Studiolo from the Ducal Palace in Gubbio
•Designer: Built by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed less than the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Quantity: 39.153
On perspective at The Achieved Fifth Avenue in Gallery 501.
This depth is from a analyze, (or studiolo), supposed for meditation and study. Its partitions are carried out in a wood-inlay technique recognized as intarsia. The latticework doors of the cupboards, demonstrated open up or partly closed, indicate the present-day desire in linear point of view. The cupboards display screen objects reflecting Duke Federico’s extensive-ranging inventive and scientific interests, and the depictions of textbooks recall his substantial library. Emblems of the Montefeltro are also represented. This room could have been intended by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A related home, in situ, was produced for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Males pre-eminent in finding out and genius, // How they tumble with bared neck prior to // …… // ………………………………………………knee. // Honored loyalty prevails above justice, and no one particular // Repents having yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (until eventually 1937 bought to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Heritage
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft Faculty
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Phrases, Sculpting Language: Resourceful Crafting Routines at The Metropolitan Museum of Art
oOne Met. Numerous Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guidebook (Spanish)
oThe Metropolitan Museum of Artwork Manual (Russian)
oThe Metropolitan Museum of Artwork Guidebook (Portuguese)
oThe Metropolitan Museum of Art Manual (Korean)
oThe Metropolitan Museum of Artwork Guidebook (Japanese)
oThe Metropolitan Museum of Art Guidebook (Italian)
oThe Metropolitan Museum of Artwork Manual (German)
oThe Metropolitan Museum of Artwork Information (French)
oThe Metropolitan Museum of Art Guideline (Chinese)
oThe Metropolitan Museum of Art Guidebook (Arabic)
oThe Metropolitan Museum of Artwork Guideline
oThe Metropolitan Museum of Art Information
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Artwork
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Challenge: What Artists See When They Glance At Art
oThe Artist Challenge
oThe Artwork of Renaissance Europe: A Useful resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:22
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