Woman Chapel window
The church of St Edward was built in the Arts and Crafts style of the late 19th and early 20th generations. Originally built as a ‘chapel of ease’, it was devoted in 1903 but not consecrated until finally 1934 nor registered for weddings until 1943. It ultimately grew to become the parish church for Kempley in 1975 with the formal closure of the nearby 12th century church of St Mary’s. The church was thoroughly renovated in 2014.
The structure of the church is abnormal since it has no east window behind the altar. The 7th Earl Beauchamp gave his architect, Randall Wells, a no cost hand with the layout but needed an exterior stone aid on the east conclude of the church as a roadside shrine for passers-by. It is designed in community purple sandstone, and the church and lychgate had been originally roofed with nearby stone tiles, but the church was subsequently re-roofed with pantiles. Timbers for the guidance beams, rafters and other woodwork arrived from regional oaks on the Earl’s estates.
Neighborhood guys manufactured the church less than the supervision of a nearby carpenter, Walter James. The neighborhood blacksmith, George Smallman, manufactured all the nails, hinges and other ironwork. The church is a continual single nave and chancel with a higher-pitched roof held on hefty scissor-beam roof-trusses, with grapevine trails painted on the rood beam. On the north side of the nave is the Lady Chapel, a vestry and a bell tower with a saddleback roof and a porch underneath. The big west window has a diagonal stone grid, frequently referred to as a ‘jam tart’ window. The leaded lights for the window were being created by W Smith of London employing Aged Dutch glass held in a wrought iron casement within the stone grid.
The lychgate has a gabled roof with a lower deep arch the wedge formed stones previously mentioned the arch are established as ‘voussoirs’, with a central keystone that distributes the bodyweight to the supports on both aspect of the arch.
There are three sculpted stone aid models drawn by Randall Wells, two of which have been carved by Walter James. Significant on the east wall struggling with the highway and serving as the Earl’s ‘roadside shrine’, is the ‘Crucifixion of Christ’. Above the front porch of the church is ‘Christ the Peacemaker’. Within just the porch over the principal doorway into the church is ‘Virgin and Child’ by Laurence Turner.
Inside of the church the carved rood beam carries the determine of ‘Christ Triumphant’ on the cross. The carving of Christ was done by David Gibb, the last remaining carver of ship’s figureheads in London. To the sides of the crucifixion are the Virgin Mary and St John.
The altar, candle holders and lectern arrived from the Daneway workshop in Gloucestershire they had been developed by Ernest Gimson and Ernest Barnsley and designed in oak by Peter van der Waals. The candelabra had been produced by Charles Robert Ashbee and the pews by the Gloucester Woodworking Co. The stone font was made by Gimson but its maker is unknown.
Posted by WendyHarris1955 on 2022-03-13 20:44:27
Tagged: , church , Church of England , Christianity , Anglican , faith , position of worship , Arts and Crafts , 20th century constructing , holy , hallowed ground , eglise , kirche , iglesias , Gloucestershire , United kingdom , England , parish church
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