Studiolo from the Ducal Palace in Gubbio
•Designer: Built by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed below the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Range: 39.153
On perspective at The Satisfied Fifth Avenue in Gallery 501.
This element is from a study, (or studiolo), meant for meditation and analyze. Its partitions are carried out in a wooden-inlay strategy acknowledged as intarsia. The latticework doorways of the cabinets, proven open or partly shut, indicate the modern day desire in linear viewpoint. The cupboards display objects reflecting Duke Federico’s extensive-ranging artistic and scientific pursuits, and the depictions of publications recall his in depth library. Emblems of the Montefeltro are also represented. This area may perhaps have been made by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A equivalent space, in situ, was designed for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mother // Gentlemen pre-eminent in mastering and genius, // How they tumble with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents getting yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (till 1937 offered to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Record
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft University
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Creative Creating Routines at The Metropolitan Museum of Artwork
oOne Met. Lots of Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guideline (Spanish)
oThe Metropolitan Museum of Art Tutorial (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Artwork Guide (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Manual (Italian)
oThe Metropolitan Museum of Artwork Guidebook (German)
oThe Metropolitan Museum of Artwork Guidebook (French)
oThe Metropolitan Museum of Artwork Information (Chinese)
oThe Metropolitan Museum of Artwork Manual (Arabic)
oThe Metropolitan Museum of Artwork Information
oThe Metropolitan Museum of Art Guideline
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Youthful Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Undertaking: What Artists See When They Appear At Artwork
oThe Artist Venture
oThe Artwork of Renaissance Europe: A Resource for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Appreciate in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:19
Tagged: , Inside , Inside of , Indoors , Composition , Downtown , Downstate , Metropolitan Museum , The Achieved , The Metropolitan Museum of Artwork , Metropolitan Museum of Art , Architecture , New York , New York Condition , New York Metropolis , Point out of New York , Developing , Museum , Museums , Art , United states of america , US , United States , United States of The us , The usa , New York County , Manhattan , Artwork Museum , Art Museums , Landmark , Central Park , Fifth Ave , Fifth Avenue , European Sculpture and Attractive Arts , Sculpture , Decorative , Arts , Europe , European Sculpture , European Attractive Arts , Attractive Arts , Studiolo , Studiolo from the Ducal Palace at Gubbio , Ducal Palace , 1478–82 , 1478-1482 , 1478-82 , 1478–1482 , Duke , Palace , Gubbio , Review Home , Review , Space , Duke of Urbino , Federico da Montefeltro , Urbino , Italy , Renaissance , 1478 , 1482 , 2018
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