Studiolo from the Ducal Palace in Gubbio
•Designer: Intended by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed underneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On look at at The Achieved Fifth Avenue in Gallery 501.
This depth is from a examine, (or studiolo), meant for meditation and research. Its partitions are carried out in a wooden-inlay strategy recognized as intarsia. The latticework doorways of the cupboards, proven open or partly shut, reveal the up to date desire in linear viewpoint. The cupboards exhibit objects reflecting Duke Federico’s large-ranging creative and scientific pursuits, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This space might have been created by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A equivalent room, in situ, was produced for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mother // Adult men pre-eminent in learning and genius, // How they fall with bared neck right before // …… // ………………………………………………knee. // Honored loyalty prevails in excess of justice, and no just one // Repents owning yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family, Frascati (right up until 1937 offered to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Record
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft University
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Phrases, Sculpting Language: Inventive Writing Things to do at The Metropolitan Museum of Artwork
oOne Achieved. Lots of Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guidebook (Spanish)
oThe Metropolitan Museum of Art Tutorial (Russian)
oThe Metropolitan Museum of Art Information (Portuguese)
oThe Metropolitan Museum of Art Guideline (Korean)
oThe Metropolitan Museum of Artwork Guidebook (Japanese)
oThe Metropolitan Museum of Artwork Information (Italian)
oThe Metropolitan Museum of Art Guideline (German)
oThe Metropolitan Museum of Artwork Guide (French)
oThe Metropolitan Museum of Artwork Guidebook (Chinese)
oThe Metropolitan Museum of Artwork Tutorial (Arabic)
oThe Metropolitan Museum of Art Tutorial
oThe Metropolitan Museum of Artwork Manual
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Artwork
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Younger Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Appear At Art
oThe Artist Venture
oThe Artwork of Renaissance Europe: A Source for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Like in Renaissance Italy
Posted by Autistic Fact on 2018-10-23 15:49:28
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