Element of a single of a pair of late medieval panel paintings depicting scenes from the Passion of Christ, now mounted on possibly facet of the altar. These alternatively rustically painted panels may possibly have initially shaped aspect of the former rood or shaped component of the decorated entrance of its loft. There is proof of iconoclasm in the scratches across the faces of the figures, but or else it is particularly uncommon for these types of artworks to survive the Reformation.
St Michael’s church stands on superior ground overlooking the village of Hamstall Ridware, approaching involves a very long wander from the road across a subject, the spire beckoning us onward and upward. Arriving at the churchyard gate it becomes apparent that the church wasn’t the only grand historical constructing here as a jagged stump of brickwork is glimpsed that signifies the final continues to be of the previous Hamstall Hall becomes noticeable right away guiding the churchyard. The church by itself appears to be generally 14th century with some modification to home windows, tower and spire in the adhering to century. The system of the constructing is uncommon in exhibiting no structural variance in between nave and chancel, the aisles carry on eastwards to embrace each as a one device and the clerestorey previously mentioned is unbroken.
In just it gets to be distinct that this is a church with substantially of antiquarian desire. The central aisle is a extensive unbroken room flanked by a sequence of low regimented arches revealing the far more mysterious and personal areas of the aisles on either facet. Significantly of the woodwork is previous, from the roof to some of the furnishings as well, but most unusually the altar reredos incorporates two late medieval painted panels (not in situ, in all probability initially part of the missing rood monitor). Neither are of significant excellent but are of great fascination even so. On the south side of the chancel is a canopied late medieval monument with a tomb chest adorned with painted shields. The north aisle is made up of a collection of a few home windows of early 16th century day depicting the Apostles they are so heavily restored that only around 30%-40% of the glass is unique, the rest remaining 19th century reconstruction (together with all the heads apart from parts of two of them) but adequate continues to be to give a perception of their influence.
Hamstall Ridware church was one of my favourites of the day and a substantial level to finish on in every sense. I did even so obtain it ‘locked’ on arrival and was bitterly upset, on the other hand just after remaining a even though in the churchyard I noticed anyone approaching so determined not to depart till after they arrived in situation they had the important. The gentleman was without a doubt coming to the church but assured me it ought to be open and just necessitates a little bit of a knack to get the door open, which he then managed to do (I would experimented with a several situations but was frightened to pressure it any more durable) and as he was making ready music for the Sunday company he kindly let me have time to examine and get my photos prior to locking up. I imagine the church might be open more on a regular basis in summer months months, but that door may possibly have to have some perseverance!
en.wikipedia.org/wiki/Church_of_St_Michael_and_All_Angels…
Posted by Aidan McRae Thomson on 2020-03-21 20:22:23
Tagged: , Hamstall Ridware , church , Staffordshire , painting , medieval
#furnishings #Diy #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wood craft, wooden planer, fine woodworking, wooden chairs, wooden functioning equipment, well-liked woodworking, woodworking textbooks, woodworking workbench options