This was my second time in St Margert’s Lothbury the initially time was section of Open up House, it was a dreadful day, pouring with rain and I discovered the church nesting round the again of Financial institution of England, to be straightforward, any place would have been excellent to shelter, but this fine church was superior than most.
That was many many years back now, and I thought it about time I compensated a return pay a visit to.
While I was at it’s doorways right before ten in the early morning, it was presently open up, and apart from some speaking coming from the back business office, I was the only man or woman there, at the very least in sight anyway.
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There was a church below in the 12th Century, but there was a grand rebuilding alongside Perpendicular traces in the early 15th Century. The church was wrecked by the Excellent Fire, and rebuilt by the Wren workshop, the tower currently being done suitable at the start out of the 18th Century. The church sits flush with the other stone-confronted buildings on the north aspect of Lothbury, alternatively anonymously but fully at simplicity with its secular neighbours.
A range of the Town of London’s church buildings have been shed in the 19th Century as they had been demolished and the land sold off for big status setting up jobs, the major and most prestigious of which was the gradual expansion of the Bank of England. St Margaret is now the closest church to the Financial institution, currently being in its back garden so to talk, but the prosperity that has accrued to it has been of a diverse form, for no other City church has benefited to the identical extent from the acquisition of furnishings from missing church buildings.
You enter from the south-west corner, and from the extended Galilee location there are entrances into the system of the church and a pleasingly prayerful south aisle chapel. Both equally are crowded. This is a result of the early 20th Century restoration by Walter Tapper, who appears to have had quite a great deal a totally free-run of the saved furnishings from demolished Wren churches. The two stars here are the terribly elaborate late 17th Century font in the south aisle, which came from St Olave Jewry, and the substantial wooden display screen from All Hallows the Good. This is a great Berlin Wall of a matter, slicing across the church majestically from wall to wall, its higher storey like a wonderful doorcase, the alternatively alarming eagle waiting to dart down on any person daring to enter the sanctuary.
Moses and Aaron came from St Christopher le Stocks, the attractive Anglo-catholic reredos in the south aisle from St Olave Jewry (what a jewel of a church that ought to have been!) and the vast tester to the pulpit came from All Hallows the Fantastic – it sits instead awkwardly with the major monitor, but equally originally came from the very same church of training course. They are as solid as the Bank throughout the road. All in all this is a splendid church as befits its spot, total of treasures which did not originally belong to it, which appears curiously correct. The church appears to be open just about every day in the course of the 7 days.
Simon Knott, December 2015
www.simonknott.co.uk/citychurches/037/church.htm
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St Margaret Lothbury is a Church of England parish church in the Metropolis of London it spans the boundary involving Coleman Avenue Ward and Wide Street Ward. Recorded given that the 12th century, the church was ruined in the Good Hearth of London in 1666 and rebuilt by the business of Sir Christopher Wren. St Margaret Lothbury however serves as a parish church, as very well as staying the official church of 5 Livery Organizations, two Ward Golf equipment and two Experienced Institutes. It also has connections with lots of nearby finance homes, all of which hold unique services each individual 12 months.
The earliest mention of St Margaret Lothbury is from 1185.[1] The patronage of the church belonged to the abbess and convent of Barking, Essex right up until the Dissolution, when it passed to the Crown.[2]
It was rebuilt in 1440, mostly at the cost of Robert Large,[3] who was Lord Mayor that calendar year and is remembered as the Grasp of whom Caxton served his apprenticeship. It endured as did so many of London’s church buildings in the Terrific Fire of London of 1666 and was rebuilt by Christopher Wren from 1686 to 1690.
In 1781 the parish of the church of St Christopher le Shares, demolished to make way for an extension for the Financial institution of England, was united with that of St Margaret Lothbury.
The church has exceptionally fine 17th-century woodwork from other now-demolished Wren churches.[4] Among the finest are the reredos, communion rails and baptismal font, which are considered to be by Grinling Gibbons[5] from St Olave, Old Jewry, the pulpit sounding board and the rood display screen from All-Hallows-the-Great.[6] Two paintings of Moses and Aaron flank the superior altar, and came from St Christopher le Stocks when it was demolished in 1781. The organ was built by George Pike England in 1801. It was restored in 1984, stands in its primary circumstance and has almost all its primary pipework.
The church was selected a Quality I listed constructing on 4 January 1950.
en.wikipedia.org/wiki/St_Margaret_Lothbury
Posted by Jelltex on 2016-07-25 05:21:40
Tagged: , St Margaret Lothbury , City of London , London , Church , Jelltex , Jelltecks
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