Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed beneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Variety: 39.153
On check out at The Met Fifth Avenue in Gallery 501.
This element is from a study, (or studiolo), supposed for meditation and examine. Its walls are carried out in a wood-inlay procedure recognised as intarsia. The latticework doorways of the cabinets, demonstrated open or partly closed, point out the up to date desire in linear viewpoint. The cupboards show objects reflecting Duke Federico’s large-ranging creative and scientific interests, and the depictions of publications recall his intensive library. Emblems of the Montefeltro are also represented. This home might have been made by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar home, in situ, was produced for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Gentlemen pre-eminent in discovering and genius, // How they drop with bared neck right before // …… // ………………………………………………knee. // Honored loyalty prevails about justice, and no one // Repents having yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family, Frascati (till 1937 marketed to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Record
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft College
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Words and phrases, Sculpting Language: Resourceful Composing Pursuits at The Metropolitan Museum of Art
oOne Met. Lots of Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guidebook (Spanish)
oThe Metropolitan Museum of Art Guide (Russian)
oThe Metropolitan Museum of Artwork Guide (Portuguese)
oThe Metropolitan Museum of Art Manual (Korean)
oThe Metropolitan Museum of Artwork Guideline (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Artwork Information (German)
oThe Metropolitan Museum of Artwork Guideline (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Artwork Manual (Arabic)
oThe Metropolitan Museum of Artwork Tutorial
oThe Metropolitan Museum of Art Manual
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Younger Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Job: What Artists See When They Look At Art
oThe Artist Undertaking
oThe Art of Renaissance Europe: A Source for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Really like in Renaissance Italy
Posted by Autistic Reality on 2018-10-23 15:49:21
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