Very good Millwork on 2009-10-28 16:43:39

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  • Best shot of Booloominbah erected 1888 in Armidale. Now the University of New England.

    Best shot of Booloominbah erected 1888 in Armidale. Now the University of New England.

    Best shot of Booloominbah erected 1888 in Armidale. Now the University of New England.

    The University of New England was the first Australian university established outside of a capital city. It started life as the New England University College in 1938 as a college of the University of Sydney. Several local people worked hard for the College to become an independent university and they were successful in 1954. In 1989 it subsumed the Armidale College of Advanced Education (previously the Armidale Teachers’ College.) The main campus is 5 kms from the city centre with central administration in Booloominbah House. From its inception it has always catered for distance education students and those wanting to study agriculture. It is the largest distance education university in Australia with around 15,000 external students. It has faculties of law, education, arts, science, medicine, the environment etc. It has wide research foci but it cooperates with the CSIRO on agriculture and science research and it is well known for its agricultural business research and farm animal genetics research. It has around 700 research students enrolled for a PhD at any one time. The Vice Chancellors have included some well known Australians including former Governor General Sir Zelman Cowen. The well known graduates include: Dean Brown (Premier of SA); Bernie Fraser (former Governor Reserve Bank); Barnaby Joyce (Australian Senator); Tony Windsor (current Independent in Parliament). The UNE also has a well developed residential college network with the most famous being Drummond and Smith as around half of it students reside on campus. Drummond was the NSW Education Minister who established the Armidale Teachers College. This College used Smith House on Central Park for many years. It has about 200 residents. The college began in Girrahween House in 1928 for students attending the Armidale Teachers College. When the University merged with the Teachers College, Drummond and Smith Residential Colleges went to the University. The college crest is depicted above the door of Girrahween House which was built in 1889. The University has several other campuses in Armidale the main one being Newling campus, now the Conservatorium of Music. It was the former Armidale Teachers College. UNE has a mosque on campus.

    The Dixson Library.
    The heart of any university is its library. It is near Booloominbah and the Museum of Antiquities. In 1938 the university library was a room in Booloominbah. Then Sir William Dixson donated a large grant for a purpose built library in 1961. Dixson’s wealth was based on the tobacco industry and his family operations included Adelaide in the 19th century. William’s father was a devout Baptist and donated to many organisations including Sydney Medical Mission, Ryde Home for Incurables, the YMCA, the University of Sydney, the Baptist Church etc. William Dixson (1870-1952) was a collector of Australiana and rare books. He donated many rare manuscripts and books to the Mitchell Library in the 1920s, then he decided to found the UNE library.

    Booloominbah.
    As visitors we can enter the house and have lunch there. The Brasserie opens at noon. There is also a court yard café and bar. This will provide an opportunity to explore some areas of the house and view the wonderful stained glass windows. Remember the house is noted for its wooden panelling, windows, fine joinery etc.

    The Museum of Antiquities.
    This is a rare regional antiquities museum for Australia. Its collections began in 1959 when the university established its Department of Classics. It has antiquities from the Middle East, the Mediterranean, South East Asia, and the Pacific. Entry is free.

    Trevenna House.
    Trevenna is the residence of the Vice Chancellor and it was designed by John Horbury Hunt in the Canadian style. It was built in 1892 (Hunt died 1903) as another house besides Booloominbah for members of the White family. Mrs Eliza Jane White occupied Trevenna. The three storey house of mixed materials, wood and plaster was gifted to the University of New England by Mrs. Florence Wilson in 1960. Since then it has been the Vice Chancellor’s home. There is no public access to the house or the gardens. It is not visible from the road. The gardens include sweeping lawns, dry stone walls, herb gardens, hedges, ponds and English trees such as Horse Chesnuts, London Planes etc. Trevenna’s gardens were featured in a Woman’s Weekly special in 1971.

    Schools.
    The first Anglican school opened in Armidale in 1847 with the first Catholic school following in 1856. A public school opened in 1861 and survived with various name changes until it became Armidale City Public School. In the 1850s, 1860s and 1870s state aid to church schools prompted more schools to start up in Armidale but few survived. The new Education Act of 1880 which removed any state aid led to the demise of many church schools and the rise of the state public school system in NSW. But Armidale has always been an education centre providing schools, and often boarding facilities for country children. The main private and state secondary schools in Armidale are:
    •St. Ursuline College for girls, 1882 and De La Salle Catholic College for boys which was founded in 1906. The two amalgamated in 1975 to form O’Connor Catholic High School. It is no longer a boarding school. It has an enrolment of around 450 students.
    •The Armidale School – TAS. TAS was founded in 1891 as the New England Proprietary School with it opening for enrolments in 1894.The local Anglican Bishop, Tyrrell had promoted the idea of an Anglican boys school for the sons of the New England gentry. The school adopted the name TAS in 1896. It has extensive grounds (44 acres), excellent facilities and several historic buildings including the chapel. For many years it was run by the Diocese of Armidale but it is now a company limited by guarantee. The Armidale School has approximately 620 students, including 200 boys boarding there. Well known architect John Sulman designed the original boarding house. Influenced by William Morris he used Armidale blue bricks and Flemish bond brick work. The chapel as designed by Cyril Blacket who also designed the Gothic University of Sydney. The TAS Gothic style Chapel opened in 1902 also using Armidale blue bricks in the Flemish bond pattern.
    •Presbyterian Ladies College Armidale, is an independent Presbyterian girls boarding school which was founded in 1887.New England always had a large Scottish and Presbyterian population. It is affiliated with PLC in Sydney. In the early years it was run by several principal owners and it started out as New England Ladies College. It began in Smith House near Central Park in 1887. It was next known as Hilton College before being purchased by the Presbyterian Church in 1938. It moved to a new 70 acre site on the edge of Armidale in 1945. It has an enrolment of 400 girls with almost 100 boarders. Due to financial difficulties it was merged with PLC Sydney in 2005 and the one principal now runs both schools.
    •NEGS, New England Girls School. This is an independent Anglican girls’ boarding school which was established in 1895 at almost the same time as the TAS school for boys. In 1907 NEGS was purchased by the Diocese of Armidale and run as a church school. It has always had an excellent academic reputation. It has an enrolment of around 310 students with almost half or 150 being boarders. In 2006 due to financial difficulties a merger with PLC was considered. Old scholars and parents raised millions to keep the school Anglican and independent. Australia’s well known poet Judith Wright attended NEGS.
    •Armidale High School. This state high school as established in 1920. It has over 650 students.
    •Duval High School. This state high school was established in 1974. It was named after one of the assigned convict stockmen who worked on William and Henry Dumaresq’s Saumarez and Tilbuster stations in the 1830s. It has an enrolment of around 800 students.

    The Development of Armidale. What is so special about Armidale? Well it is a cathedral city with both Anglican and Catholic cathedrals; it is a wealthy city with a prosperous hinterland and many mansions; it is Australia’s highest city with a bracing English style climate; it is an education city with a university and several prestigious boarding schools; it was one of a number of sites considered for the Australian capital city site after Federation; it has been one of the centres wanting to secede from the rest of NSW; and it has an interesting history with a squatting phase, mining phase, agricultural phase etc. It is also a regional capital and has always been considered the “capital” of the New England region – a distinctive Australian region defined by rainfall, altitude, etc. And it has always been on the main inland route between Sydney and Brisbane but that is no longer of importance in this aviation transport era.

    The origins of Armidale district go back to Henry Dumaresq when he squatted on land here and took out leaseholds on Saumarez and Tilbuster stations in 1834. He and other squatters soon displaced the local aboriginal people after a period of considerable violence. The turning point in terms of the city came in 1839 when George Macdonald was appointed Commissioner for Crown Lands for the New England District. He arrived with a small police force and he set about building a house and office headquarters. The site he chose is now Macdonald Park. NSW land regulations allowed the government to set aside reserves for future towns or to resume leasehold land for the creation of towns. Macdonald immediately surveyed the local landowners of which there were 37 in New England, giving it a population of 422 people. But this was the convict era of NSW and half of the population were assigned convicts. They provided the brawn to develop the stations, build the shepherd’s huts, dig the wells and dams, and fell the timber and clear the land. Of the original 422 people in New England only 10 were females, probably wives of shepherds or convict women who were cooks etc. Most stations had between 8 and 12 assigned convicts. Saumarez for example, had 11 convicts and 8 free male workers in 1839. In 1841 convicts still accounted for 42% of the population of New England and as they completed their seven year terms, many stayed on to become the founders of towns like Armidale. Transportation of convicts to NSW ceased around 1843 and so convict assignees gradually declined in the region, but ex-convicts remained.

    Macdonald named the town site Armidale after the Armadale estate on the Isle of Skye. Macdonald had barracks built for the police men, stables, a store shed, his own house and he enclosed some paddocks for the growing of wheat and vegetables. His first years were often taken up with writing reports about Aboriginal massacres and deaths including the Bluff Rock Massacre on the Everett brothers’ run at Ollera near Guyra. Macdonald seldom investigated reports of Aboriginal deaths closely. He was a pompous little man, just 4 feet 10 inches tall with a deformed hunched back. But he was meticulous in most matters. In 1841 he was jilted just before his proposed wedding to a local woman. He remained in Armidale until 1848 overseeing the early development of the town.

    By 1843 a small town had emerged with a Post Office and a Court House, blacksmith, wheelwright, hotel, general store etc. The town provided government and commercial services to the surrounding pastoral estates. But the town reserve included other lands that were sold or leased to farmers- agriculturists who grew wheat. By 1851 Armidale had two flour mills. The long transport route to Newcastle and on to Sydney meant all wheat had to be converted to flour before it was transported to the markets. The old dray route down to the coast was also used for the transport of the region’s major product- wool. The official town was surveyed and the streets laid out in 1849. Many of the early pastoralists were commemorated in street names – Beardy, Dumaresq, Dangar, Marsh, Faulkner and Rusden to name a few.

    In 1851 Armidale also had local industries for the regional population- two breweries, general stores, chemist, butcher etc. In the early 1850s the churches began to erect their first buildings and the town became “civilised” with more and more women living there. Then gold discoveries near Uralla and towards the eastern escarpment boosted the town’s population and services. A newspaper was founded, a hospital was built and the population reached 858 in 1856. A gaol was built on South Hill in 1863, the town became a municipality in 1864, and the Robertson’s Land Acts (1861) were introduced throughout NSW to break up the big pastoral estates for ‘selectors” or small scale farmers on 320 acre blocks. This boosted the total population of the Armidale region but as noted elsewhere the pastoralists also used this era to buy up large lots of land freehold for themselves by the process of “dummying”- using relatives and employees to buy small parcels of land which they sold on to the large land owners. But the early years of growing wheat around Armidale collapsed in the 1870s as the wheat lands of South Australia opened up and cheap SA imports destroyed the New England wheat industry. Other forms of agriculture were then taken up in New England.

    Another key factor in the growth of Armidale in the late 1870s and into the 1890s was its English style climate. In 1885 Armidale was proclaimed a city. It had a population of 3,000 residents – a remarkable achievement for a locale so far from the coast. This was of course boosted further with the arrival of the railway in Armidale in 1883. The line soon reached the Queensland border with a connection on to Brisbane. But the railway was not all good news as the city of Armidale could then receive beer and other supplies on the railway from Newcastle or Sydney and some local industries closed down with the arrival of the railway. By the 1880s the boom years were apparent as large mansions and prominent commercial buildings were erected in the growing city.

    The fact that Armidale is equidistant from Sydney and Brisbane was one of the factors considered in its application to become the new Federal capital. The fact that Armidale had nearby reservoirs and a large water supply big enough for a large capital city was also an important consideration. The new Federal government was considering the site of the capital city after a long drought so access to water supplies was a major concern. As we known the site of Canberra near Yass was finally selected despite its lesser supply of water but it was closer to Sydney.

    Regional Art gallery and Aboriginal Art Centre.
    This gallery is one of the regional galleries funded by the NSW government. It is especially noted for its outstanding collection of Australia Art which was donated to the gallery by Howard Hinton (1867-1948.) Hinton was a company director and art collector. Despite poor eyesight he travelled the world looking at galleries and he befriended several artists. In Sydney he met and lived with noted Australian painter such as Tom Roberts, Arthur Stretton and Julian Ashton. He made his first donation of art to the National Gallery of NSW in 1914. Over the years he gave 122 paintings to that gallery. He was a trustee of the National Gallery of NSW from 1919-1948. He was knighted in 1935 for his services to art. In 1928 when the National Gallery of NSW refused some of his donations he decided to endow the relatively new Teachers’ College at Armidale with a collection of art. The Director of Education who was in charge of the College concurred with the idea and the first paintings were received in Armidale in 1929. He later gave over 1,000 paintings to the Teachers’ College and over 700 art books for its library. His collection illustrated the development of Australian art in particular from the 1880s through to the 1940s. The artist Norman Lindsey described the collection as the only complete collection of Australian art. A portrait of Howard Hinton is held by the former Armidale College of Advanced Education which is now part of the University of New England. The art collection has been transferred on to the Armidale Regional Art Gallery. The Hinton Collection is partially on display always. The Persian Love Cake in the Art Gallery café is to die for!

    Teachers College and the Education Museum.
    In the 19th century most school teachers were untrained but a few were trained in Fort Street Normal School in Sydney from 1848. The first teachers college was not established until 1912 in some temporary buildings. The college opened in new premises in 1920 which were not completed until 1924. But Armidale got the second teachers college in NSW in 1928 with its first proper building being constructed in 1930 at the height of the Great Depression. Why was this so? The answer is political. New England was in the midst of a secession movement in the late 1920s and New England was the home to several Country Party politicians with great influence. The Country Party came to power in NSW in 1927 and the new Minister for Education, David Drummond was the local member for New England. Drummond favoured a second teachers college because the staff at Sydney Teachers College had complained that country students coming to Sydney to be trained were being seduced by the ways of the sinful city and they seldom wanted rural school postings after a stint in Sydney! A Teachers College in Armidale would stop the debauchery! Although Armidale Teachers’ College was the first, the government made plans for additional teachers colleges in Bathurst and Wagga Wagga which eventually were established. The 1863 gaol in Armidale was closed in 1920 and was demolished to make way for the new teachers college building. As one commentator said at the time “a new Parthenon on the hill was to replace the penitentiary on the hill”!

    The government appointed Cecil Bede Newling (1883-1975) as the principal of the new college. Today the old Teachers College building is named the Newling building. Newling had gone out as a probationary teacher in 1899 before attending courses at Fort Street Normal School from 1904. He later described his teacher training as dull. He was first appointed head teacher at Cootamundra in 1923, and then inspector at Broken Hill in 1925. He had a rapid rise in the Education Department. By 1925 he had also been awarded a BA and a MA from the University of Sydney. As first principal of the Armidale Teachers College he influenced everything. He had a forceful personality and took interest in all aspects of the College from the grounds and gardens to the curriculum and to the health of the students. During World War Two he became secret custodian of priceless art and written materials from the Mitchell Library and the National Gallery of NSW. He retired in 1947 with his “college on the hill” well established and valued. It is open weekday afternoons from 2 to 4 pm to members of the public.

    Central Park Historical Walk and Nearby Structures.
    The buildings of significance around Central Park are the old Wesley Methodist Hall and the now Uniting Church- just off the Park in Rusden Street; St. Paul’s Presbyterian Church and Hall; St. Peter’s Anglican Cathedral, Deanery and Parish Hall; and St. Mary’s Catholic Cathedral. Nearby along Faulkner Street is the Town Hall( just off Faulkner), the Post Office, the Court House, and the entrance to the Mall.
    •Masonic Building. The Lodge here in Armidale purchased this land in 1860 and had a lodge built by a local builder Frederick Nott. A new severe classical style Lodge was erected in 1924 to replace the earlier one.
    •Lindsay House is at 128 Faulkner Street and it dates from the mid 1920s. It is a mock Tudor house with exposed beams and woodwork on the exterior and stucco areas. This “English” style of house was popular in New England at this time. It is a typical “gentleman’s “house and it was built for a local doctor. In 1972 the former Armidale College of Advanced Education purchased the house for staff accommodation and they renamed it Lindsay House. Today it is a luxury bed & breakfast establishment.
    •Southall is a fine 1888 residence at 88 Barney Street oppopsite Central Park. At one stage it was called Girrawheen Boarding House as it provided accommodation for the girls enrolled at New England Ladies College. This house was purchased in 1928 by the Armidale Teachers’ College for accommodation for female teaching students. It was linked to Smith House, next door, in 1960 and then became a university residential college but it is now a backpackers complex. Apart from wrought iron lace work it features two toned brick work on the quoins and the bricks are done in Flemish bond pattern.
    •Catholic Cathedral and Convent. See next page.
    •Anglican Cathedral and Deanery. See next page.
    •St. Paul’s Presbyterian Church. The foundation stone dates the building to 1881. Its Gothic style, tall steeple, wrought iron decorations and lancet windows add considerably to the appearance of Central Park. The white painted masonry quoins, window surrounds etc contrast sharply with the dark coloured bricks.
    •Old Wesley Methodist Hall and Church. The Old Wesley Church was erected in 1864 and is one of the oldest still standing churches of Armidale. It was replaced by a new Methodist Church in 1893 and it then became the church hall. The Old Wesley Church also has Red Cedar joinery inside.
    •The Folk Museum. This is housed in the old School of Arts and Mechanics Institute building of 1863. Such places were crucial education centres in the 19th century. It was used as the town library for many years and is now a museum.
    •Armidale Town Hall. This impressive structure was completed in 1883 just before Armidale became a city in 1885. It has many decorative features including pilasters (flat columns), scroll work, a central triangular pediment above the main entrance, a niche like entrance with a curved upper balcony and balustrade. In 1990 the City decorated the interior in Art Deco style!
    •The Armidale Post Office. The first PO was established in 1843. This building was constructed in 1880. The beautiful arched veranda and upper balcony were added in 1897. It is still the city Post Office.
    •Lands Board building now the Lands Office. This elegant building with its filigree lace work on the upper balcony and the lower veranda originally had a slate roof and slate chimney pots. The symmetry of this building is superb. It was designed by the same architect who did the government Post Office next door and the style would date it to the same period -1880.
    •Opposite are the architectural plans for the amazing Imperial Hotel. It was built in 1890 William Miller who was of the original discoverer of gold at Hillgrove. He made his fortune on the gold fields and then erected the finest hotel in Armidale. It is noted for its proportions, classical style, ornate parapets along the roof line and filigree caste iron. The urns atop the “floating” triangular pediments are wonderful. It demonstrates how important the travelling public were to early hoteliers like William Miller. Miller began life as a poor farmer at Saumarez Ponds. It is run down today.
    •On the opposite corner is the current Westpac Bank. It was formerly the Bank of NSW and it was put up in 1938 in classical style. The 1817 on the parapet refers to the founding of the Bank of NSW by Mary Reibey, a former convict, depicted on our $20 note. Along from this is the marvellous AMP building with its statute on top.
    •Armidale Court House in the Mall. This imposing building with a classical Greek façade with columns, and wrought iron gates was built in 1859. It was extensively altered in 1870 when the two side wings were attached. The clock tower was added in 1878. Inside the joinery is all Australian Red Cedar. Note the cobblestoned courtyard. At the rear of the Court House is the original Sheriff’s Cottage (1870) which was originally a “lock up “for prisoners!
    •Hanna’s Arcade in Barney Street. See the leadlight mural, wooden arcade, and fine department store.

    Catholic Cathedral and building.
    The first Catholic priest to arrive in Armidale came in 1853. He took services in a small wooden Catholic Church that had opened in 1848. The priest then built a parsonage which became part of De La Salle College, now O’Connor High School. It has since been demolished. In 1862 the Catholic Diocese of Armidale was established but it was 1869 before the first bishop, Bishop O’Mahony, settled in Armidale. He was consecrated as bishop in 1871 at the same time as the commissioning of the cathedral. It was dedicated in 1872 but replaced by the current cathedral in 1912. When Bishop O’Mahony left he was replaced by Bishop Torreggiani who was replaced by Bishop O’Connor in 1904.

    The new cathedral of St. Mary and St. Joseph was built in Pyrmont stone from Sydney and Armidale polychrome (or multi- coloured) bricks. Such brick work was popular in the 1880s but out of fashion by 1912. Brown, cream and red bricks were used for the cathedral to highlight its architectural features. It is a much larger structure than the Anglican cathedral and dominates the townscape around Central Park. The brickwork was used for quoins, cross banding and other feature work. It was designed in Gothic style by Sherrin and Hennessy in Sydney and constructed by a local builder Frederick Nott. It has a turreted tower with a needle spire on top with louvre windows. It has the original slate roof and fine marble work inside and outside in the form of fine marble statues. The interior is also noted for its fine hammer beam ceiling. The pipe organ was made in 1900 in England and rebuilt here in 1912. Like the Anglicans, the Catholics divided the New England diocese in 1887 when the Diocese of Grafton was established.

    Near the cathedral but further along Barney Street is the Merici House which was built as a Catholic School and convent very early in 1882. Angela Merici was the founder of the Ursuline Order of Nuns who began teaching at that school in 1883. The Ursulines arrived from London in 1882 to do missionary work in Armidale. Their order was established in Italy in 1534. The Ursulines in Armidale established their mother house here and sent nuns out to many other communities across NSW and Qld from Armidale. But in Armidale they set up St. Ursulines College from their small origins in Merici House near the Catholic Cathedral. It was erected as a fine two storey house for a local businessman in 1877. He sold it to the Ursuline Order in 1882. St. Ursuline College operated from 1882 until it merged with the Catholic boys’ school, La Salle College (established 1906 by Bishop O’Connor) in 1975. The amalgamated school was renamed O’Connor High School after Bishop O’Connor. O’Connor High School operates on a different site in the city of Armidale to the north east of the town.

    Anglican Cathedral and associated buildings.
    Bishop Broughton conducted the first Anglican service in Armidale in 1845 with the first church opening in 1850, followed by a parsonage for Rev. Tingcombe who was the first minister arriving in 1846. Armidale was part of the Diocese of Newcastle. Then in 1869 the diocese of Grafton and Armidale was established. The founding Bishop was James Turner from Norfolk, England. His diocese was the size of England! He started with 10 clergy and 21 churches. He appointed John Horbury Hunt to design and oversee the building of a suitable cathedral in Armidale. The foundation stone was laid in 1873 and the cathedral opened in 1875 as St. Peter’s. Hunt designed a relatively small cathedral of brick, his favourite building medium, rather than stone. Turner continued as Bishop until 1893. Before he left the diocese of Armidale he had the Christ Church Cathedral erected in Grafton in 1884 and a new Grafton diocese created. Bishop Turner also used John Horbury Hunt for cathedral that we saw in Grafton. By the time Turner left he had 2 diocese and 58 churches.

    The Anglican Cathedral was made of Armidale blue bricks with clay taken from Saumarez station. The vestry was added in 1910 according to Hunt’s design (he died in 1903) and the tower, again according to Hunt’s design in 1936. The cathedral features Gothic arches, a square tower, small pyramids on top of buttresses, moulded bricks for special areas and interesting English bonds and patterns. Uralla granite was used for keystones and the foundations. The Deanery was also designed by Hunt and built of the same Armidale blue bricks in 1891. Hunt was known to make great demands on the brickies as he was a perfectionist and supervised all the intricate brickwork very closely. The result was an outstandingly fine cathedral. Note the band of green tiles above the main door included by Hunt. Note also the fine stained glass windows, and one is a memorial to Bishop Turner’s wife who died in 1879. The cathedral has a fine timber ceiling. Hunt even selected the pulpit and lectern to suit his design. The pulpit has an effigy of St. Peter carved in the sandstone. Some of Hunt’s original plans can be viewed in the Tower Room.

    Mansions of Armidale.
    Many of the mansions of Armidale were constructed in its economic boom period of the 1890s- 1910 when Hillgrove gold mine was at its peak. There are almost 70 buildings in Armidale on the Register of the National Estate. Some are churches or commercial buildings but most are significant houses, especially on the south hill behind the centre of Armidale. But the beautiful gardens hide many of these mansions from any passersby.
    •Bishopscourt, (on the town outskirts of the way to Uralla) was built in 1934 as the home of the Anglican Bishop which it still is. It has acres of lawns and gardens.
    •Akaroa, now part of New England Girls School was built in 1896. It has many Queen Anne style features including a rounded section. It is not visible from the road.
    •Roseneath in Roseneath Lane is one of the oldest houses in Armidale as it was erected in 1854 as a veranda shaded Victorian house with louvre shuttered French windows to the veranda. Privately owned, in poor condition and with no suitable access for a coach.
    •Mallam dates from 1869 as one of the last examples of a steep roofed house with dormer windows in the English style (94 Rusden Street). Mallam was the town’s chemist in the 1870s but was in investor in a flour mill, shops and others houses. He paid £1,200 to erect Mallam House. Note the chimney pots.
    •The Armidale School. Notes to be provided later.
    •Opawa House is in Mann Street at no 65. It was erected in 1915 and it features, wood, brick, and gables typical of that era.
    •Trelawny at 84 Brown Street is fine residence built in 1904. It has a curved wrought iron lace work veranda with a prominent gable.
    •Birida built in 1907 is typical of that era and is located at 108 Brown Street on the corner of Marsh Street. Note the slate roofed tower porch.
    •The Railway Station. Built in 1882 ready for first train in 1883. Lace work done in the foundry in Uralla.
    •Lindon Hall at 146 Mann Street is a late 19th century house from 1890. It has fine wrought iron lace work on the balcony. It is a single storey house.
    •Teringa is located at 108 Mann Street. It dates from 1894 and is a typical Italianate style two storey house.
    •Uloola at 160 Faulkner Street is another gentleman’s residence dating from 1908. It has an English “air “and depicts the Arts and Crafts movement house features.
    •The Turrets is located at 145 Mossman Street. It was built in the 1860s and is known for its turrets.
    •Highbury House built in 1910 is sited at 177 Faulkner Street. It has bay windows, a round window, arches etc
    •The Arts and Crafts style house called Cotswold is located at 34 Marsh Street. It was built in 1918. It is now part of a motel. Next door is another fine house.
    •Eynsford, 109 Jeffery St. Another Tudor revival two storey home from the 1920s. Stucco, lead light windows, with a beautiful garden.

    Booloominbah.
    This grand house is one of the gems designed by architect John Horbury Hunt who produced a number of buildings in Sydney and the country for the White family. One was even a French inspired castle! Frederick White commissioned this house which as built between 1883-88. But at Booloominbah Hunt used the ideas of the Arts and Crafts movement along with his Canadian heritage which meant he used a lot of wood features. When built Booloominbah was the focus of a 20,000 acres sheep property and it was designed for grand livening. Frederick White almost behaved as the “squire” of Armidale as he was already a wealthy man and had properties in the Hunter Valley as well as New England. Booloominbah was his headquarters,but not his head station. The house is overloaded with features; gables, verandas, leadlight windows, wood panelling, impressive staircases, chimneys, a tower, arches, with an overwhelming asymmetrical façade. The house had grand drawing rooms, billiard room, servant’s quarters, service rooms etc. It had almost 50 rooms when built. It was surrounded by grand gardens to complete the picture of local importance. Below is the great stained glass window of Booloominbah commissioned by Frederick White. It depicts the life of General Gordon and his efforts in Sudan as Governor General of the Sudan. Gordon died during the year long siege of Khartoum in 1885 when he was beheaded by his Muslim nemesis. Frederick White was still an Englishman at heart and he was still committed to the glories of the Empire and this allowed him to relive this glory in his own house!

    The house was named from a local Aboriginal word but its appearance was decidedly Canadian and English. Frederick White did not live in the house for long as he died in 1903 (when his nephew Francis White took over as leader of the White family in New England.) But Frederick’s widow lived on in Booloominbah for another thirty years. When she died in 1933 the contents were sold and Booloominbah left vacant until a son-in-law (he had married White’s daughter Kate) bought the house. Thomas Richmond Forster then donated the house to the University of Sydney to encourage them to establish the New England University College which the university did in 1938. The house came with about 180 acres of land and cost Forster around £30,000. Forster was a successful businessman and an Anglican layman and benefactor in Armidale. He had been campaigning for a university in Armidale since 1924. Booloominbah became the main administrative and first teaching area of the university and Forster became one of the leaders of the first University Advisory Council. Forster was also the major shareholder in The Armidale School (TAS.) Since the 1940s the university has restored Booloominbah to its former glory. It remains an iconic building of the former sheep pastoral area of New England.

    Saumarez.
    Henry Dumaresq from the Channel Islands, Jersey, named Saumarez after a property in Jersey. He squatted on land at Saumarez Ponds in 1834. Dumaresq sent his stockmen up here but always lived himself at Muswellbrook on the Hunter River. Saumarez was his head station in New England and he soon had over 100,000 acres of land under leasehold which included Tilbuster Station upon which the city of Armidale now stands. The runs extended from Uralla to beyond Armidale. In 1856 Dumaresq sold his run on to Henry Thomas. He held the run during the period when the government land acts were trying to break p the big runs and open up the land for closer settlement. Thomas took this opportunity to acquire freehold land on his Saumarez run and soon had 12,000 acres freehold. Thomas built a modest three roomed brick house on the run in the 1850s which is still standing. It is near the six roomed timber cottage that Henry Dumaresq built at Saumarez in the 1830s. In fact Henry Dumaresq had his assigned convicts build the cottage as they did most other early structures on Saumarez. In 1874 the nature of Saumarez property changed as it was sold to Francis White, the second son of James White of Edinglassie at Muswellbrook. Francis White took on a property of 20,000 freehold acres. He had properties in the Hunter, at Armidale, Guyra, in Queensland and the Northern Territory.

    In 1886 Francis White was doing well, he had paid off the mortgage on the property and so he decided to build a mansion homestead on Saumarez for his residence. A single storey residence was completed in 1888 by a local Armidale builder. After his Uncle Frederick White of Booloominbah died in 1903 Francis decided he needed to entertain on a grander scale to maintain the White family prominence around Armidale. So whilst his wife and daughters were on a holiday in Europe had had a second storey added to the house in 1905/6. The new storey incorporated many Art Nouveau stylistic features. The White family lived in the house until it was donated to the National Trust in 1984 but they only donated the house. The White family still own the Saumarez property of around 6,000 acres. Saumarez House is surrounded by 5 acres of gardens. The house itself is gabled but with symmetrical facades and verandas. The house is built around a courtyard with one side for the Whites and the other for the servants and services such as the kitchens, laundries, butter rooms etc. The family wing contains two large drawing rooms and an elaborate Edwardian stair case. Front entrances were designed to impress visitors. The Whites used Saumarez for official functions, garden parties, tennis parties etc. The house walls are of Flemish bond brick work. The interior joinery on doors, windows, fireplace surrounds etc is Red Cedar. Native flowers are used on the stained glass work including Flannel flowers, waratah, native Lillies etc. Whites three daughters made much carved wooden work for the house.

    Posted by denisbin on 2013-09-12 05:59:00

    Tagged: , Booloominbah , University of New England , Armidale , John Horbury Hunt , architect , mansion , historic house , gables , Art Deco , Arts and Crafts , tower , veranda , hydrangeas , Canadian style , Brasserie , restaurant , New England

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