Studiolo from the Ducal Palace in Gubbio
•Designer: Created by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed underneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Amount: 39.153
On see at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), supposed for meditation and examine. Its partitions are carried out in a wooden-inlay method identified as intarsia. The latticework doors of the cabinets, demonstrated open or partly shut, point out the modern desire in linear standpoint. The cabinets display screen objects reflecting Duke Federico’s vast-ranging inventive and scientific pursuits, and the depictions of publications remember his substantial library. Emblems of the Montefeltro are also represented. This area may well have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar space, in situ, was designed for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Adult men pre-eminent in learning and genius, // How they fall with bared neck prior to // …… // ………………………………………………knee. // Honored loyalty prevails around justice, and no just one // Repents obtaining yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (until 1937 offered to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Background
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft Faculty
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Words and phrases, Sculpting Language: Creative Producing Actions at The Metropolitan Museum of Artwork
oOne Satisfied. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Information (Spanish)
oThe Metropolitan Museum of Art Guidebook (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Manual (Korean)
oThe Metropolitan Museum of Art Tutorial (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guideline (German)
oThe Metropolitan Museum of Art Tutorial (French)
oThe Metropolitan Museum of Artwork Information (Chinese)
oThe Metropolitan Museum of Art Guideline (Arabic)
oThe Metropolitan Museum of Art Guideline
oThe Metropolitan Museum of Artwork Guide
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Younger Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Venture: What Artists See When They Glance At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Useful resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Love in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:18
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