[Canon 5D/Tamron 28-300VC, B+W MC UV filter, ISO1600 1/500s F8 300mm effective -1.5eV > dcraw 5D ICC H0W AHD 3-color +0.0eV > Gimp rotate, contrast +3, usm 1.0-0.50-10]
“eh”…& beginning to get a bit noisy in the shadows but nonetheless technically-terrific for ISO1600…even though over-all “eh…” It really is not pretty amount (significantly, an ongoing concern in photography) and almost certainly this exposure is also high when compared to the true scene. Possibly. In any case the solar has set driving the structures, there is certainly not a great deal gentle to shoot with below. I just shot this as a take a look at-shot, ran this off as a exam-PP and posted it to see what it would glimpse like in this article at 500×400 vs 2MP total-picture, testing the complete way down the line.
You know, it is funny, DxO is a good instrument and significantly less costly than Photoshop not to point out Lightroom or Seize One particular or any of the derivatives, but they are having blindsided by plugins that insert the lacking functionality into PS that DxO has in excess of it. And the fundamental challenge further than that is that the corrections aren’t fantastic, the person can do improved, the consumer has to tweak, and tweaks choose time & work. And what I discover is that fairly-substantially my curiosity in post-processing stops when I obtain that it normally takes an inordinate quantity of time to ideal a tweak, not to point out any actual hard work. I do not treatment if the final results usually are not perfect, what I treatment about is regardless of whether it is worth it to me to deal with the flaws and a substantial aspect of that is how long will it acquire and what sort of improvement will I see.
Getting the horizon stage is an ongoing challenge but I will be dammed if it is really worthy of the time to get it just right. And hell, I can make a prolonged list and spend a whole lot of time repairing flaws in my photographs, and I can definitely see the attractiveness of software that does a excellent task with all of people flaws “routinely”. But it would have to do a *fantastic* job, *instantly*. If I have to futz with the final results afterwards then I is not going to trouble to use it. The essential detail to me is that I see a issue, the technique of resolution is very clear, the controls arrive up rapidly and are straightforward to use, and the correction executes rapidly. I have currently expended a hell of a ton of time & strength figuring out how to do these corrections and do them. I do not have the time or motivation to fuck with sluggish, buggy equipment or make several makes an attempt to take care of a thing and then have minor if any development in between tries. For me, for the A200 & the D700, these ICC profiles operate genuinely very well, it was fairly-effortless to implement them and implement them to my photographs in put up-processing and the course of action has considerably-enhanced the contrast and shade-stability, fairly-a lot getting rid of that full location of problem in publish-processing. ICC-profiling has experienced both no outcome or very-minor on my Canon shots, and they *nonetheless* need really a bit of futzing to get first rate effects. #1 the photographs are far too gray, #2 receiving the total publicity/contrast balance appropriate is always a chore except I merely luck-out and get the publicity proper in the digital camera. With the A200 the big trouble is to hold the SNR up so that means shooting slow and considerably “hot”, but supplied that, presented a decent, stable publicity, it truly is uncomplicated to get very good results in article-processing. It’s like Canon are the idiot-savants of the digital camera planet, the pictures are both superior or terrible with no in-in between. I can run-off 5 points off the top rated of my head that I routinely see incorrect in my Canon shots that are in all probability the direct result of their equipment being possibly “low-priced” or “high-resolution” if not the two. Sony are modestly-capable, able of excellent points, mainly-reputable, great on celebration nonetheless hardly ever fantastic, if everything they are certain by their in general competence, like a race-motor vehicle driver who is consistently in the Best 10 but won’t be able to actually acquire the race mainly because they are so apprehensive about their Major 10 standing. Nikon is that driver who has you glued to the information, the largely-unrealized genius that from time to time falls flat but also will sometimes make my jaw drop with astonishing benefits. If anything at all they undergo from extreme expectations that they have a pattern of usually assembly. Nikon is the enterprise that makes men and women imagine that they can consider excellent photos just by getting their cameras, and specified a couple of ideas and the suitable scene, they’re ideal. Acquire a picture of that similar scene with a Canon and you will see how tricked-up the outcomes are in an try to prevail over the basic weaknesses of the digicam. In the meantime a person arrives alongside with a Sony and presents you the correct fucking shades that are in the scene. The thing is that frequently Nikon can & will do *greater* than the correct shades. Or possibly the Sony doesn’t have the WB specifically-right, but the Nikon will, positive Sony AWB is ordinarily a tiny warm. It doesn’t issue if the Canon will get the WB right for the reason that it won’t be able to capture the blues adequately in any case so you conclusion up having purple or cyan rather of blue just as on the extended aspect it gives you orange and yellow as a substitute of pink. Capturing the primaries properly is just not aspect of the Canon skillset and as a result the hues are hardly ever correct. Appear at a Sony shot and the wb could possibly be a very little heat but at the very least the hues are near to accurate, if not spot-on. Canon colors are just “improper”. You can’t deny that the graphic has coloration in it or that it is a color-picture. But they just really don’t search right since the colors simply are not correct. And I really don’t necessarily mean “marginally-erroneous”, both. I indicate just “off”. They are just not what they really should be, they could be “close” technically, but subjectively they are not “close ample”, at the very least not for me. Not except if there are large swaths of reliable shade in the scene, and then it’s possible-quite possibly the digicam will do the job-out a thing that looks decent. Probably this kind of pictures glimpse alright with Canons simply because the influence of the mistake in shade-capture is reasonably-compact. Then issues can get “brilliant” and “punchy” and the shots glance halfway-first rate. But coloration-subtlety and sophistication merely elude Canon equipment since they are not substantial-fidelity cameras. Using photographs with them is like attempting to do wonderful woodwork with an axe. You consider a shot with a Canon, appear at it, and if it truly is of any serious value you say, “fuck, I would like that I experienced used a Nikon”.
Just consider about it, it is really an obvious consequence of the minimal selectivity of the RGB filters utilised in Canon cameras that the photographs will be more grey with much less pure-principal pixels. That is good for SNR vs ISO but negative for coloration-selectivity and overall IQ. You will see hues, but not the right hues at the proper relative intensities at the suitable areas. Confident, no camera is great and they all have these error but Canon additional than most. The easy query is how considerably of this sort of mistake can you manage and Canon skirts the far reaches of acceptability. You can tackle it if like any other IQ-concern, you will find very little that you can do about it and you have no other choice. It can help if you don’t know just what the problem is & you can not rather place your finger on the induce and undoubtedly if there are other cameras out there that price a lot more, have a much more-inconvenient element-set and develop photos with lessen IQ.
The next factor that the purist has to get worried about is artificially-increased functionality, where the digicam-designer tries to create success that are “far better-than-existence” or undoubtedly at least better than the pixels, the lower-pass filter, the RGB filter and the D/A electronics are able of without the need of additional picture-processing. If the digicam is “optimized” for selected picture-types then it will be worse for other people.
Posted by touristguy87 on 2010-06-30 22:33:07
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