IMG_2115

IMG_2115

IMG_2115

Studiolo from the Ducal Palace in Gubbio

•Designer: Made by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed less than the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Quantity: 39.153

On perspective at The Met Fifth Avenue in Gallery 501.

This element is from a study, (or studiolo), supposed for meditation and study. Its partitions are carried out in a wood-inlay strategy acknowledged as intarsia. The latticework doors of the cupboards, proven open or partly closed, indicate the contemporary fascination in linear perspective. The cupboards screen objects reflecting Duke Federico’s large-ranging creative and scientific pursuits, and the depictions of publications recall his extensive library. Emblems of the Montefeltro are also represented. This place may have been made by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A identical home, in situ, was manufactured for the duke’s palace at Urbino.

Signatures, Inscriptions, and Markings

•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mom // Gentlemen pre-eminent in finding out and genius, // How they tumble with bared neck prior to // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no just one // Repents owning yielded to his foster mom.”)

Provenance

Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti household, Frascati (until 1937 marketed to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]

Timeline of Art Background

•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.

MetPublications

oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Artistic Producing Routines at The Metropolitan Museum of Artwork
oOne Fulfilled. Many Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Manual (Spanish)
oThe Metropolitan Museum of Art Guideline (Russian)
oThe Metropolitan Museum of Art Tutorial (Portuguese)
oThe Metropolitan Museum of Artwork Guideline (Korean)
oThe Metropolitan Museum of Art Tutorial (Japanese)
oThe Metropolitan Museum of Artwork Information (Italian)
oThe Metropolitan Museum of Artwork Information (German)
oThe Metropolitan Museum of Art Manual (French)
oThe Metropolitan Museum of Artwork Tutorial (Chinese)
oThe Metropolitan Museum of Artwork Guide (Arabic)
oThe Metropolitan Museum of Artwork Manual
oThe Metropolitan Museum of Artwork Information
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Seem At Artwork
oThe Artist Challenge
oThe Art of Renaissance Europe: A Useful resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy

Floor Tiles (Set of 350)

•Factory: San Marco Laterizi di Noale Pottery
•Date: 1995
•Culture: Italian, Venice
•Medium: Earthenware
•Dimensions:
oHeight: 10¾ in. sq. (27.3 cm. sq.)
oWidth: 1¼ in. thick (3.2 cm. thick)
•Classification: Ceramics-Pottery
•Credit Line: Invest in, Nameless Reward, 1996
•Accession Number: Inst.1996.1.1–.350

On perspective at The Fulfilled Fifth Avenue in Gallery 501.

Provenance

Made by San Marco Laterizi di Noale as reproductions of authentic tiles in the Ducal Palace in Gubbio

Timeline of Art Record

•Timelines
oItalian Peninsula, 1900 A.D.-Present

Posted by Autistic Actuality on 2018-10-23 15:49:23

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