Kiss of Peace (Ward & Hughes for Sir Walter Greene, 1920)

Kiss of Peace (Ward & Hughes for Sir Walter Greene, 1920)

Kiss of Peace (Ward & Hughes for Sir Walter Greene, 1920)

St Peter, Thurston, Suffolk

Thurston is a big and fast paced village just off of the A14 not significantly from the edge of Bury St Edmunds, with the blessing of its have railway station on the Ipswich to Cambridge line. The church sits on the edge of the village, a huge, crisp constructing that stands upright earlier mentioned the street to Pakenham. None of the tough-and-readiness of several of Suffolk’s rural churches listed here, for what you see from the road is completely of the 19th Century.

On this web page, we have normally arrive throughout the function of the unfashionable Victorian Suffolk architect Edward Hakewill, son of the much more famed Henry Hakewill. He had worked extensively in Suffolk the 1860s, and is from time to time good, at Kenton, for occasion. But he can also be very undistinguished, as at Rushmere, Brantham and Shottisham. The explanation I was intrigued by Thurston is that it was the function of his lesser-recognised more youthful brother, John Henry Hakewill, and I was fascinated to see what he experienced bought up to.

His brother Edward’s usual solution was to go in, create a north aisle, reduce the inside furnishings to a well mannered center-brow sacramentalism, and then leave. John Hakewill experienced rather a lot more than that to do here, because of some thing that happened on the night of Sunday March 18th 1860. In typical with most Suffolk churches, St Peter had been considerably neglected by way of the 18th and early 19th Hundreds of years, and its require for a facelift experienced develop into apparent. In truth, John Hakewill had previously been engaged as the architect for a thorough heading-above of the old composition. But soon just before midnight, supposedly on the evening before function was due to commence, the tower fell.

It is challenging to picture the result of an incident like that on a very small, distant, rural community. The one particular long lasting, ageless structure in its midst out of the blue disappeared overnight. The tower collapsed straight down, but slipping rubble took out the nave and aisle roofs, as very well as destroying piers of both equally arcades. The parishioners resolved to do the noticeable, and retreat into the chancel for solutions. Even so, just 10 times later, the relaxation of the nave collapsed, bringing down what remained of the arcades and roofs, and destroying all the furnishings, such as the pulpit and lectern.

And so, a choice was produced to rebuild from scratch, accommodating the new church to the surviving chancel and porch. As Roy Tricker details out, Hakewill was extremely a lot of the prevailing viewpoint of the time that Adorned was the only suited design and style for a medieval church (regardless of the fact that Suffolk’s greatest times are mostly Perpendicular), and, as a Bury Post report of the time pointed out, Hakewill was identified that the new church should be entirely in Adorned and suitable architecture, replacing the inferior architecture in the outdated construction.

And so, there it is these days. The exterior is certainly extraordinary, and the church reopened scarcely 18 months later on, at the charge of about £3,500, about a few quarters of a million in today’s revenue, an remarkable discount I would have imagined. This ought to have been a enormous church, even right before Hakewill’s rebuild – I wondered if it experienced been a match for Rougham, throughout the A14. Considerably of the chancel appears rather primary, irrespective of appreciable patching up. The imposing tower alone is starting to mellow with age, while maybe it continue to bears a disconcerting similarity to what might be the tower of a Normally English Village Church in a design village, thanks to Hakewill’s insistence on ‘correct’ Dec. But when you contemplate what Richard Phipson did across the street at Finborough and Woolpit throughout the exact ten years, St Peter may perhaps have got off flippantly.

You stage into a large, tidy house entire of mild – no gloomy north aise listed here. Inevitably, there is an urban sense to the wholly 19th Century interior, even though there are some before survivals. A person of these is the font, a fantastic perpendicular piece whose foliage panels conceal a eco-friendly person or two. Can it have occur from below at first? It is difficult to see how the font could have survived the collapse of the tower. Gathered fragments of 15th Century glass contain a quantity of placing heads, as perfectly as areas of the figures of a cherubim, a pope and a bishop. Up in the chancel there is what appears to be a pair of delicious medieval angels keeping scrolls, although they are, I consider, 19th Century fakes. Unquestionably 15th Century are the stalls beneath, even so, which survived the fall of the tower and have pleasant small figures in the spandrels. There are a pair additional medieval benches now positioned at the west stop of the south aisle, also with inexperienced guys on them.

Bringing us ideal up to day is one particular of Suffolk’s a number of sets of royal arms to Queen Elizabeth II (there are other individuals not much off at Rattlesden and Lavenham, among some others). This set is dated 1977, the calendar year of the Silver Jubilee. The woodwork in the nave is of a respectable top quality, presumably put in as component of the similar commission as the rebuilding, but the reredos in the chancel is instead finer, the perform of Father Ernest Geldart, the Anglo-catholic carpenter-priest whose parish and studio were at Minimal Braxted in Essex. Its fee may give us some thought of the churchmanship here at Thurston in the early yrs of the 20th Century.

A name that a lot of will affiliate with Bury St Edmunds is that of the Greene King brewery, and the Greene relatives are commemorated right here at Thurston. Sir Walter Greene compensated for the restoration of the chancel. The memorial windows to the Greene family are by the stained glass company Ward & Hughes, and had been installed around 30 several years from 1890 to 1920. Ward & Hughes have been a organization that went as a result of three distinctive phases. In their early many years they had been generally really exciting, as throughout the border at Pentney in Norfolk, for case in point. Later on in the 19th Century they turned one particular of the premier mass-creating workshops in the nation, churning out thousands of windows for hundreds of church buildings all more than the environment that are largely of a very similar center-brow top quality. In the 20th Century, nevertheless, the wheels arrived off a little bit, and the windows differ tremendously. There is a experience that patrons ended up supplied too a great deal say in the style and design, which is usually a blunder, and often they can be pretty awful. But below at Thurston the glass is spectacular. The 1890 glass is surely not operate-of-the-mill, staying a version in glass of Axel Ender’s painting Easter Morning. Whether it is excellent or not is perhaps a make any difference of flavor, but the other two home windows are rather thrilling, and delightfully mawkish – witness the determine of Peace stooping to kiss the lips of Righteousness. There is a Ward & Hughes window in a equivalent fashion to these last two up the road at Pakenham.

Somewhere else in the church, the lovely 1950 window of the Adoration of the Magi at the east conclude of the south aisle is by E L Armitage for Powell & Sons, and it changed ruined glass which commemorated a 14 months old kid, Mary Adelaide Blake, who died in 1842. The day of the new window implies that the outdated just one experienced blast damge in the Next Entire world War, a frequent destiny for these Suffolk churches surrounded by American air bases. The ideal window in the church, on the other hand, is at the east close of the north aisle, and depicts the Boosting of Jairus’s Daughter in a quiet, painterly model. It remembers Isabella Blake, who died in 1856, and no person appears to know who it is by. Intriguingly, offered that this is also to a daughter of the Blake relatives, it appears doable that the lost window in the south aisle was by the identical workshop.

For several a long time, Thurston church was hard of access, so it is satisfying to discover that it is now open to strangers and pilgrims just about every working day. Even far more, the indication in the porch asks you to be watchful not to unintentionally lock the door on your way out.

Posted by Simon Knott on 2018-02-07 19:35:32

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