St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

So, right here it is, the reason I drove throughout Norfolk: Trunch in all it can be glory And it is superb.

It has so lots of fascinating information, each and every one particular by yourself would be motive ample to stop by, but jointly, in a fine village, up coming to the village pub, and with that font canopy, just one of only 4 these kinds of in all of England, and one of two in the county.

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The oldest developing in Trunch is St. Botolph’s Church. It is mostly 14th. and 15th. Century but there are some fragments of stone in the walls which are thought to have been reused from an previously Saxon church, which was recorded in the Domesday Reserve. There is a lot of desire in the church which includes a Rood Monitor, a hammer beam roof and a rare Font Canopy.

trunchhistory.weebly.com/structures.html

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The big village of Trunch is located about 5 miles from the north Norfolk coastline. In the centre of the village, surrounded by a pretty collection of cottages and the a lot more modern Crossroads Inn, is St Botolph’s church. Significantly of what you see of the church is early 15th century, built on previously foundations.
On getting into the church the initially characteristic you will see is the font, which dates to the mid 14th century. While the font is attractive, it is the carved and painted font canopy that truly would make a go to to Trunch worthwhile.

This is a really exceptional piece of woodwork, 1 of only four this kind of canopies surviving in the overall nation (the some others are at St Peter Mancroft in Norwich, Durham Cathedral, and Luton). The canopy is supported on six fantastically carved legs. The carving detail is exquisite with fanciful animal figures and foliage and a little bit of political commentary, in the condition of a pig putting on a bishop’s mitre.
In addition to the font cover, Trunch features a excellent 15th century hammer beam roof, a element of lots of churches in Norfolk and Suffolk. Here the carvings of angels are superbly done. It is value bringing together a pair of binoculars or a telescope in buy to see the carvings effectively.
A lot simpler to see are the medieval misericords (mercy seats) in the chancel. Each carving is exceptional some depict angels, and many others are more grotesque in character. In addition there are some fantastically carved pew ends and a painted medieval rood display that rivals lots of extra well known churches in detail and colour.

There are 12 niches in the display, each individual painted with a depiction of a solitary figure – 11 disciples additionally St Paul. Significantly of the costume depth is properly preserved, but the faces of the figures ended up destroyed throughout the upheavals of the Protestant Reformation in the 16th century.

www.britainexpress.com/counties/norfolk/churches/Trunch.htm

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William Earl Warren had the lordship of this city, (fn. 1) of which 3 freemen were being deprived just one of them belonged to Herold, late King of England, a different to Ralph Stalre, and the 3d to Ketel, who held 90 acres of land, and 14 borderers belonged to it, with 5 carucates amongst them there was a church endowed with 10 acres, &c. 3 acres of meadow usually valued at 30s. and there ended up also 5 freemen of Edric in King Edward’s time, who had 34 acres of land, with 2 carucates, 2 acres and an fifty percent of meadow, always valued at 7s. 4d. (fn. 2)

This city also belonged to the Earl Warren’s money manor of Gimmingham, and compensated accommodate and provider to it. In the 34th of Henry III. Maud de Norwich granted by good, to Richer, son of Nicholas, a messuage, 48 acres of land, a mill, and the sixth aspect of yet another in this city, Swathefeld and Bradfeld. In the 15th of Edward I. the Earl Warren claimed a weekly mercate, on Saturday, in this manor and on the dying of John Earl Warren, in the 21st of Edward III. the mercate was valued at 10s. for each ann. the manor came soon after to the Earl of Lancaster, (as is right before observed,) and so to John of Gaunt Duke of Lancaster, and King Henry IV. and is still in the Crown, as element of the dutchy of Lancaster.

The tenths have been 4l. 10s. deducted 15s.

The Church is dedicated to St. Botolph, and is a typical pile, with a nave, 2 isles, and a chancel included with guide, and has a tower with 4 bells.

In the chancel, on a small monument,

Lancelotus Thexton cappellanus Regis Edw. VI. sacre theologie baccalaureus, et rector de Trunch obt. 25. Febr. 1588, and this protect of arms, quarterly, in the initial and fourth a cross involving four lions heads erased, gules, in the 2d and 3d, ermine, fretty, azure.

In a window listed here, argent, a fess in between two chevrons, sable.

On a headstone

Hic jacet Magr. Robt. Cantell, quo’d. rector isti. ecclie, qui. obt. 1 Sept. Ao. Dni. 1480.

Gravestones

In memory of Thomas Worts, gent. who died November 13, 1693, aged 45, with his arms, a few lions rampant, – – – — William Worts. gent. who married Elizabeth, daughter of Riches Brown of Fulmodeston, Esq. died August 25, 1694, aged 60, with the arms of Worts impaling Brown two bars, among a few spears heads, – – –

¶The patronage of the church was granted to the priory of Castleacre, by William Earl Warren, the initially on his founding that priory. In the reign of Edward I. the rector had a manse, and 13 acres of land valued at 16 marks, Peter-pence 13d. and the prior of Castleacre experienced a pension or portion of tithe valued at 40s. the present valor is 10l. 13s. 4d. and pays initial fruits, &c. the Norwich registers say that William, the next Earl Warren, granted the patronage, and Eborard Bishop of Norwich, confirmed it and that Simon the Bishop verified the pension in 1268.

www.british-record.ac.british isles/topographical-hist-norfolk/vol8…

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Trunch is the largest of the villages amongst North Walsham and the sea but as all the industrialisation and tawdry caravan internet sites are tough against the coastline, and Trunch is various miles inland, it has avoided these excesses and retains a terrific rural attraction. It has a wonderful church with a lot of fascinating treasures, as effectively as a shop, a eco-friendly, a pub run by an ex-skilled footballer, and typically all the common features you count on to discover in a significant village in deepest rural Norfolk.

The church is perhaps the most exciting of all spherical about and, when the substantial village lends it an urban good quality that lacks the allure of, say, the church buildings of neighbouring Edingthorpe and Crostwight, it has by no implies the Victorianised sterility of individuals at Bacton or Happisburgh.

St Botolph is a huge church, and its restricted graveyard makes it instead difficult to photograph. The full piece appears to have been rebuilt in the early 15th century, even though the chancel might be a very little later, and there is a hint of Decorated about the nave. The tower is quite easy, even slight. It builds boldly enough, but at the top rated of the 2nd phase fades into a simple bell stage, understated, tasteful and likely meant. This is not a creating that shouts at you. A curiosity is the massive priest porch surrounding the door in the chancel. These are very uncommon, despite the fact that there is one more, smaller sized one particular at neighbouring Knapton.

The good treasure, of course, is the marvellous font cover. It is significantly fascinating because of its day, coming in the early 16th century proper on the eve of the English protestant reformation. Like all church furnishings at this time – the tombs at Oxborough, for occasion – it presents us a hint of what the English renaissance might have been like if it had been authorized to flower. Listed here, the enormous construction tumbles with intricacy fruit and bouquets, leopards and lions peep about the silvery oak of the 6 octagonal columns which are fluted with interlocking chains of element. The glory is the large crown of canopied niches, with the haunting ghosts of crucifixion groups nonetheless clear on three of the faces. The whole point is at at the time in best harmony with the west end of the church, but exists for the reason that it was believed to be beautiful fairly than recognised to be useful.There is only a single other font canopy in Norfolk, at St Peter Mancroft in Norwich Outside the house of the county there is a different at Durham Cathedral, and a fourth at the parish church in Luton – but that is it.

Higher than the cover is a loaded 15th century hammerbeam roof, by no means as remarkable as that at close by Knapton, but more lovely, I think. In the space beneath the tower there is what seems to be a gallery like the plough guild gallery at Cawston. This is not as elaborate, but its oak has silvered and it is painted wonderfully with trailing rose foliage.

The benching, unfortunately, is rather much all 19th century, but together with the font cover and roof the medieval display survives. Like the canopy, this is richly ornamented in aid, including a daring dedicatory inscription in diagonal ribbons across the top part of the dado. The twelve figures (11 disciples and St Paul) are boldly positioned and coloured, but their faces have been wholly vandalised by the 16th century reformers. Lower down on the north side of the doorway is a scarce surviving carved consecration cross, suggesting that this screen was by now set up in the recently constructed church of the 15th century. The screen experienced detached buttressing working vertically at intervals in entrance of it, as at Ludham. They have been nearly entirely ruined, but you can still see the fixings concerning the panels. It ought to have been wonderful.

The return stalls in the chancel are really much all Victorian, but they keep medieval misericords, and also you can see quatrefoil holes set into a sounding chamber to amplify the singing. There is a incredibly curious memorial above the priest door, featuring the devices of the passion. I have no notion how previous it is.

All of these capabilities would be adequate, but part of the attraction of St Botolph is the sense of harmony, the way anything operates jointly. You can incorporate to these the sedilia, the magnificent organ, and the modern-day layout of the glass in the east window. It is a tranquil, inspiring place.

Cottages and properties hem in the graveyard, and in the corner is the modern pub. By the way, I really don’t truly know if the bloke who operates it is an ex-skilled footballer. But, like numerous rural Norfolk landlords, he appears to be a cheerful 40-anything cockney who serves a good pint and affordable food items – a advised halt for churchcrawlers.

Simon Knott, April 2005

www.norfolkchurches.co.united kingdom/trunch/trunch.htm

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And the pub is nevertheless excellent.

Posted by Jelltex on 2017-10-21 06:19:22

Tagged: , St Botolph , Trunch , Norfolk , Church , Jelltex , Jelltecks

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