Studiolo from the Ducal Palace in Gubbio
•Designer: Created by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed less than the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Quantity: 39.153
On look at at The Satisfied Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), intended for meditation and analyze. Its walls are carried out in a wood-inlay system recognised as intarsia. The latticework doorways of the cabinets, proven open up or partly closed, indicate the up to date fascination in linear viewpoint. The cabinets display screen objects reflecting Duke Federico’s wide-ranging creative and scientific interests, and the depictions of books remember his comprehensive library. Emblems of the Montefeltro are also represented. This place may perhaps have been made by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was created for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mom // Men pre-eminent in mastering and genius, // How they tumble with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails above justice, and no one particular // Repents getting yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti relatives, Frascati (until eventually 1937 bought to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Background
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Words, Sculpting Language: Artistic Producing Routines at The Metropolitan Museum of Artwork
oOne Satisfied. Many Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Guide (Spanish)
oThe Metropolitan Museum of Art Manual (Russian)
oThe Metropolitan Museum of Art Manual (Portuguese)
oThe Metropolitan Museum of Artwork Tutorial (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Artwork Information (Italian)
oThe Metropolitan Museum of Art Manual (German)
oThe Metropolitan Museum of Art Guideline (French)
oThe Metropolitan Museum of Artwork Tutorial (Chinese)
oThe Metropolitan Museum of Artwork Manual (Arabic)
oThe Metropolitan Museum of Art Guideline
oThe Metropolitan Museum of Art Tutorial
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Challenge: What Artists See When They Glimpse At Art
oThe Artist Undertaking
oThe Artwork of Renaissance Europe: A Useful resource for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Like in Renaissance Italy
Ground Tiles (Set of 350)
•Factory: San Marco Laterizi di Noale Pottery
•Date: 1995
•Culture: Italian, Venice
•Medium: Earthenware
•Dimensions:
oHeight: 10¾ in. sq. (27.3 cm. sq.)
oWidth: 1¼ in. thick (3.2 cm. thick)
•Classification: Ceramics-Pottery
•Credit Line: Purchase, Anonymous Gift, 1996
•Accession Number: Inst.1996.1.1–.350
On check out at The Satisfied Fifth Avenue in Gallery 501.
Provenance
Made by San Marco Laterizi di Noale as reproductions of unique tiles in the Ducal Palace in Gubbio
Timeline of Art Historical past
•Timelines
oItalian Peninsula, 1900 A.D.-Present
Posted by Autistic Reality on 2018-10-23 15:49:20
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