IMG_2574

IMG_2574

IMG_2574

Combination Table

•Maker: Martin Carlin (French, around Freiburg im Breisgau ca. 1730-1785 Paris)
•Date: ca. 1775
•Culture: French, Paris
•Medium: Oak and pine veneered with tulipwood, sycamore, holly, boxwood and ebony Carrara marble gilt-bronze mounts accessories of Sèvres porcelain, rock crystal, silver gilt, and lacquer
•Dimensions:
oOverall (Desk): 29 (Peak) × 27¾ (Width) × 16⅜ in. (Depth) (73.7 × 70.5 × 41.6 cm)
oOverall (Bed Table): 9¼ (Height) × 26⅞ (Width) × 15½ in. (Depth) (23.5 × 68.3 × 39.4 cm)
•Classification: Woodwork-Furniture
•Credit Line: Present of Mr. and Mrs. Charles Wrightsman, 1976
•Accession Selection: 1976.155.99a, b

On watch at The Achieved Fifth Avenue in Gallery 523.

The principal profession in fact of a French Girl is her Rest room.

—Elizabeth Seymour Percy, Duchess of Northumberland, diary entry for June 9, 1770

The daily ritual of dressing and grooming was taken really critically in France, and it was not uncommon for an aristocratic lady to get guests, who could even be referred to as upon to assist her. Specific pieces of home furniture ended up created for the toilette, these types of as this tasteful marquetry table signed by Martin Carlin, which is extra versatile than most dressing tables. The higher portion can be eradicated to provide as a bed desk, as it has its own brief legs. It is equipped with an adjustable mirror that can be reversed to type a ebook rest. A shallow drawer is furnished in entrance, and the lidded compartments on either aspect are utilised for the storage of rest room posts. The decreased area is a whole-dimension desk with a marble prime, pull-out cabinets in front and back again, and drawers on each finishes holding machines for dressing, breakfasting, and writing. A trelliswork pattern enclosing rosettes, which might have been dependent on types found in Japanese lacquer-get the job done, adorns the exterior of this multipurpose piece, which is additional enriched with gilt-bronze mounts.

Most dressing tables do not have as many fittings as the Museum’s piece (not all of which are initial), and for that reason it has been prompt that it was supposed for use while touring. Even so, the spindly legs are not delivered with a threaded rod for detachment, indicating that the dressing desk would have experienced to be transported intact. This will make it extremely unlikely that the piece was intended to be taken on journeys, as it would not only demonstrate cumbersome in the intense but liable to destruction en route.

The desk is a standard product of a marchand-mercier, who would have purchased or requested the different rock crystal, Sevres porcelain, and silver accoutrements and engaged a cabinetmaker to generate the wood frame. Martin Carlin, a German-born cabinetmaker who had settled in Paris by 1759, specialised in making highly-priced and modern furniture and generally collaborated with the sellers Simon-Philippe Poirier and Dominique Daguerre. A closely relevant blend desk is in The Frick Assortment, New York.

Epigraph. Northumberland 1752/74/1926, p. 135.

Signatures, Inscriptions, and Markings

•Signature: Signed by Martin Carlin

Provenance

Mr. and Mrs. Charles Wrightsman, New York (until 1976 to MMA)

Timeline of Art Historical past

•Timelines
oFrance, 1600-1800 A.D.

Posted by Autistic Fact on 2018-11-10 19:52:35

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