Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed less than the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Quantity: 39.153
On watch at The Met Fifth Avenue in Gallery 501.
This detail is from a review, (or studiolo), meant for meditation and examine. Its walls are carried out in a wood-inlay system recognized as intarsia. The latticework doorways of the cabinets, proven open up or partly shut, show the contemporary desire in linear perspective. The cabinets display objects reflecting Duke Federico’s large-ranging artistic and scientific interests, and the depictions of guides remember his extensive library. Emblems of the Montefeltro are also represented. This home may well have been built by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A comparable room, in situ, was built for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Men pre-eminent in learning and genius, // How they tumble with bared neck just before // …… // ………………………………………………knee. // Honored loyalty prevails about justice, and no one particular // Repents acquiring yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti spouse and children, Frascati (until 1937 sold to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Historical past
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft Faculty
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Text, Sculpting Language: Resourceful Crafting Actions at The Metropolitan Museum of Art
oOne Satisfied. Several Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Tutorial (Spanish)
oThe Metropolitan Museum of Art Manual (Russian)
oThe Metropolitan Museum of Artwork Guidebook (Portuguese)
oThe Metropolitan Museum of Art Guidebook (Korean)
oThe Metropolitan Museum of Artwork Information (Japanese)
oThe Metropolitan Museum of Artwork Manual (Italian)
oThe Metropolitan Museum of Artwork Guide (German)
oThe Metropolitan Museum of Art Guidebook (French)
oThe Metropolitan Museum of Artwork Tutorial (Chinese)
oThe Metropolitan Museum of Art Manual (Arabic)
oThe Metropolitan Museum of Art Guideline
oThe Metropolitan Museum of Art Information
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Artwork
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Job: What Artists See When They Glance At Art
oThe Artist Task
oThe Artwork of Renaissance Europe: A Useful resource for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Adore in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:18
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