Tester Bed (Lit à la Duchesse en Impériale)
•Maker: Georges Jacob (French, Cheny 1739-1814 Paris)
•Factory: Tapestry created at Beauvais
•Artist: Following a style by Jean-Baptiste Huet I (French, Paris 1745-1811 Paris)
•Date: ca. 1782-83
•Culture: French, Paris
•Medium: Carved, painted and gilded walnut, pine, and linden iron components silk and wool Beauvais tapestry present day silk damask
•Dimensions:
oOverall (mattress components installed): 156¾ (Height) × 73½ (Width) × 86¾ in. (Depth) (398.1 × 186.7 × 220.3 cm)
oHeadboard: 79½ (Height) × 73½ in. (Width) (201.9 x 186.7 cm)
oTester at rectangular body: 78 (Width) × (Depth) 90½ in. (198.1 x 229.9 cm)
oGreatest dims. of tester including protruding crestings: 17 (Peak) × 96 (Width) × 99½ in. (Depth) (43.2 × 243.8 × 252.7 cm)
oHeight of Canopy from Floor: 156¾ in. (398.1cm)
oMatteress Guidance: 80 × 64 × 3½ in.
•Classification: Woodwork-Home furniture
•Credit Line: Gift of Kingdon Gould, in memory of his mother, Edith Kingdon Gould, 1923
•Accession Quantity: 23.235a
On look at at The Met Fifth Avenue in Gallery 523.
As its full-size domed canopy is suspended from the ceiling fairly than supported on posts, this tester bed, which bears the stamp of the menuisier Georges Jacob, is a kind referred to as lit à la duchesse en impériale. Its first but now fragile hangings, woven in 1782-83 at the Beauvais tapestry manufactory after patterns by Jean-Baptiste Huet (1745-1811), have been changed by fashionable silk damask, except for the lining of the inside dome. French eighteenth-century beds tended to be lofty, as it was customary to pile them with three or much more mattresses loaded with straw, wool, horsehair, or feathers. Tobias Smollett (1721-1771) pointed out in 1766, “French beds are so substantial, that in some cases one particular is obliged to mount them by the assist of steps.”[1]
The personalized of getting guests while reposing in a large and elegantly equipped out bed was practiced in France for the duration of the eighteenth century mostly by aristocratic gals. The Museum’s imposing piece of household furniture with its exquisitely carved floral decoration, the work of an unknown carver, ought to have formed a splendid backdrop for these official phone calls or congratulatory visits. In 1791 the mattress is documented as standing in the huge bedchamber of Guyonne-Marguerite de Durfort de Lorge, duchesse de Choiseul-Praslin (1737-1806), at her Parisian residence, the Hôtel de Belle Isle. Subsequent the turmoil of the Revolution and the political adjustments of the early nineteenth century, the mattress was sold in Paris in 1830. It became component of the famed collections at Hamilton Palace, South Lanarkshire, Scotland, the home of Alexander Hamilton Douglas, tenth Duke of Hamilton (1767-1852), the place it was placed in one particular of the state rooms. The duke’s grandson sold the contents of the palace, like the mattress, at a extremely predicted auction that took put in 1882. Via the intermediation of quite a few sellers, the mattress was acquired in 1897 by the financier and railroad govt George J. Gould (1864-1923). His spouse, the previous actress Edith M. Kingdon (1864-1921), applied it in her bed room of their New York town property.
[Daniëlle Kisluk-Grosheide, 2010]
Footnotes:
[1]Tobias George Smollett. Travels by way of France and Italy. London, 1766. New ed.: Introduction by James Morris. Travellers’ Classics 11. Fontwell, Sussex, 1969, p. 43.
Signatures, Inscriptions, and Markings
•Signature:
oStamped on Foundation of Headboard: G. IACOB
Provenance
Potentially purchased by comte César Gabriel Choiseul-Chevigny, 1st duc de Praslin or purchased by comte Renaud César Louis Choiseul-Chevigny, 2nd duc de Praslin duchesse de Choiseul-Praslin Guyonne-Marguerite de Durfort de Lorge, Hôtel de Belle-Isle, Paris (by 1791) [sale, Grand Bazar, Paris, July 12, 1830; to J.E. Quinet, for Alexander Hamilton] Douglas, tenth Duke of Hamilton (?) Dukes of Hamilton William Alexander Louis Stephen Douglas-Hamilton, 12th Duke of Hamilton , Lanarkshire (right until 1882 Hamilton Palace sale, Christie, Manson and Woods, London, July 18, 1882, great deal 1912, for £ 1,155 to Edward Radley) [Edward Radley (in 1882)] [Lowengard Frères (by 1893/94)] [Duveen Brothers (until 1897; sold September 1897, for $3,300 to George J. Gould)] George Jay Gould (from 1897) Kingdon Gould (until 1923 to MMA)
Timeline of Art Record
•Timelines
oFrance, 1600-1800 A.D.
Posted by Autistic Actuality on 2018-11-10 19:52:46
Tagged: , Eighteenth-Century , Eighteenth-Century French Attractive Arts , The Lauzun Space , Lauzun , Place , Lauzun Area , French , France , Boiserie , Hotel , Hôtel Lauzun , Île Saint-Louis , Paris , Baron Jérôme-Frédéric Pichon , Jérôme-Frédéric , Pichon , Louis Pichon , Inside , Inside of , Indoors , Framework , Downtown , Downstate , Metropolitan Museum , The Fulfilled , The Metropolitan Museum of Art , Metropolitan Museum of Art , Architecture , New York , New York Point out , New York Town , Condition of New York , Constructing , Museum , Museums , Art , United states , US , United States , United States of The united states , America , New York County , Manhattan , Artwork Museum , Art Museums , Landmark , Central Park , Fifth Ave , Fifth Avenue , European Sculpture and Ornamental Arts , Sculpture , Decorative , Arts , Europe , European Sculpture , European Attractive Arts , Decorative Arts , 2018
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