St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

So, below it is, the reason I drove across Norfolk: Trunch in all it’s glory And it is glorious.

It has so a lot of intriguing facts, each and every a single alone would be cause adequate to take a look at, but jointly, in a great village, following to the village pub, and with that font canopy, a single of only four this sort of in all of England, and just one of two in the county.

——————————————-

The oldest setting up in Trunch is St. Botolph’s Church. It is primarily 14th. and 15th. Century but there are some fragments of stone in the partitions which are considered to have been reused from an previously Saxon church, which was recorded in the Domesday E book. There is much of curiosity in the church which include a Rood Display, a hammer beam roof and a scarce Font Canopy.

trunchhistory.weebly.com/structures.html

——————————————–

The big village of Trunch is located about 5 miles from the north Norfolk coast. In the centre of the village, surrounded by a wonderful collection of cottages and the far more fashionable Crossroads Inn, is St Botolph’s church. A great deal of what you see of the church is early 15th century, constructed upon before foundations.
On getting into the church the initially feature you will see is the font, which dates to the mid 14th century. Though the font is appealing, it is the carved and painted font cover that definitely makes a pay a visit to to Trunch worthwhile.

This is a rather exceptional piece of woodwork, just one of only 4 these kinds of canopies surviving in the overall region (the others are at St Peter Mancroft in Norwich, Durham Cathedral, and Luton). The cover is supported on six wonderfully carved legs. The carving element is exquisite with fanciful animal figures and foliage and a little bit of political commentary, in the form of a pig donning a bishop’s mitre.
In addition to the font cover, Trunch options a exceptional 15th century hammer beam roof, a function of several churches in Norfolk and Suffolk. Listed here the carvings of angels are wonderfully executed. It is worthy of bringing alongside a pair of binoculars or a telescope in order to see the carvings properly.
Much less difficult to see are the medieval misericords (mercy seats) in the chancel. Each individual carving is special some depict angels, and others are much more grotesque in mother nature. In addition there are some wonderfully carved pew finishes and a painted medieval rood display screen that rivals lots of additional popular churches in detail and colour.

There are 12 niches in the monitor, just about every painted with a depiction of a one determine – 11 disciples in addition St Paul. Much of the costume detail is effectively preserved, but the faces of the figures ended up ruined during the upheavals of the Protestant Reformation in the 16th century.

www.britainexpress.com/counties/norfolk/church buildings/Trunch.htm

——————————————

William Earl Warren experienced the lordship of this city, (fn. 1) of which 3 freemen ended up deprived a single of them belonged to Herold, late King of England, another to Ralph Stalre, and the 3d to Ketel, who held 90 acres of land, and 14 borderers belonged to it, with 5 carucates amid them there was a church endowed with 10 acres, &c. 3 acres of meadow always valued at 30s. and there have been also 5 freemen of Edric in King Edward’s time, who had 34 acres of land, with 2 carucates, 2 acres and an half of meadow, often valued at 7s. 4d. (fn. 2)

This city also belonged to the Earl Warren’s capital manor of Gimmingham, and paid out suit and company to it. In the 34th of Henry III. Maud de Norwich granted by good, to Richer, son of Nicholas, a messuage, 48 acres of land, a mill, and the sixth component of an additional in this town, Swathefeld and Bradfeld. In the 15th of Edward I. the Earl Warren claimed a weekly mercate, on Saturday, in this manor and on the loss of life of John Earl Warren, in the 21st of Edward III. the mercate was valued at 10s. per ann. the manor arrived soon after to the Earl of Lancaster, (as is ahead of noticed,) and so to John of Gaunt Duke of Lancaster, and King Henry IV. and is however in the Crown, as element of the dutchy of Lancaster.

The tenths have been 4l. 10s. deducted 15s.

The Church is dedicated to St. Botolph, and is a typical pile, with a nave, 2 isles, and a chancel coated with lead, and has a tower with 4 bells.

In the chancel, on a minor monument,

Lancelotus Thexton cappellanus Regis Edw. VI. sacre theologie baccalaureus, et rector de Trunch obt. 25. Febr. 1588, and this protect of arms, quarterly, in the 1st and fourth a cross amongst four lions heads erased, gules, in the 2d and 3d, ermine, fretty, azure.

In a window below, argent, a fess between two chevrons, sable.

On a gravestone

Hic jacet Magr. Robt. Cantell, quo’d. rector isti. ecclie, qui. obt. 1 Sept. Ao. Dni. 1480.

Gravestones

In memory of Thomas Worts, gent. who died November 13, 1693, aged 45, with his arms, 3 lions rampant, – – – — William Worts. gent. who married Elizabeth, daughter of Riches Brown of Fulmodeston, Esq. died August 25, 1694, aged 60, with the arms of Worts impaling Brown two bars, between a few spears heads, – – –

¶The patronage of the church was granted to the priory of Castleacre, by William Earl Warren, the first on his founding that priory. In the reign of Edward I. the rector experienced a manse, and 13 acres of land valued at 16 marks, Peter-pence 13d. and the prior of Castleacre had a pension or part of tithe valued at 40s. the present valor is 10l. 13s. 4d. and pays initial fruits, &c. the Norwich registers say that William, the second Earl Warren, granted the patronage, and Eborard Bishop of Norwich, verified it and that Simon the Bishop confirmed the pension in 1268.

www.british-history.ac.united kingdom/topographical-hist-norfolk/vol8…

—————————————–

Trunch is the premier of the villages between North Walsham and the sea but as all the industrialisation and tawdry caravan web pages are difficult against the coast, and Trunch is a number of miles inland, it has prevented these excesses and retains a fantastic rural attraction. It has a impressive church with a lot of fascinating treasures, as perfectly as a store, a environmentally friendly, a pub operate by an ex-professional footballer, and frequently all the typical attributes you be expecting to obtain in a large village in deepest rural Norfolk.

The church is possibly the most exciting of all round about and, when the substantial village lends it an urban high-quality that lacks the appeal of, say, the church buildings of neighbouring Edingthorpe and Crostwight, it has by no means the Victorianised sterility of these at Bacton or Happisburgh.

St Botolph is a significant church, and its limited graveyard would make it fairly challenging to photograph. The entire piece appears to be to have been rebuilt in the early 15th century, although the chancel could be a tiny later, and there is a trace of Adorned about the nave. The tower is very basic, even slight. It builds boldly enough, but at the major of the 2nd stage fades into a easy bell stage, understated, elegant and probably meant. This is not a building that shouts at you. A curiosity is the substantial priest porch encompassing the doorway in the chancel. These are quite uncommon, while there is another, more compact a person at neighbouring Knapton.

The wonderful treasure, of study course, is the marvellous font canopy. It is significantly interesting since of its date, coming in the early 16th century correct on the eve of the English protestant reformation. Like all church furnishings at this time – the tombs at Oxborough, for instance – it presents us a hint of what the English renaissance may well have been like if it had been permitted to flower. Here, the significant composition tumbles with intricacy fruit and flowers, leopards and lions peep all-around the silvery oak of the 6 octagonal columns which are fluted with interlocking chains of detail. The glory is the substantial crown of canopied niches, with the haunting ghosts of crucifixion groups even now apparent on a few of the faces. The whole factor is at after in perfect harmony with the west stop of the church, but exists since it was thought to be attractive fairly than known to be handy.There is only one particular other font cover in Norfolk, at St Peter Mancroft in Norwich Outside of the county there is yet another at Durham Cathedral, and a fourth at the parish church in Luton – but that is it.

Earlier mentioned the canopy is a rich 15th century hammerbeam roof, by no signifies as spectacular as that at nearby Knapton, but more attractive, I assume. In the place beneath the tower there is what seems to be a gallery like the plough guild gallery at Cawston. This is not as elaborate, but its oak has silvered and it is painted superbly with trailing rose foliage.

The benching, sadly, is quite a great deal all 19th century, but alongside with the font cover and roof the medieval display screen survives. Like the cover, this is richly ornamented in aid, like a daring dedicatory inscription in diagonal ribbons across the top portion of the dado. The twelve figures (11 disciples and St Paul) are boldly put and colored, but their faces have been totally vandalised by the 16th century reformers. Minimal down on the north aspect of the doorway is a uncommon surviving carved consecration cross, suggesting that this display was already put in in the newly created church of the 15th century. The screen had detached buttressing running vertically at intervals in entrance of it, as at Ludham. They have been almost totally destroyed, but you can continue to see the fixings between the panels. It have to have been wonderful.

The return stalls in the chancel are pretty significantly all Victorian, but they retain medieval misericords, and also you can see quatrefoil holes established into a sounding chamber to amplify the singing. There is a extremely curious memorial higher than the priest doorway, featuring the instruments of the enthusiasm. I have no plan how aged it is.

All of these attributes would be more than enough, but section of the attraction of St Botolph is the feeling of harmony, the way every little thing is effective together. You can incorporate to these the sedilia, the wonderful organ, and the contemporary layout of the glass in the east window. It is a peaceful, inspiring house.

Cottages and properties hem in the graveyard, and in the corner is the contemporary pub. By the way, I do not seriously know if the bloke who runs it is an ex-expert footballer. But, like lots of rural Norfolk landlords, he would seem to be a cheerful 40-one thing cockney who serves a respectable pint and inexpensive food items – a advised stop for churchcrawlers.

Simon Knott, April 2005

www.norfolkchurches.co.british isles/trunch/trunch.htm

——————————————

And the pub is however fantastic.

Posted by Jelltex on 2017-10-21 16:31:02

Tagged: , St Botolph , Trunch , Norfolk , Church , Jelltex , Jelltecks

#furnishings #Do-it-yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, great woodworking, picket chairs, wood working instruments, well known woodworking, woodworking guides, woodworking workbench options